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'Baby Driver' actor Hudson Meek dies at 16 after falling from moving vehicle

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'Baby Driver' actor Hudson Meek dies at 16 after falling from moving vehicle

Hudson Meek, an actor who appeared in “Baby Driver” and voiced Bada in the preschool-age series “Badanamu Stories,” has died after falling from a moving car. He was 16.

Meek fell “to the roadway from a motor vehicle in motion” in Vestavia Hills, Ala., on the night of Dec. 19, the Jefferson County coroner’s office said Thursday in a statement to The Times. Meek sustained blunt force injuries and was admitted to the University of Alabama at Birmingham Hospital, where he died from his injuries two days later.

The Vestavia Hills Police Department is investigating the circumstances surrounding the death, the coroner’s office said.

Representatives for the Police Department did not immediately respond Thursday to The Times’ request for comment.

“Our hearts are broken to share that Hudson Meek went home to be with Jesus tonight,” Meek’s family wrote Saturday in a statement on his Instagram page. “His 16 years on this earth were far too short, but he accomplished so much and significantly impacted everyone he met.”

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Meek’s family described his death as a sudden and tragic loss. In his official obituary, the family noted that the teen was an organ donor and his family was comforted “by knowing that he will continue to help others for years to come.” His family did not mention his cause or manner of death in the obituary.

Meek played a younger version of Ansel Elgort’s Baby in the 2017 action-drama “Baby Driver.” He also appeared in the CW’s “Legacies,” Hulu’s “Genius” and NBC’s crime drama “Found.” Some of his other projects are slated for release in 2025, his family said.

“He absolutely loved spending time on set and having the chance to learn the names and stories of every member of the cast and crew,” his family said.

Hudson Joseph Meek was an Alabama resident and a sophomore at Vestavia Hills High School, where he played for the Vestavia Hills Rebel football team. Meek was also part of the Fellowship of Christian Athletes and honor choir and loved gathering with friends outside of school, doing water sports and “anything in the woods,” traveling and acting, the obituary said. He also loved binge-watching “The Simpsons,” playing and watching sports — particularly football, basketball and boxing — and “anything involving the Auburn Tigers.”

“Hudson was reflective and thoughtful, however he was tenacious when he set his mind to something,” the obituary said. He became a certified open water scuba diver at 13 and obtained his advanced open water certification later that year. He visited all 50 U.S. states and had set his sights on visiting all seven continents. The actor was also an active member of the Dawson Memorial Baptist Church, where he often attended youth events.

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“Hudson’s personality was one of a kind. He was confident, convicted in his beliefs, spontaneous, and quick-witted. He never let the facts get in the way of a funny story, and he loved friendly banter. He was a prankster, loved a good joke, and was happiest when he was making others laugh,” the obituary said. “Hudson thrived in settings that allowed him to meet and serve new people. Hudson was a vibrant and dynamic person who lived life to the fullest.”

Meek is survived by his parents, Derek Firth Meek and Lani Wells Meek, and older brother, Tucker Firth Meek, his grandmothers, several aunts, uncles and cousins.

The family is planning a celebration of life ceremony on Saturday and has set up the Hudson J. Meek Memorial Scholarship at Vestavia Hills High School. They are asking mourners to make donations to the fund in lieu of flowers.

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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