Lifestyle
In a collection of 40+ interviews, author Adam Moss tries to find the key to creation
Adam Moss allowed NPR into a space only two other people have seen: his painting studio.
Adam Moss
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Adam Moss
Adam Moss allowed NPR into a space only two other people have seen: his painting studio.
Adam Moss
In a small brick building in the Lower East Side of Manhattan, you can find Adam Moss’s “den of torture.”
Prior to this interview, almost no one has been allowed in.
“Just my husband and my teacher. That’s it.” Moss said. “Two people in my entire life and I’ve had this thing for five years. So welcome.”
This space is less menacing than most dens of torture; there aren’t any medieval instruments of pain after all. Instead, the small, light-filled room overflows with brushes and palettes, and paintings of various sizes and stages of completion rest on every surface.
Adam Moss’ so-called “den of torture.” Instead of Medieval instruments of torture, he has paintbrushes and palettes.
Adam Moss
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Adam Moss
When Adam Moss gave up his job as editor-in-chief of New York Magazine five years ago, he started painting. He loved it, but it was agonizing.
“I really wanted to be good, and it made the act of making art so frustrating for me,” said Moss. “This [studio] is where I come many days and wrestle with trying to make something.”
Trying to make something is exactly the subject of Adam Moss’s new book, The Work of Art: How Something Comes from Nothing.
“The book is called The Work of Art,” says Moss. “And that is kind of what it’s about.”
It’s about the work.
Adam Moss’ The Work of Art: How Something Comes from Nothing features interviews with more than 40 creatives about their process, from blank page to final product.
Penguin Press
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Penguin Press
The book has 43 chapters, each one dedicated to a single artist, and their process of creating a single work. They come from a wide range of disciplines. There are poets, painters, chefs, sand castle sculptors and crossword puzzle makers.
And through this collection of interviews, the book tries to answer the questions: How does a sketch become a painting? How does a scribbled lyric become a song? How does an inspiration become a masterpiece?
The book is a visual feast, full of drafts, sketches, and scribbled notebook pages.
A sample of pages from chapter 9 of the book, which profiles poet and essayist Louise Glück.
Penguin Press
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Penguin Press
A sample of pages from chapter 9 of the book, which profiles poet and essayist Louise Glück.
Penguin Press
Every page shows how an idea becomes a finished design.
In one chapter, Moss speaks with Amy Sillman, an abstract painter who Moss admires for her unique use of color and shape.
“Amy was also a dream subject for this project,” Moss writes. “Because to reach the finish line of most of her paintings, she paints dozens of paintings, or even more, each usually pretty wonderful.”
The chapter contains 39 images, demonstrating the full evolution from first draft to finished product of her work, Miss Gleason.
Each image is accompanied by a quote from Sillman, explaining what step that particular draft represented in her process.
In another chapter, Moss speaks with the musician Rostam, who describes the process of writing the song “In a River.”
Musician Rostam Batmanglij, pictured here performing in 2017, shared his songwriting process with Adam Moss.
Emma McIntyre/Getty Images
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Emma McIntyre/Getty Images
Musician Rostam Batmanglij, pictured here performing in 2017, shared his songwriting process with Adam Moss.
Emma McIntyre/Getty Images
For Rostam, the creative process occurred in large part on his iPhone, in a collection of draft lyrics written in the notes app, and melodies in recorded as voice memos.
Voice memo draft of Rostam’s “In a River”
Eventually, those notes and recording on his phone evolved into a completed song.
Rostam’s animation video for his song “In a River.”
YouTube
So, what is the key to creating a masterpiece? Moss did not find an answer. All of artists featured across the book are unique, and so are their creative processes.
However, Moss did point to some frequently shared traits.
One commonality Moss found was that many artists describe themselves as having ADHD.
“Whether they have ADHD or not, [they have] the elements that we associate with ADHD,” Moss said, describing a balance of distractedness and focus.
“You need to be distracted enough for your mind, for your imagination to go fishing, and you need to be focused enough to know what to do with it.”
Moss also found that his subjects consistently found ways not to let the fear of failure or mistakes prevent them from starting.
“They tried to get through that as quickly as possible and with as little thought as possible,” Moss said. “Many of them write in longhand, giving themselves explicit permission to fail.”
However, there was one trait between Moss’s subjects that was truly ubiquitous.
“They all have a compulsion, an obsession to make something. It gets into their system and they can’t let go of it,” Moss said, explaining that the vision or the final product is secondary to the process.
“The end product is not the point,” Moss said. “what they were consumed by, why they did what they did is because they were consumed by the work. “
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Netflix
Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
Netflix
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Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.
Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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