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Everything is the worst in this 'Banal Nightmare'

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Everything is the worst in this 'Banal Nightmare'

A book can be many things at once, and sometimes those things can be diametrically opposed.

Halle Butler’s Banal Nightmare is one of those books. Sometimes entertaining and sometimes dull, often hilarious but also relentlessly uncheerful, and packed with brilliant observations as well as tedious arguments plucked from any living room in a small town, Banal Nightmare is full of swinging pendulums that make for a dark, chaotic read that flies very close to the line between fiction and nonfiction.

Moddie is tired. Life feels like a carousel of bad things, and her relationship seems to be the worst of it. Desperate for a change, Moddie leaves her boyfriend and moves back to her hometown in the Midwest. The change is rough, and while Moddie goes to events and parties and spends some time with her old friends, the ennui is still there, accompanied by regret and guilt at leaving her boyfriend and a growing sense that no one likes her and that everyone else is wrong about everything. And she isn’t alone. Every person Moddie meets is fighting a similar battle, both with themselves and with those around them. Moddie and everyone else in this story is experiencing the same profound, nagging sense of dissatisfaction, and that makes dealing with others much harder.

Banal Nightmare is about feeling like everything sucks. At the start of the novel, there is a sliver of hope as Moddie changes her life and finds herself hanging out with her friend Nina, feeling “a deep gratitude for her presence” and slowly “rediscovering a self-assurance that she had buried during her years with Nick in Chicago.” That feeling, however, is short lived. Yes, Nick was annoying and didn’t help around the house. Yes, Moddie needed a change. Yes, going back home was a huge mistake. Unfortunately, the problem is much bigger than that: “The worst parts of Chicago had followed her here, because the worst parts of Chicago had been inside of her.”

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Moddie and the rest of the characters in this novel have no redeemable qualities. They are, generally speaking, unhappy, petty, self-absorbed people who spend the entire novel arguing and complaining. This doesn’t mean that they are hard to connect with (let’s face it, we all have bad days where nothing seems to go our way and life feels tiresome), but even when many readers will have no trouble seeing themselves in these characters, they aren’t facing anything serious, so there is no empathy present.

Following Moddie as she writes emails, gets groceries, walks the neighborhood, gets high, watches the television, and thinks about ending it all, craving a cigarette “just so she could put it out on her face, and then maybe burst into flames” is interesting at first. We can feel the darkness, the pressure, the sharp, constant tedium of life slowly crushing every character in the novel. Then, that darkness and pressure morph into something else. As the narrative progresses without a real source of tension, it’s easy to start feeling like the characters, but mostly in relation to the story. Eventually, more than 300 pages of constantly being snappish and grumbling about the “crushing tedium and confounding horrors” of life becomes too much and the book starts to become as flat as a song with only one note.

Despite the dreariness that permeates the narrative, Banal Nightmare still has some shining qualities. The writing is sharp and Butler is a keen observer of the human condition who understands how our worst enemy is sometimes our own brain. There are also many arguments between couples that illuminate the way some relationships turn into circular arguments where everyone feels like a victim but no one does anything about it.

Ultimately, Banal Nightmare is one of those books that will land perfectly with readers who often feel like the characters in the book, and will not land with those who rarely feel that way. “Life was a disappointment through and through and pleasures wilted by the hour.” That line exemplifies the aura of this novel. That line holds a powerful truth at its core. However, more than 300 pages that expand on that line’s sentiment might be too much for most readers.

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Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias.

Lifestyle

Sunday Puzzle: Five plus two, two plus five

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Sunday Puzzle: Five plus two, two plus five

Sunday Puzzle

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Sunday Puzzle

On-air challenge

I’m going to give you two five-letter words. Add the same two letters at the end of the first one and the start of the second one, in each case to complete a familiar seven-letter word.

Ex. Later Ready –> LATERAL/ALREADY

1. Habit Tempt

2. Laten Press

3. Blank Ching

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4. Since Venue

5. Shack Groom

6. Surge Stage

Last week’s challenge

Last week’s challenge came from Rawson Sheinberg. of Plymouth, Mich. Think of a U.S. city with a two-word name. Add a letter to the first word, without rearranging letters, to name a country. Then, without adding a letter, rearrange the letters of the second word to name another country. What places are these?

Answer: Los Angeles –> Laos, Senegal

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Winner

Elaine Neel of Derby, Kansas.

