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'Forgotten on Sunday' evokes the heartwarming whimsy of the movie 'Amélie'

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'Forgotten on Sunday' evokes the heartwarming whimsy of the movie 'Amélie'

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Valérie Perrin’s novels have been enormously popular in her native France, and it’s no wonder. Forgotten on Sunday, her third to be translated into English, evokes something of the heartwarming whimsy of the 2001 movie, Amélie, which gets a shout-out in the book.

A recurrent theme in Perrin’s novels is the life-changing magic of friendships across generations. Her latest is narrated by a charming misfit, a 21-year-old nurse’s assistant at a retirement home in her tiny village. Justine Neige is so interested in her patients’ lives that she often stays after her shift to hold their hands and talk to them. She announces on the second page: “I love two things in life: music and the elderly.”

Like Violette Toussaint, the caretaker of a cemetery in Perrin’s Fresh Water for Flowers, Justine has an unusual gift for empathy that enables her to elicit confidences from the people she encounters in her work. Despite the sadness of some of the stories, including their own, both of Perrin’s idiosyncratic heroines remain obstinate optimists and romantics.

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Justine has a favorite patient, 96-year-old Hélène Hel, a retired seamstress and bistro owner whose life story she records in a blue notebook. It’s a love story disrupted by the German occupation of France, deportation to Buchenwald, and years lost to amnesia — all frequent subjects in French literature. Unusually, dyslexia and Braille play into it. So do blue eyes. A seagull is asked to carry more symbolic weight than in Chekhov. (Don’t ask.)

As Justine pieces together Hélène’s tragic history, relayed “in jigsaw-puzzle form,” she also strives to locate the missing pieces regarding the tragedy that changed her life: the death of her parents in a car accident on the way to a baptism when she was four. Also killed in the 1996 crash were her uncle and aunt — her father’s identical twin brother and his beautiful Swedish wife — who left behind 2-year-old Jules. The two orphaned cousins were raised by their grim grandparents, who refuse to discuss the crash. “It can’t be said that they’re nasty to us, merely absent,” Justine comments. We eventually learn why.

Justine, seemingly without ambition or wanderlust, went straight from high school to her ill-paid job at The Hydrangeas. Jules, on the other hand, plans to hightail it to Paris to study architecture the minute he finishes his baccalaureate. “For Jules, succeeding in life means leaving Milly,” Justine observes. (It also meant cutting off his Swedish maternal grandparents when he was ten, after “they made insinuations” about his parentage.) He cannot understand Justine’s devotion to her job or to their dying little village. “Jules tells me I’m too naively sentimental, that I think like a novel,” she writes. Of course he’s right, but of course that’s Justine’s charm.

Forgotten on Sunday is comfortably translated by Hildegarde Serle, though I wish she had left some of the original French for color, such as crèpes instead of pancakes and toilette instead of the ungainly ablutions. The title refers to the nursing home inhabitants who are unvisited — or forgotten — even on Sundays. In French, it’s Les Oubliés du Dimanche, with the definite article: the forgotten. Most of these neglected elders, Justine notes pointedly, “have only sons.” (A better word order: “only have sons” — meaning no daughters, who, she observes, are far more attentive to their parents.)

This intricately plotted novel features more twisted strands than a French braid, with several flyaway mysteries that Perrin ultimately tames. Primary among them: Who has been calling the families of forgotten patients on Saturday nights and telling them their loved ones have died, forcing them to show up to a big surprise (and the delight of their elders) on Sunday morning? Despite being “like an Agatha Christie with no dead body,” the case triggers a police investigation by the same lazy, unpleasant detective who, it turns out, investigated Justine’s parents’ accident.

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Another question that keeps readers turning pages: Who’s the thoughtful, unbelievably forbearing guy Justine sometimes spends the night with after dancing at the Paradise Club — a guy whose calls she never bothers to return and whose name she never bothers to learn?

Forgotten on Sunday is a pain au chocolat of a book — flaky but buttery, with a sweet center. This sentimental soul-soother is further sweetened by the knowledge that several of the characters are named, at least in part, after Perrin’s grandparents, including Helene Hel’s lost-and-found great love, Lucien Perrin.

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What worked — and what didn’t — in the ‘Stranger Things’ finale

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What worked — and what didn’t — in the ‘Stranger Things’ finale

Sadie Sink as Max Mayfield.

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Yes, there are spoilers ahead for the final episode of Stranger Things

On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.

Worked: The final battle

The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!

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Did not work: Too much talking before the fight

As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.

Worked: Dungeons & Dragons bringing the group together

It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington holding up drinks to toast.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.

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Did not work: Dr. Kay, played by Linda Hamilton

It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.

Worked: Needle drops

Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.

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Did not work: The non-ending

As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?

This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation
The beauty industry’s M&A machine roared back into action in 2025, with no shortage of blockbuster sales and surprise consolidation. It was also a year with no shortage of flashpoint moments or controversial characters, reflecting the wider fractious social media and political climate.
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Sunday Puzzle: P-A-R-T-Y words and names

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Sunday Puzzle: P-A-R-T-Y words and names

On-air challenge

Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y.  For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.

1. Colors

2. Major League Baseball Teams

3. Foreign Rivers

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4. Foods for a Thanksgiving Meal

Last week’s challenge

I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?

Challenge answer

It was a volume of an encyclopedia with entries from OUT- to SEA-.

Winner

Mark Karp of Marlboro Township, N.J.

This week’s challenge

This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?

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If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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