Culture
Winter Books to Read When It’s Cold Outside
Frigid storms, heaps of snow and subzero temperatures are not exactly pleasant to live through, but winter weather can make for an irresistible setting for a book. From the cool surface of a frozen lake to the dizzying frenzy of a white-out squall, the dead of winter offers countless evocative and extreme conditions that conjure magic, channel heartbreak and push characters to their limits. The long nights and biting cold also make easy grist for atmosphere: Even in the coziest of reading nooks, the wintry chill can seem to leap from the very best winter books’ pages, making you clutch your mug of tea a little closer.
As we slog through the January doldrums and temperatures in much of the United States dip to polar levels, it can help to embrace the spirit of the season. Here are 10 books that feel ice-cold from the first page.
By Heather Gudenkauf
When the true crime writer Wylie Lark discovers an unconscious child outside her remote cabin in rural Iowa, she becomes embroiled in a mystery worthy of one of her macabre books. But the real terror comes from the elements, as an unrelenting winter storm traps Lark and the child inside. Gudenkauf weaves together three stories across three time periods in this unsettling and sometimes brutal thriller. As the threads converge, you can practically feel the bitter winds lashing against the cabin walls.
Read our review.
By Naomi Novik
“I could see nothing but winter, all around,” Miryem, one of the narrators of Novik’s glorious fantasy novel observes as she is swept into the icy kingdom of the powerful, fae-like Staryk. Billed as a retelling of “Rumpelstiltskin,” this Hugo Award nominee is in fact an uncanny blend of several Eastern European fairy tales, myths and legends, remixed in a style that feels wholly original. In this novel, it isn’t just the weather that can turn cold: “Thrice you shall turn silver to gold for me,” the Staryk king threatens Miryem, “or be changed to ice yourself.”
Read our review.
By Taylor Adams
This thrilling novel opens on a Colorado highway in the middle of a blizzard, and the weather only worsens from there. Adams uses the harsh conditions to sequester his cast of suspicious strangers inside a secluded service station without Wi-Fi or cell service, setting the stage for a classic locked-room mystery. When Darby Thorne, a college student, discovers a possible kidnapping victim in one of the vehicles parked at the rest stop, she has to determine which of her fellow stranded travelers is responsible — all while waiting for the storm to relent and the roads to be cleared.
By James Salter
One of the great American adventure novels, “Solo Faces” follows the daring exploits of Verne Rand, a self-reliant roofer who absconds from California to the Swiss Alps. There, he commits himself to the monumental task of scaling some of the most imposing mountains in the world, including the Eiger, the Grandes Jorasses and the Aiguille du Dru. Salter renders these treacherous ascents in spartan, crystalline prose, finding in the death-defying thrills of mountaineering something like a religious experience. It’s a beautiful book, with writing as icy as the alpine peaks.
Read our review.
By Darcy Coates
A group of tourists, stranded in an abandoned cabin during a snowstorm, wake up after their first bitterly cold night in the woods to find their tour guide butchered, and his severed head impaled on the branch of a tree. That’s the grisly setup for this violent, claustrophobic parlor mystery, which reads like a slasher version of Agatha Christie’s “And Then There Were None.” The body count is high, the murders are inventive and the gore is vivid, but it’s the snow that gets top billing, surrounding the characters on all sides as the tension mounts and the blood continues to pour.
Read our review.
By John Williams
A western concerned with the demise of the American West, “Butcher’s Crossing,” by the cult-favorite author of “Stoner,” tells the story of an ill-fated 1870s buffalo hunt in the Colorado Rockies that is disrupted by the sudden onset of a winter storm. The book’s hero is Will Andrews, an idealistic college student, who gets lured into this folly by an ambitious, fortune-seeking hunter named Miller. The novel’s unromantic naturalism, as well as its grim view of American exceptionalism and frontier hubris, draws frequent comparisons to Cormac McCarthy’s “Blood Meridian,” but the despairing winter chill that pervades the story is distinctly its own.
