Entertainment
LAPD chief backed cops who shot at author, Weezer bassist’s ex; commission overruled him
For the second time in recent months, the civilian commission that oversees the LAPD has overruled Chief Jim McDonnell in a police shooting, concluding that officers were in the wrong when they shot at Jillian Lauren, an author and the estranged wife of Weezer bass player Scott Shriner.
McDonnell wrote in a report made public Thursday that two officers were justified in using deadly force against Lauren, 52, who pointed a gun and fired at officers during a standoff in the backyard of her Eagle Rock home last April.
But the Police Commission took the rare step of going against McDonnell’s recommendation, finding fault with the shooting and concluding that the officers made serious tactical mistakes.
Although the five-member panel is the final authority on whether a police shooting is in or out of policy, the chief has final say on officer discipline. Such decisions are rarely made public because of state police privacy laws.
The incident began at about 5:20 p.m. on April 8, 2025, when police responded to a request for help from the California Highway Patrol in tracking down three suspects wanted in a hit-and-run crash. Officers Joshua Wolak and Dorian Zhou joined in the search, along with several others from the nearby Northeast patrol station.
Body-worn camera footage released by the department showed Wolak, Zhou and a CHP officer standing on a retaining wall next to a fence that separated a neighbor’s home from Lauren’s property. The LAPD video shows Lauren, wearing a purple Weezer T-shirt and black tights, walk around the yard with a black handgun, looking around as though she were on high alert.
Police said that officers yelled at Lauren to drop her gun for several minutes, before she shot a round in their direction. Wolak then fired seven rounds, while Zhou shot five from a distance of roughly 50 feet.
Lauren was not connected to the hit-and-run incident, authorities said. Audio from a 911 call by one of Lauren’s neighbors indicated that Lauren believed she was being fired at by armed suspects, who had been spotted running through neighboring properties.
After the shooting, Lauren retreated into her home, where she stayed for about an hour until an officer called her personal assistant, who was also inside. She was later taken to an area hospital with a gunshot wound to her left arm, police said.
During his interview with internal investigators, Zhou said he saw Lauren raise the handgun at a 45-degree angle, “rack” the slide to chamber a round and fire at officers. In response, he said, he fired five rounds, aiming at her center mass.
He responded that he stopped firing “because I lost sight of her.”
The commission voted unanimously to rule the officers’ decision to shoot out of policy. Officials typically do not publicly discuss the rationale for reaching certain decisions.
Both the commission and the chief were critical of the command decisions of Sgt. Albert Hoang at the scene, noting his failure to ensure that the officers involved were interviewed and the fact that he didn’t notify his higher-ups about the shooting until three hours after it occurred.
The civilian panel also diverged from McDonnell in assessing the tactical mistakes made by Hoang and the two officers. In his report, McDonnell found that the differing tactics used by CHP and LAPD only contributed to the confusion in what was already a fraught situation.
McDonnell wrote that he wants to develop protocols to ensure that if a similar incident were to arise “the other agency should be directed to disengage from the tactical portion of the incident or, as practicable, placed in a position and role that minimizes the co- mingling of tactics.”
In a 4-1 vote, the commission also decided that the officers’ decision to draw their weapons did not comply with LAPD policies — another rare finding.
Lauren was initially arrested on suspicion of attempted murder of a peace officer, a charge that carries a lengthy prison sentence, then later charged with assault and negligent discharge of a firearm. In December, a Los Angeles County Superior Court judge granted her diversion due to mental health issues, sparing her potential jail time.
The bestselling author of “Everything You Ever Wanted,” she filed for divorce from her husband in December in Los Angeles County Superior Court. In her petition, she cited “irreconcilable differences” but did not list an official date of separation. The two married in November 2005 and share two teenage sons.
Before the confrontation with police, Lauren had been recovering from cancer treatment and a hysterectomy in March.
Times staff writer Alexandra Del Rosario contributed to this report.
The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
The two Taylor Lautners are expecting a baby.
“What’s better than two Taylor Lautners?”
That’s what the couple — call him Taylor and her Tay — wrote Thursday in a social media post announcing that a newborn was in their future.
The couple included four photos: The first showed the “Twilight” franchise star, 34, kissing the belly of his 29-year-old wife as she stands in a field holding sonogram images. The others showed them having fun in that same field as they celebrated the news.
That last one was in black and white and a little blurry, but it showed her sitting in a low chair, hands on her belly, cracking up as he sat low by her side with a big smile on his face. The sonogram made its way through all of the baby-on-board photos.
The couple offered no further details about the baby, including the due date.
Taylor Lautner met the former Taylor Dome in December 2017, and the two went public with their couplehood the next October and got married in November 2022 after a yearlong engagement. She was a registered nurse when they met; he was a few years off playing werewolf Jacob Black in the blockbuster franchise that brought a sparkly vampire-human love story to life.
While co-stars Kristen Stewart and Robert Pattinson, who played Bella Swan and Edward Cullen, have charted distinctive acting careers since 2012, when “The Twilight Saga: Breaking Dawn — Part 2” debuted, Taylor has hung back a bit. He met Tay after his sister set them up with invites to the same game night.
Tay, by the way, was Team Edward, crushing on Pattinson more than Lautner when she experienced the “Twilight” franchise. “I was too young for Jacob’s abs,” Tay told Cosmopolitan in a 2025 profile of the Lautners.
“Yeah, when I was walking around in my little booty jean shorts and ripping my shirt off and my abs were on big screens, she’s 11 years old, throwing a ‘Twilight’ birthday party,” he told the magazine. Tay was “a breath of fresh air” for him after years of dating women who worked in the spotlight.
That list famously included Taylor Swift, his co-star in “Valentine’s Day,” with whom he coupled up for several months before that 2010 movie came out.
