Connect with us

Movie Reviews

OMG 2 Movie Review: Akshay Kumar, Pankaj Tripathi and Yami Gautam film entertains and educates

Published

on

OMG 2 Movie Review: Akshay Kumar, Pankaj Tripathi and Yami Gautam film entertains and educates

Back in 2012, Akshay Kumar made an appearance as lord Krishna in Oh My God and raised several pertinent questions on societal practices. 11 years later, he is returning with OMG 2, this time making an appearance as Lord Shiva’s messenger. While the first part was led by Paresh Rawal, the sequel features Pankaj Tripathi and Yami Gautam in lead roles.

Plot:

Sex education is a taboo topic in most parts of India and with OMG 2, director Amit Rai tries to put forth a debate around the inclusion of sex education in school syllabus. The plot of OMG 2 revolves around how an episode of masturbation in school takes a toll on the mental health of Vivek (Aarush Varma) and also a change in perception around his entire family in the society. When all hopes and fighting spirit is lost, lord Shiva sends his messenger (Akshay Kumar) to stand by the family in tough times and bring them out of the situation. The messenger motivates his father, Kanti Sharan Mudgal (Pankaj Tripathi) to file a case against the school and several other mis-informants in the society. What’s the case all about and how Kanti Sharan Mudgal manages to break the taboo is what unfolds in OMG 2.

What works?

Credit where due, OMG 2 is making an attempt to put forward a topic which everyone within the industry would shy away from. The team deals with sex education and masturbation with maturity and manages to leave a message but in a very entertaining manner. The story telling is packaged with ample humour and dramatic moments in the courtroom, especially the second half. While the initial 20 minutes are used to set up the story, it picks up with Akshay Kumar’s introduction in the first half and follows a consistent pace until the interval.

Advertisement

There is a little dip in the initial second half, but again, the conflict intensifies and picks up very well in the final 40 minutes. An episode in the pre-climax in the hospital hits the right emotional note and has the potential to have tears roll off your cheeks. That’s followed by another hard-hitting monologue in the climax, which acts as a major clap trap moment, suggesting a sense of victory. There’s another empowering sequence in the climax featuring a sex worker.

All the portions featuring Akshay Kumar are refreshing and bring a smile. Unlike OMG (2012), this one has a unique way in which he helps his believer. In a clash scenario with Gadar 2, there’s a sequence in the second half that’s sure to be received well, acting as an easter egg to what’s happening. The dialogues are done well, especially the comic one-liners through the narrative. The biggest win for OMG lies in the fact that the story makes you feel for what the Vivek, Kanti and family are going through and redeems the belief in the finale.

What Doesn’t Work?

The courtroom sequences in the early part of the case are not as effective as one expected them to be and it takes a little time to warm up to the debate, more so due to the subject that the makers have in hand. Some of the sequences featuring the family in the first half tends to get a little loud on humour front. However, the larger scheme of what the film is trying to say, these drawbacks can be ignored.

Advertisement

The comparisons are bound to happen with the first part, but it is going to be important for the viewers to watch OMG 2 as a standalone film. The topic of OMG was a lot more universal, but this one is a bit more on the taboo side and it’s not easy here to deviate from the conflict for comic relief. The modifications suggested by censor board of certain sequences and dialogues does act as a distraction, especially in the close-up shots. The production values are good enough for the genre of the film.

Performance

Akshay Kumar as lord Shiva’s messenger is integral to the proceedings of story and performances with utmost grace. His screen presence and dialogues never fail to bring a smile, and you can sense a feeling of accomplishment towards the finale. Pankaj Tripathi steals the show with his portrayal of Kanti Sharan Mudgal. He downplays himself in the first half and then rises to the occasion in the second half. He excels in all the monologues while fighting the case, and mouths all those one-liners in his typical poker face style. Yami Gautam as prosecutor Kamini acts well, however, the transformation arc of the character could have been tackled in a better way. Watch out for the confidence with which she fights her case – she carries the confidence in her body language. Child actor Aarush Varma does well in his role, and the same can be said for Pavan Malhotra, who plays a judge. Govind Namdev, Arun Govil, Bijendra Kala do justice to their respective parts. The rest of the ensemble too does well.

