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Movie review: 'Dogma' re-release highlights thoughtful script – UPI.com

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Movie review: 'Dogma' re-release highlights thoughtful script – UPI.com

1 of 5 | Ben Affleck (L) and Matt Damon star in “Dogma,” returning to theaters June 5. Photo courtesy of Triple Media Films

LOS ANGELES, May 23 (UPI) — Dogma, returning to theaters June 5, comes from a decade where indie writer/directors were celebrated for the words in their screenplays. Kevin Smith was one of the major voices that emerged in the era of Quentin Tarantino, Richard Linklater and Sofia Coppola.

In his first film, Clerks, Smith had his convenience store clerks express all of his thoughts about Star Wars, retail and relationships. Dogma, his fourth film, was the work of a writer who grew up Catholic and had thoughts about faith.

Exiled angels Bartleby (Ben Affleck) and Loki (Matt Damon) find a way to get back into heaven. As part of a Catholicism outreach campaign, New Jersey Cardinal Glick (George Carlin) promises forgiveness to anyone who passes through his church’s arch.

If the angels gain forgiveness, then take human form and die, God will have no choice but to allow them back into heaven. What they don’t realize is that invalidating God’s decree will cause the end of all existence.

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So God’s Metatron (Alan Rickman) visits Planned Parenthood employee Bethany (Linda Fiorentino) and gives her the task of preventing Loki and Bartleby from entering the church. Smith regulars Jay (Jason Mewes) and Silent Bob (Smith) are sent as prophets to help Bethany in her quest.

This is a story that adapts Catholic scripture into a modern apocalyptic story, but it is really a vehicle for characters to talk about religion, the way characters in other Smith movies talk about movies and comic books.

That dialogue is performed emphatically, and more subtly it’s well edited by Smith and producer Scott Mosier. Smith’s biblical figures would use the F word while making their profound points, but maybe they learned it from millennia of humans, or at the Tower of Babel.

The film’s messages challenge some of the oldest doctrines of Catholicism. No one has to base their values on a movie, but as an artistic exploration of this thesis, all of Smith’s questions are backed up by a creative interpretation of the scripture.

The message is ultimately that God doesn’t care which religion you follow as long as you believe. That would offend organized religion, but the film unabashedly believes in God.

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Jesus’ unsung 13th apostle Rufus (Chris Rock) tells Bethany that God wants people to think for themselves. As bold a take on religion as that might be, it is ultimately optimistic.

Bethany is a character seeking to regain her faith. She remembers the feelings that church gave her as a child.

Yet she no longer feels that as an adult, which is understandable with painful life experience. But she’s open to restoring her faith and this adventure gives her a reason.

Of course, Smith has a mischievous spark. Loki likes to talk nuns out of their faith when he’s literally an Angel with knowledge of God herself (Alanis Morissette).

Smith speculates on eras of Jesus’ life that were not in the Bible as characters speak of their time with him. Those extrapolations show empathy towards the burden of being the son of God for a teenager.

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They’re also not meant to be canonical. Smith’s point is to get viewers thinking as they laugh, not launch a religion himself.

Exposure to biblical figures certainly does not make Jay any more wholesome, but his ability to keep making vulgar sexual innuendo amid crises of faith of apocalyptic proportions is impressive.

There is a little bit of gay panic when Bethany mistakes Bartleby and Loki for lovers, and Rufus exposes Jay’s secret desires for men. Characters also use the R-word, because 1999 was unfortunately before many people learned it was a slur, but Smith has addressed both of those issues in subsequent work.

The complicated release history of Dogma, passing between several studios, has made it difficult to see since its Blu-ray release. Now out of print and not streaming anywhere, the re-release is a welcome return of one of Smith’s seminal works.

Fred Topel, who attended film school at Ithaca College, is a UPI entertainment writer based in Los Angeles. He has been a professional film critic since 1999, a Rotten Tomatoes critic since 2001, and a member of the Television Critics Association since 2012 and the Critics Choice Association since 2023. Read more of his work in Entertainment.

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UNTIL DAWN Review

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UNTIL DAWN Review
UNTIL DAWN is a horror movie based on a video game about a group of friends who find themselves trapped in a time loop, reliving the same night repeatedly with increasingly terrifying, fatal threats. One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town implied to be in Pennsylvania. This place of unimaginable horrors traps them all in a horrifying time loop where they’re murdered again and again. They must work together to survive without losing themselves in the never-ending time loop of gruesome murder.

UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot of UNTIL DAWN puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.

(HH, Pa, C, O, Ho, LLL, VVV, S, M):

Dominant Worldview and Other Worldview Content/Elements:

Strong humanist worldview that twists the concept of modern psychology into a supernatural hellscape with unexplained time loops and reoccurring nightmarish horror filled with excessive violence and gore, but with unexplained pagan supernatural elements (such as a storm circling a house, the appearance of more buildings, the time loop itself, and many more), the time loop perverts the laws of mortality and implies that the consequences of violence, murder, suicide, etc., don’t apply, the psychologist controlling the time loop discusses the situation with modern psychology in vague circles meant to confuse and disorient the nature of the reality in which the victims are trapped, religion or God is not explicitly discussed, but there’s an unexplained cross in front of a house that isn’t explained and a character references the belief that a possessed person cannot become possessed through contact but rather weakness of faith, and some occult content where one woman is a self-described psychic and is into “woo-woo” stuff as another character describes it, she tries to amplify her psychic abilities with help from the others by holding hands and meditation, and she often has strong feelings and seems to have a sense the others do not have, but no worship or symbols are shown, plus a girl dating a guy is said to have previously dated a girl as well as other men;

