Movie Reviews
BANK OF DAVE Review
BANK OF DAVE is a entertaining movie about an underdog who stands up to the greedy big government, socialist elites who run the United Kingdom. It has great messages promote liberty, personal responsibility, the inherent importance and dignity of each person, and love and care for others. It also has a wonderful church scene. BANK OF DAVE supports standing up for what is right even when it seems there’s no chance for success. Regrettably, BANK OF DAVE has foul language, a few drinking scenes and adult themes. So MOVIEGUIDE® advises caution.
Dominant Worldview and Other Worldview Content/Elements:
String Christian, moral, pro-capitalist worldview promotes liberty, personal responsibility, doing the right thing, private charity, caring for neighbors, and opposes big government socialism, though some antagonists promote socialism/fascism, plus there’s a strong church scene;
Foul Language:
A few “f” words, frequent “s” words, and a few other obscenities, plus some British vulgarisms such as bloody, buggers, bollocks, tossers, and muppet, as well as two profanities;
Violence:
No overt violence;
Sex:
No sex, but the main character sleeps on a couch two times while a woman sleeps over;
Nudity:
No nudity;
Alcohol Use:
Alcohol use in bars, pubs and at home, includes intoxication a few times with implied hangovers;
Smoking and/or Drug Use and Abuse:
No smoking or illegal drugs, but people sometimes take pills for hangover headaches; and,
Miscellaneous Immorality:
Big government socialists are greedy and selfish but are rebuked and defeated.
BANK OF DAVE is based on the true story of a self-made successful businessman who decides he wants to open his own bank to serve his needy community, after the latest recession. The problem? No one has even dared to apply to open a bank in 150 years. The elite few who control the banking system will do everything they can to stop him. BANK OF DFAVE is a truly great and entertaining underdog story which extols the importance of each person regardless of status or wealth. However, the movie has foul language, a few drinking scenes, which includes a character who guzzles wine to mask her emotional pain, and adult themes.
Dave Fishwick is a self-made millionaire who’s made his fortune selling vans. Dave lives in the economically depressed town of Burnley, a town Northwest of London. When the latest recession hits, the people of Burnley like all those in the Great Britain are charged exorbitant lending fees by corporate socialist bankers, if they are even approved to borrow from the banks. Then, the banks start to fail and are bailed out by the government using the tax money from the very people the banks hurt. So, the bank executives award themselves millions in bonuses, while the ordinary people, who have already lost their money, suffer.
Dave recognizes he’s been blessed with wealth. He begins to lend money to fellow community members of Burnley during hard times. Every lender pays him back in full. They also ask him to invest their profits. Best of all, over one hundred jobs are created by the new businesses. This gives Dave an idea to start his own bank.
Dave calls on expert legal advice from London to help him apply to start his own bank. The bank will serve its own people. Any profits will be donated to the needy of Burnley. The London legal team sends a junior member with little experience, Hugh, to the town of Burnley, to let Dave down softly. They know it’s impossible to start an independent bank in the face of the cartel that runs the banks.
After a few days, Hugh is taken in by the town, and by a young doctor, Alexandra, who wants to open a free medical clinic. Dave convinces Hugh to help, though the odds, along with the greedy system of elites who play dirty, are stacked high against them. At least, Dave wants to expose the corporate socialism!
BANK OF DAVE is a great uplifting movie about an underdog who stands up to the greedy socialist elites, who run the banks in the United Kingdom. It has great messages that point to the inherent importance and dignity of each person and promote love and care for others, and shows that capitalism prospers the community, while socialism destroys. The sentiments support biblical commands to take care of others (such as Mark 10:21, Luke 6:30-31, Matthew 19:21, Mark 10:45, Romans 12:13, Galatians 6:2). The movie supports standing up for what is right even when it seems there is no chance for success.
In fact, at a funeral in a church that honors Jesus Christ as the pastor says, “The Lord said, I love you and I will never leave you”, Dave says that the real heroes are not the politicians but people like the deceased nurse who saved lives for years.
The movie shows that governments are notoriously bad or corrupt in running anything, as shown by the government’s failed involvement to bail out the banks and the governments collusion in trying to stop Dave. In fact, the government sends police from London to arrest Dave and the prosecutor lies, committing perjury. Hugh gets the case thrown out. Furthermore, the power and control to make decisions are often taken away from the individual when the government steps in to make laws that determine the value and quality of life, or which lives are worth saving with costly medical treatment. Thus, when Hugh can’t wait for the hospital to see him, he mentions he has private health care insurance.
Regrettably, there is vulgar language (much is muffled British accents), drinking and adult situations, so caution is recommended.
We are a crowdfunded organization, supported by people like you. These are some of the reasons why our supporters choose to give.
“The honest reviews so we know the rating and why/content to make the best decision. “
You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.
Movieguide® is a 501c3 and all donations are tax-deductible.
Movie Reviews
Movie Review: FACES OF DEATH
Movie Reviews
Michael Movie Review: Did Jaafar Jackson Stuns as MJ?
Michael, the biopic on Michael Jackson, has released internationally and is receiving strong responses from fans and cinema lovers. The film presents an energetic musical journey, tracing Michael Jackson’s life from his early years to the peak of his global stardom.
