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Pete Davidson to star in new comedy series ‘Bupkis’

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Pete Davidson to star in new comedy series ‘Bupkis’

The streaming service introduced Wednesday the comedy collection “Bupkis,” which is written, starring and government produced by Davidson, was acquired in a extremely aggressive bidding warfare.

The collection can be a live-action comedy, that includes a “fictionalized model” of Davidson’s actual life. The collection will mix “grounded storytelling with absurd components” from Davidson’s viewpoint.

“Pete Davidson is without doubt one of the most sought-after comedians immediately along with his good, one-of-a-kind humor and sincere viewpoint,” mentioned Susan Rovner, chairman, leisure content material, NBCUniversal Tv and Streaming.

“Bupkis will showcase Pete’s humorous, shocking and unfiltered model of comedy audiences have come to like as we proceed to bolster our Peacock comedy slate. We won’t wait to dive in with Lorne Michaels, Broadway Video and our companions at Common Tv.”

Michaels will government produce, together with Andrew Singer and Erin David.

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Davidson’s longtime artistic companions Dave Sirus and Judah Miller are writing and government producing alongside him.

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Inmate accused of stabbing rapper Tory Lanez is a convicted murderer serving a life sentence

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Inmate accused of stabbing rapper Tory Lanez is a convicted murderer serving a life sentence

Authorities have identified the inmate accused of stabbing incarcerated rapper Tory Lanez with a self-made shank as 41-year-old Santino Casio, who is serving a life sentence for murder.

Casio allegedly attacked Lanez, whose legal name is Daystar Peterson, around 7:20 a.m. Monday in a housing unit at the California Correctional Institute in Tehachapi, according to the California Department of Corrections and Rehabilitation.

Peterson is serving a 10-year sentence for shooting rapper Megan Thee Stallion in 2020. He was transported to an outside medical facility for treatment and is currently in fair condition, prison officials said Tuesday afternoon.

An Instagram account ascribed to Lanez said the rapper was stabbed 14 times — including seven wounds to his back, four to his torso, two to the back of his head and one to his face. The 32-year-old Canadian artist was said to have suffered two collapsed lungs but was “in good spirits” and “pulling through.”

Casio has been placed in restrictive housing while prison officials and the Kern County district attorney’s office investigate the attack.

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The alleged assailant was sent to the California Correctional Institute from Los Angeles County in 2004 after being sentenced to life with the possibility of parole for second-degree murder, first-degree attempted murder, use of a deadly weapon and inflicting great bodily injury, according to the CDCR.

While in prison, Casio has been sentenced for two additional crimes.

In 2008, he was sentenced to six years for assaulting a prisoner with a deadly weapon. Then, in 2018, he was sentenced to two years for possessing a deadly weapon in prison.

Peterson was sentenced in August 2023 for shooting Grammy-winning artist Megan Thee Stallion, whose legal name is Megan Pete. He was convicted in December 2022 of assault with a firearm, illegal possession of a firearm and negligent discharge of a gun.

The “Savage” musician has alleged that Peterson has continued to harass her from prison by directing his fans and online trolls to disparage her online. In January, a Los Angeles judge granted Pete a restraining order against Peterson until 2030.

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Staff writer Richard Winton contributed to this report

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Film Review: ‘Caught by the Tides’ is Another Daring Work of Art from Jia Zhangke – Awards Radar

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Film Review: ‘Caught by the Tides’ is Another Daring Work of Art from Jia Zhangke – Awards Radar

Less a narrative feature than an impressionistic work of art, Jia Zhangke distills the past twenty years of his life through the perspective of Qiaoqiao (Zhao Tao) in his latest film, Caught by the Tides. The only “newly” shot portion for the movie occurs during its final half, set in 2022 during the COVID-19 pandemic, as Qiaoqiao reunites with her former lover, Bin (Li Zhubin), for the first time since their separation. What precedes this section is a non-linear assemblage of footage shot by Jia, either for his past films, such as Still Life, Ash is Purest White, and Unknown Pleasures, or footage he kept for himself until today. 

Watching such a movie feels truly daring, as Jia moves away from his linear works into associative territory, linking one piece of shot-on-video footage with another, completely different, celluloid image. The most impressive moment occurs near its end, as the movie cuts from a top-down shot of a ballroom, where a group of people dance during the pandemic, to a fish-eyed digital zoom of a supermarket CCTV camera, first honing in on a pack of oranges, then clumsily careening around the space, desperately looking for an image to focus on. The camera follows Bin inside the market as he reunites with Qiaoqiao. From there, pure cinema occurs. 