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Foul Language:

At least 101 obscenities (including 62 “f” words), two strong profanities mentioning the name of Jesus, and four light profanities;

Violence:

Very severe violence and gratuitous blood and gore throughout including but not limited to dead bodies, monsters, scarred masked psychopath, stabbing, beating, and people spontaneously exploding;

Sex:

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No sex shown, but a person puts on a VHS tape and a pornographic movie is heard playing briefly but not shown, and a woman is said to date a lot of people and one time dated another woman;

Nudity:

No nudity;

Alcohol Use:

No alcohol use;

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Smoking and/or Drug Use and Abuse:

No smoking or drugs; and,

Miscellaneous Immorality:

A psychologist is a callous antagonist whose motives are relatively unknown beyond having a morbid curiosity that led to awful experiments and playing games with other people, he purposely keeps people trapped for no known reason other than his sick and twisted observations that end in gruesome murder and unnecessary torture.

UNTIL DAWN is a horror movie based on a video game about a group of friends who find themselves trapped in a time loop, reliving the same night repeatedly with increasingly terrifying, fatal threats.
Advertisement

One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town. This place of unimaginable horrors traps them all in a horrifying time loop where they will be murdered again and again.

UNTIL DAWN is nicely shot and paced well, with believable performances, but it has a strong humanist worldview overall with some occult elements is filled with gruesome violence, gore, lots of strong foul language, and a time loop that leads to an increasing amount of horrific murder and unacceptable immoral actions for survival.

The movie begins with a woman named Melanie clawing her way through the dirt with an unknown monster chasing after her. Digging her way out, she looks up to a masked psychopath standing over her with a scythe. She begs him, “No! Please not again. I can’t!” He fatally stabs her without a thought. It cuts to the main title, and an hourglass is shown with a ticking clock sound and unsettling music.

Cut to a group pf people in a red car driving up a winding mountain, an obvious nod to THE SHINING. It’s been one year after Clover’s sister Melanie vanished without a trace. The group consists of Max, Nina, Megan, Abe, and Clover. Shortly after their mother died, Melanie had decided to start a new life in New York. Clover decided to stay, which created tension between the sisters before Melanie left.

Clover and her friends are looking for more information about her disappearance. Their last stop is the last place she was seen in a video message taken in front of a middle-of-nowhere gas station. Megan, a proclaimed psychic, wants to join hands outside and see if they can feel any mystical energy regarding Melanie. Their attempt is cut short when an RV blares its horn and almost hits them, scaring them all.

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Clover goes inside the gas station for a cup of coffee while the others talk outside. Clover asks the man behind the register if he worked here last year. After confirming he’s been working there for years, she shows him a picture of Melanie from the video. He asks if she was missing and clarifies saying that Clover is not the first to come asking. When she asks if many people around here go missing, he says people “get in trouble” in Glore Valley. As their only lead, the group decides to go there and stick together.

Nervously driving to the valley in an increasingly dangerous storm, the group begins to question what they are doing. Suddenly the storm stops but is still raging behind them. They park in front of a house with a “Welcome Center” sign, with the storm circling around the area but leaving the house dry. Confused, they get out of the car and look around. Nina decides to see if there’s anyone inside so they can come up with a plan. Everyone goes in except Clover, who walks up to the strange rain wall.

Inside the house, they find a dated and dusty interior. The power and water don’t work, and they conclude that they are the first people to come there in years. There is a strange hourglass with a skull on the wall. Checking the guest book, Nina finds Melanie’s name signed multiple times, with increasingly shaky handwriting. In another room, Abe finds many missing posters with faces on a bulletin board and finds poster with Melanie’s face.

Outside, Clover thinks she sees a person in the rain. She also hears Melanie’s voice and runs after it. Concerned, Max calls after her and he pulls her back in. As Nina signs the guestbook, the sun suddenly sets and the clock starts ticking.

Inside the house now with the hourglass turned over, they try to understand what’s happening. The car is out in the rain now with someone revving the engine threateningly. Some of them go to the dark basement, where the lights don’t work. There is an eerie sense of dread as Abe goes to check out a noise, and Nina finds a scarred and masked psychopath standing in a room as the top half of Abe’s body falls to the ground.

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Hearing the commotion upstairs, the others go to see what happened and Max spots the killer. They run to hide, and the apparently invincible psychopath horrifically stabs each of them as they try to fight back. The sand in the hourglass runs back, as each character returns to where they were when Nina originally signed the book (she now signs it a second time). They remember what had just taken place, and how they were all murdered. Clearly stuck in this time loop escape room situation, they will now have to figure out how to escape this terrifying hellscape as the situations get worse with every loop.

UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.

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Movie Review – SHAKA: A STORY OF ALOHA

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Movie Review – SHAKA: A STORY OF ALOHA
SHAKA: A STORY OF ALOHA is shared with the audience by investigator Steve Sue in a calm and charming manner, but this documentary tells a powerful, positive and fascinating story. The “hang loose” thumb, pinky sign that originated in Hawaii and carries many meanings is the focus of this film. I just learned this gesture is called a “Shaka” and has a worldwide impact.  And, there are Shaka Contests.  Who knew? And how do you throw a Shaka? For me, […]
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