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165 feet of ribbon, 13 hours of embroidery. The allure of a handmade Prada dress

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165 feet of ribbon, 13 hours of embroidery. The allure of a handmade Prada dress

As a young aspiring ballerina, I was transfixed by ribbons. Attached just so, winding up the ankle like a vine, tied expertly on the inside of the leg — to me, nothing completed a ballet slipper like a ribbon. I anticipated receiving my ribbons — normally achieved when a dancer reaches Grade 3 in the Royal Academy of Dance syllabus — more than graduating to pointe shoes. When I was finally old enough to accessorize my slippers, I took great care in my ribbon ritual. The ribbons were bubblegum pink when brand new, and I stayed up late, carefully dyeing them in a bath of boiling tea until they reached the correct shade to match my slippers and tights, before sewing them on by hand at the perfect, ergonomic angle. I reveled in the task of learning to tie my ribbons; it felt like an arrival. I was one step closer to looking and feeling like a real ballerina.

A model wearing a dress of pink ribbons.

In today’s fashion ecosystem, the versatility of a bow is on full display.

Ribbons are easy to romanticize, especially as we exit Brat Summer, where Charli XCX’s “Everything Is Romantic” has served as the sonic partner to the resurgence of ballet flats, puffy skirts and, yes, ribbons. The way a ribbon is styled communicates very different things — for example, not all ribbons are bows, yet a bow transforms a ribbon. In today’s fashion ecosystem, the versatility of a bow is on full display. London-based designer Simone Rocha’s bow earrings have become a staple. Fine and weightless, they finish any outfit. The Shanghai label Shushu/Tong employs bow maximalism, with every piece incorporating at least one bow, resulting in garments that are playful yet restrained. New York designer Sandy Liang’s summer collaboration with Salomon uses ribbons and bows for a refreshing twist on the gorp standard. And style influencers have been democratically tying bows on everything from over-ear headphones to bag straps to headbands.

In all its serene defiance, the Prada embroidered ribbon dress is also about a bow. In the brand’s autumn/winter 2024 women’s collection — aptly titled “Instinctive Romance” — designers Miuccia Prada and Raf Simons play with hard and soft, black and pink, tailored and relaxed, to propose fall’s most poetic take on romantic fashion, culminating with an embroidered ribbon dress, a sleeveless shift made of 35 hand-cut, -tied and -embroidered bows cascading from neck to knee. The bows danced as the models walked down the runway during the collection’s show at the Prada Foundation in Milan in tone-on-tone aubergine and baby pink iterations styled with black knee-high boots. The back of the dress featured an unexpected panel of black silk, minimal and bowless. When the models turned to march backstage, their ribbon tails confidently reached around from the front in buoyant embrace. (Chioma Nnadi, editor in chief of British Vogue, described the dress as the “bowment” of the season.)

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Made in Prada Fragments of Romance
Made in Prada Fragments of Romance
“Made in Prada — Fragments of Romance”

“Made in Prada — Fragments of Romance” (Courtesy of Prada)

Wholly intentional, Prada’s design team used complex techniques to animate each bow. The first step involved positioning the ribbon embroidery in a classic chevron pattern. The embroiderer then cut the satin ribbons at precise angles to correspond with the pattern and secured the ribbons onto the fabric by hand. The preparation of 35 bows was next; they were shaped and ironed one by one before they were sewn at the specified points along the chevron pattern created by the ribbons. The next step involved attaching the embroidered fabric to the contrasting black silk lining, then a second pressing, followed by additional bows being sewn at the hips and around the neck. After 165 feet of ribbon and 13 hours of embroidery, a dress was complete.

Brought to life by craftsmanship that can be executed only by hand, the ribbons on this dress are alive. They speak, surely, but they don’t shout. Miuccia Prada’s long-standing love for ribbon is well documented at her other brand, Miu Miu, where inventive references to ballet and femininity are often the undercurrent of each collection. The Prada embroidered ribbon dress is the posh auntie’s version of Miu Miu’s preeminent and forever young buckle ballet flats. Both items prove that cute and tough can coincide in a way that only Prada can do.

For Image's Image Maker Issue - Prada
Fernanda wears embroidered dresses from “Instinctive Romance” Fall/Winter 2024 Prada collection.

Fernanda wears embroidered dresses from “Instinctive Romance” Fall/Winter 2024 Prada collection.

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Long categorized as clichés of femininity, ribbons and bows have been reduced to stereotypes, rather than the compelling and versatile tool they are. Maybe the current resurgence of bows in fashion stems from the desire to reclaim this narrative while simultaneously romanticizing our lives in turbulent times. What could be less romantic than an election year? A bow is a hit of sweet to overpower the sour, but it’s also confident and fluid in its dimensions, expressing much more than it’s given credit for.

In rhythmic gymnastics, ribbons become an extension of the dancer’s body and punctuate every movement with equal parts control and abandon. Stevie Wonder used ribbons as a metaphor for endless love. From awareness ribbons to gift giving, ribbons are used to show compassion and care too. In many communities, ribbons and bows play a significant cultural role, from intricate hair braiding traditions in Guatemala to sacred ribbon skirts in Indigenous tribes across North America. What is a ribbon, then, but a vessel for deep connection and communication? A bow, however saccharine, is symbolic and powerful. A reclamation of cute and a potent, universal tool for self-expression. Call it the bow attitude.