“Now I have my priorities straight,” Taylor Lautner told Cosmo. “If I do a project and it doesn’t go as planned, I’ll still be coming home to my family that’s always going to be there.”
And soon that family will be more than two.
Movie Reviews
Movie reviews reveal A Poet and All That’s Left of You dominate March with perfect 100% scores – Art Threat
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Two masterpieces just shattered critical consensus on Rotten Tomatoes. Both A Poet and All That’s Left of You have garnered rare perfect 100% scores from critics, dominating March 2026’s excellence rankings. These dual releases represent a historic moment for international cinema.
🔥 Quick Facts
- A Poet: 100% Rotten Tomatoes score from critics celebrating Simón Mesa Soto‘s Colombian drama
- All That’s Left of You: 100% Certified Fresh multi-generational Palestinian epic by Cherien Dabis
- Release Timeline: Both films expanding dramatically in theaters March 2026 after festival triumphs
- Critical Moment: Rare simultaneous perfect scores elevate international storytelling into mainstream spotlight
A Poet Achieves Unanimous Critical Acclaim
Simón Mesa Soto‘s A Poet stands as one of 2026’s finest achievements. Starring Ubeimar Rios as Oscar Restrepo, a once-promising writer turned tragic failure, the film examines fatherhood’s weight with devastating wit and elegance. The Colombian-Swedish-German co-production premiered at Cannes Film Festival’s Un Certain Regard section last year and has conquered every distribution market since.
The ensemble cast includes Rebeca Andrade, Guillermo Cardona, and Humberto Restrepo, delivering layered performances that anchor the film’s four-chapter structure. Critics hailed the film as a triumph of tone, mixing tragicomic observation with genuine emotional devastation. The New York Times called it “The Romance of Misery”, recognizing its ability to find beauty in human failure. The film’s philosophical depth and formal precision explain its unprecedented critical consensus.
| Title | A Poet (Un Poeta) |
| Director | Simón Mesa Soto |
| Lead Actor | Ubeimar Rios as Oscar Restrepo |
| Rotten Tomatoes | 100% Certified Fresh |
| Theatrical Status | Expanding in March 2026 |
All That’s Left of You Shatters Records as Palestinian Saga
Cherien Dabis wrote, directed, and starred in All That’s Left of You, a sweeping three-generational epic set in the Occupied West Bank spanning decades of family trauma and resilience. Featuring Saleh Bakri, Mohammad Bakri, Adam Bakri, and Maria Zreik, the film follows a teenage boy swept into a pivotal protest with consequences that ripple through his family’s future.
Produced by Watermelon Pictures, the film premiered at Sundance Film Festival 2025, where it immediately earned Certified Fresh status and near-universal praise. Filming relocated to Cyprus, Greece, and Jordan after production complications, yet the result feels seamlessly authentic. Critics point to Dabis’s multi-media mastery (she directs, performs, and produces) as essential to the film’s emotional authority. The film’s scope rivals the greatest epics while maintaining intimate character work that defines recent international cinema.
All That’s Left of You arrived in selected theaters on January 9, 2026 and steadily expanded throughout early March. The film’s 100% Rotten Tomatoes score reflects not just critical respect but genuine reverence for Dabis’s artistic vision. This achievement represents Palestinian cinema reaching its greatest artistic and commercial moment.
Why These Two Films Dominate March 2026’s Conversation
Rarity defines these simultaneous perfect scores. A Poet and All That’s Left of You occupy the rare 100% Tomatometer tier reserved for films of historic excellence. The 2026 FilmFare recognized both as front-runners for major awards, acknowledging how they’ve elevated the expectations for drama itself. Industry observers note that achieving perfect critical consensus in today’s fractious landscape represents not consensus but unanimous recognition of artistic achievement.
Both films reflect cinema’s global moment. Simón Mesa Soto‘s Colombian vision and Cherien Dabis‘ Palestinian perspective prove that international storytelling now commands the cultural conversation. Rotten Tomatoes‘ Official Rankings place both films in its exclusive Certified Fresh top tier. March 2026 becomes the month cinema decided: universal critical acclaim belongs to filmmakers willing to transcend borders.
“All That’s Left of You is a sweeping multigenerational epic that captures the thematic breadth of great cinema while exploring what it means to endure generational trauma.”
— Rotten Tomatoes Critics Consensus, Officials
The Future of International Cinema Starts Now
Both films expand to more theaters through March 2026 and beyond. A Poet hits streaming services and digital platforms simultaneously, making it accessible to audiences beyond Select Release cities. All That’s Left of You continues rolling out across regional markets, having already secured international distribution. Industry observers expect both to capture major festival awards at upcoming spring cinema celebrations.
These perfect scores matter beyond accolades. They signal to studios, streamers, and investors that audiences hunger for international voices and authentic storytelling. March 2026 becomes a watershed moment where Colombian drama and Palestinian cinema proved they belong in the conversation with any major market release. The critical paths of A Poet and All That’s Left of You forecast how cinema itself will evolve toward greater global representation.
Where Can Film Lovers Watch These Perfect-Score Masterpieces?
Both films remain available in theatrical releases across the United States and expanding internationally. A Poet plays select theaters with plans to widen release through spring 2026, while All That’s Left of You continues broader theatrical circulation. Check major ticketing platforms for showtimes and streaming availability. International audiences should consult local cinema schedules for release dates and language availability. These 100% Rotten Tomatoes achievements deserve the big screen experience both directors envisioned.
Sources
- Rotten Tomatoes – Official Tomatometer scores and Critics Consensus for both films
- The New York Times – Critical analysis and reviews of A Poet’s artistic achievement
- Watermelon Pictures – Official distribution and production information for All That’s Left of You
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