Read our review.
By Claire Keegan
Keegan’s short, bittersweet book is set in Ireland over the Christmas holidays of 1985, and she makes you feel the season’s every errant gust and snowflake as the protagonist, the unassuming Bill Furlong, makes his rounds delivering the village’s coal each morning. When Furlong discovers the disturbing secrets hidden within the cloistered walls of the local convent — to describe them any further would ruin the mystery — he’s put in an impossible position, left to determine whether he can summon a measure of warmth for his fellow man amid the dreary Irish landscape.
Read our review, and listen to our editors discuss the novel on the Book Review podcast.
By Stephen King
Written in the aftermath of a car accident that left him needing months of physical rehabilitation, King’s underrated “Dreamcatcher” feels very much like the work of a man in pain — the agony manifesting, in typical King fashion, as a ruthless alien parasite that gestates in the lower intestines of its victims before bursting out of their backsides. The book’s heroes, a quartet of lifelong friends from King’s favored town of Derry, contend with the alien invaders in the woods of Maine amid an overwhelming blizzard, which gives the story its suitably chilling backdrop.
By Owen Beattie and John Geiger
In “Frozen in Time,” the Canadian authors Beattie and Geiger delve into the longstanding mystery of the Franklin Expedition, a failed 19th-century voyage in search of the Northwest Passage that left two British ships, the Erebus and the Terror, stranded in the Arctic ice and their entire crews dead. Beattie and Geiger capture the excitement and peril of the explorers’ harrowing journey through polar conditions and, drawing on comprehensive forensic research, offer a compelling explanation of what might have transpired over their final weeks and days (including, in a final act of desperation, cannibalism). It’s a serious historical work, but also a riveting account of a truly extraordinary expedition.
By Dan Simmons
If the true story of the Franklin Expedition isn’t quite exciting enough, you may prefer “The Terror,” Simmons’s fictionalized dramatization that turns the real-life Arctic voyage into a larger-than-life battle with the supernatural. Beattie and Geiger’s research suggests that the crews of the Erebus and the Terror may have suffered from hallucinations after contracting lead poisoning from spoiled tinned provisions. Simmons cleverly folds this fact into his thriller, in which his cast of sailors must fight a bloodthirsty monster while also gradually going insane.
Read our review. And if you’re still hungry for more Franklin Expedition fare, you might also enjoy AMC’s series adaptation of Simmons’s book, or Kaliane Bradley’s romance novel “The Ministry of Time,” in which one of the explorers, Graham Gore, is plucked from the ice and transported to the future.
Culture
Video: Farewell, Pocket Books
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By Elizabeth A. Harris, Léo Hamelin and Laura Salaberry
February 6, 2026
Culture
Is Emily Brontë’s ‘Wuthering Heights’ Actually the Greatest Love Story of All Time?
Catherine and Heathcliff. Since 1847, when Emily Brontë published her only novel, “Wuthering Heights,” those ill-starred lovers have inflamed the imaginations of generations of readers.
Who are these two? Definitely not the people you meet on vacation. The DNA of “Wuthering Heights,” set in a wild and desolate corner of Northern England, runs through the dark, gothic, obsessive strains of literary romance. Heathcliff, a tormented soul with terrible manners and a worse temper, may be the English novel’s most problematic boyfriend — mad, bad and dangerous to know. What redeems him, at least in the reader’s eyes, is Catherine’s love.
As children growing up in the same highly dysfunctional household, the two form a bond more passionate than siblinghood and purer than lust. (I don’t think a 179-year-old book can be spoiled, but some plot details will be revealed in what follows.) They go on to marry other people, living as neighbors and frenemies without benefits until tragedy inevitably strikes. In the meantime, they roil and seethe — it’s no accident that “wuthering” is a synonym for “stormy” — occasionally erupting into ardent eloquence.
