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Defying the odds, Jeremy Renner marks a 'glorious' return with 'Mayor of Kingstown'

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Defying the odds, Jeremy Renner marks a 'glorious' return with 'Mayor of Kingstown'

“I relive it every night. It’s in my visions. It’s in my dreams and my waking thoughts,” says Jeremy Renner.

“It” is the accident that nearly killed the Oscar-nominated actor New Year’s Day 2023 as he was clearing the driveway at his home near Mount Rose in Nevada using a massive snowcat. He was thrown suddenly from the 7-ton vehicle, which continued to roll downhill directly toward his nephew, Alex Fries. Renner attempted to jump back into the cab in order to stop it. Instead, he was caught in the machine’s track wheels and run over.

He was left with significant chest trauma, including a collapsed lung, and — at last count — 38 broken bones.

Ah, summer. The time of year when school lets out, days grow long and grills fire up. Even in places like L.A., though, where rain can be scarce, there are plenty of reasons (too hot, too lazy, too sunburned) to stay inside and curl up with some AC. That’s where The Times’ 2024 Summer Preview comes in: As you check out our guides to the movies, TV shows and books we’re looking forward to this season, be sure to read the stories below about some of the most highly anticipated.

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“The doctor said I even broke my taint. How do you break a taint?” recalls Renner, his off-color sense of humor evident on a recent morning in Tribeca. The “Avengers” star is in good spirits, speaking with candor and optimism about his near-death experience and odds-defying recovery. There are few obvious physical signs of the ordeal his body endured less than 18 months ago.

Renner, 53, is in town for a brief visit from Pittsburgh, where he is close to wrapping production on Season 3 of “Mayor of Kingstown,” which returns to Paramount+ June 2. In the gritty drama, co-created by Taylor Sheridan and Hugh Dillon, he stars as Mike McLusky, a power broker in a fictional Michigan city that is home to seven prisons.

Renner returned to work in January — “on the anniversary of my death,” as he puts it — marking his first extensive turn in front of the cameras since the accident. Reprising his lead role in the Paramount+ series was not a foregone conclusion. Neither, for that matter, was his survival.

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His family, he says, is the reason he’s alive, along with the doctors, EMTs and nurses who cared for him, “and probably a divine intervention as well.”

“It took the collective of all these people. That’s the power of love. It’s a slow burn. Man, I tell you,” he says, his voice breaking. “I can barely speak.”

When the accident occurred, Renner, who has six younger siblings, was spending the holidays with much of his large, tight-knit family, including his 11-year-old daughter, Ava, and mom, Valerie Cearley. Thanks to a monster snowstorm that hit the area, the family had been cooped up inside for several days — and cabin fever was setting in. During a break in the severe weather on New Year’s Day, Renner and “a few of the boys” trekked outside to see if they could head to the ski resort down the road.

Jeremy Renner who stars in the Paramount+ series "Mayor of Kingstown" in New York on Wednesday, May 8, 2024.

Jeremy Renner says his family, along with the doctors, EMTs and nurses who cared for him, are the reason he’s alive “and probably a divine intervention as well.”

(Paul Yem / For The Times)

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As he lay, injured, in the snow, waiting for EMTs to arrive, Renner did not initially comprehend the gravity of the situation. His focus was on breathing — on summoning enough strength to exhale, then inhale, over and over again. (He later learned his lung had collapsed.) His nephew, who was unharmed, sat with him. Renner did a scan of his body. He could see one eye bulging out of his skull with his other eye, which remained intact. “I’m like, that’s not good,” he says, in a comic understatement. Renner also realized that his legs were twisted and bent in unnatural directions, like a pretzel.

Yet, in the way the brain can sometimes do in moments of intense shock, he had irrational thoughts. He remembers telling himself, “These are just cramps and I can get up and make it back to the house and tell people we’re not going skiing.”

“I was gonna go sit in the tub and soak it off,” he adds, laughing in retrospect at the notion. When he tried to move and was met with excruciating pain, “It really started to settle in, how f— my body was.”