Bin reunites with Qiaoqiao and, despite the face masks they are wearing, the two immediately recognize each other’s eyes. Jia lingers on their masked faces for a bit before Bin removes it, to the shock of Qiaoqiao, still unable to process that he’s in front of him, after so many years apart. It’s one of the most potent images in post-COVID filmmaking, where the director is able to find purpose in the sanitary limitations of the era, showing us that connections were still possible, despite the tragic situation the characters were living in.  

Many filmmakers have tried to express the COVID-19 era in film, but have failed to draw anything meaningful out of it. The only artist who got something out of the anxieties such an event drew was Steven Soderbergh when he made his paranoia thriller KIMI in 2022. Radu Jude also tried to say something out of such an event with his unofficial duology Bad Luck Banging or Loony Porn and Do Not Expect Too Much from the End of the World (both are masterpieces, by the way), but no filmmaker expressed dramatic power the way Jia does in this particular section with Caught by the Tides, let alone letting the silences of his (masked) actors speak in ways that words cannot. 

Zhao Tao’s performance is entirely silent, barring a section taken from Unknown Pleasures where the protagonist sings. But there isn’t a spoken word uttered by Qiaoqiao throughout the entire movie, and Jia lets us sit with her in silence, contemplating her future and the choices she has made that ultimately lead her to where she is during the pandemic. Even her exchange with Bin, preceding their breakup, is told through intertitles, with only their looks as the point of reference to make us feel their emotions. To some, that may be an alienating way to watch a movie, especially when Jia flows from one scene to the next without tangible linearity, a massive departure from what he is usually known for. 

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However, there’s something so emotionally stirring in Zhao Tao’s portrayal of Qiaoqiao, whether in the repurposed footage from Jia’s past films or what was shot for this movie, that makes the experience so worthwhile. The best parts of acting are conveying everything you want to say without having the need to say anything. Few actors can accomplish this feat well and express a litany of emotions like this, yet Zhao Tao does it so effortlessly. Her forced smile hides feelings she doesn’t want to put forward, even though we can clearly read them. Qiaoqiao isn’t happy, and her current trajectory ensures she won’t find the peace she wants. 

It’s only during an interaction with a robot, in one of the year’s most moving exchanges, that we get to see the real Qiaoqiao, who warms up and happily smiles, for the first time, after the machine tells her, “Mother Teresa once said, if you love until it hurts…there can be no more hurt, only more love.” It’s the first occasion where we see her feel something, and the rest of the film, where Qiaoqiao ties up all of her past loose ends, gives her the courage to do what she needs to do to move on. It’s simultaneously heartbreaking and profoundly affecting, even if Jia’s associations sometimes lose their meaning, particularly in the movie’s midsection. 

That said, even if Caught by the Tides sags and loses its intent in a few places, Jia Zhangke knows he has to anchor his decades-spanning emotional journey through the eyes of his wife and creative partner, Zhao Tao. It’s through those sullen, devastating looks that pierce the artifice of cinema and touch us so profoundly that we’re ultimately moved by this daring proposition from one of China’s greatest formalists, caught in the tides of the past and present, and offering us no solutions for a future that doesn’t look as promising as it might have been envisioned, by Qiaoqiao, or society itself…

SCORE: ★★★1/2

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Kim Kardashian is finally going to testify about being robbed in Paris. How did we get here?

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Kim Kardashian is finally going to testify about being robbed in Paris. How did we get here?

It has been almost 3,150 days — more than 8½ years — since Kim Kardashian was robbed at gunpoint in Paris. On Tuesday, she finally gets to testify against the suspects.

By the fall of 2016, the Kim Kardashian West train had been speeding through the celebrity landscape like a bullet for years, running down anyone in its way and leaving everyone else in the dust. She was everything everywhere all at once, all the time. She had been married, then divorced, then had babies, then got married again. She broke the internet. And that fame train seemed destined to circle the globe in perpetuity.

Then came Paris Fashion Week. What could go wrong?

In the early-morning hours of Oct. 3, 2016, the Kim K. train suddenly derailed: A party of men entered Kardashian’s two-story Paris pad, armed with guns and zip ties and hunting for jewels. Specifically, Kardashian’s jewels, which she had flaunted on social media.

What happened in the Paris apartment?

Shortly after 2 a.m. local time, Kardashian was reportedly lying in bed clad only in a robe when she heard people stomping up the stairs in her two-story apartment at the Hôtel de Pourtalès. It turned out the men had been directed there by the night concierge, who said he had been threatened at gunpoint. She caught a glimpse of two of the guys, rolled off the bed and tried to call her bodyguard before her phone was taken from her.

