Some of these reviews are cracking me up. It’s clear they have never played the game and have no idea what the fans want or ANY of the rules/ canon of Mortal Kombat. One reviewer was mad that a guy “had a laser eye!” Why the fuck do we still allow people that don’t have any love…
— Todd Garner (@Todd_Garner) May 6, 2026
Movie Reviews
Mortal Kombat 2 film producer asks ‘why the f**k’ critics who ‘have never played the game’ were allowed to review it | VGC
The producer of the Mortal Kombat 2 movie has called out critics who gave it a negative review.
At the time of writing, Mortal Kombat 2 has a score of 73% on film review aggregator site Rotten Tomatoes, and a score of 48 on Metacritic.
While this means reviews have generally been mixed, the film’s producer Todd Garner took to X to criticise those who wrote negative reviews, suggesting that some of them were written by critics who aren’t familiar with the source material.
“Some of these reviews are cracking me up,” Garner wrote. “It’s clear they have never played the game and have no idea what the fans want or any of the rules/canon of Mortal Kombat.
“One reviewer was mad that a guy ‘had a laser eye’! Why the fuck do we still allow people that don’t have any love for the genre review these movies! Baffling.”
When questioned on this viewpoint by some followers, Garner explained that while he doesn’t have an issue with negative reviews in general, his problem is specifically reviewers who don’t appear to be familiar with Mortal Kombat.
“My comment was very squarely directed at a couple of reviewers that did not like the ‘zombies’ and the fact that there was a ‘guy with a laser eye’, etc,” he said. “Those are elements that are baked into the Mortal Kombat IP and therefore we were dead in the water going in.
“There is no way for that person to review how it functioned as a film, because they did not like the foundational elements of the IP. I just wish when something is so obviously fan leaning in its DNA, that critics would take that into consideration.”
One follower then countered Garner’s complaint by arguing that he shouldn’t be criticising people who don’t know the games, when the films themselves take creative license with the IP.
“Bro to be fair, you invented Cole Young, Arcana and couldn’t even get the simple lore of Mileena and Kitana correct,” said user Dudeguy29. “I’d say you shouldn’t be tossing any stones here.”
“Fair,” Garner replied.
Garner previously criticised the cast of the Street Fighter movie when, during The Game Awards last year, comedian Andrew Schulz – who plays Dan in the Street Fighter film – claimed that the Mortal Kombat 2 movie cast were also in attendance, before joking: “I’m just kidding, they didn’t come, they don’t care about you, they only care about money.”
The jibe didn’t go down well with Garner, who stated on X at the time: “I don’t climb over others to get ahead”. When recently asked how he felt about the cast vs cast rivalry, however, Mortal Kombat co-creator Ed Boon laughed and said he had no issue with it at all.
Mortal Kombat 2 is released in cinemas this Friday, May 8, while Street Fighter arrives later in the year on October 16.
Movie Reviews
Stephen King shares his two-line review of 2026’s breakout horror movie
The King of Horror has given his stamp of approval to Obsession, this year’s breakout hit horror movie.
Stephen King, the prolific author of best-selling horror novels including It, Carrie and The Shining, applauded the May release Tuesday in a two-line review on Threads.
“I gave OBSESSION a B+ in my movie book, but I keep thinking about it,” King, 78, wrote of YouTuber Curry Barker’s directorial feature film debut. “That weird mixture of humor and horror.”
Obsession — which follows the dangerous consequences of a hopeless romantic’s (Michael Johnston) naive wish for his crush (Inde Navarrette) to love him back — has been a massive box-office success, grossing over $297 milion worldwide off a micro-budget of approximately $750,000 to $1 million.
It has earned major plaudits from critics and a 94 percent score on the popular review aggregator Rotten Tomatoes.

In her four-star review, The Independent’s Clarrisse Loughrey labeled Obsession “one of the creepiest horror movies of 2026.”
The new sensation marks 26-year-old Barker’s first feature film. He previously directed the 2024 found-footage, prank-themed horror Milk & Serial, which he shot for $800 and uploaded directly to YouTube.
Obsession’s theatrical release coincided with that of fellow YouTuber Cane Parson’s directorial debut, Backrooms, a horror film adapted from his popular YouTube series about liminal spaces. The movie has similarly taken the box office by storm.
The success of both projects signals a fresh direction for the genre, leading Loughrey to declare that “the future of horror is on YouTube.”