Model Fernanda Álvarez
Hair and makeup Carla Perez
Styling assistant Deirdre Marcial

For Image's Image Maker Issue - Prada
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Romany Williams is a writer, editor and stylist based on Vancouver Island, Canada. Her collaborators include SSENSE, Atmos, L.A. Times Image and more.

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How young people feel about American identity, on the nation’s 250th birthday

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How young people feel about American identity, on the nation’s 250th birthday

As the nation marks the 250th anniversary of its founding, NPR asked students all around the country to reflect on the moment and to make podcasts about the American experience and what “life liberty and the pursuit of happiness” means to them.

We received more than 700 entries, including many conversations with immigrant parents, grandparents, aunts and uncles about why their family decided to move to the United States. Others scored high-profile interviews with veterans, government officials and even Gloria Steinem.

We listened to reenactments and retellings of histories like the Battle of Monmouth, the Stonewall riots, the Underground Railroad and a special presentation on President Theodore Roosevelt’s pets. Other podcasts take place in the present, including one in which students report on civics education in their school.

Our team chose a handful of winning entries and honorable mentions from fourth graders, middle and high schoolers. Here they are, in alphabetical order:

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Winners

Abridged
Students: Grace Kepka and Angelika Garrett, Montgomery Blair High School in Silver Spring, Md.
Teacher/Sponsor: Kyle Wannen

High schooler Grace lives in Takoma Park, Md., one of the handful of cities in the United States that allow 16 year olds to vote in all local elections. In her podcast with her friend Angelika, they discuss the power of the youth vote, and how voting rights encourage residents to learn about their government and be more politically active in their communities.

Civics in Our Schools
Students: Izabella Anthony, Benjamin Baigel, Bridget Castellon, Rile DeLeon, Maxwell Gibbs, Daniel Hernandez, Malcolm Johnson, Sylpa Kafle, Mason King, Kyle Li, Maximus Lin, Emmerson Quinn, Ariella Schoenfeld, Owenize Udevbulu and Dara Widzowski, Hewlett Elementary School in Hewlett, N.Y.
Teacher/Sponsor: Jaime Harrington

“Here’s the surprising truth. Many Americans, even grownups, don’t know the basics of how our country was founded or how our government works.” In Civics in Our Schools, a group of fifth graders voice their concerns about the lack of good civics education and discuss what they can do to be better citizens.

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Sunday Puzzle: Five plus two, two plus five

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Sunday Puzzle: Five plus two, two plus five

Sunday Puzzle

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NPR

Sunday Puzzle

On-air challenge

I’m going to give you two five-letter words. Add the same two letters at the end of the first one and the start of the second one, in each case to complete a familiar seven-letter word.

Ex. Later Ready –> LATERAL/ALREADY

1. Habit Tempt

2. Laten Press

3. Blank Ching

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4. Since Venue

5. Shack Groom

6. Surge Stage

Last week’s challenge

Last week’s challenge came from Rawson Sheinberg. of Plymouth, Mich. Think of a U.S. city with a two-word name. Add a letter to the first word, without rearranging letters, to name a country. Then, without adding a letter, rearrange the letters of the second word to name another country. What places are these?

Answer: Los Angeles –> Laos, Senegal

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Winner

Elaine Neel of Derby, Kansas.

This week’s challenge

Next weekend will be the 186th convention of the National Puzzler League, in Bloomington, Ind., which I’ll be attending as always. Two other people who will be there are Henri Picciotto and Joshua Kosman, who created this week’s challenge. Name two words that are opposites. They share a single letter. Remove that shared letter from each word, put a hyphen between the two starting words, and you’ll get a term you sometimes see in food ads. What are the two words?

If you know the answer to the challenge, submit it here by Thursday, July 9 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.

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But first, coffee: The drink that energized the American Revolution

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But first, coffee: The drink that energized the American Revolution

An illustration of the Boston Tea Party, when colonists dumped British East India Company tea into the harbor on Dec. 16, 1773. Some accounts say this marked a pivotal moment when Americans started loving coffee. But one historian says Americans were drinking lots of coffee before then.

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A consequential act of defiance secured tea’s place as perhaps the most iconic beverage of America’s colonial era.

The Boston Tea Party became an essential ingredient in the recipe for revolution in the following years.

But tea wasn’t the only hot beverage with a prominent role in America’s fight for independence.

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Coffee was an important part of American culture from the start. And coffeehouses were essential, too — serving as hubs for brewing ideas of independence.

As the United States celebrates 250 years, here’s what to know about America’s early history of coffee.

Colonists were drinking coffee long before the United States existed

Europeans brought coffee with them when they came to America.

“The first documented example of a mortar and pestle used to grind coffee beans was on the Mayflower” in 1620, says historian Michelle Craig McDonald, the author of Coffee Nation: How One Commodity Transformed the Early United States.

“The fact that coffee was present so early is not surprising if you think about it,” McDonald says. “A number of those who were on the Mayflower came to North America from Amsterdam, which was a major coffee trading center in Western Europe by the 17th century.”

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The first coffeehouse in the colonies opened in 1676 in Boston, a century before the U.S. declared independence, she says. Some taverns sold coffee even earlier.

The Boston Tea Party probably wasn’t the dramatic turning point toward coffee that some claim

On the night of Dec. 16, 1773, disgruntled colonists boarded three ships moored in Boston Harbor and threw overboard more than 92,000 pounds of tea owned by the British East India Company.

Tensions had been building between the Crown and the colonies over the previous decade, as Britain tried to levy taxes on its colonies to recoup war debts.

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