Lifestyle
12 March launches and L.A. happenings you won’t want to miss
Weekend Max Mara X Sebago
A penny loafer with subtle studs and detachable tassels? Weekend Max Mara and Sebago have our attention with their new, three-year co-branded collaboration, launching with a reimagining of Sebago’s iconic Dan penny loafer, a cult shoe that gained popularity among East Coast Ivy Leaguers in the 1950s. Crafted from smooth brushed leather and featuring hand-sewn details, the Dan penny loafer also features a durable waterproof sole in natural leather. The shoe is available in brown, burgundy and black, with the Weekend Max Mara butterfly stud applied on the side of each shoe too. Available now. us.weekendmaxmara.com
L.A. Rebellion at the Getty Center
L.A. Rebellion filmmakers Steve Tatsukawa, Rufus Howard, Eddie Wong, and Larry Clark at a UCLA Ethnocommunications “Locations” class in Locke, CA.
(Robert A. Nakamura; Courtesy PBS SoCal)
Filmmaker Julie Dash, curator LeRonn Brooks, and directors Bryant Griffin and Kitty Hu are coming together to celebrate the artists of the L.A. Rebellion — the Black, Asian, Chicano and Native American artists and filmmakers who emerged from UCLA’s School of Theater, Film and Television in the years after the 1965 Watts uprising. The filmmakers who came out of this historic moment developed revolutionary styles that challenged Hollywood’s restrictive representation of minorities. This event will feature a screening of the Emmy-winning “Artbound” episode “L.A. Rebellion: A Cinematic Movement” alongside Dash’s 1975 short film, “Four Women.” A conversation with the filmmakers on the historical and contemporary role of Black film as a revolutionary practice will follow the screening. Wednesday, March 26, 6:30 p.m. 1200 Getty Center Drive, Los Angeles. getty.edu
Bottega Veneta Ciao Ciao Bag
Bottega Veneta knows a thing or two about bags. Representing the gold standard of leather artisanship and contemporary design, its new SS25 Ciao Ciao bag is no exception. Meaning both “hello” and “goodbye,” the bag name conveys a playful nature, evident in details like its hidden hook closure. With one simple adjustment, the bag flap can be closed at the front for a classic shape or attached to the interior intrecciato tramezza (pocket) for a more slouched look. For added flexibility, the bag also features a top handle for hand carry and a removable strap for crossbody wear. Available now. bottegaveneta.com
Corita Art Center
Corita Kent, life-new life, 1966, serigraph, 28 x 25 in.
(Image courtesy of the Corita Art Los Angeles corita.org)
Corita Kent at conference, c. 1967.
(Image courtesy of the Corita Art Los Angeles corita.org)
The work of Corita Kent — an innovative artist, educator and social justice advocate often referred to as the “Pop-Art Nun” — is now more accessible than ever with the official opening of Corita Art Center (CAC) in the heart of the Los Angeles Arts District. Its inaugural exhibition, “Heroes and Sheroes,” pays homage to important figures including the Rev. Martin Luther King Jr., Coretta Scott King, Robert F. Kennedy and Cesar Chavez. Among educational workshops and activities, CAC also will offer access to a comprehensive archive of Kent’s life and works. Admission is free; reservations are required. Opening March 8. 811 Traction Ave., #3A, Los Angeles. corita.org
David Hammons and Charles Gaines at Hauser & Wirth
Charles Gaines, “Numbers and Trees: Tanzania, Series 1, Baobab, Tree #4, Maasai,” 2024, acrylic sheet, acrylic paint, photograph.
(Fredrik Nilsen Studio)
Cover of ‘David Hammons’ (2024).
