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Britt Allcroft, who brought Thomas the Tank Engine to television, dies at 81

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Britt Allcroft, who brought Thomas the Tank Engine to television, dies at 81

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Britt Allcroft, creator of the beloved Thomas the Tank Engine & Friends children’s TV series, has died.

The British-born producer died last week in Santa Monica, Calif., at 81.

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The death was confirmed by Brannon Carty, the creator of a documentary about Thomas fandom and a friend of the TV producer’s. No cause of death was given.

Thomas started out as a character in a series of books dating back to the 1940s by Rev. Wilbert Awdry, an English Anglican minister and train enthusiast. Awdry’s The Railway Series revolved around a cast of anthropomorphic trains, including Thomas and his friends Gordon, James and Percy, all chuffing along on the imaginary island of Sodor.

But Allcroft made Thomas an international sensation, starting in the mid-1980s with her TV adaptation narrated by Ringo Starr.

The series, which was later renamed Thomas & Friends, ran for more than three decades and featured other famous narrators such as George Carlin and Alec Baldwin. It has spawned TV spin-offs, movies, stage productions and a ton of merch.

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Television producer and director Britt Allcroft in 1973.

Television producer and director Britt Allcroft in 1973.

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And the appeal goes beyond kids. The 2023 documentary An Unlikely Fandom is about grownups’ passion for the little blue locomotive.

Filmmaker Brannon Carty — a lifelong Thomas fan — said he got to know Allcroft in her final years.

“She was just an incredible woman who was still a child at heart,” Carty said in an interview with NPR. “But she was a businesswoman at the same time. So, she understood what children wanted, and also knew how to sell it.” 

Allcroft was born in 1943 in Worthing, a town on England’s south coast.

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Beyond Thomas, her 1990s animated series Magic Adventures of Mumfie, about a sweet little gray elephant and his friends, was a particular hit.

“I wanted to do something very different from Thomas that would be very magical and epic and hopefully have lots of music in it, and would, in the same way as Thomas, help give children love, and security, and inspiration, and comfort, and fun,” Allcroft told NPR in a 2013 interview.

Allcroft also said she aimed to create shows that gave children an antidote to hectic modern life.

“Children, they’re multidimensional,” she said. “And they still like that time where they can be with their stories, be with their characters, and feel that they’re not being pushed.”

Thomas the Tank Engine arrives for Thomas & Friends: A Day Out with Thomas Tour at Strasburg Rail Road Museum in September 2014 in Lancaster County, Pa. (Photo by Lisa Lake/Getty Images for HIT Entertainment)

Thomas the Tank Engine arrives for Thomas & Friends: A Day Out with Thomas Tour at Strasburg Rail Road Museum in September 2014 in Lancaster County, Pa.

Lisa Lake/Getty Images for HIT Entertainment

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‘How to Rule the World’ explores education and power at Stanford University

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‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

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Ben Margot/AP

When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

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He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

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OTB Takes Full Control of Viktor & Rolf

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OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
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How having zero points in tennis — or ‘love’ — came to sound so sweet

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How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

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Kirsty Wigglesworth/AP

Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

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But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

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It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

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“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

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But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

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