Flawed Humans, Awkward Sex, Messy Relationships: Yep, ‘Sharp Stick’ Is a Lena Dunham Movie

Early in Lena Dunham’s bittersweet Sharp Stick, which fits vast this week, two younger ladies are handled, but once more, to their origin tales. Their mom, Marilyn (Jennifer Jason Leigh), believes in ritual. Treina (Taylour Paige) is the organic daughter of a stranger Marilyn met and befriended some years in the past, who ran away with a Scientologist after giving beginning, leaving the thirtysomething Marilyn — whose personal probabilities at being pregnant have been considered slim — to look after the younger girl she’d develop to name her daughter. Sarah Jo (Kristine Froseth), in the meantime, was the product of a fling with a good-looking private coach named Roy — a brief story for a brief relationship. “It’s finest simply to maintain it us three,” Marilyn says. 

The small print are lovingly grotesque. Marilyn spins a story of a seductive Los Angeles, with its ghoulish males and their chodes and massive homes, its probability encounters and enticing potentialities. Most urgently, she makes the circumstances of every daughter’s beginning really feel particular, a bedtime story that they’ll return to repeatedly, the bedrock that makes this off-kilter crew, with their mixture of races (Treina is black, Marilyn and Sarah Jo white) and personalities and their unfastened, conversational freedom, really feel coherent, destined, entire. In brief, like a household.

Sharp Stick is Dunham’s second function, and already, inside its first handful of scenes, we’re plunged into the acquainted markers of the writer-director’s fashion: the endearing annoyingness, the combo of self-effacement and utter lack of self-awareness, the issues seemingly tattooed onto characters’ foreheads, the realizing consideration to how people speak and assume, even at their most inconsiderate. Dunham is after all greater than a author, director, and showrunner. HBO’s Women rendered her right into a phenomenon that was larger than anyone work largely due to a mode that appeared to chop dangerously near the lady herself. Any emotions concerning the work bled, unobstructed, into emotions about Dunham, not merely the artist, however the particular person. What makes Dunham’s artwork value watching is what makes a lot of it really feel like a chance. It invitations projection. Hear Dunham, enjoying a personality, say she needs to be a “voice of my technology” and assess accordingly — you may’t assist it, even realizing the artist’s knack for wry, humorous embellishment, even recognizing the self-laceration that’s barely scabbed over. The work appears to dare audiences, significantly Dunham’s friends, to pour salt into the wound. In order that they do.

Sharp Stick is hardly a movie by an artist who’s within the clear, culturally — and it’s a greater film for embracing vulnerability anyway, whether or not the knives out or not. You possibly can really feel it wandering via its unknowns with care (it’s onerous to not recall the conversations surrounding Women and its awkward dealing with of race when confronted with a white heroine whose sister is black sister, for instance, and the film appears to know as a lot) whereas doubling down on the confusion and imperfection that lend it its most concrete concepts, the issues that make its characters annoyingly, typically unappealingly, human.

Sharp Stick is primarily a movie about Sarah Jo, a 26-year-old caretaker with scars on her stomach from the hysterectomy she had when she was very younger — a process that’s left her out of the loop by way of intercourse, although not as a result of she lacks for want. Early on, throughout a video name for a category with different caretakers, we see her expounding on how a lot she loves her present project whereas, underneath the desk, she’s fingering her scar. As performed by Froseth, Sarah Jo is as brilliant and affable and (accordingly) seemingly misplaced as her title suggests, like a creature from one other planet or one other time, too unblemished to be human, too flower-power to be Twenty first-century. Evaluate her to her mom, along with her legacy of breakups and absent males, or her sister, who’s relationship a man that she’ll be head over heels for till she isn’t, which is how crushes work.

Sarah’s consideration is on Josh (Jon Bernthal), the daddy of the younger man that Sarah Jo cares for in the course of the day. It isn’t a spoiler to say that Sarah Jo talks Josh into an affair, intercourse with the babysitter being the trope that it’s. What can’t be spoiled is the icky, fruitful, sophisticated morass of emotions and concepts Dunham threads via this affair. It wouldn’t be actuality if Josh have been excellent. True to type for a piece by Dunham, Josh believes himself to be a loser. Possibly he’s. Regardless, he alerts as a lot from the beginning. When Sarah Jo comes onto him, it’s nearly an affront: Bernthal performs this man with sufficient jocular boyishness that when a youthful girl treats him just like the older man, like an grownup, it’s as if he doesn’t know what to do with himself. 

