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Column: Fire is part of L.A.'s ethos. But this Angeleno is asking, 'Is it time to go?'

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Column: Fire is part of L.A.'s ethos. But this Angeleno is asking, 'Is it time to go?'

“Is it time to go?”

That’s the question my husband and I have been asking ourselves with traumatic regularity over the past seven days. As we watched the Eaton fire erupt in nearby Altadena, we wondered. When we got the evacuation warning alert, we answered: We packed the car, took a few additional minutes to scoop up some photo albums and left.

After the warning and nearby mandatory evacuations were lifted in our area on Saturday, we returned home. Our power went out on Sunday and when neighbors received texts saying it would be out until Wednesday, we asked the question again — we hadn’t bothered to unpack the cars. Then the lights went on and we figured we’d stay. On Monday, we woke again to high winds and a “particularly dangerous situation” alert from the National Weather Service.

Compared with thousands of people living in the Los Angeles area, we are incredibly lucky. And we feel that. But we’re also exhausted and, with the winds blowing hard even as I write, on edge. Now the question has become bigger and more demanding.

Is it time to go … forever? To leave, if not California then the foothills, which we have called home for 21 years?

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A year or two after I moved to L.A. the Old Topanga fire of 1993 swept through Malibu, creating scenes of desperate escape and destruction similar to, if more limited than, those we’ve seen from Altadena and the Palisades. I remember at the time people darkly joking that “Malibu” was a Native American term for “Do not live here.”

Altadena also burned that year, once in a brush fire that killed two firefighters, again in a wildfire that destroyed or damaged 40 homes. But it was after Old Topanga that revered California writer, activist and historian Mike Davis wrote his famous essay, “The Case for Letting Malibu Burn,” in which he argued, among other things, that Los Angeles had already paid too high a price for allowing rich people seeking seclusion, beauty and exclusivity to build in places historically prone to fire.

Now I look at the mountains that rear up around my community of La Crescenta, beautiful hills that, depending on the time of year and amount of rainfall, can make you feel like you’re in Ireland or Scotland. And I wonder: Should we be living here?

Just two years ago, they were covered with snow; a few weeks ago, fog crept down, as it often does. On Sunday, while the Eaton fires still raged, they sat serene and seemingly untouchable against a bright blue sky, the air so clear you would never know a horrific fire continued to burn just miles away.

But I know it’s a mirage. The winds can change that in a hour; an arsonist or accidental spark in less than a minute. During the 2009 Station fire, flames were visible on the hills as we evacuated. At more than 160,000 acres, it remains the largest wildfire in Los Angeles County history, claiming the lives of two firefighters and destroying 89 homes.

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The January 2025 fires will be remembered for far more widespread destruction of property. With at least 25 people dead and 12,000 structures destroyed, the Eaton and Palisades fires are among the worst in modern history — and they are still burning.

Angelenos take pride in their resilience. For many, fires (like floods or earthquakes) are the price one pays for living in paradise.

But with climate change forcing Southern California into a maddening cycle of deluge and drought, people are beginning to question the wisdom of building, or rebuilding, communities that edge up to the more wilder areas of L.A.’s varied topography. Davis’ essay is once again being quoted, directly and in subtext, as officials, experts, historians and randos on Reddit discuss the sustainability of Southern Californians living so close to hills and mountains where fire regularly breaks out.

Davis wasn’t talking about Altadena, or the foothills, where fire has been far more rare than in Topanga and Malibu. But still, if I step out of my house, I can see hills covered with dried-out brush and the tops of power stations. And I wonder.

Not that we live in an urban wilderness. We live in what is known as a developed tract, dominated by the wide streets and cheek-by-jowl midcentury homes designed by Webster Wiley. There are street lights and sidewalks; a park and a half-dozen schools lie within walking distance.

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Neither did we come seeking privacy, exclusivity or even beauty, at least of the wild sort. We bought here because of the fine school district, the ease of commute to The Times, which was then downtown, and the general affordability. Down the hill in Montrose, Honolulu Boulevard is such a lively and classic small-town main street that it shows up in countless TV series and films.

Yes, as we drive up the streets that lead to our home, we dip under bowers of California oaks, see deer, bobcats and the occasional bear, but as in Altadena, there’s nothing exclusive about this part of the world and we still felt part of the metropolis; on a clear day, you can see most of downtown.

My husband and I love our home, where we have experienced most of our marriage and raised our three children. Watching as people, including friends and colleagues, post pictures of the smoldering ruins of equally beloved homes, our hearts break. But they also fill with fear. It could so easily be us. Next time, or even this time.

A house is just a house, compared with human lives. But our house is the only thing of real value that we own. (Mostly; there is still a mortgage.) It is what allowed my husband to (finally) retire at 72 and, barring some unexpected windfall, it is the only inheritance our children will have. We have fire insurance, for now, though given the recent history of that industry, our premiums could be raised to unsustainable levels or our coverage dropped altogether. And then what?

If we are fortunate and the house continues to survive this interminable fire season, we could comfort ourselves with the uniqueness of these ghastly circumstances — the 85-plus-mph “mountain wave” winds, the heavy rains in early spring followed by unusual dryness. This is not Malibu, after all. How often could such a horrific confluence of events occur?

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Too often in recent years and no doubt more often in the future. Climate change is real and it is flooding, burning, battering and desiccating California, the country and the world on a daily basis. And not just in places prone to catastrophe.

