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Ina Garten shares her secret for a great dinner party: 6 people and round table

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Ina Garten shares her secret for a great dinner party: 6 people and round table

“I love cooking for people I love,” Ina Garten says. “And the cooking is just the medium; the thing that I care about is the connection.”

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Ina Garten, the host of the Food Network’s Barefoot Contessa, still remembers a disastrous party she threw when she was 21. She’d invited 20 guests, with the intention of making an individual omelet for each person — except she barely knew how to cook an omelet.

“I was in the kitchen the entire time,” Garten says. “It was such a bad party, I almost never had another party again.”

Garten says she learned a few things from the experience — not the least of which was to keep things simple. Her ideal dinner party is six people sitting at a small, round table. And, yes, the shape of the table matters.

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“Very often people have long, rectangular tables that are way too wide and people are seated too far apart,” Garten says. “I like when everybody’s knees are almost touching and it feels very intimate, with a dark room and a candle in the middle.”

Garten’s relaxed approach to entertaining is the hallmark of Barefoot Contessa, which debuted in 2002. Filmed in the kitchen of her home in East Hampton, N.Y., the show follows Garten as she shops for ingredients, tests recipes and sits down to eat with her husband Jeffrey and their friends.

“When you cook for people you love, they feel taken care of, and you make great friends and you create a community for yourself,” she says. “And I think that’s really what we all need, and what we all kind of hunger for.”

An Emmy and James Beard Award winner, Garten has also penned 13 cookbooks. In the new memoir, Be Ready When the Luck Happens, she details how she went from working in the White House to becoming a beloved culinary voice, with fans from all walks of life.

“One of the things I love about what I do is that everybody cooks,” she says. “I was walking up Madison Avenue one day and a woman in a big fur coat … said, ‘Darling, I just just love your cookbooks.’ And a block later, a truck driver pulled over and said, ‘Hey, babe, I love your show.’ And I thought, That’s food. Everybody’s interested in food.”

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Interview highlights

On how working for the federal government in the 1970s connects to her love of cooking

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I worked in a group called Office of Management and Budget, and what we did was write the president’s budget that was sent to Congress. And I worked in nuclear energy policy. … I’ve always been very interested in science, and the way I feel about what I do now is it’s science, but you end up with something delicious instead of enriched uranium.

On buying a specialty food store in Westhampton, N.Y., when she was 30

I walked in and they were baking chocolate chip cookies. And I just remember thinking, Wow, this is where I want to be. … So we met with the owner and I made her a low offer. She was asking for $25,000, which was more money than we had in the world. And I just, on a whim, offered her $20,000, thinking, Well, we’ll go home, we’ll negotiate, I’ll have time to think about this. And we drove back to Washington [D.C.]. And Monday morning, I was in my office and the phone rang, and … [the owner] said, “Thank you very much. I accept your offer.” And I remember thinking, s***, I just bought a food store. I remember going to my boss and going, “You’re not going to believe what I just did.”

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On the store’s name, Barefoot Contessa

The name really related to Diana [Stratta, the previous owner], not me. But then as the summer progressed, I realized it actually had a resonance. … It was about being elegant and earthy at the same time. And I think that really was what the store was about.

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On a time when she separated from her husband Jeffrey

This was the ‘70s and we both assumed that he would be the husband and I would be the wife and that he would take care of the finances and I would have dinner on the table. I mean, we had prescribed roles, but it was a time when women were becoming aware that just because we were women didn’t mean that there were things that we had to do. I really credit Gloria Steinem and Betty Friedan for making us think about it. And it may be that you want to have dinner on the table, but it doesn’t mean that because you’re the woman, you’re the only one who should have dinner on the table. So I was becoming aware of this, and Jeffrey, who had no reason at all to change his mind, wasn’t. And so I found some frustration with being in a prescribed role as the wife. …

One weekend in Westhampton, that first summer, we took a long walk on the beach and I said, “I feel like I need to be on my own for a while.” And Jeffrey said the right thing. He said, “If you feel you need to be on your own, then you need to be on your own.” And he went back to Washington and didn’t come back. And it was a tough time, but it led us back to a different kind of relationship.

On writing about her unhappy childhood

Remember, this was the ‘50s. It’s not the era of helicopter parents who are encouraging their children to do extraordinary things. This is an era where you did what the parents told you to do. And my parents were particularly harsh about it. … [My mother] dealt with it by pushing us away and making sure that she didn’t actually have to spend time with us. So I spent most of my time in my bedroom, and my brother spent time in his. And then my father was a really, really harsh authoritarian figure. If you didn’t do exactly what he wanted you to do, it was met with pretty serious anger and sometimes … hitting. And it was a very difficult way to grow up. … The only thing I remember is just total disappointment, because I wouldn’t do what they wanted me to do. They never gave me an opportunity to do what I wanted to do.

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I talk about this in the book, not so much because it was such a terrible childhood. It certainly wasn’t a happy one, but there were so many worse childhoods. But I wanted people to know that the story of your childhood doesn’t necessarily need to be the story of your life.

Therese Madden and Anna Bauman produced and edited this interview for broadcast. Bridget Bentz and Beth Novey adapted it for the web.

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‘The Invite’ is a marriage comedy with sex and heart

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‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

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A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

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When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

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After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

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He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

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And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

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I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

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“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

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Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

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Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

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In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

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The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

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