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Winter Books to Read When It’s Cold Outside

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Winter Books to Read When It’s Cold Outside

Frigid storms, heaps of snow and subzero temperatures are not exactly pleasant to live through, but winter weather can make for an irresistible setting for a book. From the cool surface of a frozen lake to the dizzying frenzy of a white-out squall, the dead of winter offers countless evocative and extreme conditions that conjure magic, channel heartbreak and push characters to their limits. The long nights and biting cold also make easy grist for atmosphere: Even in the coziest of reading nooks, the wintry chill can seem to leap from the very best winter books’ pages, making you clutch your mug of tea a little closer.

As we slog through the January doldrums and temperatures in much of the United States dip to polar levels, it can help to embrace the spirit of the season. Here are 10 books that feel ice-cold from the first page.

When the true crime writer Wylie Lark discovers an unconscious child outside her remote cabin in rural Iowa, she becomes embroiled in a mystery worthy of one of her macabre books. But the real terror comes from the elements, as an unrelenting winter storm traps Lark and the child inside. Gudenkauf weaves together three stories across three time periods in this unsettling and sometimes brutal thriller. As the threads converge, you can practically feel the bitter winds lashing against the cabin walls.

Read our review.

“I could see nothing but winter, all around,” Miryem, one of the narrators of Novik’s glorious fantasy novel observes as she is swept into the icy kingdom of the powerful, fae-like Staryk. Billed as a retelling of “Rumpelstiltskin,” this Hugo Award nominee is in fact an uncanny blend of several Eastern European fairy tales, myths and legends, remixed in a style that feels wholly original. In this novel, it isn’t just the weather that can turn cold: “Thrice you shall turn silver to gold for me,” the Staryk king threatens Miryem, “or be changed to ice yourself.”

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Read our review.

This thrilling novel opens on a Colorado highway in the middle of a blizzard, and the weather only worsens from there. Adams uses the harsh conditions to sequester his cast of suspicious strangers inside a secluded service station without Wi-Fi or cell service, setting the stage for a classic locked-room mystery. When Darby Thorne, a college student, discovers a possible kidnapping victim in one of the vehicles parked at the rest stop, she has to determine which of her fellow stranded travelers is responsible — all while waiting for the storm to relent and the roads to be cleared.

One of the great American adventure novels, “Solo Faces” follows the daring exploits of Verne Rand, a self-reliant roofer who absconds from California to the Swiss Alps. There, he commits himself to the monumental task of scaling some of the most imposing mountains in the world, including the Eiger, the Grandes Jorasses and the Aiguille du Dru. Salter renders these treacherous ascents in spartan, crystalline prose, finding in the death-defying thrills of mountaineering something like a religious experience. It’s a beautiful book, with writing as icy as the alpine peaks.

Read our review.

A group of tourists, stranded in an abandoned cabin during a snowstorm, wake up after their first bitterly cold night in the woods to find their tour guide butchered, and his severed head impaled on the branch of a tree. That’s the grisly setup for this violent, claustrophobic parlor mystery, which reads like a slasher version of Agatha Christie’s “And Then There Were None.” The body count is high, the murders are inventive and the gore is vivid, but it’s the snow that gets top billing, surrounding the characters on all sides as the tension mounts and the blood continues to pour.

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Read our review.

A western concerned with the demise of the American West, “Butcher’s Crossing,” by the cult-favorite author of “Stoner,” tells the story of an ill-fated 1870s buffalo hunt in the Colorado Rockies that is disrupted by the sudden onset of a winter storm. The book’s hero is Will Andrews, an idealistic college student, who gets lured into this folly by an ambitious, fortune-seeking hunter named Miller. The novel’s unromantic naturalism, as well as its grim view of American exceptionalism and frontier hubris, draws frequent comparisons to Cormac McCarthy’s “Blood Meridian,” but the despairing winter chill that pervades the story is distinctly its own.

Read our review.

Keegan’s short, bittersweet book is set in Ireland over the Christmas holidays of 1985, and she makes you feel the season’s every errant gust and snowflake as the protagonist, the unassuming Bill Furlong, makes his rounds delivering the village’s coal each morning. When Furlong discovers the disturbing secrets hidden within the cloistered walls of the local convent — to describe them any further would ruin the mystery — he’s put in an impossible position, left to determine whether he can summon a measure of warmth for his fellow man amid the dreary Irish landscape.

Read our review, and listen to our editors discuss the novel on the Book Review podcast.

