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Adult Bonnets Are The Winter Hat of the Moment

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Adult Bonnets Are The Winter Hat of the Moment

Each winter, it’s often the case that a specific cold-weather accessory — a rainbow-check scarf, for example — comes to define the season. This year that item appears to be a knit hat that could be described as a baby bonnet for adults. It also evokes a balaclava, leading some sellers to christen it the “balabonnet.”

The accessory, which has been embraced by a certain set of fashionable women, comes in various interpretations that range from girlie to monastic. Many styles can be tied under the chin to create a streamlined egg shape, and some have longer straps that can be wrapped around the neck like a scarf for a fully snooded look.

There are bonnets embellished with sterling-silver rings, like the version by Gemsun, a brand in New York City. Mimi Wade, a label in Los Angeles, makes a cutesy style with pointed cat ears. The hats are also sold at mall chains like Free People and Hot Topic; the latter offers a bonnet covered in tiny pink bows.

A $210 version by Pien Studios, a four-year-old label in Amsterdam, has emerged as one of the most covetable. The fuzzy hat, which the brand calls a balaclava, is made of a blend of mohair, merino wool and silk and has skinny, scarflike ties. Produced in a handful of colors, it is sold at trendy boutiques across the world, including Amomento in Seoul, Esmeralda Serviced Department in Tokyo and Carmen in Amsterdam.

Grace Hwang, an advertising creative director in Brooklyn, bought a Pien Studios hat last year at Tangerine, a multibrand store in Williamsburg. Ms. Hwang, 33, said she had noticed women in New York City wearing bonnets of various designs, and called her Pien Studios version the most versatile winter accessory that she owns. (She prefers to call it a hat-scarf, not a bonnet.)

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The Pien Studios hat has an ovular shape that Pien Barendregt, the label’s founder, said was inspired by those of space-age-style hats from the 1960s. Ms. Barendregt, 30, added that she aimed for a silhouette that looked feminine compared with bulkier winter gear. “It looks really elegant if you have a super big coat; it balances it nicely,” she said.

While the label calls its hat a balaclava, Ms. Barendregt agreed it was more of a bonnet and said she had received requests to make children’s versions. When she introduced the style two and a half years ago, many women described it as nostalgic, she said, adding that bonnets are practical accessories for the cold, damp winters in Amsterdam, where she lives, because they envelop the head like a hood.

Ms. Barendregt used to knit each hat herself, she said, but she recently outsourced their production in order to fulfill the hundreds of orders she has received this winter.

Lau Frías, 30, bought a white Pien Studios hat at Bomi, a boutique in Manhattan’s SoHo neighborhood, in October. “It feels like an elevated version of the many bonnets out there,” said Ms. Frías, who works in music and lives in Brooklyn. She sees the growing interest in the accessory as indicative of women not dressing to be noticed by men, but instead “thinking about looking cute for the female gaze,” she said.

While a wide selection of bonnets is available in stores, people are also knitting their own. Several patternmakers have released D.I.Y. templates, including PetiteKnit, a Danish company popular with younger knitters, which sells the pattern for its Sophie Hood — a bonnet-scarf hybrid — for 35 Danish kroner, or about $5. An Instagram video showing a finished version of the hat has been viewed more than 16 million times since being posted in late December.

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The PetiteKnit founder, Mette Okkels, 35, said the hood was designed to be a little slouchy because she thinks tightfitting bonnets look too similar to versions for babies. “I don’t feel ready for that,” she said.

Recently, at the weekly knitting events hosted by Knit Club, a yarn store in Providence, R.I., a majority of the attendees have arrived wearing bonnets of their own creation, said Lindsay Degen, the store’s owner.

“And it’s not always same people every time,” added Ms. Degen, who is also a knitwear designer. “It’s a massive thing.”


The ethics behind our shopping reporting. When Times reporters write about products, they never accept merchandise, money or favors from the brands. We do not earn a commission on purchases made from this article.


