Movie Reviews
The Monkey Movie Review: A chilling yet darkly hilarious horror film that embraces the absurdity of its premise
Review: Osgood Perkins takes a unique approach to The Monkey, blending supernatural horror with a wicked streak of dark comedy. While the premise—a toy monkey that triggers violent deaths—could be pure nightmare fuel, Perkins leans into its absurdity, allowing for moments of bleak humour amidst the tension. The film often revels in the ridiculousness of its concept, crafting death scenes that are so exaggerated they almost become morbidly funny. This tonal balancing act between horror and satire is one of the film’s most intriguing elements, though it may not land for all audiences.
Theo James delivers a committed performance as both Hal and Bill, capturing their contrasting reactions to the trauma they endured as children. His portrayal of Hal, the more straight-laced of the two, plays well against Bill’s more jaded, almost detached demeanour, adding an extra layer to the film’s comedic undertones. In a supporting role, Elijah Wood brings an offbeat energy that further reinforces the film’s darkly humorous sensibilities, while Tatiana Maslany adds emotional weight to the story. Colin O’Brien, as Hal’s son Petey, serves as the innocent heart of the film, grounding the supernatural chaos in something real.
Visually, The Monkey is as much a horror film as it is a grim parody of the genre. Perkins and cinematographer Andrés Arochi craft an eerie yet playfully exaggerated aesthetic, using heavy shadows, surreal framing, and unsettlingly bright moments of colour to highlight the monkey’s presence. The sound design is particularly effective, with the monkey’s cymbals becoming an almost comedic punchline—an ominous sound cue that signals doom in the most absurd circumstances. Perkins is aware of the inherent ridiculousness of his premise and leans into it, allowing the film to have fun with itself rather than taking everything too seriously.
However, the film’s biggest gamble—its tonal shifts—may also be its most divisive element. The transitions between horror, tragedy, and black comedy aren’t always seamless, and some viewers may be unsure whether they should be terrified or laughing. Additionally, Perkins’ signature slow-burn storytelling occasionally clashes with the film’s more playful moments, resulting in pacing issues that could test the patience of some audiences. While the film delivers many eerie moments, its humour may not land for those expecting a more straightforward horror experience.
Movie Reviews
8News Reel Talk: ‘The Devil Wears Prada 2’ movie review
RICHMOND, Va. (WRIC) — In this episode of 8News Reel Talk, digital producer Julia Broberg is joined by anchor Deanna Allbrittin and reporter Allison Williams to talk about “The Devil Wears Prada 2.”
The hosts gave their reviews and assigned the following star ratings:
Deanna: ★★★★.5
Allison: ★★★.25
Julia: ★★
To watch more livestreams and digital video content, head to the WRIC+ Originals page. You can also watch full on-demand videos on your smart TV using the WRIC+ app.
Movie Reviews
“Billie Eilish – Hit Me Hard and Soft: The Tour” Movie Review – Spotlight Report
Billie Eilish fans prepare yourself, the much talked about secret project has finally arrived on the big screens!
Billie Eilish has always been about intimacy over artifice, but her latest concert film takes that to a visceral new level. Co-directed by Eilish and James Cameron, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) manages to bridge the gap between a massive stadium show and the quiet grit of life backstage.
The film starts 18 minutes out from the show and builds the tension until audiences are literally folded into a box with her. Being taken under the stage, passing fans who have no idea she’s inches away, sets a tone of total immersion. What makes this film different is the balance between the spectacle and the behind-the-scenes reality. We see the creative shorthand between Billie and James Cameron as they chase what she calls the “best kind of sensory overload”.

There are so many standout moments, the handheld camera work during “Bad Guy” that gives a dizzying POV of the band, and the chilling minute of silence Billie requests from the crowd to record a vocal loop.
The film captures her unique stage presence. Influenced by rap culture, Billie refuses to have anyone else on stage, unlike many female artists that use back up dancers. Billie can hold the entire stadium in awe by herself which is incredible to witness, until Finneas joins her for a beautiful, emotional piano set.
Between the high-tech visuals and the “Puppy Room” (where she keeps rescue dogs for staff to decompress), the film feels incredibly personal. While the film doesn’t give us any new insights into Billie, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D) is an enjoyable experience that elevates the tradition concert film.
Movie Reviews
Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC
The producer of the Mortal Kombat 2 movie has called out critics who gave it a negative review.
At the time of writing, Mortal Kombat 2 has a score of 73% on film review aggregator site Rotten Tomatoes, and a score of 48 on Metacritic.
While this means reviews have generally been mixed, the film’s producer Todd Garner took to X to criticise those who wrote negative reviews, suggesting that some of them were written by critics who aren’t familiar with the source material.
“Some of these reviews are cracking me up,” Garner wrote. “It’s clear they have never played the game and have no idea what the fans want or any of the rules/canon of Mortal Kombat.
“One reviewer was mad that a guy ‘had a laser eye’! Why the fuck do we still allow people that don’t have any love for the genre review these movies! Baffling.”
When questioned on this viewpoint by some followers, Garner explained that while he doesn’t have an issue with negative reviews in general, his problem is specifically reviewers who don’t appear to be familiar with Mortal Kombat.
“My comment was very squarely directed at a couple of reviewers that did not like the ‘zombies’ and the fact that there was a ‘guy with a laser eye’, etc,” he said. “Those are elements that are baked into the Mortal Kombat IP and therefore we were dead in the water going in.
“There is no way for that person to review how it functioned as a film, because they did not like the foundational elements of the IP. I just wish when something is so obviously fan leaning in its DNA, that critics would take that into consideration.”
One follower then countered Garner’s complaint by arguing that he shouldn’t be criticising people who don’t know the games, when the films themselves take creative license with the IP.
“Bro to be fair, you invented Cole Young, Arcana and couldn’t even get the simple lore of Mileena and Kitana correct,” said user Dudeguy29. “I’d say you shouldn’t be tossing any stones here.”
“Fair,” Garner replied.
Garner previously criticised the cast of the Street Fighter movie when, during The Game Awards last year, comedian Andrew Schulz – who plays Dan in the Street Fighter film – claimed that the Mortal Kombat 2 movie cast were also in attendance, before joking: “I’m just kidding, they didn’t come, they don’t care about you, they only care about money.”
The jibe didn’t go down well with Garner, who stated on X at the time: “I don’t climb over others to get ahead”. When recently asked how he felt about the cast vs cast rivalry, however, Mortal Kombat co-creator Ed Boon laughed and said he had no issue with it at all.
Mortal Kombat 2 is released in cinemas this Friday, May 8, while Street Fighter arrives later in the year on October 16.
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