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‘Law and Order: SVU’ star Mariska Hargitay helped solve thousands of real-life rape cases

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‘Law and Order: SVU’ star Mariska Hargitay helped solve thousands of real-life rape cases

Mariska Hargitay’s crime-solving efforts have gone off-screen.

In NBC’s “Law & Order: SVU,” the actor plays Olivia Benson, a detective investigating sex-related crimes in Manhattan. But in recent years, she’s also played a critical role in helping to eliminate the national rape kit backlog, a Thursday episode of the “Dateline: True Crime Weekly” podcast reveals.

The podcast tells the story of Detroit prosecutor Kym Worthy, who in 2009 discovered over 11,000 untested rape kits collecting dust in a police evidence room. Each kit represented a sexual assault reported to the Detroit Police Department between 1984 and 2009, podcast host Andrea Canning said.

Worthy, who was horrified by the police’s dismissal of what was “basically a crime scene,” made it her “mission” to get the kits tested. But with each test priced anywhere from $1,200 to $1,500, “we’re looking at millions and millions of dollars,” Worthy said. She began a campaign to raise the money to get the kits tested — but it wasn’t enough.

That’s when Hargitay stepped in.

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The Emmy Award-winning actor, who for years had supported survivors of sexual assault through her nonprofit Joyful Heart Foundation, testified with Worthy before Congress in 2017 on national rape kit reform.

“After we were finished testifying, I kind of grabbed her and asked her to come to Detroit to help us,” Worthy said on the podcast. “She said she would, and she did.”

“We had a breakfast where we invited legislators who were not returning my calls,” she continued. “She shows up and took pictures with all of them. And I am telling you, that legislation that helped us crack this problem in Michigan sailed through.”

It took 13 years of fundraising and advocacy, but by the fall of 2022, they’d tested all 11,000 kits — and solved more than 5,000 cases. They also discovered 22 serial rapists, Canning told Today in a Tuesday interview.

“It’s having a ripple effect across the country,” Canning said. “It’s making changes everywhere, for police departments, for prosecutors’ offices.”

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Worthy’s and Hargitay’s efforts are also detailed in the 2018 HBO documentary “I Am Evidence,” which Hargitay produced and appears in.

“A lot of people just don’t know about this problem, and I was one of those people,” Hargitay says in the film. “And then you meet people like Kym Worthy and you see what she’s doing. You sort of can’t help but say, ‘What am I doing?’ ”

Hargitay’s collaborators on the project, Trish Adlesic and Geeta Gandbhir, lauded the actor for giving advocates like Worthy a platform.

“She is such an extraordinary voice in this. She used every bit of her power to shed light on the darkness around sexual assault and domestic violence and child abuse,” Adlesic said.

“She watched the film over and over and over and made sure everything was done right. A lot of people in her position might not be so hands-on, but she was very invested and gave a lot of herself,” Gandbhir said.

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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