Renner says his heart rate dropped to 18 beats a minute. By the time the EMTs arrived and began to provide first aid, about 25 minutes after the accident, he says he was “getting tired of breathing. And that’s where I was gonna die.”

First responders inflated his collapsed lung and transferred him into a helicopter, which took him to a hospital in Reno. The location ended up being fortuitous: Because of the many nearby ski resorts, the medical team was accustomed to treating traumatic orthopedic injuries. “The doctor was like a master carpenter, and just came in and just put my body back together,” Renner says.

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The “Hurt Locker” star remembers waking up in the hospital with a tube down his throat, a patch over his eye and his family at the bedside. “I signed that I love them, and that I was sorry. And then they got a piece of paper and I wrote down, ‘Holy f—, I’m so sorry. I love you all. I love you all so much.’”

Renner says he was in the ICU, heavily medicated and “not in my right mind.” At one point, he became enraged at the sight of a mop and bucket in his bathroom — a sign, as he saw it in his altered state, that the hospital staff was using the space as a janitor’s closet because they assumed he wouldn’t be able to get out of bed.

“‘You don’t think I’m gonna make it out of here, you motherf—s?’” he remembers screaming. “Those poor nurses.”

Dillon, the co-creator and executive producer of “Mayor of Kingstown,” recalls receiving a profane but jocular text message from Renner within a day of the accident — apologizing for screwing up, though he used a more colorful phrase.

“It blunted the shock and, honestly, as soon as I got that text, I thought, ‘He’s gonna be OK,’” says Dillon, who also stars in “Mayor of Kingstown” as a local detective. In a fluke of timing, Season 2 premiered two weeks after Renner’s accident.

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While “high as a kite” on painkillers, Renner says he tried to “find sobriety through humor. I was always looking for a joke to crack because I know it requires timing and [the ability] to read the room. And it also just feels good to laugh.”

Renner jokes that he was indifferent about the possibility of losing a limb or being permanently disabled from the accident: “I want a wooden leg. I want a hook for a hand. I want an eye patch. I’m gonna commit to pirate life. I was so content doing that.” But he says was motivated to get better by his family.

After spending six days in the ICU in Reno, he was transferred to Cedars-Sinai Medical Center in Los Angeles, where another medical team tended to his shattered cheekbones, jaw and eye socket. A few weeks after the accident, he was at home, recovering.

Jeremy Renner as Mike McLusky in episode 1, season 3 of Mayor of Kingstown streaming on Paramount+, 2024.

Jeremy Renner stars as Mike McLusky in Paramount+’s gritty drama “Mayor of Kingstown,” returning for Season 3.

(Dennis P. Mong Jr. / Paramount+)

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Although he has good health insurance through the Screen Actors Guild, Renner still wound up paying “a lot of dough” for some providers who were out of network.

“But what do I care?” he says. “I’m alive. I’m walking through life with a smile on my face. And there’s nothing that’s ever going to change that. Nothing. It’s impossible for me to have a bad day.”

Renner’s doctors initially said it would take years for him to walk again; instead, within three months, he was walking with the assistance of a cane — something he attributes to being “a stubborn jerk.”

Recovery is easy, he says, “in the sense of all you gotta do is get better. It’s a one-way street. There’s no other avenues to take. It’s not even [like] a piece of Ikea furniture — there are no directions. You go one direction: You get better. How easy is that? Just remember what you did yesterday, or couldn’t do, and then try to do it today.”

He has developed a new relationship with pain, which he likens to the body’s version of a smartphone notification. “They’re just little alarms, saying, ‘Hey, this might burn you,’ or ‘Hey, maybe your leg’s broken,’ but it doesn’t mean anything else. It’s just an alert. I just swipe it, and it goes away,” he says.

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Dillon started visiting Renner in L.A. early in his recovery, when he was still in a wheelchair. He quickly sensed that before Renner could return to production, they would need the OK from the family’s real boss: Renner’s mom.

“I felt like a kid going over to his house. We’re asking his mom’s permission, we’re not asking his agent’s permission or manager’s. It’s really very personal,” says Dillon. Once Cearley gave the nod, “It was full steam ahead.”

