Movie Reviews
Maalik Movie Review – Gulte
2/5
02 Hrs 31 Mins | Action | 11-07-2025
Cast – Rajkummar Rao, Prosenjit Chatterjee, Manushi Chhillar, Huma Qureshi, Saurabh Sachdeva, Saurabh Shukla, Anshumaan Pushkar, Swanand Kirkire, Rajendra Gupta, Baljinder Kaur and others
Director – Pulkit
Producer – Kumar Taurani & Jay Shewakramani
Banner – Tips Industries & Northern Lights Films
Music – Sachin–Jigar & Ketan Sodha
Over the years, Rajkummar Rao established a good will among the audience with his performances and script selection. More often than not, his films are backed by commendable scripts and relatable characters. In an attempt to give an image makeover to himself, he selected the script of ‘Maalik’, a rags-to-riches story. After generating enough curiosity with the trailer, the film was released in theatres today. How did Rajkumar Rao perform in a ferocious gangster role? Did the director, Pulkit, come up with a well-packaged commercial action entertainer? Did the Miss World 2017, Manushi Chhillar, finally score a hit? Let’s figure it out with a detailed analysis.
What is it about?
Deepak(Rajkummar Rao), based out of Allahabad, is from a poor family. Just as in any of the ‘rags to riches’ stories, he aims to become a Maalik(Owner) from a Naukar(Servant). What are the challenges, Deepak, faced in his quest to become a Maalik? Did Shalini(Manushi Chhillar), the wife of Deepak, help him to come out of the mess in which he’s stuck? What is Deepak’s relationship with Minister Shankar Singh(Saurabh Shukla)? Forms the rest of the story.
Performances:
Rajkummar Rao in the role of a deadly gangster performed well. However, he’s miscast in the role. The character like Maalik, commands the actor to possess inbuilt swag but unfortunately, it was missed in the way Rajkummar Rao carried the role. Saurabh Shukla in the role of crooked politician delivered a commendable performance as well. All other actors delivered a standard performance. There’s nothing special to talk about the performances.
Technicalities:
Cinematographer, Anuj Rakesh Dhawan is the only technician whose work is worth mentioning in the film. He captured the Allahabad raw and rustic locales of the 1990s Allahabad well. Editing by Zubin Sheikh is a big letdown, especially in the second half. At least, twenty minutes in the second half would have been edited easily. The last forty minutes of the film dragged on forever and it was a mistake from the editor. Sachin–Jigar’s songs & Ketan Sodha’s background score are very average. Let’s discuss more about the director and writer, Pulkit’s work in the analysis section.
Positives:
1. Pre-Interval Fight Sequence
2. Watchable First Half
Negatives:
1. Boring Second Half
2. Predictable Story
3. Routine Execution
4. Editing
Analysis:
KGF & Pushpa franchise movies worked out well all over the country but their performance in Hindi markets in India stood out compared to other languages. The commercial performance of the second parts of both KGF and Pushpa showed Hindi audiences’ appetite for well-packaged commercial action entertainers. There is a huge market for such films in the Hindi heartland of India but unfortunately, the Bollywood film makers in the last few years are unable to come up with solid commercial action entertainers. Rajkummar Rao’s Maalik is a desperate attempt to tap the commercial cinema potential in the Hindi markets but sadly what we get to see is a very predictable movie which was heavily inspired by KGF and Pushpa franchises.
The actors(i.e. Yash and Allu Arjun) who played the protagonist role in both KGF and Pushpa are relatively new and yet the Hindi audiences loved those two characters. It is because both Yash and Allu Arjun delivered quite a few ‘playing to the gallery’ moments with their swag and mannerisms. For a commercial entertainer to work well, the actors who play the lead character in the film should have an inbuilt swag and style. It is where, Maalik, struggled. Rajkummar Rao is a very good actor. There’s no doubt about it. He even delivered a good performance. However, it looked strange to see him in such a heavy gangster role. There was no style or swag or anything that we associate with a ‘mass’ hero in a commercial film, in Rajkummar Rao’s persona. Apart from the pre-interval action sequence, his seemingly ferocious performance as a gangster looked forced and out of place.
Another big letdown in the film is the predictability. The writer and director, Pulkit, selected a very routine script and the screenplay he chose to narrate a routine story is utterly predictable. Right from the word go, the audience will easily be able to guess the next sequence, including the twist in the climax. It is surprising to see a young director coming up with such an outdated twist. We have seen that twist in multiple movies in the past thirty years or so, starting with Krishna Vamsi’s Gulabi in 1995. There are two conflicts in the film, one in the first half and the other in the second half. The biggest mistake the director made was to come up with the face-off sequence between the protagonist and the main antagonist, upfront in both halves. It is almost impossible to sustain an audience’s attention with the remaining when a director decides to kill the main antagonist character at the very start of a tug of war. It is where the film lost track. The last forty-odd minutes in the film dragged forever with irritating action sequences one after the other.
Overall, Maalik has a watchable first half at best with a very well executed pre-interval action sequence and a boring second half that dragged on and on with a very predictable screenplay. You may give it a try watching the film when it releases on an OTT platform but it certainly don’t deserve a watch at a theatre.
Bottomline – Man’s KGF & Pushpa
Rating – 2/5
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UNTIL DAWN Review
UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot of UNTIL DAWN puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.