“Gone is any feeling of Gothic tenderness, of the misunderstood going bump in the night. Here, the generation exposed to what feels like only the very worst of the world has responded in kind, with horror in which punishment is swift, nasty, and arguably well deserved,” she added. “Obsession is delicately handled work, unafraid to find pockets of humor.”
Meanwhile, King, who often shares his opinion about TV and film online, recently directed his followers’ attention to Apple TV+’s new dark comedy, Maximum Pleasure Guaranteed.
Starring Tatiana Maslany as Paula, a newly divorced mom who becomes convinced she witnessed a crime, the show centers on her spiral into a rabbit hole of blackmail, murder and youth soccer.
Comparing it to the streamer’s Matthew Rhys-led comedy horror series Widow’s Bay, King argued that it was “even better.”
“It’s like Hitchcock came back to do it one more time,” The Long Walk author said on X. “And Tatiana Maslany is so good. The play of emotions on her face is pretty incredible. She goes from comic to terror in an instant.”
Last September, he also revealed his list of 10 favorite films of all time, which consisted of Sorcerer (1977), Godfather 2 (1974), The Getaway (1972), Groundhog Day (1993), Casablanca (1942), The Treasure of the Sierra Madre (1948), Jaws (1975), Mean Streets (1973), Close Encounters of the Third Kind (1977) and Double Indemnity (1944).
Movie Reviews
Film reviews: ‘Toy Story 5’ and ‘The Death of Robin Hood’
‘Toy Story 5’
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
SUBSCRIBE & SAVE
Sign up for The Week’s Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
‘The Death of Robin Hood’
Movie Reviews
‘Bob and David Climb Machu Picchu’ Tribeca 2026 Review: A Travelogue of Old Friends, Older Knees, and Same Absurd Timing
The first thing we see in “Bob and David Climb Machu Picchu” is Bob Odenkirk and David Cross facing each other inside a tent, freezing, exhausted, and quiet in the way only old friends can be quiet. They don’t need to say the obvious. Even without a single word spoken, we can see their faces already asking it: what on earth did we get ourselves into?
That’s a good way into this tender documentary, because Michael LaHaie‘s film isn’t just about two famous comedians going on a difficult hike. The hike actually is the excuse, and a pretty good one at that. What we’re really watching is the kind of friendship that survives time, distance, professional detours, old irritations, and the body’s increasingly rude reminders that “getting older” isn’t just a phrase people say on birthdays.
Focus on the Journey, Not the Punchline
The premise is simple. Cross wants to climb Machu Picchu. Odenkirk says yes, partly because he’s game and partly because a recent heart attack has made the bucket list feel less hypothetical. So off they go to Peru, where the Andean scenery is gorgeous, the trail is punishing, and the two men remain funny enough to make shortness of breath sound like a sketch premise.
There’s a long tradition of famous people traveling somewhere beautiful, physically exerting themselves, and landing on gentle reflections about life. Some versions have done it better, slicker, or with more formal ambition. Michael Winterbottom‘s “Trip” films (starring Rob Brydon and Steve Coogan) turned meals and impressions into a running autopsy of male ego and middle age. Meanwhile, the Ewan McGregor–Charley Boorman series “Long Way Round” found camaraderie and self-discovery on the road. Even the lesser celebrity travelogues tend to lean on the same basic appeal: put recognizable people somewhere unfamiliar, wait for the guards to drop, and hope that scenery plus discomfort produces something honest.
“Bob and David Climb Machu Picchu” doesn’t pretend to reinvent that setup. It’s too ragged for that, and sometimes too casual. But that looseness is also part of its charm. LaHaie doesn’t over-direct the trip into importance. He lets Odenkirk and Cross walk, complain, riff, reminisce, eat, sweat, and occasionally look around long enough to remember they’re doing something ridiculous and beautiful at the same time.
The comedy isn’t always polished, which is probably for the best. Some bits land because they’re sharply timed; others work because they’re stupid in the way a joke between friends is allowed to be stupid. A scene in which they sit at a small table in a Peruvian town square and wait to be recognized is funny not only because of the awkwardness, but because it gently punctures their celebrity. When recognition comes, it mostly belongs to Odenkirk’s “Breaking Bad” and “Better Call Saul” fame, which Cross absorbs with the wounded dignity of a man who’s spent decades being very funny and still has to watch his friend get all the Saul Goodman heat.
