Movie Reviews
Sasquatch Sunset (2024) – Movie Review
Sasquatch Sunset, 2024.
Written and Directed by David Zellner and Nathan Zellner.
Starring Riley Keough, Jesse Eisenberg, Nathan Zellner, and Christophe Zajac-Denek.
SYNOPSIS:
A year in the life of a unique family. It captures the daily life of the Sasquatch.
Sasquatch Sunset is what happens when you cross a crude, juvenile sense of humor that feels transplanted from the mind of a teenager who just discovered sex and its resulting bodily fluids from all genders, with a surprising sense of poignancy and emotional resonance. When one thinks directors David and Nathan Zellner are losing interest by repeating some of the same jokes, which primarily include a sasquatch family fornicating, masturbating, urinating, pooping, and fumbling their way through life (any interaction with small woodland animals is amusing), they don’t necessarily pivot away from that graphic onslaught of raunch or lose confidence but simultaneously embrace something more moving and thoughtful regarding parenthood and the planet. It’s dumb and gross in its approach to humor, but it also comes equipped with something vital to say.
Dumb is also used affectionately, as this sasquatch family, who do nothing but grunt and gesture (the actors reportedly worked with mimes to help effectively express themselves in this wordless feature), are free to be crass and brainless. At least until the sibling filmmakers flip that upside down, showing that Riley Keough’s pregnant sasquatch (the light narrative follows the family for an entire year, broken up into the four seasons in a chapter structure) has as much maternal instinct as any other animalistic species and slowly seemingly becomes self-aware of the damage being done to the planet. Shot by Mike Gioulakis, part of the joke appears to be that something so raunchy looks sweepingly beautiful, further emphasizing the ecological points being made.
Given that there is also some astonishingly detailed costume and makeup design that make these creatures feel like they exist, the emotional element is more effective. It’s a small ensemble of four, but with two recognizable names, Jesse Eisenberg and Riley Keough, unafraid to appear unrecognizable in the film; you might have to squint or use a bit of extra focus to adjust yourself to see who is playing which sasquatch, and while that might sound initially confusing for some, it doesn’t turn out to be an issue and is, if anything, might be the highest compliment there is to pay the below-the-line team. The sasquatches look nothing like their acting counterparts, save for slightly noticeable facial structure features and eyes, but evoke a strong sense of humanity among their toilet humor shenanigans.
As for the story itself, Sasquatch Sunset certainly benefits from heading in knowing very little about it. What can be said is that the family (it is unspecified how they are exactly related to one another) spend their days traveling across the forest, picking for food, and occasionally stopping to take care of business such as bowel movements or sex. Within the group, a rather aggressive sasquatch (played by one half of the writing/directing team, Nathan Zellner) is taking charge (many times in ways that backfire) and sexually forcing himself on the resisting Riley Keough sasquatch, currently meeting with the Jesse Eisenberg sasquatch. The love-Bigfoots also appear to have a younger son (much smaller and even more curious about the surroundings), played by Christophe Zajac-Denek.
This leads to a dramatic change in the group, with the sasquatches discovering more about the world, threatening the existence of all wildlife. There are such small, brilliant choices here that shouldn’t be spoiled, but one can’t go without mentioning a couple of devastating needle drops, and a score from The Octopus Project simultaneously tapped into the silliness and seriousness of the project. Admittedly, even with an 88-minute running time, there are still bits of dead air and repeated gags, with a slower first half that takes on a presentation similar to a nature documentary before emotions beyond crudely laughing emerge. Even for someone on board with its sense of humor, some of it can feel like an endurance test of ranch.
One of the first sights in Sasquatch Sunset is of the Jesse Eisenberg and Riley Keough creatures fucking in the woods, which is funny and also kind of bottom-of-the-barrel lazy comedy. The impressive trick is that the Zellner brothers make us care about these characters either way; it’s a film with no right to be as melancholy and emotionally affecting as it is, which lends substance to the gross-out humor. It walks the line between stupid and smart, pissing and shitting with every step.
Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★ ★
Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com
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The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
Movie Reviews
Movie reviews reveal A Poet and All That’s Left of You dominate March with perfect 100% scores – Art Threat
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Two masterpieces just shattered critical consensus on Rotten Tomatoes. Both A Poet and All That’s Left of You have garnered rare perfect 100% scores from critics, dominating March 2026’s excellence rankings. These dual releases represent a historic moment for international cinema.
