Movie Reviews
Kung Fu Panda 4
Panda and ‘Dragon Warrior’ Po (Jack Black) must hand his title to someone new — but he is interrupted when the Chameleon (Viola Davis) threatens the world.
Eight years after Kung Fu Panda 3, and 15 years since the franchise first began, Po returns. There’s no radical new direction for this resurrection, but more of the slick, pacy and beautifully animated fun fans will be used to. Like the Minions series, this is reliable entertainment — never really pushing any boundaries, but likely to keep the kids quiet for about 90 minutes.
To briefly catch up on where we left things: Po (voiced by Jack Black) is a panda who is both kung fu master and clumsy glutton. Chosen as the ‘Dragon Warrior’, he is China’s greatest fighter, even though his dedication to his craft is minimal. He’s the adopted son of a goose (James Hong), student of an exasperated red panda (Dustin Hoffman), and saviour of many imperilled animals. Each instalment sees Po face off with a scheming villain plotting to become the most powerful being on the planet. This time it’s Chameleon (Viola Davis), a shape-shifting lizard who wants to transform into the biggest criminal boss the world has ever known.
It’s rather streamlined since the previous, lavish film.
On this adventure — and with an apparent eye on future franchise potential — Po has a sidekick. Zhen (Awkwafina), a fox, is a thief who’s only out for herself. She’s also a very handy fighter. Zhen has no interest in working with others, but (for reasons of plot convenience rather than logic) agrees to join Po in his quest to find the Chameleon, after he frees her from jail. Po is readying himself to hand the Dragon Warrior title to someone new. Where could he possibly find the ideal candidate?
It’s rather streamlined since the previous, lavish film. The star cast has been shrunk (no Angelina Jolie, Lucy Liu, et al), the canvas feels a little smaller and the fight sequences a bit less grand. This is not always necessarily a negative. It works well as an action-buddy-comedy in the solid hands of director Mike Mitchell (Trolls, The Lego Movie). Black and Awkwafina make a sparky team — if future films lean on her, she seems entirely able to bear the weight — and a very lean plot gives plenty of space for big comedy set-pieces, like a bar brawl in a tavern teetering on a cliff, or a police chase through a criminal city. It’s a shame Davis isn’t given more opportunities for laughs as Chameleon, but she fills the character’s small frame with lots of sinister gravitas.
The previous Kung Fu Panda movie pushed the series into more epic territory, with the apparent belief it was concluding the story. This is hedging its bets, seeding a number of possibilities for future movies. It’s safe and fairly predictable, but still a good time.
A step back from the last film in terms of ambition, this nevertheless continues the series’ chirpy, amiable mood. Nothing to be po-faced about here.
Movie Reviews
Sisu: Road to Revenge
The lethal and tenacious Aatami Korpi returns in this sequel to 2022’s Sisu. Like its predecessor, Sisu: Road to Revenge offers up nonstop, gory hyper-violence as the old soldier shoots and stabs his way through the Soviet Union’s Red Army to avenge his family’s murder. Paired with all the bloodshed is a handful of f-words and some drinking, as well.
Movie Reviews
Movie Review: “Sisu: Road to Revenge” takes a Wrong Turn or Three

I am an audience of one at a late afternoon “preview” matinee of “Sisu 2,” aka “Sisu: Road to Revenge,” the sequel to the savage sleeper hit by Finnish carnage Jalmari Helander.
Do the locals know something I don’t? Or are the good folks in “The Last Capital of the Confederacy” showing their red ball cap displeasure at a movie about mowing down Russians by staying home?
I’m guessing it’s the fact that Screen Gems’ marketing didn’t spend enough to move the needle even a centimeter that dampened enthusiasm, as nobody knows about it.
That’s no big deal, because this sequel is inferior in pretty much every way to the original “Sisu,” which came out of nowhere back in 2023 and which takes its title from a Finnish word that more of less means unfettered rage. It’s not on a par with Helander’s “Rare Exports” Santa-horror splatter film either. He’s due for a misstep. Here it is.
“Road to Revenge” brings back our non-speaking, unstoppable and unkillable Finnish commando Korpi (Jorma Tommila), this time out to haul the pieces to his house across the Russian border after the end of World War II.
When your anti-hero is “unstoppable” and “unkillable,” that lowers the stakes. A lot.
Throw in feeble pacing and thus no urgency to its story of driving, shooting, stabbing and missle-launching his way through legions of belligerant Russians, fresh from their triumph in “The Great Patriotic War,” and you’ve got a thriller whose only creative bits are random moments of Russian-mutilating and murdering.
Remember, the vodka/borscht-folk and their dictator sided with the Nazis at the beginning of WWII, only to F-around and find out you can never trust a Nazi. And the Russians further earned their history’s bad-guys status by invading Finland at the start of the war, and paying dearly for their miscalculation, at least for a time.
The Soviet Russians annexed Finnish territory at war’s end, and that’s where Korpi lived. So he’s got his passport and his battered, oversized military truck and he’s aiming to move the logs of his old homestead, where his family was slaughtered, to a new location across the new border.
Ivan doesn’t want him to get away with it.
