Connect with us

Lifestyle

A beloved music producer is dying. His clients came to his home for a farewell concert

Published

on

A beloved music producer is dying. His clients came to his home for a farewell concert

Classical music producer Adam Abeshouse was diagnosed with bile duct cancer last spring. His clients — including Simone Dinnerstein, Jeremy Denk and Joshua Bell — performed a concert in his home studio to bid farewell. “I was just thinking of how many of us wanted to celebrate Adam while he’s still here,” said pianist Lara Downes, who organized the event.

Rick Marino/Abeshouse Productions


hide caption

toggle caption

Advertisement

Rick Marino/Abeshouse Productions

On a recent Friday afternoon, Adam Abeshouse, one of the world’s leading producers of classical music, lay on his bed in his Westchester, N.Y., home, propped up with pillows, waiting for his pain medicine to kick in. He struggled to talk about his life’s work with a star-studded list of clients, which includes celebrity violinist Joshua Bell and pianist Garrick Ohlsson.

“I worked very hard for my clients,” the 63-year-old producer said. His breathing was labored. “I was devoted to them. From the devotion to the clients, I developed this theory that the best thing that I could do for my clients is make them feel safe, and loved, and create an atmosphere in the recording session to do their best.”

Last spring, Abeshouse was diagnosed with bile duct cancer. It progressed with devastating speed. In August, his doctors told Abeshouse he had only weeks to live. One of his clients, pianist Lara Downes, organized an at-home concert by the musicians he’d worked so closely with for decades.

Advertisement

Downes, who also hosts a video conversation series with NPR and Classical California, said the musicians wanted to give their beloved producer a chance to share music together one final time.

“Somehow, it worked out that we could all get here today to be together,” Downes told NPR. “I feel like it was sort of meant to be. This is Adam’s family and it’s such a gift that we can do this.”

The concert took place in the producer’s state-of-the-art studio, adjacent to his home. Abeshouse, wearing khakis and a bright blue polo shirt, sat listening in a wheelchair a few feet from the performers, flanked by friends and family. He held hands with Maria Abeshouse, his wife of 38 years.

The program opened with solo pieces played by acclaimed pianists Simone Dinnerstein and MacArthur “genius” grant winner Jeremy Denk on a Steinway grand that was built in 1906. Then a Grammy-winning string trio called Time for Three performed an original composition. Next up was pianist Garrick Ohlsson, widely regarded as a leading interpreter of Frédéric Chopin, playing the composer’s Nocturne in C Sharp Minor.

Adam Abeshouse's clients joined him at the studio adjacent to his home for a farewell concert. Joshua Bell, front, from left, Adam Abeshouse, Larisa Martinez and Kevin Puts. And, back, from left, John-Henry Crawford, Charles Yang, Peter Dugan, Lara Downes, Ranaan Meyer, Garrick Ohlsson, Jeremy Denk, Nicolas Kendall and Simone Dinnerstein.

Adam Abeshouse’s clients joined him at the studio adjacent to his home for a farewell concert. Joshua Bell, first row, from left, Adam Abeshouse, Larisa Martinez and Kevin Puts. And, second row, from left, John-Henry Crawford, Charles Yang, Peter Dugan, Lara Downes, Ranaan Meyer, Garrick Ohlsson, Jeremy Denk, Nicolas Kendall and Simone Dinnerstein.
hide caption

Advertisement

toggle caption

“He was the first producer I ever worked with who made recording — a pleasure is the wrong word — but a plausible joy,” Ohlsson said after his performance. “He is the most sympathetic human. He’s got the best ears. He’s got the best musical instincts and technological wizardries. And I’ve done maybe 30 CDs with him over the years. And he’s a dear friend and one of the greatest people I’ve ever known.”

Celebrity violinist Joshua Bell brought his rare Stradivarius, crafted in 1713, to play for Abeshouse. He’d flown in from Europe the night before.

“Adam has been both a dear, dear friend and he’s been my producer for the last 20 years,” said Bell. “I’ve spent many hours with him in the studios, sitting next to him, doing a process which is usually excruciating for me — the editing process. But with him, it always became a fun time together. Those moments have been so precious to me.”

Bell accompanied his wife, soprano Larisa Martinez, on a Mendelssohn aria.

Bell noted that Abeshouse is also a classically trained violinist. “And he understands music from a violinist’s perspective,” he said. “We just get along so well. He’s become my hero on top of everything, just the way he’s been dealing with his setbacks with such dignity. He’s just one of those people who everybody loves. You never hear an unkind word about Adam Abeshouse.”

Over the course of the concert, nearly a dozen musicians played for Adam Abeshouse. Each one embraced him after performing. At least for one afternoon, joy supplanted pain.

Advertisement

“This is more than I could have ever dreamed,” Abeshouse said. “All these musicians are coming to play for me. It’s kind of a miracle.”

A musical miracle to bid a classical luminary godspeed.

Edited by Neda Ulaby. Produced for the web by Beth Novey. Produced for the radio by Chloee Weiner.

Lifestyle

‘The Invite’ is a marriage comedy with sex and heart

Published

on

‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
Continue Reading

Lifestyle

L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

Published

on

L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

Advertisement

A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

Advertisement

When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

Advertisement

After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

Advertisement

He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

Advertisement

And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

Advertisement

I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

Advertisement

“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

Advertisement

Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

Advertisement

Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

Advertisement

Continue Reading

Lifestyle

Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Published

on

Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

J. Scott Applewhite/AP


hide caption



toggle caption

Advertisement

J. Scott Applewhite/AP

In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

Advertisement

The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

Continue Reading
Advertisement

Trending