🔥 Quick Facts
- A Poet: 100% Rotten Tomatoes score from critics celebrating Simón Mesa Soto‘s Colombian drama
- All That’s Left of You: 100% Certified Fresh multi-generational Palestinian epic by Cherien Dabis
- Release Timeline: Both films expanding dramatically in theaters March 2026 after festival triumphs
- Critical Moment: Rare simultaneous perfect scores elevate international storytelling into mainstream spotlight
A Poet Achieves Unanimous Critical Acclaim
Simón Mesa Soto‘s A Poet stands as one of 2026’s finest achievements. Starring Ubeimar Rios as Oscar Restrepo, a once-promising writer turned tragic failure, the film examines fatherhood’s weight with devastating wit and elegance. The Colombian-Swedish-German co-production premiered at Cannes Film Festival’s Un Certain Regard section last year and has conquered every distribution market since.
The ensemble cast includes Rebeca Andrade, Guillermo Cardona, and Humberto Restrepo, delivering layered performances that anchor the film’s four-chapter structure. Critics hailed the film as a triumph of tone, mixing tragicomic observation with genuine emotional devastation. The New York Times called it “The Romance of Misery”, recognizing its ability to find beauty in human failure. The film’s philosophical depth and formal precision explain its unprecedented critical consensus.
| Title | A Poet (Un Poeta) |
| Director | Simón Mesa Soto |
| Lead Actor | Ubeimar Rios as Oscar Restrepo |
| Rotten Tomatoes | 100% Certified Fresh |
| Theatrical Status | Expanding in March 2026 |
All That’s Left of You Shatters Records as Palestinian Saga
Cherien Dabis wrote, directed, and starred in All That’s Left of You, a sweeping three-generational epic set in the Occupied West Bank spanning decades of family trauma and resilience. Featuring Saleh Bakri, Mohammad Bakri, Adam Bakri, and Maria Zreik, the film follows a teenage boy swept into a pivotal protest with consequences that ripple through his family’s future.
Produced by Watermelon Pictures, the film premiered at Sundance Film Festival 2025, where it immediately earned Certified Fresh status and near-universal praise. Filming relocated to Cyprus, Greece, and Jordan after production complications, yet the result feels seamlessly authentic. Critics point to Dabis’s multi-media mastery (she directs, performs, and produces) as essential to the film’s emotional authority. The film’s scope rivals the greatest epics while maintaining intimate character work that defines recent international cinema.
All That’s Left of You arrived in selected theaters on January 9, 2026 and steadily expanded throughout early March. The film’s 100% Rotten Tomatoes score reflects not just critical respect but genuine reverence for Dabis’s artistic vision. This achievement represents Palestinian cinema reaching its greatest artistic and commercial moment.
Why These Two Films Dominate March 2026’s Conversation
Rarity defines these simultaneous perfect scores. A Poet and All That’s Left of You occupy the rare 100% Tomatometer tier reserved for films of historic excellence. The 2026 FilmFare recognized both as front-runners for major awards, acknowledging how they’ve elevated the expectations for drama itself. Industry observers note that achieving perfect critical consensus in today’s fractious landscape represents not consensus but unanimous recognition of artistic achievement.
Both films reflect cinema’s global moment. Simón Mesa Soto‘s Colombian vision and Cherien Dabis‘ Palestinian perspective prove that international storytelling now commands the cultural conversation. Rotten Tomatoes‘ Official Rankings place both films in its exclusive Certified Fresh top tier. March 2026 becomes the month cinema decided: universal critical acclaim belongs to filmmakers willing to transcend borders.
“All That’s Left of You is a sweeping multigenerational epic that captures the thematic breadth of great cinema while exploring what it means to endure generational trauma.”
— Rotten Tomatoes Critics Consensus, Officials
The Future of International Cinema Starts Now
Both films expand to more theaters through March 2026 and beyond. A Poet hits streaming services and digital platforms simultaneously, making it accessible to audiences beyond Select Release cities. All That’s Left of You continues rolling out across regional markets, having already secured international distribution. Industry observers expect both to capture major festival awards at upcoming spring cinema celebrations.
These perfect scores matter beyond accolades. They signal to studios, streamers, and investors that audiences hunger for international voices and authentic storytelling. March 2026 becomes a watershed moment where Colombian drama and Palestinian cinema proved they belong in the conversation with any major market release. The critical paths of A Poet and All That’s Left of You forecast how cinema itself will evolve toward greater global representation.
Where Can Film Lovers Watch These Perfect-Score Masterpieces?
Both films remain available in theatrical releases across the United States and expanding internationally. A Poet plays select theaters with plans to widen release through spring 2026, while All That’s Left of You continues broader theatrical circulation. Check major ticketing platforms for showtimes and streaming availability. International audiences should consult local cinema schedules for release dates and language availability. These 100% Rotten Tomatoes achievements deserve the big screen experience both directors envisioned.
Sources
- Rotten Tomatoes – Official Tomatometer scores and Critics Consensus for both films
- The New York Times – Critical analysis and reviews of A Poet’s artistic achievement
- Watermelon Pictures – Official distribution and production information for All That’s Left of You
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