(Courtesy Hauser & Wirth Publishers)
Leading contemporary and modern art gallery Hauser & Wirth has a jam-packed spring season. Two must-see shows: Charles Gaines’ “Numbers and Trees, The Tanzania Baobabs,” on view until May 24 at Hauser & Wirth West Hollywood, showcasing new Plexiglas works based on photographs of baobab trees that the artist shot during a trip to Tanzania in 2023, and David Hammons’ “Concerto in Black and Blue,” on view until June 1 at Hauser & Wirth Downtown Los Angeles, presented for the first time since its debut over 20 years ago. 8980 Santa Monica Blvd., West Hollywood, and 901 E. 3rd St., Los Angeles. hauserwirth.com
GYOPO X Audrey Nuna X Danbi Lunar New Year Collection
(Angeline Woo; Courtesy of GYOPO)
To celebrate the Year of the Wood Snake, L.A.’s GYOPO — a collective of diasporic Korean cultural and art professionals — has launched a two-piece wearable collaboration with L.A.-based musician Audrey Nuna and designer Lisa Danbi Park of the eponymous brand danbi. According to GYOPO, “the Year of the Wood Snake beckons the shapeshifting, shedding, patience and transformation we all need.” Layer both tops to conjure the feeling of a snake’s second skin. Available now. gyopo.shop
Studio Symoné Residency at Sip & Sonder
Studio Symoné is a beauty media platform founded by writer Darian Symoné Harvin. Her viral social media series featuring interviews with shoppers at local L.A. beauty supply stores was inspired by her work as a reporter covering beauty at the intersection of politics and pop culture. As a continuation of this dialogue, Studio Symoné has partnered with Sip & Sonder Inglewood, a Black-owned cafe and roaster, for an ongoing residency. The “Studio Hours” program takes place Fridays from 10 a.m. to 2 p.m., offering weekly work sessions where folks can come to study, dream, conspire and contribute to Harvin’s first edition of the Studio Symoné zine, which will focus on telling stories in the L.A. beauty communities. Every other Friday from 3-5 p.m., Harvin will DJ as part of her “In the Lab” series. 108 S. Market St., Inglewood. sipandsonder.com
Jil Sander Olfactory Series 1
Designed under the guidance of co-creative directors Lucie Meier and Luke Meier, Jil Sander Olfactory Series 1 is a collection of fragrances that fuse botany and technology with the brand’s iconic design codes across six unisex formulas. Each fragrance is infused with three natural ingredients — the synthetic molecules of aldehydes, alcohol from upcycled carbon emissions and water — to reach the “highest degree of olfactory clarity and expression.” “The fragrances were created with the best technologies,” says the brand, “to evoke the profound resonances between mother nature and human nature and express our deepest emotions.” Available now. jilsander.com
Cool Moms at the Line with Tika Sumpter
Elise Peterson, host of Cool Moms
(Craig Stanley)
“I’m not like a regular mom, I’m a cool mom” is the ultimate motto for Cool Moms, a podcast and community event series hosted by Elise Peterson featuring mothers who prioritize their passions. Past Cool Moms guests include Ricki Lake, Evelynn Escobar and Brooke DeVard. With storytelling at its heart, Cool Moms aims to build an inspired world of mothers and supporters by cultivating access to entrepreneurial, wellness and financial knowledge aiding in an equitable future for all mothers. This month, don’t miss Peterson’s live conversation with actor and certified cool mom Tika Sumpter. Tuesday, March 25, 6–8 p.m., at the Line Hotel Apartment Suite. 3515 Wilshire Blvd., Los Angeles. coolmomsworld.com
Staud Sport
L.A.’s favorite fashion brand for go-anywhere dresses and swoon-worthy handbags has answered our prayers and ventured into activewear with the launch of Staud Sport. As is to be expected, these aren’t your average gym clothes. Think convertible anoraks, packable neoprene ballet flats, oversize scrunchies that double as mini purses! Although Staud Sport is ideal for a workout, these pieces also seamlessly integrate into your wardrobe, ready to take you from Pilates to coffee or even a night out with style and ease, no matter the season. When asked about the newest category in the Staud world, Sarah “Staud” Staudinger, chief executive and creative director of Staud, said: “We’ve created a collection that delivers on comfort and performance without compromising style. These aren’t just clothes for sport — they’re clothes for life, because we believe life is sport.” Available now. staud.clothing
Design.Space
Memphis Tahiti lamp by Ettore Sottsass
Digital marketplace Basic.Space merges art fair and department store with Design.Space, an innovative “IRL-to-URL” experience designed to make world-class designers accessible to all. From archival pieces such as Jean Prouvé’s 1969 Total Filling Station to contemporary ones like Max Lamb armchairs created exclusively for Design.Space, there’s a gorgeous variety of art and architecture for everyone. After an invite-only, in-person event at the Pacific Design Center, all items will be available online March 31–April 2. designspace.la
Cartier at LAX
Cartier inaugurated its airport boutique on the West Coast of the United States at LAX on January 31.
(Paul Vu)
Next time you’re traipsing through LAX, take refuge in the beachy design and blue hues of Cartier’s first airport boutique on the West Coast. Located in the Tom Bradley International Terminal, the store features a selection of the Maison’s signature jewelry, timepieces, fragrances and leather goods. Choose from classics such as Cartier’s iconic La Panthère fragrances, LOVE jewelry collection and Santos watches. stores.cartier.com
With contributing reporting by Alia Yee Noll.