There’s so much to discover in that hole, the fissure between between who we’re and who we’re considered, and Sharp Stick properties in unabashedly, if with nice care. You possibly can inform that Josh senses some misalignment between what Sarah Jo appears to have imagined him to be (a person who’s scorching for “being a person,” being an excellent father and husband) and the person that he may truly be (a stay-at-home dad, married to a spouse with cash, who will get away with indiscretions as a result of he’s a “good man”; a person who must develop up, on the one hand, however whose good qualities as a father spring from precisely this flaw, on the opposite). However he dives in anyway, partially as a result of it’s intercourse, however perhaps most of all as a result of he loves the concept of no matter it’s Sarah Jo believes him to be.

Earlier than Josh leans into the nice fortune of all of it, earlier than he and Sarah Jo have intercourse, he tries to guarantee her that he isn’t the sort of man she needs to have intercourse with for the primary time, as if this have been an esteemed place that he doesn’t deserve. However Sarah Jo’s on her personal planet — and, if something, her assertiveness about her personal flaws, such because the scar on her stomach, is extra ahead an act than Josh might ever muster. As with a lot else for Sarah Jo, the intercourse, after they lastly have it, seems like a fantasy, even when Josh proves himself to be one thing of a two-pump chump, at first. Dunham movies their intercourse scenes with a watch for wish-fulfillment: It appears nice even when it’s simply OK; it’s value remembering even when, within the scheme of issues, it isn’t memorable. That is intercourse from Sarah Jo’s perspective: wonderful as a result of she someway doesn’t know higher. That’s, till she is aware of higher.

Dunham characters are sometimes conscious of the pitfalls that await their personalities. They fuck up anyway. You possibly can particularly really feel this stability being labored out in a personality performed by Dunham herself (once more, true to type): Josh’s spouse, Heather, whose short-tempered frustrations appear extreme till we be taught what it’s that makes the vibe of their family really feel a bit of anxious. Life isn’t honest. It’s an outdated lesson, and in Sharp Stick, you may really feel it enjoying out between women and men, significantly within the attitudes of the opposite ladies in Sarah Jo’s life, who play at cynicism towards the endeavor however can not assist however appear a bit of hopeful regardless. You possibly can see the world this film has made, filled with counterpoints to Sarah Jo’s persistent sense of fantasy-romance, with indicators in every single place telling Sarah Jo to develop up, that Santa Claus isn’t actual. 

She has to be taught this for herself. However Sharp Stick isn’t right here to punish her. Its classes are extra gradual, even optimistic. We glance out on the world for fashions of the way to be, even — particularly? — if our purview is a bubble. Some of the curious absences in Sarah Jo’s persona is a way of how she might have survived till 26 pondering that one provides a blowjob by, actually, blowing on a penis — particularly when she grew up in a house with a sexually energetic sister and a mom whose romantic life has been a revolving door. This query doesn’t level to a flaw within the film. It winds up being one among its most intriguing mysteries, a query that Froseth’s wide-eyed kidult vibe teases at and breaks open with out the actress breaking a lot as a sweat. 

It’s sort of wonderful to observe Sarah Jo come into herself, even because the part of her sexual enlightenment — a fast enhance in intercourse with different males — feels glancing when it lastly comes, approached at a heightened pace that may solely be deliberate. Sarah Jo has intercourse like a girl making up for very long time. We watch her develop up years at a time inside these quick scenes, going from the early mishaps of expertise, to googling the phrase “two folks having intercourse collectively” when what she’s after is porn, to downloading an app (named Clitty Clitty Bang Bang) that offers her free reign to supply up anal intercourse to strangers, to falling in love with a porn star named Vance Leroy (Scott Speedman), who’s splendid as a result of, like her, he has scars, and in contrast to her, he feels no disgrace in them. 

Sharp Stick is an empowerment story, however its characters are extra playfully imperfect and humorous than that label usually appears to permit. The internal youngster is at all times there, with Sarah Jo; it’s part of the package deal. It’s humorous. It is a girl who makes an alphabetized guidelines of sexual targets out of building paper and hangs it on her bed room wall — whose scorching streak of sexual interactions begins off in a plainly transactional mode, along with her wanting to chop down on the small speak and simply skip forward to the fucking. On this sense, a few of the males in Sharp Stick show stunning. The folks on this movie who do “unhealthy” issues aren’t unhealthy folks — if something, they arrive off as people who aren’t absolutely fashioned. Its sincerest, grandest trick is in giving us a heroine who solely appears to wish to develop up greater than everybody else. In reality, they’re all the identical. Sharp Stick loves them anyway.