This week’s challenge

Next weekend will be the 186th convention of the National Puzzler League, in Bloomington, Ind., which I’ll be attending as always. Two other people who will be there are Henri Picciotto and Joshua Kosman, who created this week’s challenge. Name two words that are opposites. They share a single letter. Remove that shared letter from each word, put a hyphen between the two starting words, and you’ll get a term you sometimes see in food ads. What are the two words?

If you know the answer to the challenge, submit it here by Thursday, July 9 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.

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But first, coffee: The drink that energized the American Revolution

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But first, coffee: The drink that energized the American Revolution

An illustration of the Boston Tea Party, when colonists dumped British East India Company tea into the harbor on Dec. 16, 1773. Some accounts say this marked a pivotal moment when Americans started loving coffee. But one historian says Americans were drinking lots of coffee before then.

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A consequential act of defiance secured tea’s place as perhaps the most iconic beverage of America’s colonial era.

The Boston Tea Party became an essential ingredient in the recipe for revolution in the following years.

But tea wasn’t the only hot beverage with a prominent role in America’s fight for independence.

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Coffee was an important part of American culture from the start. And coffeehouses were essential, too — serving as hubs for brewing ideas of independence.

As the United States celebrates 250 years, here’s what to know about America’s early history of coffee.

Colonists were drinking coffee long before the United States existed

Europeans brought coffee with them when they came to America.

“The first documented example of a mortar and pestle used to grind coffee beans was on the Mayflower” in 1620, says historian Michelle Craig McDonald, the author of Coffee Nation: How One Commodity Transformed the Early United States.

“The fact that coffee was present so early is not surprising if you think about it,” McDonald says. “A number of those who were on the Mayflower came to North America from Amsterdam, which was a major coffee trading center in Western Europe by the 17th century.”

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The first coffeehouse in the colonies opened in 1676 in Boston, a century before the U.S. declared independence, she says. Some taverns sold coffee even earlier.

The Boston Tea Party probably wasn’t the dramatic turning point toward coffee that some claim

On the night of Dec. 16, 1773, disgruntled colonists boarded three ships moored in Boston Harbor and threw overboard more than 92,000 pounds of tea owned by the British East India Company.

Tensions had been building between the Crown and the colonies over the previous decade, as Britain tried to levy taxes on its colonies to recoup war debts.

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

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You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’

Just in time for a contentious 250th anniversary of the United States of America, historian David S. Reynolds’ latest book, Two Ships, helps us realize that any country that couldn’t agree on its own origin story is destined for divisive times.

Two Ships is about the complicated, conjoined legacy of the landings of the Mayflower, which carried the Pilgrims to Plymouth, Mass., in 1620, and the White Lion, which arrived in Jamestown a year earlier, bringing the first enslaved Africans to Virginia.

As Reynolds demonstrates, it’s not so much the facts of these two voyages, as it is the meanings ascribed to them, that made them such a powerful metaphor for two conflicting visions of American identity.

To simplify, the Mayflower’s passengers were separatist Puritans, dissenters to the reign of the English king, James I. As the United States developed, the Mayflower was credited with carrying the seeds of a radical democracy to the New World, one in which all men (in theory, at least) were equal before God.

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In contrast, the European settlers of Jamestown were Royalists, also known as Cavaliers. Loyal to the monarchy, they believed in a strict hierarchy.

But the meaning of the images of the two ships shifted depended on who was invoking them and when. Not surprisingly, the metaphor was deployed most vigorously during the Civil War. In abolitionist speeches and writings, the White Lion or the “Slave-Ship,” as it was commonly called, was condemned for infecting America with the “plague-spot” of slavery.

Reynolds says that Frederick Douglass resorted to the “two ships” metaphor frequently, while Lincoln avoided it, hoping to preserve a unified ship of state. Meanwhile, Southern descendants of Cavaliers invoked the Mayflower to emphasize the intolerance and “cruel, persecuting” character of the Puritans. In a comment that resonates for our own times, Reynolds says:

It didn’t matter to the South that … by the mid-nineteenth century, the North had become a kaleidoscope of religious denominations, …, few of which resembled the faith of the Plymouth colonists. Distortion is intrinsic to cultural memory, especially when amplified by sectional or political bias. For Southerners, the Mayflower had brought Puritanism, which had yielded fanatical movements like abolitionism, now a dire threat to the Union.

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