Lifestyle
Feeling cooped up? Get out of town with this delightful literary road trip
Tom Layward, the narrator and main character of Ben Markovits’ new novel, The Rest of Our Lives, introduces himself in a curious way: On the very first page of the book, he talks, matter-of-factly, about the affair his wife, Amy, had 12 years ago, when their two kids were young.
Amy, who’s Jewish, got involved at a local synagogue in Westchester; Tom, who was raised Catholic and is clearly not a joiner, remained on the sidelines. At the synagogue, Amy met Zach Zirsky, who Tom describes as “the kind of guy who danced with all the old ladies and little pigtailed girls at a bar mitzvah, so he could also put his arm around the pretty mothers and nobody would complain.”
After the affair came out, Tom and Amy decided to stay together for the kids: a boy named Michael and his younger sister, Miriam. But, Tom tells us “I also made a deal with myself. When Miriam goes to college you can leave, too.” The deal, Tom says, “helped me get through the first few months … [when] we had to pretend that everything was fine.”
Twelve years have since passed and the marriage has settled back into a state of OK-ness. Miriam, now 18, is starting college in Pittsburgh and because Amy is having a tough time with Miriam’s departure, Tom alone drives her to campus.
And, once Tom drops Miriam off, he just keeps driving, westward; without explanation to us or to himself; as though he’s a passenger in a driverless car that has decided to carry him across “the mighty Allegheny” and keep on going.

The three-page scene where Tom passively melds into the trans-continental traffic flow constitutes a master class on how to write about a character who is opaque to himself. “[Y]ou don’t feel anything about anything,” Amy says early on to Tom — an accusation that’s pretty much echoed by Tom’s old college girlfriend, Jill, whom he spontaneously drops in on at her home in Las Vegas, after being out of touch for roughly 30 years.
But, if Tom is distanced from his own feelings (and vague about the “issue” he had “with a couple of students” that forced him to take a leave from teaching in law school), he’s a sharp diagnostician of other people’s behavior. What fuels this road trip is Tom’s voice — by turns, wry, mournful and, oh-so-casually, astute.
There’s a strain of Richard Ford and John Updike in Tom’s tone, which I mean as a high compliment. Take, for instance, how Tom chats to us readers about a married couple who are old friends of his and Amy’s:
[Chrissie] was maybe one of those women who derives secret energy from the troubles of her friends. Her husband, Dick, was a perfectly good guy, about six-two, fat and healthy. He worked for an online tech platform. I really don’t know what he did.
So might most of us be summed up for posterity.

As Tom racks up miles, taking detours to visit other folks out of his past, like his semi-estranged brother, his meandering road trip accrues in suspense. There’s something else he’s subconsciously speeding away from here besides his marriage. Tom tells us at the outset that he’s suffering from symptoms his doctors ascribe to long COVID: dizziness and morning face swelling so severe that daughter Miriam jokingly calls him “Puff Daddy.” Shortly after he reaches the Pacific, Tom also lands in the hospital. “Getting out of the hospital,” Tom dryly comments, “is like escaping a casino, they don’t make it easy for you.”
The canon of road trip stories in American literature is vast, even more so if you count other modes of transportation besides cars — like, say, rafts. But, the most memorable road trips, like The Rest of Our Lives, notice the easy-to-miss signposts — marking life forks in the road and looming mortality — that make the journey itself everything.
Lifestyle
Behind this wealthy SoCal neighborhood, you can soak in a rustic hot spring oasis
The water bubbles up hot from the earth and sunlight filters down through the branches of mighty oaks.
But before you can soak in Santa Barbara County’s highly popular Montecito Hot Springs, you’ll need to hike a little over a mile uphill, threading your way among boulders, oaks and a meandering creek. And before the hike, there are two other crucial steps: getting to the trailhead and knowing what to expect.
The trail to Montecito Hot Springs.
These rustic spring pools are about 95 miles northwest of L.A. City Hall, just upslope from well-to-do Montecito, whose residents include Oprah Winfrey, Prince Harry and his wife, Meghan Markle, and Gwyneth Paltrow.
Though the trail and hot springs are part of Los Padres National Forest, the trailhead is in a residential neighborhood of gated mansions. Beyond the trailhead parking area (which has room for eight or nine cars), the neighborhood includes very little curbside parking. After visitation surged during the pandemic, some neighbors were accused by county officials of placing boulders to obstruct public parking. Parking options were reduced further when county officials added parking restrictions earlier this year.
