Lifestyle
A Silver Lake remodel saves a tree that's 'the soul of the house' — and still gets a killer view
Under the canopy of the enormous olive tree that shades his home, Daniel Gerwin’s 11-year-old son ascends the tree’s gnarled trunk like an expert climber while his brother, 7, reads a book a few feet away inside the house.
Standing nearby, architect John K. Chan, who recently renovated the interiors and designed a modern 500-square-foot addition, can’t help but smile as he watches the boys’ parents cook dinner amid all the activity.
“It’s so wonderful to see the house working for them,” Chan says as the family and their dog, Phoenix, circulate in and out of the house through sliding glass doors — a classic California indoor-outdoor move. “As an architect, the sweetest gift you can get from your clients is seeing the house working. Sometimes Daniel will text me, ‘This is happening right now,’ with a photo of the kids doing something we designed, and it’s so gratifying.”
“The olive tree is the soul of the house,” says homeowner Daniel Gerwin. “So we built the house around it.”
(Jason Armond / Los Angeles Times)
Gerwin and his wife saw plenty of promise in the 1,100-square-foot home when they purchased it in 2016. Like many traditional homes built during the 1930s, the house featured a simple floor plan with two bedrooms, one bathroom, a living room with a fireplace, and a formal dining room and entryway.
Despite its compact layout, the house had many perks: It was within walking distance of a good elementary school and across the street from the Ivanhoe Reservoir. The majestic olive tree, which the couple guesses is as old as the house, was another bonus.
At first, the house was fine.
But as their family grew and they adopted a large Rhodesian Ridgeback, the single-story home’s compartmentalized rooms began to feel claustrophobic.
“The boys’ room was OK when it was just a crib and a toddler bed,” Gerwin says, noting the tiny bedroom connected to the primary bedroom through a Jack-and-Jill bathroom, “but it was not sustainable.”
Adds Chan: “It was a traditional house carved into rooms.”
Chan, who began rethinking the house in 2016, says his challenge was to add everything the family wanted — an open floor plan, storage and natural light — on a small, triangular lot.
They also wanted to preserve the olive tree, which absorbs noise from the preschool across the street and shades the house and backyard.
“The olive tree is the soul of the house, and we feel connected to it,” says Gerwin, an artist. “It feels good to have a huge olive tree anchoring our house.”
The silvery green leaves of the olive tree resonate throughout the house, including the front door.
Daniel Gerwin and his family’s renovated Ivanhoe Vista house is built around a giant olive tree.
The modern addition, left, and the traditional home, right, can be seen from the backyard where architect John K. Chan plays with the family dog.
(Jason Armond / Los Angeles Times)
Chan agreed as someone interested in architecture as a cultural project. “When we do research for a house, we need to meet the client’s needs and address the practical concerns, but we are also interested in the poetics of the site, the specific cultures and ecologies of sites and their narratives,” he says, recalling the wooden cover that shielded the Ivanhoe Reservoir in the 1930s.
“The house’s sensibility is very East Coast,” Chan adds, noting the neighborhood’s Spanish, Tudor and Modernist homes by architects Richard Neutra, Gregory Ain, R.M. Schindler and John Lautner. “We decided to tailor the addition to the site’s landscape.”
The newly remodeled house, which took a year to complete, demonstrates Chan’s vision. The silvery and green hues of the olive leaves repeat throughout the house, in the living room furniture, the kitchen’s stained oak cabinets and the olives and leaves preserved in the concrete flooring.
“Every day you see the tree, you sense its roots,” Gerwin says. “It’s nice to see it resonate throughout the house.”
To open up the interiors, Chan removed walls and the fireplace, enlarged the narrow galley kitchen, and added a two-story, 500-square-foot primary bedroom and bathroom that overlooks the reservoir, connecting the family to the lake, the walking path and an olive grove in the pocket park across the street.
