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10 drops, pop-ups and L.A. events to break through that June gloom

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10 drops, pop-ups and L.A. events to break through that June gloom

Prada Galleria

Who doesn’t love a fresh take on a classic? The Prada Galleria, a bag first created in 2007, is back with reimagined surface and structure — including a new calfskin exterior and nappa interior, gold-plated metal hardware and extremely Prada embellishments including micro-studs and 3-D floral blooms. The new Galleria in soft grain leather offers a flexible and comfortable canvas for an array of precious details. Now available in black and warm neutrals. prada.com

Toteme opens on Melrose

The spare white interior of a retail boutique.

Quiet luxury continues its reign in L.A. with the opening of Toteme on Melrose. The Swedish brand known for its archetypal Scandinavian style — making the kind of pieces that have been worn by Hailey Bieber and, undoubtedly, her L.A. cronies — establishes a new flagship space with a focus on art and design. The store houses Toteme staples like the embroidered scarf jacket, and also is home to the brand’s pre-fall ’24 collection, featuring airy button-ups and coats in whimsical colors and prints like olive green and leopard. Two low-slung greige sofas by Josef Frank for Svenskt Tenn serve as the nucleus of the sleek space, with artwork by prominent Swedish female artists — curated by Toteme’s owners — throughout. Now open. 8910 Melrose Ave., West Hollywood. toteme.com

The L.A. Yearbook at the Black Image Center

The LA Yearbook at the Black Image Center.
The LA Yearbook at the Black Image Center.
The LA Yearbook at the Black Image Center.

(Red Eye Creative Marketing)

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“Innovation studio” SEEDS and creative agency Red Eye Creative team up to host the L.A. Yearbook, a social mixer connecting L.A.’s creative world at the Black Image Center on June 15 from 3 to 8 p.m. Serving as a West Coast follow-up to the Brooklyn Yearbook, the evening is meant to be steeped in nostalgia, encouraging attendees to get their headshots taken in the style of a high school picture day. The photos will be compiled into a physical yearbook after the event, offering a physical snapshot of L.A.’s creative scene at this moment in time. 3209 La Cienega Ave., Culver City. @thelayearbook

‘Fotos y Recuerdos: Guatemala in Los Ángeles’ at Oxy Arts

A photo collage features an old bus, headshots, a potted plant, a store interior and more

In collaboration with Las Fotos Project, Oxy Arts hosts the summer exhibition “Fotos y Recuerdos: Guatemala in Los Ángeles” through July 20. With a focus on image making and archives through the lens of the Guatemalan diaspora in L.A., the exhibition highlights more than100 photos from community members’ personal archives, showcasing interconnectedness, plus the importance of documentation and preservation in communities of color. 4757 York Blvd., Los Angeles. oxyarts.oxy.edu; lasfotosproject.org

‘The Theater’ by -ism and Brendan Lynch

"The Theater," a coffee table book by L.A. artist Brendan Lynch.
Colorful abstract paintings in "The Theater," a coffee table book by L.A. artist Brendan Lynch.

(Brendan Lynch)

Relive artist Brendan Lynch’s spring exhibition at Good Mother Gallery with a coffee table book that gives you insight into the Angeleno’s brain. The book, titled “The Theater” after the exhibition, is published and designed by independent publishing house -ism and takes us behind the scenes into a show that aims to bring the background to the forefront. The book, with its linen hardcover and white foil emboss, reveals the layers behind Lynch’s paintings, which depict “a controlled chaos of scenes picked from theatre, film, and pop media, challenge perceptions and invite a deeper engagement with the unseen,” says the gallery. Kim K’s post-coital bed; a fiery image from Alexander McQueen’s fall 1998 ready-to-wear collection; Aphex Twin’s “Windowlicker” video — these are all scenes that inspire work in “The Theater.” $60. my-ism.com

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Tiffany Titan by Pharrell Williams

Pharrell Williams in a cowboy hat and denim shirt, pursing his lips

Tiffany & Co.’s new collection by Pharrell Williams, dubbed Tiffany Titan, takes inspiration from mythology, channeling the spike of Poseidon’s trident as a symbol of lifeforce, rebellious power and punk energy. Featuring an array of necklaces, earrings, bracelets and rings in 18 karat yellow gold and black titanium with diamonds, the collection is feels personal to Pharrell. Poseidon, also known as the king of Atlantis, is representative of Pharrell’s relationship to water, and the community he grew up in in Virginia Beach, also called Atlantis. And the black titanium is the artist’s ode to “beauty in blackness,” says the brand. The pieces take on a rebellious spirit, anchored by Tiffany’s DNA. tiffany.com

Loewe X On

A person stands outdoors wearing a large orange coat

Everyone’s favorite quirky Spanish fashion house has collaborated with the Swiss performance wear brand On for a collection that’s meant to move with you from the city to the great outdoors. A campaign photographed by Ryan McGinley shows global athletes — from Aaliyah Miller to Masato and Sintayehu “Sinta” Vissa — in iconic California landscapes including Palm Springs, Indian Canyon and Simi Valley. The collection includes sneakers, hoodies, tanks, tees, vests and parkas in high-tech fabrics and tones that draw from nature. Available now: loewe.com, on.com

