Education
Leaders of Harvard’s Middle Eastern Studies Center Will Leave
Two of the leaders of Harvard University’s Center for Middle Eastern Studies, the director and associate director, will be leaving their positions, according to two professors with direct knowledge of the moves.
The department had been under criticism from alumni that it had an anti-Israel bias, and the university more broadly has been under intense pressure from the federal government to address accusations of antisemitism on campus.
The director, Cemal Kafadar, a professor of Turkish studies, and the associate director, Rosie Bsheer, a historian of the Middle East, did not respond to messages seeking comment on Friday.
The news was first reported by The Harvard Crimson, the student newspaper. A spokesman for the Harvard Faculty of Arts and Sciences, James Chisholm, declined to comment, saying only that the matter was a personnel matter.
David Cutler, the interim dean of Social Science, announced in an email on Wednesday obtained by The New York Times that Dr. Kafadar would be stepping down from his post at the end of the academic year.
Dr. Cutler did not respond to a message late Friday.
Faculty members who have spoken with both professors say each believes they were forced out of their posts.
Harvard has been under a microscope over its response to accusations of antisemitism on campus. The university has also been under pressure from Republicans to be more welcoming to conservative viewpoints.
On Tuesday, Hopi Hoekstra, the dean of the Faculty of Arts and Sciences, which houses the Middle East center, sent a letter to all center heads asking what changes they would make in furtherance of intellectual diversity, according to an email obtained by The Times.
Dr. Hoekstra asked that the center heads be prepared to discuss, among other things, the degree to which their programs and seminars met “goals of diversity of and exposure to different ideas, perspectives and topics.” The email also asked the center leaders how they promoted “respectful dialogue across controversial topics” and the changes they would make.
This is a moment of precariousness for international students and scholars who study the Middle East. Last week, under pressure from the Trump administration, Columbia University agreed to a list of demands, including placing its Middle East, South Asian and African Studies department, along with its Center for Palestine Studies, under the review of an administrator.
On Friday evening, Columbia announced that it was replacing its current president for the second time in less than a year, amid controversy over how it had agreed to those demands.
The executive committee of Harvard’s chapter of the American Association of University Professors condemned “the abrupt termination” of the center’s leaders in a statement.
“In the context of recent events, the decision appears to be a shameful attempt to escape punishment from the Trump administration for engaging in academic discussions about topics the president disfavors,” the statement said. “These firings cede the university’s decision-making authority to bullies and bad-faith actors committed to silencing speech with which they disagree.”
Asli Bali, the president of the Middle East Studies Association, said in an interview late Friday that Columbia’s decision to bend to the Trump administration could be a “death knell” for Middle East programs.
“Now their universities are on notice that the government is looking for a settlement that includes abridging the autonomy of centers and departments devoted to the study of the Middle East,” Professor Bali said.
She added: “I’ve never seen anything comparable to this. This is totally unprecedented.”
Education
Opinion | 13 George Washington Interpreters on Embodying an Icon
In our national memory, George Washington is a mythic figure, cast in metal, carved in stone. His leadership, first as general, then as president, is so intertwined with the roots of this country that it is sometimes hard to separate the man from the idea of America. How does one imagine the living presence of such an icon, much less embody him?
There is a small fraternity of men bold enough to try. At historical parks and commemorations from Virginia to Seattle, these interpreters (their preferred term) transform themselves into Washington. Each has his own approach, but what all their representations seek to capture is a legacy that has endured from his time to ours. If America, at least in part, is an idea, then our national project becomes, like theirs, an act of interpretation, an imperfect attempt to translate some idealized vision into the messy reality of our own time.
— Ezekiel Kweku
“By some strange quirk
of genetics, I have
Washington’s exact
dimensions. Where my
sleeves fall on my wrist,
the size of my chest, the
size of my thighs, where
the breeches fall to my
knees, are all identical.”
John Koopman, 67, often performs
while riding his horse, Bear. He
has portrayed Washington for 20 years.
James Fryer, 70, wears a replica of a general’s uniform that Washington designed himself. He recently completed training to portray Washington for the nonprofit Historic Philadelphia.
“Some people portray George as a marble statue. I don’t do a marble George. I am interested in talking to everyone, even those who yell at me because George was a slave owner. I want to respect them, try to educate them, or maybe even inspire them.”
Vern Frykholm, 77, was moved to bring his interpretation of Washington to Washington State, where he lives, after seeing a 2011 performance in Pennsylvania.
Dean Malissa, 73, signs his personal
correspondence, including emails,
as Washington did: “Your Most Humble
and Obedient Servant.” He became
the Official George Washington
at Mount Vernon in 2004, and held
that role for nearly 20 years.
“I describe him sometimes as just a dude. I look at him and think, I could see myself in the same world, making similar bad decisions or similar good decisions.”
Daniel Cross, 39, portrayed a young Washington at Virginia’s Colonial Williamsburg until last year. He now works with organizations around the country.
Curt Radabaugh, 62, has 13,000 history books in his personal library, including several hundred about Washington. He is a veteran of the U.S. Marines and a retired police officer.
“He’s a mentor, a father
figure, and not only in the
sense that he’s a patriarch
of the country. Because
I grew up without a
father, he kind of became
my surrogate father.”
Brian Hilton, 58, says he researches
Washington’s era every morning before
his children get up and at night after
they go to bed. He is a high school history
teacher near Richmond, Va.
Daniel Shippey, 57, partners on interpretations with his wife, Kelly, who portrays Martha Washington. Kelly researched 18th-century hair techniques to create her husband’s costume hairstyle. They live in Virginia.
“You’re playing the myth of George Washington as well as the historical figure. I make his voice a little firmer and deeper than it probably was in real life. I play him a little funnier than he probably was. In reality, if you came to see him, he probably wouldn’t talk to you as much as I do.”
Doug Thomas, 53, is Washington’s second cousin nine times removed.
John Godzieba, 67, has reenacted
the crossing of the Delaware as
Washington every Christmas for the
past 16 years at Pennsylvania’s
Washington Crossing Historic Park.
“In many ways I don’t look like him. My eye color is wrong. My nose is wrong. My hair color is wrong. I wouldn’t have cast myself in this role.”
Ron Carnegie, 64, has portrayed Washington at Colonial Williamsburg for 20 years.
Ryan Williams, 37, is a veteran who specializes in playing a young Washington during the French and Indian War. He lives in Virginia.
“Some people portray
Washington almost
like a superhero.
I like to bring out that
he has faults. He’s a
person like you or me.”
Michael Grillo, 64, is a historical
tailor who hand-sews his own clothes
for reenactments. He also makes
period props, including two American
battle flags and pewter mugs
engraved with Washington’s crest.
Martin Schoeller is a photographer and director known for his close-up portraits of everyone from world leaders and celebrities to female bodybuilders. For this project, he used a large format camera to photograph 13 historical interpreters of George Washington — many of whom arrived in full uniform — over three days in Virginia and New York City.
Additional reporting by Tenzin D. Tsagong. Interviews have been edited and condensed for length and clarity. Top quotes from Brian Hilton, Daniel Shippey and Daniel Cross.
Produced by Sara Barrett, Danny DeBelius and Sam Whitney. Additional production by Olivia James.
Education
This Little Robot Cleans Windows
One task the robots can take from us? Cleaning. Especially hard-to-access windows. So when writers Caroline Mullen and Evan Dent found this little guy — whose government name is “EcoVacs Winbot Mini” — they were intrigued. Could he clean the uncleanable? Caroline and Evan put their robot friend to the test at both the Wirecutter office and a high-rise apartment. Is a robo-window cleaner more effective than scrubbing yourself?
Education
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