When you enter the house, the kitchen faces an open dining room and living room bathed in natural light thanks to the shifting rooflines that create transitions instead of walls. Adding further drama is a giant bay window in the living room that overlooks the backyard. When it frames the boys playing outdoors, Gerwin likens it to a “diorama in a zoo or natural history museum.”
The cabinets in the kitchen are painted a gray tone that echoes the olive tree outside.
(Stephen Schauer)
Walls were removed to open up the partitioned interiors of the traditional home. “A lot of exciting plane changes occur inside the house,” says the homeowner.
(Stephen Schauer)
“One of the things that I enjoy about the house is the geometry,” Gerwin says. “A lot of exciting plane changes occur inside the house. It takes a certain kind of person to want to invest time and energy into something like that. John is that person. It continues to be a pleasure for me as I live here.”
The elevated reading nook above the kitchen allows the children and guests to visit Gerwin while he cooks. It also offers a reverse panorama of the house. Instead of being shut off in separate rooms, the family can face one another while cooking and doing homework in what Chan describes as an “egalitarian” design choice.
“Socially, the kitchen is not for the servants; it’s for the whole family,” he says.
Daniel Gerwin fixes dinner while his son reads in a nook.
(Jason Armond / Los Angeles Times)
Because their home sits on a corner lot and is exposed to hundreds of people who walk around the reservoir daily, Gerwin and his wife were acutely aware that their new bedroom, which faces the pedestrian walkway, would have a fishbowl effect.
Chan felt it was important to connect the addition to the reservoir. “The house has its protected spaces, and oddly, as an inversion, it profoundly connects them to the lake,” Chan says. “The bedroom brings you to the lake.”
If you’ve walked around the Silver Lake and Ivanhoe reservoirs, you can’t miss the addition, with its modern spiked roof, glass picture window, corrugated roof and dark cedar siding.
The homeowners say they are comfortable with being exposed this way.
“It forces me to make the bed,” Gershwin jokes. “I often see people looking up at me from the walking path. But we aren’t in our bedroom during the day. In the morning, I can open the top of the blackout roller shades and still have the bottom portion closed for privacy.” (Chan installed a clear glass guardrail in front of the sliding glass doors for safety, allowing easy access to the windows and sliding glass doors and an uninterrupted view of the lake.)
When Gerwin looks out the bedroom window, he sees a community and, eventually, when the Ivanhoe Reservoir is refilled with water, a sea of blue.
The windows of the primary bedroom connect the home to the Silver Lake reservoir, its community and the pocket park across the street.
(Jason Armond / Los Angeles Times)
The house, seen as a speck in the suburban landscape, overlooks the Ivanhoe Reservoir in 2022 before it was drained for new aeration and recirculation infrastructure.
(Stephen Schauer)
Similarly, in the new bathroom, where the pitched rooflines and angles converge, the color of the cement tile echoes the reservoir and the sky.
Below the house on the ground floor, a previously unpermitted tandem garage conversion now is a part of the house. Chan updated the side-by-side spaces to include an art studio for Gerwin, an office and guest room with a Murphy bed and a small existing bathroom.
Chan considered permitting the garage as an ADU, but it wasn’t a priority for the family. Although Gerwin predicts one of his sons may inhabit the space someday, until then, it works as a guest room for the couple’s parents and for work needs.
The art studio functions well for Gerwin, who previously had a studio in Lincoln Heights. “It’s a little narrow, but I can open the doors for ventilation, and at night, I can close the bug screen so I don’t have to scrape insects off my paintings.”
Photos by Stephen Schauer
Artist Daniel Gerwin in his studio, directly below his bedroom and facing the street.
(Jason Armond / Los Angeles Times)
He can also do carpentry in the driveway and work in the evenings when his family is asleep.
“If I have a one-hour window, I can walk downstairs and work instead of driving to a studio,” he says. As the president of the Barnsdall Art Park Foundation, Gerwin also can hold board meetings in the office space.
Chan, who argues that the addition reconnects the family to where they live, says that by embracing the olive tree’s narrative, it became the house’s substance.