Scientists warn, too many politicians ignore and the rest of us are forced to evacuate, to mourn friends and family, to gape at the wreckage of where we once lived.

I have railed, and will continue to rail, against those who refuse to quickly and resolutely address the environmental issues that threaten all life on this planet. But right now, as I check in with The Times’ excellent fire coverage and regularly tap into Watch Duty to see if the Eaton fire is on the move again, my husband and I look up at the hills and ask each other: “Is it time to go?”

Are the mountains that have delighted and inspired us for so many years now a threat? Will the eucalyptus in the corner of our yard be our undoing? Or the pine trees that tower around our neighborhood?

We have already gotten rid of our lawn, put in gravel and succulents, taken down two trees that had grown uncomfortably close to our house. But we still have roses and lavender, jasmine and ivy. We felt we had to plant two smaller trees to replace the ones we killed. Now they’ve grown and their drying leaves rattle in the wind. Was that a mistake? Is being here at all a miscalculation?

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We are exhausted, we are anxious and the Santa Anas are blowing, which can shred reasonable thought even without extreme fire risk. With so many in real crisis, it’s hardly the time for the existential variety. There are thousands in critical need; contemplating what could happen is a luxury when so many must cope with what already has.

Nevertheless, the city, county and state will have to face tough questions and make hard choices once the fires are out. How do we prevent such a catastrophe from happening again? Can we?

Homes, businesses and lives will be rebuilt, but how and where?

Our car remains packed as we squint out at the hills. For now, we can only pray and await further instruction.

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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

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Commentary: California made them rich. Now billionaires flee when the state asks for a little something back.

California helped make them the rich. Now a small proposed tax is spooking them out of the state.

California helped make them among the richest people in the world. Now they’re fleeing because California wants a little something back.

The proposed California Billionaire Tax Act has plutocrats saying they are considering deserting the Golden State for fear they’ll have to pay a one-time, 5% tax, on top of the other taxes they barely pay in comparison to the rest of us. Think of it as the Dust Bowl migration in reverse, with The Monied headed East to grow their fortunes.

The measure would apply to billionaires residing in California as of Jan. 1, 2026, meaning that 2025 was a big moving year month among the 200 wealthiest California households subject to the tax.

The recently departed reportedly include In-n-Out Burger owner and heiress Lynsi Snyder, PayPal co-founder and conservative donor Peter Thiel, Venture Capitalist David Sacks, co-founder of Craft Ventures, and Google co-founder Larry Page, who recently purchased $173 million worth of waterfront property in Miami’s Coconut Grove. Thank goodness he landed on his feet in these tough times.

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The principal sponsor behind the Billionaire Tax Act is the Service Employees International Union-United Healthcare Workers West (SEIU-UHW), which contends that the tax could raise a $100 billion to offset severe federal cutbacks to California’s public education, food assistance and Medicaid programs.

The initiative is designed to offset some of the tax breaks that billionaires received from the One Big Beautiful Bill Act recently passed by the Republican-dominated Congress and signed by President Trump.

According to my colleague Michael Hiltzik, the bill “will funnel as much as $1 trillion in tax benefits to the wealthy over the next decade, while blowing a hole in state and local budgets for healthcare and other needs.”

The drafters of the Billionaire Tax Act still have to gather around 875,000 signatures from registered voters by June 24 for the measure to qualify on November’s ballot. But given the public ire toward the growing wealth of the 1%, and the affordability crisis engulfing much of the rest of the nation, it has a fair chance of making it onto the ballot.

If the tax should be voted into law, what would it mean for those poor tycoons who failed to pack up the Lamborghinis in time? For Thiel, whose net worth is around $27.5 billion, it would be around $1.2 billion, should he choose to stay, and he’d have up to five years to pay it.

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Yes, it’s a lot … if you’re not a billionaire. It’s doubtful any of the potentially affected affluents would feel the pinch, but it could make a world of difference for kids depending on free school lunches, or folks who need medical care but can’t afford it because they’ve been squeezed by a system that places much of the tax burden on them.

According to the California Budget & Policy Center, the bottom fifth of California’s non-elderly families, with an average annual income of $13,900, spend an estimated 10.5% of their incomes on state and local taxes. In comparison, the wealthiest 1% of families, with an average annual income of $2.0 million, spend an estimated 8.7% of their incomes on state and local taxes.

“It’s a matter of values,” Rep. Ro Khanna (D-Fremont) posted on X. “We believe billionaires can pay a modest wealth tax so working-class Californians have Medicaid.”

Many have argued losing all that wealth to other states will hurt California in the long run.

Even Gov. Gavin Newsom has argued against the measure, citing that the wealthy can relocate anywhere else to evade the tax. During the New York Times DealBook Summit last month, Newsom said, “You can’t isolate yourself from the 49 others. We’re in a competitive environment.”

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He has a point, as do others who contend that the proposed tax may hurt California rather then help.

Sacks signaled he was leaving California by posting an image of the Texas flag on Dec. 31 on X and writing: “God bless Texas.” He followed with a post that read, “As a response to socialism, Miami will replace NYC as the finance capital and Austin will replace SF as the tech capital.”

Arguments aside, it’s disturbing to think that some of the richest people in the nation would rather pick up and move than put a small fraction of their vast California-made — or in the case of the burger chain, inherited — fortunes toward helping others who need a financial boost.

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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