Beachwear by Parley for the Oceans X Dior

A model in shorts sitting on a lifeguard tower; in the foreground a model in a blue sleeveless hoodie with a blue towel

Environmental organization Parley for the Oceans has collaborated with Dior on a beachwear capsule collection for the third year in a row. Featuring bucket hats, bags, shorts, tops, coverups and more, the collection takes inspiration from the land and the ocean, featuring pieces in “mineral colors,” like aqua, and coral prints. The fall 2024 release is made using 30% of Parley Ocean Plastic, supporting the organization’s aim toward a more sustainable future. dior.com, parley.tv

‘Yves Saint Laurent: Line and Expression’ at OCMA

Mannequins in long draped gowns

(Marco Cappelletti / Musee Yves Saint Laurent)

A new exhibition at the Orange County Museum of Art celebrates the work and life of famed French couturier Yves Saint Laurent. With a focus on the designer’s drawing practice, the exhibition features original sketches done in black ink and pencil, punctuated by bursts of color, along with photographs, accessories and garments made from 1963 to 2001 that highlight Saint Laurent as a singular artist. June 28 through Oct. 27. ocma.art

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Celine men’s winter ’24

A black-and-white vintage-looking photo of a model seated in a car, its door open

Inspired by a piece of music written by Hector Berlioz in 1830 and recorded by Leonard Bernstein in 1963 , Hedi Slimane’s men’s winter ’24 short film “Symphonie Fantastique” was shot early this year between the Mojave and Los Angeles, using a desolate desert road as its runway. Directed by Slimane, who has long shared a kindred spirit with California and L.A., “Symphonie Fantastique” is shot in black-and-white and it’s oozing with 1960s swagger and silhouettes. Juxtaposing models in Slimane signatures — skinny suits, slick leather, fur coats, capes — against lasso-wheeling cowboys, L.A. mountains and freeways, “Symphonie Fantastique” creates an alternate world in the familiar sprawling setting, borrowing the spirit of what Bernstein described as the first psychedelic symphony ever made.

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Nearly half of Americans surveyed don’t know what America 250 commemorates

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Nearly half of Americans surveyed don’t know what America 250 commemorates

People visit the Liberty Bell on the eve of Independence Day in Philadelphia on July 3, 2025. The crack in this symbol of U.S. freedom echoes the paradox between national pride and civic ignorance revealed in a new national poll.

Juan Mabromata/AFP/Getty Images


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Juan Mabromata/AFP/Getty Images

A new national poll reveals a striking paradox in public sentiment ahead of America’s 250th anniversary: a disconnect between Americans’ strong patriotic pride and their lack of civic knowledge.

According to a survey from the libertarian Cato Institute think tank of more than 2,000 U.S. adults conducted in late June, 86% of respondents said they are grateful to be American and 70% believe the nation’s founding principles remain relevant.

However, nearly half of Americans (46%) don’t know that America’s 250th anniversary commemorates the adoption of the Declaration of Independence.

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This civic ignorance extends to basic governance: Nearly 60% do not know the main purpose of the U.S. Constitution is to limit government power, and do not know why the colonies declared independence from Great Britain.

Furthermore, the report highlights deep anxieties about the future of American liberty.

The majority of those surveyed believe the country has strayed from its founding principles, and more than half fear the U.S. could cease to be a free country within the next 50 years, citing corruption and the abuse of power as primary threats. The majority of both Republicans and Democrats share these fears.

The concerns are especially pronounced among Gen Z respondents, who exhibited both the lowest levels of civic knowledge and the least favorable views of the nation’s founders. The majority of Gen Z failed to cite the adoption of the Declaration of Independence as the source of the 250th anniversary.

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“The lack of civic knowledge is a great disaster,” said Coe Professor of History and American Studies and Professor of Political Science Emeritus at Stanford University Jack Rakove. “Any democratic system of government to succeed requires having an informed electorate.”

The Pulitzer Prize-winning authority on the drafting of the Constitution and the Declaration of Independence blamed the problem on the fragmented media landscape and schools prioritizing STEM subjects over civics and history.

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L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything

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L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything

Unpacking my third suitcase in our new West Hollywood home, a sharp pain shot through my chest. I felt dizzy and short of breath before sprawling out on our mattress, which was still covered in plastic.

“What’s wrong?” David asked.

An hour later, on a gurney in the emergency room at Cedars-Sinai, I waited to be admitted overnight. What a great start to our new life — back in L.A. after seven years in New York City — David sleeping alone at our apartment while I was to keep close to the paddles and operating room in case what had just happened was a heart attack.

I was 33, practicing yoga and exercising almost daily. A few months earlier, my New York doctor noticed I had high blood pressure, and I was feeling terrible, so something clearly was going on. Was an artery blocked? Nope, the tests revealed; physically, I was fine. What had happened was a panic attack.

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“Your health will be better in L.A.,” David had promised before returning to L.A.