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Bottom line: Unless you can arrive on a weekday between 8 and 10 a.m., you’re probably better off taking a rideshare service to get there. Whenever you arrive, you’re likely to have company. And you might want to wait until the landscape dries out a bit from the rains of recent weeks.
As Los Padres National Forest spokesman Andrew Madsen warned, “the foothills of Santa Barbara are especially fragile and hiking is especially precarious in the aftermath of heavy rains.”
All that said, the hike is rewarding and free. From the Hot Springs Canyon trailhead at East Mountain Drive and Riven Rock Road, it’s a 2.5-mile out-and-back trail to the hot springs, with about 800 feet of altitude gain on the way.
Arriving at 10 a.m. on a Tuesday, I got the last parking spot at the trailhead, stepped past the signs forbidding parking before 8 a.m. or after sunset, then stepped past another sign warning that “this is a challenging and rugged hike.” Also, there are no bathrooms or trash cans on the trail or at the springs.
“It’s important that people know what’s going on up there before they show up,” said Madsen. “It’s not all that glamorous.”
Even though it’s only 1.2 or 1.3 miles to the hot springs, plan on about an hour of uphill hiking. Once you’re above the residential lots, you’ll see pipes along the way, carrying water down the hill, along with occasional trailside poison oak. As you near the pools, you’ll pick up the scent of sulfur and notice the water turning a strange bluish hue. Then the trail jumps across the creek — which I initially missed.
But there was a silver lining. That detour gave me a chance to admire the stone ruins of a hotel that was built next to the springs in 1870s. After a fire, it became a private club. Then it burned in the Coyote fire of 1964, which blackened more than 65,000 acres, destroyed more than 90 homes and killed a firefighter. The hot springs and surrounding land have been part of Los Padres National Forest since 2013.
Hikers look west from the ruins near Montecito Hot Springs.
(Christopher Reynolds / Los Angeles Times)
On a clear day with the sun in the right place, you can stand among the overgrown ruins, look west and see the ocean, a few old oil platforms and the long, low silhouette of Santa Cruz Island. This is what the native Chumash would have seen (minus the oil platforms) through the many years they used the springs before European immigrants arrived.
Pleasant as that view was, I was ready to soak, as were the two couples who got momentarily lost with me. (We were all Montecito Hot Springs rookies.) Once we’d retraced our steps to the creek and crossed it, the trail took us quickly past a hand-lettered CLOTHING OPTIONAL sign to a series of spring-fed pools of varying temperatures.
A dozen people were already lazing in and around the uppermost pools (one woman topless, one man bottomless), but several pools remained empty. I took one that was about 2 feet deep and perhaps 90 degrees. In one pool near me sat Ryan Binter, 30, and Kyra Rubinstein, 26, both from Wichita, Kan.
Hikers Ryan Binter and Kyra Rubinstein, visiting from Wichita, Kan., soak at Montecito Hot Springs.
(Christopher Reynolds / Los Angeles Times)
“She found this,” said Binter, praising Rubinstein’s internet search savvy.
At the next pool were Emanuel Leon, 20, of Carpinteria, Calif., and Evelyn Torres, 19, of Santa Barbara. The last time they’d tried this hike, they’d strayed off-track and missed the hot springs, so this time, they were savoring the scene.
“Revenge!” said Leon, settling in.
The soaking was so mellow, quiet and unhurried that I was surprised to learn that the pools were not erected legally. As Madsen of the Los Padres National Forest explained later by phone, they were “created by the trail gnomes” — hikers arranging rocks themselves to adjust water flow and temperature, with no government entities involved.
Legal or not, they made a nice reward after the hike uphill. The downhill hike out was easier and quicker, of course, but still tricky because of the rocks and twisting trail.
On your way out of Montecito, especially if it’s your first time, take a good look at the adobe-style grandeur of the Our Lady of Mt. Carmel Catholic Church building, which looks like it was smuggled into California from Santa Fe. For food and drink, head to Coast Village Road (the community’s main drag) or the Montecito Village Shopping Center on East Valley Road. Those shops and restaurants may not match the wonder and comfort of a natural bath in the woods, but for civilization, they’re not bad.
Lifestyle
George Clooney gets French citizenship — and another dust-up with Trump
The French government confirmed this week that it has granted citizenship to George and Amal Clooney — pictured on a London red carpet in October — and their 7-year-old twins.
Henry Nicholls/AFP via Getty Images
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Henry Nicholls/AFP via Getty Images
One of Hollywood’s most recognizable stars is now officially a French citizen.