Old Friends and Older Knees
I have a tightly knit group of male friends who, for reasons both sentimental and mildly embarrassing, call ourselves The Roadtrippers. Every so often, we get together for dinner, a short drive, or—just recently—a trip over a thousand miles away from home to feel like a small act of devotion. Nobody says it that way, of course. Men rarely do. We just show up every time, eat too much, talk nonsense, geek about random things, and pretend the friendship maintains itself. Watching Bob and David wheeze their way through a bucket-list hike, I kept thinking about that unspoken vow.
Keep going. Keep checking in. And keep making memories before the body starts filing formal complaints.
That’s why the film becomes more affecting than its goofy surface suggests. Odenkirk and Cross aren’t selling us a grand thesis about male friendship; they’re simply showing one. Their bond has the friction of people who know each other too well and the ease of people who don’t have to explain the rhythm anymore. They can insult each other, admire each other, poke at old career disappointments, then pivot into absurdity before anything gets too damp with feeling.
That tenderness hit home with me because I know, in my own way, what it means to keep choosing the same friends across time.
More Tribeca Coverage: ‘That Friend’ is a Chaotic Buddy Comedy About the Friend You Can’t Quite Outgrow

‘Bob and David Climb Machu Picchu’, and the Joke Between the Breaths
The film works best when comedy opens into reflection without announcing the shift. Odenkirk’s heart attack isn’t treated as the dramatic centerpiece, but it’s always somewhere nearby, especially when the climb starts to feel less like a lark and more like a dare issued to mortality. Cross comes across as both instigator and witness: the friend who proposed the insane thing and now has to keep walking beside the man who agreed to it.
LaHaie keeps the film moving at an amiable pace, and the editing understands that the best travel moments aren’t always the scenic payoffs. They’re the half-formed jokes, the bad meals, the language gaps, the tired silences, and the private laughter that would sound idiotic if explained to anyone else. Yo La Tengo’s music adds to that easygoing mood without trying to turn the hike into a spiritual awakening with better footwear. That both Odenkirk and Cross starred in the band’s music video for the 1997 song “Sugarcube” is extra nostalgic.
Michael LaHaie’s funny, ragged, unexpectedly tender documentary follows Bob Odenkirk and David Cross up a mountain and into a reflection on friendship, mortality, and staying in sync.
The documentary, of course, has limits. It’s slim, and some of the career material plays more like an affectionate scrapbook than a deeper reckoning. Fans of “Mr. Show” may want more, while newcomers may only get a partial sense of why this partnership mattered so much to a particular corner of American comedy. A few stretches also have the relaxed shapelessness of a vacation video, though admittedly one starring two extremely funny men with better cameras and worse altitude tolerance.
But I didn’t mind the looseness much, because the pleasure is in the company. Odenkirk and Cross are still magnificently in sync, even when they’re wheezing, bickering, or making the kind of joke that exists mainly because the other person is there to receive it. “Bob and David Climb Machu Picchu” is simple, funny, occasionally moving, and blessedly unpretentious. It understands that some friendships don’t need a dramatic breakthrough. Sometimes they just need a trail, a tent, a stupid bit that runs too long, and enough breath left to laugh before the next climb.

Michael LaHaie’s “Bob and David Climb Machu Picchu” had its world premiere at this year’s Tribeca Festival in the Spotlight Documentary category. The festival took place on June 3-14, 2026. Follow us for more coverage.
-
Delaware2 minutes ago
6 Delaware trails perfect for a summer stroll
-
Georgia10 minutes agoZuckerman eyes MLB Draft after superb baseball season at Georgia Tech
-
Hawaii17 minutes agoToll booth, cultural center proposed for Maunakea Access Road – West Hawaii Today
-
Idaho20 minutes agoIdaho Patriot Thunder Ride is Sunday. 100% of donations help military non-profits
-
Illinois32 minutes agoVideo shows deadly tornado that hit southern Illinois, killing 2
-
Indiana35 minutes ago
Where to watch Phoenix Mercury vs Indiana Fever on June 22: TV channel, start time and streaming
-
Kentucky40 minutes ago
All of the 4th of July events, fireworks taking place in Louisville this year
-
Iowa40 minutes ago
Iowa home sales up 17.3% in May – KBOE 104.9FM Hot Country