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Her wrists were zip-tied and duct-taped, and she was grabbed by the ankles — at which point, she told the police, she thought she was going to be raped. Instead, her assailants bound her ankles with duct tape and carried her to the bathtub, as Kardashian screamed for them to take her money and jewelry but please spare her life, because she was at that point the mother of two children.

The men did not speak English but kept saying, “Ring, ring,” she told police. After Kardashian told them where to find the massive diamond — a recent gift from then-husband Kanye West that she had been showing off on social media — they duct-taped her mouth.

Kardashian was left lying helplessly on the bathroom floor as the robbers left with their haul. A friend who was staying in a downstairs bedroom heard the commotion and called the reality star’s bodyguard, who had been out with her sisters Kourtney Kardashian and Kendall Jenner at a club nearby and quickly returned to the hotel.

Did people believe Kardashian’s story?

The internet-posting public did not believe her, at least at first. Self-styled pundits immediately suggested she had staged the whole thing for publicity — as if she couldn’t get that on her own simply by waking up and snapping a selfie. The reality star quickly sued MediaTakeout.com for libel after it said she made up the story, lied about the assault and filed a fraudulent insurance claim. Police, meanwhile, quickly dismissed the notion that Kardashian was lying because she was so badly shaken up, but seriously investigated whether it was an inside job. (The night concierge and the bodyguard are slated to testify at trial.)

The libel lawsuit was settled within weeks, CNN reported, with the website issuing a retraction and acknowledging that Kardashian had in fact been robbed at gunpoint.

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When did authorities arrest and charge the suspects?

Arrests came Jan. 10, 2017, when 17 people were taken into custody in multiple raids around Paris. Kardashian’s chauffeur was among those arrested, but he was released after questioning. By 2021, the suspects had been narrowed to 12 people who were slated to stand trial. One suspect, however, has died since being questioned, and another has been excused from the trial because he is 81 and has advanced Alzheimer’s, the BBC reported.

In fact, French media has been referring to the main suspects as the Grandpa Robbers, due to their advanced ages — the eldest defendant is 78. They didn’t really know who Kardashian was at the time of the robbery but were reportedly told she was “a rapper’s wife.” Ten suspects remain on the hook, including one woman. Of those, five went into Kardashian’s apartment during the robbery. The rest are accused of aiding and abetting.

What have the suspects been doing since then?

One suspect, Yunice Abbas, told a French outlet in 2022 that since Kardashian “was throwing money away, I was there to collect it, and that was that. Guilty? No, I don’t care. I don’t care.”

Now 71, Abbas, one of two suspects whose DNA was found at the crime scene, has said he plans to apologize when he’s in court. He also says he was unarmed and acted as a lookout on the ground floor of the hotel.

“I saw one of her shows where she threw her diamond in the pool in that episode of ‘Keeping up with the Kardashians,’” he told Vice in 2022. “I thought, ‘She’s got a lot of money. This lady doesn’t care at all.’”

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The alleged mastermind behind the plot, Aomar Ait Khedache, wrote an apology letter to Kardashian from prison in 2017, saying he regretted his actions and realized the psychological damage he caused. “Old Omar” has admitted tying up Kardashian but denies being the brains behind the operation.

The other suspects, including Ait Khedache’s son Harminy, have maintained their innocence.

What happened to the jewelry?

About $6 million worth of jewelry was stolen, or maybe it was $10 million worth, depending on which of the many accounts can be trusted. Kardashian and ex-husband Ye, formerly known as Kanye West, reportedly submitted insurance claims worth $5.6 million. In the 8½ years since the robbery, only one piece has been recovered: a diamond cross on platinum that the suspects lost as they escaped on bicycles. Its value was estimated at just over $33,000, per Vanity Fair.

An 18.8-carat diamond ring — which was a gift to Kardashian from Ye — a yellow-gold Rolex Cosmograph Daytona, seven Cartier and Hermès bracelets and three gold-and-diamond grills were all in the haul, VF reported. Anything that was unique, like the stone in that diamond ring, has likely been broken down into pieces and resold, a jewelry-theft expert told People in 2016.

What happens next?

Kardashian is set to testify in Paris on Tuesday afternoon — around 5 a.m. in California. She will be questioned first by the judge, according to the New York Post, then by her attorneys, then by the prosecutors, and finally by the defendants’ attorneys.

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In mid-April, a Kardashian attorney confirmed to the AP that she would testify at the trial, which started April 28 and is scheduled to run until May 23. But until she appears on the stand, the statement said, the reality mogul is “reserving her testimony for the court and jury and does not wish to elaborate further at this time.”

That sounds like it’s French for “no comment.”

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