The stages of his quest are broken into superfluous “chapters” like “Old Enemies,” “Motor Mayhem:” and “Incoming.” The dialogue, almost all of it by a Russian tormentor (Stephen Lang) who commanded the troops who failed to finish off the Finn in the first film, is every bit as pointless.
“Unleash Hell,” like they haven’t already. “Keep your eyes open,” the most worthless command cliche of them all. And “Look at me,” served up as if he isn’t looking at you.
Duels against armored commandos on motorcycles (!?), airborne fighter bombers and the like ensue. Our hero takes another licking and keeps on ticking. The Russians? Let the body count commence, Comrades!
I laughed at a few of the more audacious butcherings, but that was early on. The narrative settles into a slog in the middle acts and no pull-out-the-stops train ride finale could drag it out of the mud.
Rating: R, graphic violence, pretty much start to finish, profanity
Cast: Jorma Tommila, Richard Brake and Stephen Lang.
Credits: Scripted and directed by Jalmari Helander. A Screen Gems release.
Running time: 1:29
Movie Reviews
Wicked: For Good Movie Review: Ariana Grande Shines In A Solid But Weaker-Than-The-Original Finale!
Star Cast: Ariana Grande, Cynthia Erivo, Jeff Goldblum, Jonathan Bailey, and Michelle Yeoh.
Director: Jon M. Chu
What’s Good: Wicked: For Good is definitely a showpiece when it comes to production values, and so, every single frame is beautiful to look at and the ultimate Wizard of Oz experience when it comes to visuals.
What’s Bad: The film is slower than the first, and it feels, especially when the new songs don’t hit like the ones in the previous instalment ,and dialogue feels like a lot of filler.
Loo Break: Anywhere in the first act, as the film moves so slowly that you can probably go and come back and not miss anything.
Watch or Not?: If you loved the first one, then yes, you need to see this and close the cycle.
Language: English (with subtitles).
Available On: Theaters
Runtime: 137 Minutes
User Rating:
Opening:
Wicked: For Good Movie Review: Script Analysis
Wicked: For Good is a solid film, there is no doubt about that, you just have to look at the powerful visuals, and the entire production value, but the script might be the weakest aspect of the film, especially when it comes to structure and dialogue, which affects the pacing, making the first two acts of this musical epic feel like it could do with a couple more drafts to make the story tighter, and the flow a lot more natural.
As it is, the first two acts move a snail’s pace, and the songs simply don’t match the quality and catchiness of the songs in the first two acts of the first film, here, the songs feel like they are there just to make the film longer, and it is hard to remember one that is simply memorable enough to sing along. Fans of the original musical will probably have a lot more fun with this aspect of the film, but as a newcomer, I did feel a drop in quality on the musical side.
The dialogue also does a lot of damage to the film, as it feels like everything is delivered in two or three lines that are too long, when it could have been conveyed in a simpler and more efficient way. It just doesn’t work, and while the actors do their best, the material doesn’t hold up. Nevertheless, some jokes here and there truly land, and the film does tell a compelling, complete story, which is a lot more than many other films do today.
The third act also feels quite rushed, and the connections to the original Wizard of Oz film, and the characters from that story deserved a lot more, because they are so legendary and iconic, that for some reason this movie feels like it should just move away from them as fast as it can, hurting the overall impact of the story, and the character growth.
Wicked: For Good Movie Review: Star Performance
Cynthia Erivo is quite solid in here, and she is plotwise, the main character, but let’s be real, this is the Ariana Grande show, who basically steals the show in every single scenes she is in, not only with her powerful voice but also with her solid acting abilities, she just has it, when it comes to presence, delivery and charisma.
The rest of the cast is quite good. Bailey does some terrifying things in the film and effectively creates all the darkness it needs, while Goldblum’s Oz is just right – nothing to talk about, but definitely his performance, along with the rest from all the other actors, doesn’t hurt the film; it elevates it.
Wicked: For Good Movie Review: Direction, Music
Jon M. Chu started as a relatively standard director. Still, he has definitely graduated to the big leagues with these two films, as the scale of everything just goes out of the window when it comes to the visuals and the camera’s placement, which is always in the perfect spot to show it. Really, the world-building that Chu and his team have created here is outstanding.
The music, as we said before isn’t as good or memorable as the first film which really hurts the experience because this is a musical and I thought the best was being safe for last in the song department, of course, it will be a matter of taste, as it is everything but this is definitely one of the biggest negative points for the film. Nevertheless, the performers are truly going out of their way to create something extraordinary, so there is really nothing to criticize regarding the actors, dancers and singers themselves.
Wicked: For Good Movie Review: The Last Word
Wicked: For Good closes this adventure in a solid manner, although the overall package feels weaker than the first film, which is disappointing. However, Jon. M. Chu, his team, and his cast demonstrate that they truly care about the project, and it shows on the screen as the film finally delivers on being entertaining, grandiose, and visually stunning. It could have been better, but what is there is truly remarkable.
Wicked: For Good Trailer
Wicked: For Good releases on 21 November, 2025.
Share with us your experience of watching Wicked: For Good.
Must Read: Now You See Me: Now You Don’t Movie Review: The Strange Case Of A Sequel That Nobody Wanted & Many Had Already Forgotten!
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