Jaafar Jackson plays the lead role and has received widespread praise from critics and audiences. Many believe his performance stands out as one of the best this year. Strong media attention has also positioned him as a potential contender in the upcoming awards season.
ADVERTISEMENT
The film is appreciated for effectively using Michael Jackson’s iconic music. It blends songs with dance and emotional moments led by Jaafar Jackson’s performance. Director Antoine Fuqua is also being praised for presenting the story with depth and sensitivity.
Audiences have noted how the film captures the essence of Michael Jackson’s personality. The storytelling focuses on both his musical journey and personal struggles. This balance has helped the film connect well with viewers across different regions.
Michael has not yet released in India but is expected to arrive on 24 April 2026. Fans are already showing strong interest, with many planning to book tickets early. The anticipation around its India release continues to grow.
ADVERTISEMENT
Movie Reviews
‘Thrash’ Review: It’s Netflix and Chomp, as Phoebe Dynevor Stars in a Familiar but Gruesomely Competent Shark Thriller
“Thrash,” like just about every shark thriller, has a grade-Z son-of-“Jaws” quality. (The one exception: the ingenious “Open Water.”) Everything in the movie, from the chomping shark attacks that splash up the waves with Hawaiian Punch foam to the way a humongous great white meets her fate at the end, takes an obvious page from Steven Spielberg’s gambits and techniques. But shark movies, because of that derivative quality (and because the directors are not Spielberg), often tend to be dreary and claustrophobic affairs. Whereas “Thrash” has a lively competence about it, a touch of fluid originality in the staging.
It’s set in the small town of Annieville, S.C., which in the first half hour gets subjected to a hurricane so intense it’s like a tsunami, bolstered by vintage stupido lines like, “If they ever considered creating a Category 6, this would be it. It’s a monster!” It’s all part of the film’s environmental message (the storm starts off as a Category 2 until it hits record-temperature warm waters off the coast). But once Hurricane Henry floods the town, the film’s writer-director, Tommy Wirkola, turns a submerged neighborhood block into a kind of water-world stage set, like a giant pond with the top halves of houses poking out the top. They’re places of refuge, only they keep shifting and collapsing.
The storm has brought with it a school of bull sharks, who are smaller and faster than great whites, but just as ravenous. The movie wastes no time delivering the gory goods, which are served up for our delectation like the killings in a slasher movie. If fear was once the pulse of a shark thriller, now it’s voyeurism — our chance to feast on what it looks like when a shark feasts. In this case, though, only the unappealing characters get eaten. That’s part of the lip-smacking quality of it all — the idea that certain movie characters deserve to have their limbs bitten off.
Of the ones in “Thrash” who don’t, the most original character is Lisa (played by Phoebe Dynevor, from “Fair Play”), not because there’s anything complex in how she’s drawn, but because she’s pregnant — as in not just about to have a baby, but she’s going to have it during the movie, as she struggles to wriggle away from the sharks. That sounds precarious, and is, but once her infant son has popped out, talk about providing someone with motivation to take on nature’s predators. She’s assisted by Dakota (Whitney Peak), the film’s other, younger heroine, who at one point makes her way over a floating rooftop and rickety branches, improvising the acrobatics of survival. Dakota, whose mother recently died, is being raised by her marine-biologist uncle, played by Djimon Hounsou as the film’s token scientist-philosopher of disaster.
Wirkola, who’s Norwegian, has written a bare-bones script, but he knows how to play with space. He stages an encounter in which Ron (Stacy Clausen), a teenage okie foster child, is swimming around in a basement, with that great white on his tail, and the sequence has a delectably flowing sense of danger.
Mostly, though, we’re watching the kills come right on cue. This is a Netflix and Chomp movie, just 80 minutes long (if you don’t count the closing credits), and the compact run time does more than keep “Thrash” from wearing out its welcome. It’s part of the film’s lean-and-mean structural unity — the way it treats an entire underwater street and its houses like the shark boat in the last act of “Jaws,” as a safety zone that’s rapidly disintegrating. Ron and his two siblings have been living with foster parents who are government-sponging creeps (they eat steak in the basement while tossing their meal-ticket kids packages of Wonder Bread), and when Bob (Josh McConville), the loathsome father, gets what’s coming to him, it’s not scary — it’s closer to mutilation porn. He’s the steak, there to sate our hunger.
-
Atlanta, GA1 week ago1 teenage girl killed, another injured in shooting at Piedmont Park, police say
-
Georgia5 days agoGeorgia House Special Runoff Election 2026 Live Results
-
Pennsylvania6 days agoParents charged after toddler injured by wolf at Pennsylvania zoo
-
Arkansas2 days agoArkansas TV meteorologist Melinda Mayo retires after nearly four decades on air
-
Milwaukee, WI6 days agoPotawatomi Casino Hotel evacuated after fire breaks out in rooftop HVAC system
-
Indianapolis, IN1 week agoFighting Illini begin Final Four preparations in Indianapolis
-
Technology1 week agoAnthropic essentially bans OpenClaw from Claude by making subscribers pay extra
-
Austin, TX5 days agoABC Kite Fest Returns to Austin for Annual Celebration – Austin Today