Movie Reviews
Film Review: The Flying Swordsman (2023) by Lei Qiao
Forget the generic title this is a far more interesting piece than it would have you believe.
Familiarity they say can breed contempt. You can watch a movie and know how the story will pan out long before the credits are ever reached. Yet familiarity never stops us coming back to these stories for the simple reason we enjoy them. They can be comfort food, nourishing us even if too many may not be particularly healthy. As Well Go USA brings out a new Wu xia to our home cinema options, it’s time to take a glance at what it can offer.
Hu Yidao is coerced into an unwitting duel with another hero Miao Renfeng who believes him responsible for the death of his wife. An act set up by a team of villains led by Tao at the behest of Lord Tian. The resulting deaths lead to the disappearance of an Iron Box that leads to a hidden treasure. Ten years later it emerges and Tao is sent in search of the treasure. The original villains are joined by two younger disciples, Guiyi (Zhao Huawei) and the step daughter of Baoshu, Quinwen (Chen Yusi). They head to a mountain that is reputed to be haunted by “The Hidden Fox” the reincarnation of Hu Yidao. With villains, though, mistrust spreads swiftly and soon amidst the dangers of the mountain, the true danger is revealed
“The Flying Swordsman” is a rather generic title and proceeds to do this feature a disservice as it is far better than that. Opening on a confrontation between the two heroes, it begins in traditional wuxia fashion. Gradually, it morphs into a martial arts version of the “The Hateful eight” as our central characters are all playing a long game with on another and the focus switches less about the treasure quest but on who will survive the battle of wits. It makes for a bit of a slow burner but improves the more the running time roles on.
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The Mountain is as much a character as the others. At one point gothic with mists forming to create mirage and snow capped forrest morphing to full of flowering greenery, it becomes their own existential nightmare. The only weakness is the valley of the Hyenas which is let down by some poor CGI rendering. It creates a sense of place and atmosphere for the battle of wills to occur. Aiding this is a well constructed narrative that flashes back at various points to help audiences fill in certain blanks without ever revealing too much and keep them invested. Familiarity with Wuxia fiction will keep those who watch too many of these ahead a few steps but it’s always about the story not the destination.
No successful wuxia works without some good action and the fantastical elements are serviced here with some excellent choreography that never distracts too much from the flow of the action or becomes too overwhelming. Central to the narrative is the hidden skills of the combatants and each duel reveals more as the movie progresses. A nice touch is the card that informs us of a characters demise. An arty touch that is also worth paying attention to. Each character is distinguished by their martial approach, leading to some polished confrontations that help separate them from the others. The difference here from most wuxia is the mental mind games being played. Victory frequently comes through outthinking the opponent as to martial strength. It serves to add another layer to an already intriguing narrative.
Lei Qiao directs the piece with flair and keeps the pace taught. The lighting indoors is kept dark with only flashes of light amongst the mountains. The make up serves to keep several characters as grotesque as their personality. Both Tao and Baoshu appear outwardly as twisted as they are within. It’s a dark world of betrayal and evil so visually it’s all in keeping with a consistent look. With a decent cast it’s hard for someone to stand out but the young leads are given sufficient motivations to work with, which makes them more than just standard one-note archetypes.
Forget the generic title, this is a far more interesting piece than it would have you believe. Bolting on a solid narrative on top of a strong sense of visual style, it creates a much more engaging slice of wuxia than you would expect. Whilst fans of the genre will inevitably be a jump ahead, that does not make this any less enjoyable. Check it out, you won’t be disappointed.
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Movie Reviews
1985 Movie Reviews – Bad Medicine, King Solomon’s Mines, and One Magic Christmas | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1985 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1985 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1985 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Nov. 22, 1985, and we’re off to see Bad Medicine, King Solomon’s Mines, and One Magic Christmas.
Bad Medicine
Steve Guttenberg really was having a moment in the 1980s. Sadly, this film was part of that moment.
Jeffrey Marx (Guttenberg), comes from a medical family, but he has been able to get into a medical school due to low scores. His father finally sets up to go to a school in Central America. Once there he makes a few new friends, and eventually discovers not only does he actually like medicine, but he’s good at it.
This film had a few ingredients to be fun, but it lost it’s way with too many sub-plots. We didn’t need the owner of the school (Alan Arkin) lusting after Liz (Julie Hagerty). It added absolutely nothing to the overall story, and only served to slow the pace of the film down in several spots.
There may have been a decent film hiding in here, just no one knew how to get to the meat of it, apparently.
King Solomon’s Mines
Kids love Indiana Jones, so lets make our own!
Jesse Huston (Sharon Stone) wants to find her father, and hires Allan Quatermain (Richard Chamberlain) to help her. Her father had been looking for the fabled King Solomon’s Mines, so naturally they end up on the path to looking for them as well, running into every obstacle imaginable along the way.
Lets make no mistake, this is not a good movie. It is an out-and-out ripoff of everything that made Indiana Jones cool and successful. But despite it not being good, Chamberlain is so blasted charming as Quatermain that it’s hard not to root for the film a bit.
What kept tearing me out of the film was the stunts. Realistically, you know Indiana Jones should be dead about 20 times a movie, but the stunts were so good that you could believe he survived it. And it’s just not the same here. The scene where Quatermain gets dragged behind the train hitting all of the boards of the track was just too far to even be believable for a moment, and that really pulled me out of the film.
I give them points for trying, but they just never quite make it over the line.
One Magic Christmas
Hey kids! Christmas is coming! Who’s ready to get depressed?
Christmas angel Gideon (Harry Dean Stanton) gets assigned to help Ginnie Grainger (Mary Steenburgen) find the Christmas spirit… and so what if she watches her husband get killed along the way and she believes at one point both her kids are dead the same day?
Merry Christmas, everyone!
The film is unflinchingly sad for the majority of its runtime, making it difficult to fathom how it was made. In the end, Ginnie does get her Christmas spirit as Santa rewinds time so that her husband never dies. Of course, he doesn’t remove her memory of watching him get shot and him dying in front of her, but, you know, it was the 80s, who cared about trauma?
Just a bleak film that is baffling how it got made.
1985 Movie Reviews will return on Nov. 29, 2025, with Rocky IV and Santa Claus: The Movie.
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