Verdict:

OMG 2 is a well-intentioned film that has its heart at the right place. The film educates without getting too preachy. While the courtroom debates could have been a little more exciting, the biggest W for the film is its ability to engage and entertain despite falling in the bracket of a ‘Taboo’. The irony of the situation lies in the fact that the censor board itself fell for the taboo that the film is trying to address and break. OMG 2 is certainly a film that could start some conversations that people are usually awkward to talk about and full marks to the makers for attempting a film on this subject. It’s also commendable for a mainstream movie star like Akshay Kumar to touch upon the subject of Sex Education. Recommended.

Advertisement

Movie Reviews

Movie Review – Despicable Me 4

Published

on

Movie Review – Despicable Me 4

This is not a Pixar movie that appeals to adults just as much as kids. (BTW, this is a Universal/Illumination production.) It’s pretty much a young kids’ movie, beginning to end. This is one of those movies that mom and dad do rock, paper, scissors to decide who has to sit through the movie with their kid(s).

There were a lot of children in the theater when I saw the movie and they all seemed engaged in the antics. I heard giggles and other reactions throughout. I even heard a young girl say, “This movie was awesome,” to her parent as they walked out of the theater.

——Content continues below——


The World’s Most Indispensable Movie App

The RunPee app tells you the best times to
run & pee during a movie
so you don’t miss the best scenes.

Advertisement

As seen on


Download the RunPee app.
100% free (donation supported)

Get the RunPee app at the Google Play Store
     

Get the RunPee app at the Google Play Store

Read more about the RunPee app.

The one cool thing I got out of the movie was that Stephen Colbert was the voice of their new neighbor. But at the same time, Will Ferrell was totally wasted as the voice for Maxime. I had no idea that was him. They could have gotten anyone to do that character with a horrible French accent.

Advertisement

Grade: A (for kids) D (for adults).

About The Peetimes: I have two good Peetimes. There are a few antics in each, but nothing major. I would recommend the 2nd Peetime. It’s one long scene that is easy to summarize.

There are extra scenes during, or after, the end credits of Despicable Me 4.

Rated: (PG) Action and Rude Humor
Genres: Adventure, Animation, Comedy
Starring: Steve Carell, Kristen Wiig, Joey King
Director: Chris Renaud, Patrick Delage
Writer(s): Ken Daurio, Mike White
Language: English
Country: United States

Plot
Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, and the family is forced to go on the run.

Don’t miss your favorite movie moments because you have to pee or need a snack. Use the RunPee app (Androidor iPhone) when you go to the movies. We have Peetimes for all wide release films every week, including A Quiet Place: Day One, Inside Out 2, Bad Boys: Ride or Die and coming soon , Despicable Me 4, Twisters  and many others. We have literally thousands of Peetimes—from classic movies through today’s blockbusters. You can also keep up with movie news and reviews on our blog, or by following us on Twitter @RunPee.
If there’s a new film out there, we’ve got your bladder covered.

Advertisement
Continue Reading

Movie Reviews

Movie Review: 'Despicable Me 4' – Catholic Review

Published

on

Movie Review: 'Despicable Me 4' – Catholic Review

NEW YORK (OSV News) – Though it comes across as somewhat unfocused, the animated comedy “Despicable Me 4” (Universal) retains much of the charm that has characterized the whole series of films to which it belongs. It’s an agreeable piece of fun that’s suitable for all but the very youngest.

This latest chapter in the adventures of Gru (voice of Steve Carell), the would-be supervillain whose heart of gold long ago turned him into a loving dad and a crimefighter, opens with him assisting in the arrest and imprisonment of French criminal Maxime Le Mal (voice of Will Ferrell). Le Mal vows vengeance on Gru’s family and manages to escape in short order.

With Le Mal on the loose, Gru and the clan — Kristen Wiig voices his sensible wife, Lucy — have to go into hiding and assume false identities. But Poppy (voice of Joey King), the daughter of their preppy, country club patronizing new neighbors, the Prescotts (voices of Stephen Colbert and Chloe Fineman), discovers their secret and uses it to blackmail Gru.

While the comic chaos wrought by Gru’s trademark Twinkie-shaped minions continues to evoke laughs, director Chris Renaud’s addition to a franchise he helped to establish goes down too many plot paths at once. Some of the details of the story — Le Mal’s goal is to kidnap infant Gru Jr., for instance — also seem a bit challenging for kids.