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Written in the aftermath of a car accident that left him needing months of physical rehabilitation, King’s underrated “Dreamcatcher” feels very much like the work of a man in pain — the agony manifesting, in typical King fashion, as a ruthless alien parasite that gestates in the lower intestines of its victims before bursting out of their backsides. The book’s heroes, a quartet of lifelong friends from King’s favored town of Derry, contend with the alien invaders in the woods of Maine amid an overwhelming blizzard, which gives the story its suitably chilling backdrop.

In “Frozen in Time,” the Canadian authors Beattie and Geiger delve into the longstanding mystery of the Franklin Expedition, a failed 19th-century voyage in search of the Northwest Passage that left two British ships, the Erebus and the Terror, stranded in the Arctic ice and their entire crews dead. Beattie and Geiger capture the excitement and peril of the explorers’ harrowing journey through polar conditions and, drawing on comprehensive forensic research, offer a compelling explanation of what might have transpired over their final weeks and days (including, in a final act of desperation, cannibalism). It’s a serious historical work, but also a riveting account of a truly extraordinary expedition.

If the true story of the Franklin Expedition isn’t quite exciting enough, you may prefer “The Terror,” Simmons’s fictionalized dramatization that turns the real-life Arctic voyage into a larger-than-life battle with the supernatural. Beattie and Geiger’s research suggests that the crews of the Erebus and the Terror may have suffered from hallucinations after contracting lead poisoning from spoiled tinned provisions. Simmons cleverly folds this fact into his thriller, in which his cast of sailors must fight a bloodthirsty monster while also gradually going insane.

Read our review. And if you’re still hungry for more Franklin Expedition fare, you might also enjoy AMC’s series adaptation of Simmons’s book, or Kaliane Bradley’s romance novel “The Ministry of Time,” in which one of the explorers, Graham Gore, is plucked from the ice and transported to the future.

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What’s So Great About ‘Slow Horses’? This Scene Says It All.

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What’s So Great About ‘Slow Horses’? This Scene Says It All.

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A couple dozen pages into “Clown Town,” Mick Herron’s latest novel, two veteran spies share a bench in London. They’re Jackson Lamb and Diana Taverner, notorious fictional fixtures of MI5, the British intelligence service. Fans of “Slow Horses,” the Apple TV series adapted from Herron’s earlier Slough House books, will recognize the pair as the characters played with brisk professionalism and callused gravitas by Kristin Scott Thomas and Gary Oldman.

Those incomparable actors are a big part of the show’s appeal, but the Britain they inhabit — weary, cynical, clinging to the tattered scraps of ancient imperial glory — is built out of Herron’s witty, corkscrew sentences.

And this bench, like others where Lamb and Taverner meet with some regularity on both screen and page, is hardly an incidental bit of urban furniture. It holds not only their aging bureaucratic bums, but also a heavy load of literary and sociological significance.

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An ambient sarcasm hangs in the foul air around his characters. Nearly every word is freighted with a mockery that is indistinguishable from judgment. Herron’s prose bristles with the kind of active, restless grudge against the world that is the sure sign of a moralist.

While spies, bureaucrats and especially politicians come in for comic scolding, the real target of his satire is an administrative regime that will be familiar to many readers and viewers who have never cracked a code or aimed a gun. In interviews, Herron has often noted that unlike John le Carré, to whom he is often compared, he has had no first-hand experience of espionage. But he has spent enough time toiling in offices to understand the absurdity — the banality, the cruelty, the cringeiness — of modern organizational life.

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“Slow Horses” is a workplace comedy, and Diana and Jackson — nightmare colleagues and bosses from hell — are its flawed, indispensable heroes. Their nastiness to each other and everyone else is a reflection of their circumstances, but also a form of protest against the ethical rottenness of the system they serve.

The gimlet-eyed Diana, managing up from a precarious perch high in the organization, must contend with the cretinous crème de la crème of the British establishment. The epically flatulent Jackson, a career reprobate exiled to a marginal post far from the center of power, manages down, wrangling MI5’s designated misfits, the Slow Horses who give the series its name. Those poor spies need to be protected from external savagery, internal treachery and their own dubious instincts.

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Jackson and Diana seem to share a cynical, self-serving outlook, but what really unites them is that they care enough about the job to do it right. More than that: They may be the last people in London who believe in decency, honor and fair play, embodiments of the humanist sentiment that lurks just below the busy, satirical surface of Herron’s novels. Not that they would ever admit as much — especially not to each other, planted on a public bench, where anyone could be spying on them.

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Can You Identify the European Locations in These Thrillers and Crime Novels?

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Can You Identify the European Locations in These Thrillers and Crime Novels?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the locations of thrillers and crime novels set around Europe. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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Test Your Memory of These Classic Books for Young Readers

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Test Your Memory of These Classic Books for Young Readers

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s tests your memory of books you may have read during your school days — specifically, the plots of much-loved novels for young readers. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books.

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