“It was important for the house to emerge from the foliage,” he says. “The roof’s pitch is designed to accommodate the tree growing at this angle. It has a strong presence but is integrated in its context. The large hedge and the shade of the olive tree looming over the house are all important aspects. “
To many people, the Silver Lake Reservoir is an oasis in a frenetic city. But for this family, it’s an extension of their home.
“It’s fun to see people walk or run by,” Gerwin says as he walks Phoenix along the pedestrian path. “Living near a lake is a pleasure. How many people get to do that?”
Lifestyle
Vintage-obsessed millennial parents are driving L.A.’s booming kids’ clothing resale market
Kids’ vintage clothing sales are experiencing a remarkable boom at in-person markets and online, where prices for clothes for little ones have shot up on websites including Depop and Poshmark. Millennial parents are looking to outfit their kids in the clothes and TV and film characters they loved (or coveted) when they were kids.
The result? There’s a new generation of kiddos hitting the playground looking incredibly cool. Take Amari Case, a SoCal toddler who spent a Sunday afternoon this spring ambling around a vintage market in a West Hollywood warehouse clad in baggy jeans and a ’90s-era tee emblazoned with the “Dragon Ball Z” character Son Goku.
When she wasn’t scribbling on a Lorax coloring sheet, she’d been cruising around the market with her dad, Aaron Munoz Case, snapping up new pieces destined to make her the flyest kid at the preschool playground.
Neil Wright, from left, Kristine Nite Scalzo and Brandon Rosenblatt, co-founders of Elemeno Kids Vintage Market.
Showing off Amari’s new vintage satin L.A. Raiders jacket and tiny teal Grant Hill Detroit Pistons jersey, Munoz Case, who was also impeccably dressed, noted that while Amari went through a phase at about 18 months where she wanted to dress herself, eventually she gave up and went back to letting her dripped-out dad dictate her wardrobe.
Munoz Case found Amari’s first vintage piece at the Rose Bowl Flea Market and got the bug, going back every month to pick up something to add to his little’s wardrobe.
Trendspotters and researchers say Munoz Case isn’t alone in his quest. The market for kids’ vintage clothing has heated up precipitously over the last few years, perhaps hitting a boiling point in January when an Eeyore romper from the ’90s sold for over $3,000 on EBay. (It was new with tags, but one without tags still went for almost a grand about a month later.)
The thirst for tiny throwbacks is so popular that first-ever, all-kids market Elemeno — named after the “L-M-N-O” bit of “The Alphabet Song” and where Amari was toddling and shopping — drew 17 vendors and over 2,000 attendees over a single weekend in March. (There are plans for another Elemeno Kids Vintage Market pop-up later this year in New York, as well as plans to bring the event back to L.A. sometime next year.)
2
1. Cameron Scalzo, wearing a vintage McDonald’s T-shirt from the ‘90s, and mom Kristine Nite Scalzo. 2. Cameron Scalzo rocks an Avirex jacket from the ‘90s.
Eye Speak Vintage’s Kristine Nite Scalzo, who co-organized the event and is opening an all-kids vintage store in Pasadena this month, says she fell under the kids vintage spell in 2020 when she was pregnant with her son. She’d always been a vintage shopper for herself, so she knew she wanted to pass the passion down to the next generation. She started filling up her son’s closet, and soon enough, she found herself selling her other finds out of a bodega in her garage.
She has a by-appointment space in Pasadena now, where she draws everyone from Rihanna’s stylist to out-of-town moms who make a point to stop by on their way to Disneyland. “The community around kids vintage has really skyrocketed on Instagram over the past six years,” Scalzo says. “We want to know who we’re buying from. We want to know that we’re doing good with buying secondhand. And it’s a hobby for people that can turn into a possible business on the side. Because knowing there’s a big group that’s interested in vintage kids clothes, you can always pass an item [your kid outgrows] to someone else or resell it.”