Renner felt that he would be ready to come back in January — after the holidays, his birthday and the one-year anniversary of the accident had passed. He was eager to work again, yet he also found it strange to return to a fictional world, to the task of playing make-believe, while confronting the humbling physical reality of his recovery.

“To try to create some truth and then get the audience to believe it, while I’m just trying to learn to walk again, to put one foot in front of the other and not get up in agony. I’m doing all these things to find my footing on the planet again,” Renner says. “The idea of going into a fictional world — I have to be honest with you, I had to really consider, Is this something I really want to do?”

During his first week back on the job, Renner says he would sometimes fall asleep in the middle of filming a scene. “They go, ‘And action!’ And I was out. We realized they worked me too hard, too many hours, too many days in a row,” he says. “What I’m willing to do is everything, but what I’m able to do is a different thing.”

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A profile of Jeremy Renner's face, partially covered by shadows.

Jeremy Renner on his rehabilitation: “It’s not even [like] a piece of Ikea furniture — there are no directions. You go one direction: you get better.”

(Paul Yem / For The Times)

Producers modified the schedule to accommodate his needs. Jet lag is now exceedingly hard on his body, despite just a three-hour difference between the East and West Coast. So rather than flying back and forth to California, Renner remained in Pittsburgh throughout most of the four-month production. He also carved out time to stretch and exercise on set, sometimes between takes.

“They have to treat me like I’m a child actor,” Renner jokes. “The mayor of Kingstown is now like a 14-year-old.”

But the accident has had some unexpected benefits. Renner says he now has a photographic memory, which comes in handy when he’s memorizing dialogue. “The eyeball that came out of my head? I have better vision in that eye than the other eye,” he adds. “I think I’m getting bionic.”

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Emma Laird, who stars in “Mayor of Kingstown” as Iris, a sex worker with links to the Russian Mafia, recalls that on their first day back, Renner still had Mike’s trademark swagger and tenacious stride. “It was as if the accident hadn’t ever happened really, when he was on camera,” she says.

“At the start, I would ask how he was and he’d be in a bit of pain, but he never openly complained or moaned. That’s just like a testament to how professional he is. Most actors moan about the stupidest things, [like] having to wait for an hour in their trailer. And he’s had this huge accident and you don’t hear him complaining one bit,” she adds.

“Mayor of Kingstown” is an intense and often violent series that grapples with weighty subjects like mass incarceration, systemic racism and Rust Belt stagnation. Season 3 is just as unrelenting. It opens with Mike at a spiritual low point as he mourns the death of a family member. “There’s a heaviness and a huge change to the character,” Renner says. “And it worked with where I am personally in my life.”

Two men, seen from behind, standing outside with an arch bridge in the distance.

Co-star Tobi Bamtefa as Deverin “Bunny” Washington, left, and Jeremy Renner as Mike McLusky in a scene from Season 3 of “Mayor of Kingstown.”

(Dennis P. Mong Jr. / Paramount+)

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“He’s always been remarkably positive,” says Tobi Bamtefa, who plays Bunny, a drug dealer and local Crips gang leader who is often seen conferring on his rooftop with Mike. “The positivity is now more deliberate. There’s a way about him that is definitely more present, more aware not just of his own self but also how his survival affected everything around him. Talking to him can be quite inspiring.”

In late April, Renner spent the day at Kennywood, an amusement park outside Pittsburgh, with his family and “Mayor of Kingstown” co-stars. Watching Renner enjoy the rides with his daughter and mom, Dillon was struck by how far he had come, not just since the accident but even since the beginning of the season in January. “That guy is in this permanent state of grace,” Dillon says. “I don’t know how he did it. But here we are, and it’s glorious.”

As for what’s next, Renner is weighing his options but now understands, on a visceral level, that “the only currency I have is time.” He is also working on a book about “life and death and recovery and all the things I’ve learned,” he says. “I got a lot of cheat codes.” What kind of “cheat codes,” exactly? For starters, Renner says that nearly dying confirmed something he already believed: “Death is only a rebirth.”

