Lou movie review & film summary (2022)

In what’s kind of a gender-swapped “Taken,” Janney performs the title character, a loner in a distant space of the Pacific Northwest within the Eighties. The movie opens with Lou in a darkish place. She kills a deer to ascertain her powerful man bona fides for the viewers, withdraws all of her cash, and writes a mysterious letter to somebody about inheriting her house. She slugs some bourbon and prepares to take her personal life when a lady renting a house close by bursts by the door. It’s Hannah (Smollett), and her daughter Vee (Ridley Asha Bateman) is lacking. Oh, did I point out a storm is coming? It’s about to get ugly exterior and there’s now a lacking woman.

Hannah is aware of who took her daughter—her ex-husband Phillip (Logan Marshall-Inexperienced), who we meet beating and killing a person who was foolish sufficient to select up a hitchhiker. It’s revealed that Phillip was not simply an abusive husband to Hannah however faked his personal loss of life so he might get to his daughter beneath the duvet of being presumed useless. Phillip isn’t your atypical sociopath—he was a particular forces soldier, and he even introduced alongside a few his buddies to assist with the kidnapping. All of them underestimated Lou. After all.

As soon as Lou and Hannah get out into the torrential rain, “Lou” ought to have had momentum as a survival thriller. And there’s an awesome motion scene in a cabin whereby the title character unleashes her coaching on a few dudes who don’t see it coming. With some tight battle choreography that Janney utterly sells, I used to be prepared for the movie to construct from there. After which it simply stalls out. 

A ridiculous twist doesn’t assist. With out spoiling, “Lou” has a type of suspension of disbelief character connections that requires sturdy writing and path to push by it. When a film takes a pointy, unbelievable flip, viewers are keen to put aside skepticism if the story retains them entertained. However “Lou” can’t handle this trick, permitting us to query the logic of all of it in a method that makes the emotional scenes later really feel hole. The minute you begin asking whether or not or not somebody would make that selection in a film like “Lou,” it comes aside.