Scalzo says some parents are out digging through bins at the Goodwill Outlet looking for the perfect piece, while others are content to pay up for, say, a ’90s Simpsons T-shirt or a mini-size Harley-Davidson jacket. Scouring the racks at the Elemeno market, most pieces cost $15 to $40, though there were special pieces pulled to the side in some booths with price tags that could make a parent’s eyes pop. (Think $275 for a set of well-worn Spider-Man overalls from the ’00s or $150 for a pair of Cross Colours denim shorts from the ’90s.)
In kids and adult vintage alike, mint condition is highly valued. No matter the era in which they were raised, kids tend to be messy. They get strawberry juice on their shirts or scuff up the knees on their Bugle Boy jeans. Vintage kids clothes that look pristine are more expensive, and while plain kids clothes do sell, items with characters on them or cool prints tend to draw more attention and dollars.
Brandon Rosenblatt, another of the Elemeno organizers, says he’s had his eye on a specific kids “Back to the Future” shirt for some time, but notes that it typically sells for about $1,000. He’s partial to McKids clothes for his daughter, from McDonald’s short-lived kids clothing brand, noting that he’s even snagged her a vintage official McDonald’s-themed aloha shirt from Hawaii, something he says he’s never seen anywhere else.
1
2
1. Siblings Amora and Milo Castilo wear vintage cowboy hats, jackets and chaps. 2. Thalia Castilo and her kids Amora and Milo.
Other collectors, he says, might be a little less obscure, leaning into mainstream characters such as Strawberry Shortcake or from ’80s and ’90s properties including “The Land Before Time” and “Rugrats.”
“A lot of millennials are having kids — like everyone who’s in their 30s and 40s — and they all want to put their kids in the same IP they grew up in,” Rosenblatt says.
“It’s the thrill of the hunt that gets everyone so excited,” Scalzo says. “Once you find that perfect nostalgic piece, you’re like ‘Holy s—,’ and you just want to chase that feeling again and again.”
Mia De La Rosa, a reseller who was at the Elemeno market, says that like Scalzo, she started buying kids vintage clothes when she was pregnant with her daughter, Liv, who’s 6 now, very into everything on PBS Kids and has a closet full of thrifted vintage garb covered in characters such as D.W., the annoying little sister from the ’90s show “Arthur.”
Everything Liv wears is “completely her style,” De La Rosa says. “She dresses herself every day and she gets compliments on what she’s wearing at school all the time.”
Other vintage-wearing kids — and in particular younger ones — might simply be sporting what their parents like or might just like the look of the shirt even if they don’t know what it’s advertising. (An 8-year-old boy at the Elemeno market, for instance, chose to wear a pristine T-shirt highlighting the ’90s Jim Carrey movie “The Mask” because it featured his favorite color: green.)
Derrick Broaster, a vintage enthusiast turned full-time reseller, says that while he chooses to put himself in clothes from the ’60s and ’70s, he outfits his two sons in clothes from the 2000s. (“How Bow Wow used to dress when he was a kid,” he says.)
Although his younger son tends to rebel against Broaster’s vintage picks, opting for whatever Spider-Man shoes happen to be in his eyeline, his older son has leaned in, letting his dad advise him on what vintage pieces could work and what would be the most stylish.
1
2
1. Julian, left, and Javier Gutierrez show off their vintage clothing. Javier says his mom always tells him to keep his vintage outfits clean. 2. Mom Priscilla Guzman, clockwise, Dad Javier Gutierrez and sons Julian and Javier Gutierrez enjoy the vibe of vintage clothing. Guzman says she’s been buying and selling kids’ vintage since her oldest son was born eight years ago.
Rosenblatt says a good portion of what vintage finds he sees in the market now has returned to the U.S. from places in Central America and South America or Asia where those pieces were likely sent decades ago after they were donated or given away.
“There’s a real underbelly of this vintage game with rag houses getting access to bulk product overseas and letting people sort through it,” he says. “There are companies now that rip through 20, 30 or 40,000 pieces of vintage clothing a week. It’s a really interesting ecosystem.”
