Fast X | Reelviews Movie Reviews

Despite boasting a healthy 141-minute running time, Fast
X is not a complete movie. It has a beginning and a middle but no end. Assured
that audiences will return like lemmings for future installments of the Fast/Furious
series, the filmmakers seemingly felt no compunction about concluding Fast X
with a series of cliffhangers, keeping the fates of most of the characters in
doubt. Although this probably won’t bother die-hard fans of the franchise, it’s
a gamble where more casual viewers are concerned.

Fast X brings little that’s new to a series that has
been repeating itself since it went hyperkinetic with installment #4. It’s all
action all the time. Yet, for an action sequence to work, something has to be
at stake, otherwise it’s just sound and fury signifying nothing. In Fast X,
there’s plenty of noise and CGI (some of it on the dodgy, cheap-looking side)
and things crashing and blowing up, but there’s never a sense that it means
anything. No danger. No peril. It’s all loud, visually expressive, and BORING.
And that’s the core problem. It claims to have characters but that’s a lie. It
claims to have a storyline but that’s a fallacy. There’s nothing here. The Emperor
has new clothes. It’s a big, hollow vat of steaming excess.

Fast X is like a flashy party guest who’s initially a
lot of fun but stays too long. By the end, they have become tiresome. At this
point, there’s not much difference between a Fast/Furious movie and a Transformers
movie. Both are soulless entities that exist solely to milk the box office. It
astounds me that audiences haven’t yet tired of this shtick. It has been
evident since Paul Walker’s untimely death that whatever human element the
series had has evaporated, leaving behind…nothing. Still, viewers know all
this and, although the box office takings for these films are down more than 50%
from the heights reached by the best of the franchise (Furious Seven),
this movie is still expected to claim in the $60-70M range (domestic) during
its debut weekend.

Fast X opens with a retcon of the climax of Fast Five, inserting a few new characters into repurposed footage from the
original film. (This also allows for a Paul Walker cameo without having to
resort to any sort of cinematic chicanery.) Turns out that Fast Five’s
bad guy, Hernan Reyes (Joaquim de Almedia), had a devoted son named Dante
(Jason Momoa) who is injured in the car chase that results in his father’s
death. His time for revenge has now come and, in keeping with his clearly
impaired mental state, he is determined to inflict maximum pain on Dominic Toretto
(Vin Diesel) before killing him. This involves framing Dom and his cohorts for
a terrorist attack in Rome, then setting them up one-by-one for slaughter. Dom’s
wife, Letty (Michelle Rodriguez), is captured and sent to a Black Ops center
for interrogation/torture. His son, left in the care of his sister, Mia
(Jordana Brewster), and brother, Jakob (John Cena), barely escapes a home raid.
A quartet of his friends – Roman (Tyrese Gibson), Tej (Chris ‘Ludcaris’ Bridges),
Ramsey (Nathalie Emmanuel), and Han (Sung Kang) – find themselves set adrift in
London with their bank accounts drained. Like a flamboyant maestro, Dante keeps
pushing buttons, leading to a very typical Fast/Furious climax that
comes without any kind of resolution. Along the way, new and familiar faces
make appearances, including (but not limited to) Helen Mirren, Jason Statham,
Charlize Theron, Rita Moreno, and Brie Larson. None have screen time to match
the credibility they bring to the proceedings.

Although a majority of Fast X creates an aura of
sensory overstimulation that quickly loses its impact and turns sleep-inducing,
there are a few bright points. Depending on your point-of-view, it’s either
amusing or embarrassing to watch four Oscar winners skate through paper-thin
roles with minimal screen time. Jason Statham proves that he has more charisma
than the entire Fast/Furious gang combined. And Jason Momoa’s explosion
of excess proves that he gets how utterly, stupefyingly ridiculous the
proceedings are. Instead of frothing at the mouth, he preens and struts and has
a great time doing it. That might not be worth a recommendation but it’s at
least worth an extra half-star, pushing Fast X out of the garbage end of
2023 feature roster and into the range of bland mediocrity.

This is one of those reviews where I feel like throwing up my
hands and saying “Why bother?” With these movies, people no longer expect a
good film; they just want to see over-the-top action scenes and catch up with
familiar characters, even if those characters are just going through the
motions. Rumor has it that Fast X is intended to be the first volume of
a three-part story designed to bring the franchise to an end. That’s plenty of
time for these old dogs (star Vin Diesel, director Louis Leterrier,
co-screenwriter Justin Lin) to learn new tricks but, judging by how close the
movies are coming to self-parody, I’m not holding my breath.

Fast X (United States, 2023)