Over the last year and a half, he’s also discovered the importance of reframing the incident as something positive — beautiful, even. He likes to say the snowcat was a beacon, a Bat signal that called his family and friends to action and symbolized their deep love. “It is eternal. It is powerful. And it’s what kept me here.”

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Movie Reviews

Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

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Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

PopHorror had the chance to check out Anacoreta (2022) ahead of its streaming release! Does this meta-horror flick provide interesting story telling or is it a confusing mess.

 

Let’s have a look…

Synopsis

A group of friends heads to a secluded woodland cabin for a weekend getaway, planning to film an experimental horror movie. As the shoot progresses, the project begins to fall apart—until a real and terrifying presence emerges from the darkness.

Anacoreta is directed by Jeremy Schuetze. It was written by Jeremy Schuetze and Matt Visser. The film stars Antonia Thomas (Bagman 2024), Jesse Stanley (Raf 2019), Jeremy Schuetze (Jennifer’s Body 2009), and Matt Visser (A Lot Like Christmas 2021)

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My Thoughts

Antonia Thomas delivered an outstanding performance as the female lead in Anacoreta. It was remarkable to watch her convey such a wide range of emotions with authenticity and depth. I was continually impressed by her ability to switch seamlessly between different dialects. I absolutely loved her delivery of the dialogue of telling The Scorpion and the Frog fable.

Anacoreta employs a distinctive, meta-horror style of storytelling. The narrative follows a group of friends creating a “scripted reality” horror film, and as the plot unfolds, the boundary between their staged production and their actual lives becomes increasingly blurred. This was interesting, but at the same time frustrating as a viewer.

Check out Anacoreta on Prime Video and let us know your thoughts!

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

Todd Meadows, a crewmember on one of the fishing vessels featured on the long-running reality series “Deadliest Catch,” has died. He was 25.

Rick Shelford, the captain of the Aleutian Lady, announced in a Monday post on Facebook and Instagram that Meadows died Feb. 25. He called it “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”

“We lost our brother,” Shelford wrote in his lengthy tribute. “Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away. His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.

“He worked hard, loved deeply, and brought joy to those around him,” he added. “Todd will forever be part of this boat, this crew, and this brotherhood. Though we lost him far too soon, his legacy will live on through his children and in every memory we carry of him.”

A fundraiser set up in Meadows’ name described the deckhand from Montesano, Wash., as a father to “three amazing little boys” who died “while doing what he loved — crabbing out on Alaskan waters.”

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According to the Associated Press, Meadows died after he was reported to have fallen overboard around 170 miles north of Dutch Harbor, Alaska.

“He was recovered unresponsive by the crew approximately ten minutes later,” Chief Petty Officer Travis Magee, a spokesperson with the Coast Guard’s Arctic District, told the AP. The Coast Guard is investigating the incident.

Meadows was a first-year cast member of “Deadliest Catch,” the Discovery Channel reality series that follows crab fishermen navigating the perilous winds and waves of the Bering Sea during the Alaskan king crab and snow crab fishing seasons. The show debuted in 2005. No episodes from Meadows’ season has aired.

Deadline reported that the show was in production on its 22nd season when the incident occurred, with the Shelford-led Aleutian Lady being the last of the vessels still out at sea at the time. Production has subsequently concluded, per the outlet.

“We are deeply saddened by the tragic passing of Todd Meadows,” a Discovery Channel spokesperson said in a statement that has been widely circulated. “This is a devastating loss, and our hearts are with his loved ones, his crewmates, and the entire fishing community during this incredibly difficult time.”

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Meadows is the latest among “Deadliest Catch” cast members who have died. Previous deaths include Phil Harris, a captain of one of the ships featured on the show, who died after suffering a stroke while filming the show’s sixth season in 2010. Todd Kochutin, a crew member of the Patricia Lee, died in 2021 from injuries he sustained while aboard the fishing vessel, according to an obituary. Other cast members have died from substance abuse or natural causes.

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‘Hoppers’ review: Pixar’s best original movie in years

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‘Hoppers’ review: Pixar’s best original movie in years

“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway. 

It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.

Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.

We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.

Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.

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That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.

Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.

The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.

And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged. 

“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.

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HOPPERS opens in theaters Friday, March 6th.

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