Now I took no pleasure in his being wrong.

After growing up in Temple City (hardly L.A.), I went on a high school trip to the Big Apple and knew it was where I needed to be.

Exactly five years later, the time to escape California arrived after a miserable breakup from a three-year relationship with a guy that I hid entirely from my family. I was desperate and depressed, down 15 pounds from not eating much, my diet consisting largely of cigarettes and red wine. At the Archstone, my Studio City apartment, I did ecstasy alone on a Wednesday. One has to take a good look at himself when he’s in his bedroom, by himself, rolling, and so I decided it was time to start over in New York.

On the other side of the country, I thought it was normal to hook up with a new guy every third night. Which I suppose, for a gay man who’d spent the first 27 years of his life denying his sexuality to a family he feared wouldn’t understand, it was. My self-esteem was in the gutter, though you wouldn’t have known it from the outside.

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After a three-digit number of hookups on Grindr, I met David, a guy who lived on the same Manhattan corner as I did. We did what people do on Grindr and hooked up a couple of times.

But one morning, we bumped into each other on 9th Avenue. I left our short chat feeling uplifted by how smiley and polite he was in daylight and while we were sober. That night, we went on our first date, and the rest is history. But I hid what I assumed wouldn’t be well-received.

“Let’s move back to L.A.,” he said after four years of life together in New York.

“I’m really not ready,” I said. I loved living in New York and never, ever expected to leave. He understood, but he wanted to return to “the coast.” I knew that in a healthy relationship, it couldn’t be just what I wanted. So eventually, we packed up and moved to an apartment on North Flores Street in West Hollywood.

And now, I was in the hospital.

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After having to cancel the welcome home party our L.A. friends had planned for us, and being released from Cedars, my life fell apart. But being the one who kept everything together, I kept it together better than most would, at least in the presence of others.

I’m fine, I told myself, but I worried my heart was broken, and there was something medically wrong with it. To heal it, I’d need to accept truths that I didn’t want to.

Growing up was devastatingly hard for me. Being gay and misunderstood, with the unacknowledged pain of it kept inside, was quite literally eating me alive. Being back in L.A. meant being near my past. I told my mom I was gay before leaving for New York. She said she still loved and accepted me, but to this day, the struggle has never been discussed or acknowledged. I knew I was a disappointment to my family.

I went to Westwood what felt like 70 times, and after visiting a bunch of UCLA’s specialists, I found myself in the office of a neurosurgeon who took one look at me and said, “You don’t belong here. What you’re suffering from is plain old anxiety, and you’re going to have to work with your therapist on this.”

“I have been,” I said, “and it’s not helping.” But before I finished, he had walked out the door.

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Before long, the panic attacks got so bad, I could hardly drive. David chauffeured me, under the palm trees and bright sun, around as much as his schedule allowed, and when he couldn’t, I made the best of it, lugging my laptop with me for the hour-long trek to yoga-teacher training at Equinox in the South Bay, using that extra time in the back of an Uber to write.

For almost my entire adult life, I’d been in therapy, but it was couples therapy with David where I felt supported enough to admit, first to myself, that I’d been terrified of being fully myself. I was afraid he’d leave me if he saw the real me. Secretly I had been keeping a lifetime of pain bottled up inside because of fear — I didn’t want to risk losing him by being too emotional or having too many feelings.

Three months after that therapy session, the pandemic arrived, and being together 100% of the time for the next year, I let him in fully. He didn’t run — instead, he proposed.

It’s been eight years since that neurologist, and six since I’ve been able to fully drive again. And here in L.A., in a city characterized by its distance, I have, with David, built a close chosen family that supports and fully understands me.

Now, I feel “at home” at our Spanish-style Hancock Park house, the one we bought because we wanted to start a family of our own, only after L.A. allowed me to heal and live peacefully, and now, anxiety free.

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Had David not dragged me back, I wouldn’t have learned what I did about myself, my story of origin and living a life that’s so beautiful and that’s so true to me.

And certainly, we wouldn’t be bringing our baby daughter, Lucy, named after Lucille Ball (who’s more Hollywood?), home in mid-July by way of surrogacy.

The author is a writer and coach who helps established business owners build lives that feel as good as they look. He lives in Hancock Park. He’s on Instagram: @iammattgerlach.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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To be or not to be a parent : It’s Been a Minute

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To be or not to be a parent : It’s Been a Minute

Could you see your life just as easily with children as without? 

What if you’re not cut out for parenthood? What if you grow lonely in your old age? Or what if you have a loving partner, but you disagree on this choice? Deciding between parenthood and a child-free life requires clarity about your fears and deepest desires — no easy task. This episode, psychotherapist and author of the book, The Baby Decision, Merle Bombardieri, helps us get clear. She discusses minimizing regret, normalizing feeling ‘stuck’ and why waiting to have a baby at 38 may be best. 

Want more about the decision to have kids? 

Many women don’t want kids. And for good reason.
Why are people freaking out about the birth rate?

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Follow Brittany on Instagram: @bmluse

For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.

Additional support for this episode came from Alexis Williams. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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