A French government bulletin published last weekend confirms that the country has granted citizenship to George Clooney, along with his wife, human rights lawyer Amal Clooney, and their 7-year-old twins.
The Clooneys — who hail from Lexington, Ky. and Beirut, Lebanon, respectively — bought an 18th-century estate in Provence, France in 2021. In an Esquire interview this October, the Oscar-winning actor and filmmaker described the French “farm” as their primary residence, a decision he said was made with their kids in mind.

“I was worried about raising our kids in LA, in the culture of Hollywood,” Clooney said. “I felt like they were never going to get a fair shake at life. France — they kind of don’t give a s*** about fame. I don’t want them to be walking around worried about paparazzi. I don’t want them being compared to somebody else’s famous kids.”
In another interview on his recent Jay Kelly press tour, Clooney mentioned that his wife and kids speak perfect French, joking that they use it to insult him to his face while he still struggles to learn the language.
This week, after a French official raised questions of fairness, France’s Foreign Ministry explained that the Clooneys were eligible under a law that permits citizenship for foreign nationals who contribute to the country’s international influence and cultural outreach, The Associated Press reports.
The French government specifically cited the actor’s clout as a global movie star and the lawyer’s work with academic institutions and international organizations in France.
“They maintain strong personal, professional and family ties with our country,” the ministry added, per the AP. “Like many French citizens, we are delighted to welcome Georges and Amal Clooney into the national community.”
They aren’t the only ones celebrating. President Trump, who has a history of trading barbs with Clooney, welcomed the news by taking another dig at the actor.

In a New Year’s Eve Truth Social post, Trump called the couple “two of the worst political prognosticators of all time” and slammed Clooney for throwing his support behind then-Vice President Kamala Harris during the 2024 election.
“Clooney got more publicity for politics than he did for his very few, and totally mediocre, movies,” wrote Trump, who himself has made cameos in several films over the years. “He wasn’t a movie star at all, he was just an average guy who complained, constantly, about common sense in politics. MAKE AMERICA GREAT AGAIN!”
Clooney responded the next day via a statement shared with outlets including Deadline and Variety.
“I totally agree with the current president,” Clooney said, before referencing the midterm elections later this year. “We have to make America great again. We’ll start in November.”
Clooney and Trump — once friendly — have long criticized each other
Clooney, a longtime activist and Democratic Party donor, has remained active in U.S. politics despite his overseas move.
In July 2024, he rocked the political establishment by publishing a New York Times op-ed urging then-President Joe Biden — for whom he had prominently fundraised just weeks prior — to drop his reelection bid to make way for another Democrat with better chances of taking the White House. A growing chorus of calls led to Biden’s withdrawal from the race by the end of that month.

In a December interview with NPR’s Fresh Air, Clooney said his decision to speak out on that and other issues generally comes down to “when I feel like no one else is gonna do it.”
“You’ll lose all of your clout if you fight every fight,” he added. “You have to pick the ones that you know well, that you’re well informed on, and that you have some say and you hope that that has at least some effect.”
Clooney has been a vocal critic of Trump throughout both of his terms, most recently on the topic of press freedoms during the actor’s Broadway portrayal of the late journalist Edward R. Murrow last spring.

And Trump has been similarly outspoken in his dislike of Clooney, including in an insult-laden Truth Social post — calling him a “fake movie actor” — after the publication of his New York Times op-ed.
In December, just days before this latest dust-up, Clooney shared in a Variety interview that he and Trump had been on good terms during the president’s reality television days. He said Trump used to call him often and once tried to help him get into a hospital to see a back surgeon.
“He’s a big goofball. Well, he was,” Clooney added. “That all changed.”
In the same Variety interview, Clooney — the son of longtime television anchor Nick Clooney — slammed CBS and ABC for abandoning their journalistic duty by paying to settle lawsuits with the Trump administration. He expressed concern about the current media landscape, particularly the direction of CBS News under its controversial new editor in chief, Bari Weiss.

Weiss responded by inviting Clooney to visit the CBS Broadcast Center to learn more about their work, in a written statement published in the New York Post on Tuesday. It began with “Bonjour, Mr. Clooney,” in a nod to the actor’s new milestone.
Clooney told NPR last month that he will continue to stand up for what he believes in, even if it means people who disagree with him decide not to see his movies.
“I don’t give up my right to freedom of speech because I have a Screen Actors Guild card,” he added. “The minute that I’m asked to just straight-up lie, then I’ve lost.”
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