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Mel Robbins was in a ‘toxic’ place. She’s now sharing the tools that got her out of it. : Wild Card with Rachel Martin

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Mel Robbins was in a ‘toxic’ place. She’s now sharing the tools that got her out of it. : Wild Card with Rachel Martin

A note from Wild Card host Rachel Martin: I discovered Mel Robbins the way a lot of people do. Someone sent me a link to an episode of her podcast, saying, ‘You gotta listen to this.’ In my case, it was my sister and the episode she sent me was about fitness and menopause. It’s obviously a huge topic but this is the thing about Mel Robbins: it doesn’t matter if it’s about exercise, ambition, relationships or self esteem. She will synthesize a complex topic in a way that feels both obvious and revelatory at the same time and then leave her listeners with a handful of small, manageable actions to make positive change.

Her latest book has become a global bestseller. It’s called “The Let Them Theory.”

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Guess Who This Blue-Eyed Kiddo Turned Into!

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Guess Who This Blue-Eyed Kiddo Turned Into!

Guess Who This
Blue-Eyed Kiddo
Turned Into!

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Filmmaker Jafar Panahi is sentenced again in Iran as Hollywood’s awards season starts

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Filmmaker Jafar Panahi is sentenced again in Iran as Hollywood’s awards season starts

Alongside interpreter Sheida Dayani, filmmaker Jafar Panahi accepts the award for the best original screenplay at the Gotham Awards in New York on Monday for his film It Was Just an Accident.

Mike Coppola/Getty Images for The Gotham Film & Media Institute


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Mike Coppola/Getty Images for The Gotham Film & Media Institute

The start of Hollywood’s awards season has been marked by highs and lows for Iranian filmmaker Jafar Panahi.

On Monday night, the writer and director was present when his film It Was Just an Accident won big at New York’s Gotham Awards, which celebrate independent movies. Hours earlier, his lawyer shared that Panahi was sentenced in absentia to a year in prison in Iran.

According to his lawyer, Mostafa Nili, who posted about the sentence on X and shared the news with Agence France-Presse, the sentence also includes a two-year ban on travel from Iran and a prohibition of any association with political groups, on charges of “propaganda activities against the system.” Nili added that Panahi’s legal team plans to appeal the ruling.

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Last month, Panahi toured the U.S. for the first time to promote It Was Just An Accident, which won the Palme d’Or at the Cannes Film Festival in May. The film follows a group of ex-prisoners in Iran who consider seeking revenge on a man they believe to be their former jailer. The international co-production from Iran, France and Luxembourg is France’s submission for best international feature for the Oscars. It Was Just An Accident was shot in secret, a common practice for Iranian filmmakers.

At the Gotham Awards, which many consider to be the starting point for awards season, Panahi picked up three major prizes, including best international feature and best director. In his acceptance speech for best original screenplay, he dedicated the award to “filmmakers who keep the camera rolling in silence, without support, and at times risking everything they have, only with their faith in truth and humanity.”

“I hope that this dedication would be considered a small tribute,” he added, through an interpreter, “to all filmmakers who have been deprived of the right to see and to be seen, but continue to create and to exist.”

Panahi’s sentencing was not his first. The director was previously arrested in Iran in 2010, sparking public outcry from filmmaking giants such as Martin Scorsese, who denounced the ruling at Cannes that year. Although his sentence in 2010 included a 20-year ban on filmmaking, Panahi continued to make films in secret, including two documentaries, This Is Not a Film (2011) and Taxi (2015), the first of which was smuggled out of Iran on a USB stick.

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In 2022, he was again arrested after seeking information on the charges against fellow Iranian filmmaker Mohammad Rasoulof. He was detained for seven months and released in 2023 after a hunger strike.

Panahi is one of the most acclaimed filmmakers to come out of Iran in recent decades. He is one of only four directors to win the highest competitive prizes at the “big three” film festivals — at Cannes, Venice and Berlin — and is especially celebrated for his defiance of the Iranian government’s censorship. Despite his multiple arrests, Panahi has repeatedly stated that he can’t see himself leaving Iran for good, and he remains committed to making his films there and nurturing the next generation of filmmakers in his home country.

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