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Here's how TikTok creators are preparing for a TikTok ban

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Here's how TikTok creators are preparing for a TikTok ban

TikTok creators are preparing for the app to potentially be shut down in the U.S. this month unless it’s sold to a non-Chinese company.

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As a TikTok shutdown looms, many creators are preparing for life without the popular social media app that serves as news, entertainment and for some: income.

TikTok will be banned in the U.S. this month unless its owner, ByteDance, is sold to a company outside of China.

President-elect Donald Trump has asked the Supreme Court to block the law from going into effect — and NPR’s Bobby Allyn has reported that “for all the TikTokers out there who use the app every day, I think it’s fair to say it’s unlikely it will be disappearing anytime soon.”

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But creators on the app are saying their goodbyes and planning for the app as they know it to go away in a matter of weeks.

For some creators, the end of TikTok would mean losing their main source of income.

Cora Lakey quit her six-figure job in talent acquisition and project management in October — because she was able to make a living on TikTok.

“I was, I would say, equaling my corporate salary for about three months before I took the leap to quit,” Lakey said.

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TikTok has allowed her to pay off some of her student debt. Unlike her corporate job, becoming a full-time TikTok creator has also provided her autonomy over how she spends each hour of her day.

But recently she’s seen comments that a TikTok ban might force influencers like her to “get a real job.”

In a TikTok video, she retorted, “Influencers aren’t out of touch for crying about the TikTok ban. You’re out of touch for not realizing this is a real industry.”

Women have the most to lose: Eighty-four percent of influencers are women, according to a 2024 report from Influencer Marketing Hub, which follows the social media industry.

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“Some would argue that with TikTok shutting down, they could wipe out about $1.3 billion in U.S. small business and creator revenue within just one month,” said Nicol Turner Lee, senior fellow in governance studies and director of the Center for Technology Innovation at the Brookings Institution.

“The creator economy is valued at $250 billion globally,” Turner Lee added.

President Biden signed the bill that would potentially ban TikTok, citing threats to national security.

The app gathers a lot of personal information from users, and lawmakers say they are concerned about the Chinese government spying on American users, or manipulating the platform to advance its own interests.

But Adam Aleksic, who goes by @etymologynerd on TikTok, doesn’t believe these claims.

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“It’s not about China. It’s about the fact that they can’t control mass communication anymore, which has also been obvious since the war in Gaza started,” Aleksic said in a TikTok video.

Aleksic echoes a theme a lot of TikTok users share about the ban.

“The gatekeepers hate this, but they know they can’t stop us from using all of social media,” he said. “Instead, they can just try to limit us to the platforms they have the most control over.”

Among TikTok users, there’s a feeling of loss.

“I’m not as worried as I am disappointed,” said Anna Vatuone, who coaches people on developing their personal brands online.

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Vatuone says she finds most of her clients through TikTok. Ahead of a potential ban on the app, she’s telling her hundred and eighty thousand followers to find her on Instagram and Substack.

“Rule one of personal branding is don’t put all your eggs in one basket,” Vatuone said. “Diversify and make sure that you’re in a lot of different places, because the truth is we don’t own our profiles anywhere.”

Ralph Tyndall posts videos about cardmaking to his one-and-a-half million followers. He’s been a full-time content creator for almost two years, and says it allowed him to leave his tech job that burned him out.

“I’ve kind of just been ignoring it, knowing that I don’t really have any control,” he said of a potential TikTok ban.

Tyndall used to make around $160 thousand annually at his tech job, however he now makes more as a content creator. He says he’ll be alright without the additional income from TikTok — but it’s the loss of community he’s more worried about. He’s been on TikTok longer than any other social media platform, and doesn’t want to lose the following he’s built up.

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“While it’s great to chase the metrics and numbers and views, the thing that keeps me coming back is the community,” Tyndall said.

Rishika Vinnakota is a TikTok influencer who posts about her life as a college student to her twenty thousand followers. She says she’s “disappointed just because I built a community,” adding that “it’s really hard to get people to follow you from one platform to another, especially if you have a smaller platform.”

Vinnakota has three on-campus jobs, but makes the most of her income from TikTok partnerships and brand deals.

“It’s a little sad to go through and relive all my videos and download them and, you know, plan to post them on another platform,” she added.

Vinnakota uses a separate app to download her videos without the TikTok watermark — since videos posted on TikTok can’t be downloaded without the app’s logo.

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While she can upload her TikTok videos to another platform, it won’t be as lucrative. Having a large following on TikTok makes brands want to work with her — and she doesn’t have nearly as many followers on other social media platforms.

“I mean, all of this could have been dealt with in a much better way,” she said of the lawmakers who orchestrated the potential ban.

“I’m still going to take content, film, post, edit. I’m going to do everything I do,” Vinnakota said. “It just might not be on TikTok anymore.”

This story was edited for radio by Barry Gordemer and edited for digital by Treye Green. It was produced by Claire Murashima.

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‘The Invite’ is a marriage comedy with sex and heart

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‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

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A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

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When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

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After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

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He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

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And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

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I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

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“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

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Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

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Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

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In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

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The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

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