For many kids vintage sellers, finding their stock is just as fun and interesting as getting it back into consumers’ hands. “Anywhere we can find clothes, we’re there,” says Matthew Carlos, owner of Long Gone Youth. He started selling vintage clothes 11 years ago, when he was 15, switched to kids vintage at 20 and has spent the last six years scouring flea markets, websites and swap meets.
“The kids market is definitely growing,” he says, “but I still feel like we haven’t even gotten close to where we can go. It’s just getting popular now, but the more events [like Elemeno] we can do, the more it’ll go mainstream.” Even now, some major brands like Gap and OshKosh B’gosh have recognized the interest in some of their styles from the ’80s and ’90s, moving to re-release the looks in limited runs.
Jackie and Frank Oropeza with daughter Rumi Mae shop at Elemeno Kids Vintage Market.
Kids resale is also leaning into streetwear culture. Rosenblatt, who worked in the streetwear industry, says that he’s noticed that a good portion of those interested in kids vintage — particularly, male shoppers — tend to be fans of streetwear brands like Supreme, Fear of God Essentials and Bape. At Elemeno, for instance, a good portion of the parents we saw pushing strollers were well-dressed dads seemingly on solo missions, something you don’t always see at kid-centric events.
“I just want my son to feel like I did as a kid,” said Justin Nguyen, while watching his toddler, Jayden, play with bubbles. “I want him to be happy, carefree and joyful, and I want to be able to spend time with him. My mom and dad were always working, even on the weekends. Now that I’m a dad, taking my son out on weekends to do stuff like this just seems like a blessing.”
Author Julia Elliott won for her short story collection Hellions.
Forrest Clonts/Tin House
hide caption
toggle caption
Forrest Clonts/Tin House
Writer Julia Elliott has won this year’s Carol Shields Prize for Fiction for her short story collection Hellions. The award honors work by women and nonbinary authors in the U.S. and Canada.
Elliott, who also authored the novel The New and Improved Romie Futch and the short story collection The Wilds, is known for blending elements of Southern gothic horror, surrealism and fairy tale. Hellions, published in 2025, includes stories set against backdrops like a plague-stricken medieval convent, a feminist art colony, and small Southern towns.
“This eerie, eclectic, genre-leaping collection takes no half-measures; every sentence of Hellions crackles or crawls,” wrote the prize jury in a statement. “Here, human folly moves against a backdrop of horror and magic … But for all its wildness, there is tremendous control.”
The prize, named after a Pulitzer Prize-winning novelist, awards $150,000 to one winner each year. Novels, short story collections, and graphic novels by women and nonbinary authors are eligible.
This year’s finalists included Quiara Alegría Hudes (The White Hot), Lee Lai (Cannon), Megha Majumdar (A Guardian and a Thief), and Sonya Walger (Lion). They will each receive $12,500.
The Carol Shields Prize went to writer Canisia Lubrin in 2025.
You can listen to actor Donna Lynne Champlin read Elliott’s story “Hellion” on the Death, Sex & Money podcast here.
-
Fitness6 minutes agoFitness coach debunks 8 ‘crazy’ exercise myths women still believe: From periods and workouts to weightlifting
-
Movie Reviews14 minutes agoMovie Review: ‘Sacred Heart: His Reign Has No End’ – Catholic Review
-
World24 minutes agoVideo: A Death at the Epicenter of Ebola
-
News29 minutes agoMap: 5.1-Magnitude Earthquake Strikes off the Coast of California
-
Politics36 minutes agoVideo: Steve Hilton Holds Slim Early Lead in California Governor’s Race
-
Lifestyle1 hour ago
We’re having a main character summer. Are you? : It’s Been a Minute
-
Technology1 hour agoMicrosoft AI chief Mustafa Suleyman says there are three labs that matter — and he wants Microsoft to be the fourth.
-
World1 hour agoUS ally Kuwait condemns ‘brutal and ongoing Iranian attacks’ after airport was hit