Dominant Worldview and Other Worldview Content/Elements:
Strong humanist worldview that twists the concept of modern psychology into a supernatural hellscape with unexplained time loops and reoccurring nightmarish horror filled with excessive violence and gore, but with unexplained pagan supernatural elements (such as a storm circling a house, the appearance of more buildings, the time loop itself, and many more), the time loop perverts the laws of mortality and implies that the consequences of violence, murder, suicide, etc., don’t apply, the psychologist controlling the time loop discusses the situation with modern psychology in vague circles meant to confuse and disorient the nature of the reality in which the victims are trapped, religion or God is not explicitly discussed, but there’s an unexplained cross in front of a house that isn’t explained and a character references the belief that a possessed person cannot become possessed through contact but rather weakness of faith, and some occult content where one woman is a self-described psychic and is into “woo-woo” stuff as another character describes it, she tries to amplify her psychic abilities with help from the others by holding hands and meditation, and she often has strong feelings and seems to have a sense the others do not have, but no worship or symbols are shown, plus a girl dating a guy is said to have previously dated a girl as well as other men;
Foul Language:
At least 101 obscenities (including 62 “f” words), two strong profanities mentioning the name of Jesus, and four light profanities;
Violence:
Very severe violence and gratuitous blood and gore throughout including but not limited to dead bodies, monsters, scarred masked psychopath, stabbing, beating, and people spontaneously exploding;
Sex:
No sex shown, but a person puts on a VHS tape and a pornographic movie is heard playing briefly but not shown, and a woman is said to date a lot of people and one time dated another woman;
Nudity:
No nudity;
Alcohol Use:
No alcohol use;
Smoking and/or Drug Use and Abuse:
No smoking or drugs; and,
Miscellaneous Immorality:
A psychologist is a callous antagonist whose motives are relatively unknown beyond having a morbid curiosity that led to awful experiments and playing games with other people, he purposely keeps people trapped for no known reason other than his sick and twisted observations that end in gruesome murder and unnecessary torture.
One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town. This place of unimaginable horrors traps them all in a horrifying time loop where they will be murdered again and again.
UNTIL DAWN is nicely shot and paced well, with believable performances, but it has a strong humanist worldview overall with some occult elements is filled with gruesome violence, gore, lots of strong foul language, and a time loop that leads to an increasing amount of horrific murder and unacceptable immoral actions for survival.
The movie begins with a woman named Melanie clawing her way through the dirt with an unknown monster chasing after her. Digging her way out, she looks up to a masked psychopath standing over her with a scythe. She begs him, “No! Please not again. I can’t!” He fatally stabs her without a thought. It cuts to the main title, and an hourglass is shown with a ticking clock sound and unsettling music.
Cut to a group pf people in a red car driving up a winding mountain, an obvious nod to THE SHINING. It’s been one year after Clover’s sister Melanie vanished without a trace. The group consists of Max, Nina, Megan, Abe, and Clover. Shortly after their mother died, Melanie had decided to start a new life in New York. Clover decided to stay, which created tension between the sisters before Melanie left.
Clover and her friends are looking for more information about her disappearance. Their last stop is the last place she was seen in a video message taken in front of a middle-of-nowhere gas station. Megan, a proclaimed psychic, wants to join hands outside and see if they can feel any mystical energy regarding Melanie. Their attempt is cut short when an RV blares its horn and almost hits them, scaring them all.
Clover goes inside the gas station for a cup of coffee while the others talk outside. Clover asks the man behind the register if he worked here last year. After confirming he’s been working there for years, she shows him a picture of Melanie from the video. He asks if she was missing and clarifies saying that Clover is not the first to come asking. When she asks if many people around here go missing, he says people “get in trouble” in Glore Valley. As their only lead, the group decides to go there and stick together.
Nervously driving to the valley in an increasingly dangerous storm, the group begins to question what they are doing. Suddenly the storm stops but is still raging behind them. They park in front of a house with a “Welcome Center” sign, with the storm circling around the area but leaving the house dry. Confused, they get out of the car and look around. Nina decides to see if there’s anyone inside so they can come up with a plan. Everyone goes in except Clover, who walks up to the strange rain wall.
Inside the house, they find a dated and dusty interior. The power and water don’t work, and they conclude that they are the first people to come there in years. There is a strange hourglass with a skull on the wall. Checking the guest book, Nina finds Melanie’s name signed multiple times, with increasingly shaky handwriting. In another room, Abe finds many missing posters with faces on a bulletin board and finds poster with Melanie’s face.
Outside, Clover thinks she sees a person in the rain. She also hears Melanie’s voice and runs after it. Concerned, Max calls after her and he pulls her back in. As Nina signs the guestbook, the sun suddenly sets and the clock starts ticking.
Inside the house now with the hourglass turned over, they try to understand what’s happening. The car is out in the rain now with someone revving the engine threateningly. Some of them go to the dark basement, where the lights don’t work. There is an eerie sense of dread as Abe goes to check out a noise, and Nina finds a scarred and masked psychopath standing in a room as the top half of Abe’s body falls to the ground.
Hearing the commotion upstairs, the others go to see what happened and Max spots the killer. They run to hide, and the apparently invincible psychopath horrifically stabs each of them as they try to fight back. The sand in the hourglass runs back, as each character returns to where they were when Nina originally signed the book (she now signs it a second time). They remember what had just taken place, and how they were all murdered. Clearly stuck in this time loop escape room situation, they will now have to figure out how to escape this terrifying hellscape as the situations get worse with every loop.
UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.
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