Genuinely objectionable ingredients are kept out of the mix. And there’s a morally interesting, though underdeveloped, subplot about the refusal of one of Gru’s adopted daughters to use the pseudonym she’s been given on the grounds that it would constitute lying.

Advertisement

Yet scenes of danger, a touch of potty humor and a minion mooning may give the parents of the littlest moviegoers pause.

The film contains characters in peril, a flash of nonhuman rear nudity and a scatological sight gag. The OSV News classification is A-I — general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

Read More Movie & TV Reviews

Continue Reading

Movie Reviews

Ti West – 'MaXXXine' movie review

Published

on

Ti West – 'MaXXXine' movie review

Mia Goth has reprised her widely beloved role of Maxine Minx in MaXXXine, the third instalment of Ti West‘s X film series, previously comprised of 2022’s X and its prequel Pearl. Modern scream queen Goth is joined by an impressive cast, including Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Halsey, Lily Collins, Giancarlo Esposito, and Kevin Bacon.

Such a roster of actors and musicians proves the kind of reputation West has earned in recent years and shows the increasing calibre of entertainment figures wanting to work with him. The real question, though, is whether the films themselves stand up to those performing in them. Three movies into his 2020s era, West has largely been revealed as a director who knows how to make a horror films look fun and flashy even if they lack originality.

MaXXXine takes place six years after the events of X as Goth’s character has left behind the “Texas porn star massacre” of the first movie to find her fame and fortune in Hollywood. Initially making her way as an adult entertainment actor, Maxine eventually finds herself making a ‘proper’ film; well, at least a dodgy horror B-movie by the name of ‘The Puritan II’, directed by Elizabeth Debicki’s domineering filmmaker, Elizabeth Bender.

At the same time, 1985 Los Angeles is suffering the crimes of notorious serial killer Richard Ramirez, dubbed in the media the ‘Night Stalker’, who appears to be targeting Maxine’s stripper and porn star buddies as his victims. MaXXXine’s Hollywood is generously doused in all the nostalgic expectations of the most excessive decade of the 20th century with neon lights on every corner, shitty horror movie rental stores (including one owned by Moses Sumney’s Leon) and a groovy soundtrack comprised of ZZ Top and, of course, Kim Carnes’ ‘Bette Davis Eyes’.

Advertisement

Narratively and aesthetically somewhat typical, then, but where MaXXXine excels the most is in its many moments of self-aware homage. At one point, our hero Maxine is chased to the Bates Motel (from Alfred Hitchcock’s Psycho) on the Universal studio lot by Kevin Bacon’s seedy private eye John Labat, while a later moment sees Lily Collins’ dodgy-accented Molly Bennett have her mouth splattered with blood by Bender in a scene likely paying respect to Andrzej Zulawski’s horror classic Possession and its iconic Isabelle Adjani performance.

In addition, West seems to have fun positing the notion that horror movies in the latter part of the 1980s were deemed B at best, toying with the idea that they could never be taken seriously. Judging from the popularity of his X series, though, such a belief has been proven wrong ten times over. Still, there are a handful of issues with MaXXXine, as well as with the films that preceded it, that prevent admittance to the canon of horror greatness.

One of the film’s most engaging and genuinely exciting moments is when Maxine’s past finally catches up with her, and a motive for the entire series, which had been starkly missing (whether supernatural, religious or just downright maniacal), is finally revealed. However, by the time this antagonism finally arrives, one can’t help but feel that it’s somewhat too late and that West has only managed to deliver a pastiche of the horror world’s past with a 1980s gloss rather than provide an effort of originality or even one that genuinely feels scary.

Sure, there are some brilliantly gory set pieces, including the splattering of a man in a car crusher and the decimation of an even more unfortunate gentleman’s genitals (let’s not forget that the X series is undoubtedly feminist in tone). Still, such standout moments do not guarantee a good horror movie and West’s most recent entry seems to suffer from a lack of an overall haunting spectre or suchlike. MaXXXine is exciting, flashy, funny, sassy, self-aware and incredibly sexy, but it fails to be anything more than the sum of its parts: a neon-lit homage to the horrible history of Hollywood horror rather than a fear-inducing glimpse into the genre’s future.

Advertisement

Related Topics

Continue Reading
Advertisement

Trending