Take this soliloquy delivered by Catherine to Nelly Dean, a patient and observant maidservant who narrates much of the novel:
This all-consuming love, thwarted in the book by circumstances, has flourished beyond its pages. Thanks to Catherine and Heathcliff — and also to the harsh, windswept beauty of the Yorkshire setting — “Wuthering Heights,” a touchstone of Victorian literature, has become a fixture of popular culture.
Laurence Olivier and Merle Oberon played Heathcliff and Catherine in William Wyler’s 1939 multi-Oscar-nominated film adaptation.
Since then, the volatile Heathcliff has been embodied by a succession of British brooders: Richard Burton, Ralph Fiennes, Tom Hardy. At least for Gen X, the definitive Catherine will always be Kate Bush, dancing across the English countryside in a bright red dress in an indelible pre-MTV music video.
Now, just in time for Valentine’s Day, we’ll have Emerald Fennell’s new R-rated movie version, with Margot Robbie (recently Barbie) as Catherine and Jacob Elordi (recently Frankenstein’s monster) as Heathcliff.
Is theirs the greatest love story of all time, as the movie’s trailer insists? It might be. For the characters, the love itself overwhelms every other consideration of feeling. For Brontë, the most accomplished poet in a family of formidable novelists, that love is above all a matter of words. The immensity of Catherine and Heathcliff’s passion is measured by the intensity of their language, which of course is also Brontë’s.
Here is Heathcliff, in his hyperbolic fashion, belittling Catherine’s marriage to the pathetic Linton:
Which is what romance lives to do. It’s a genre often proudly unconstrained by what is possible, rational or sane, unafraid to favor sensation over sense or to pose unanswerable questions about the human heart. How could Catherine love a man like Heathcliff? How could he know himself to be worthy of her love?
We’ll never really have the answers, which is why we’ll never stop reading. And why no picture will ever quite match the book’s thousands of feverish, hungry, astonishing words.
Culture
Annotating the Judge’s Decision in the Case of Liam Conejo Ramos, a 5-Year-Old Detained by ICE
One of the many unsettling images to emerge from the recent ICE surge in Minneapolis was that of 5-year-old Liam Conejo Ramos, in his blue bunny hat, standing in the January cold with the hand of a federal officer gripping his Spider-Man backpack.
Liam and his father, Adrian Conejo Arias, an asylum seeker from Ecuador, were taken from Minnesota to Texas and held at a detention facility outside San Antonio. Lawyers working on their behalf filed a petition for a writ of habeas corpus, an ancient judicial principle forbidding the government from holding anyone in custody without providing a legally tenable reason for doing so. On Saturday, Fred Biery, a federal judge in Texas’ Western District, granted their petition, freeing them.
That’s the boilerplate. But Judge Biery’s decision — which has gotten a lot of attention in legal circles and beyond — is much more than a dry specimen of judicial reasoning. It’s a passionate, erudite and at times mischievous piece of prose.
That may not have surprised some Texas court watchers. Judge Biery, who was appointed to the federal bench by President Bill Clinton in 1994, is known for his wit and writerly flair. His judicial order in a 2013 case involving San Antonio strip clubs is famous for its literary allusions (“to bare, or not to bare”) and its cheeky double entendres. A 2023 profile in San Antonio Lawyer magazine called him “a judge with a little extra to say.”
The extra in this case transforms what might have been a routine decision into a thorough scourging of the Trump administration’s approach to governance. This text isn’t much longer than one of Mr. Trump’s Truth Social posts. In fewer than 500 words, Judge Biery marshals literature, history, folk wisdom and Scripture to challenge the theory of executive power that has defined Trump’s second presidency.
It’s worth looking at how he does it.
OPINION AND ORDER OF THE COURT
Before the Court is the petition of asylum seeker Adrian Conejo Arias and his five-year-old son for protection of the Great Writ of habeas corpus. They seek nothing more than some modicum of due process and the rule of law. The government has responded.
He starts by juxtaposing the grandeur of habeas corpus with the modesty of the father and son’s claims, implying that what makes the writ “Great” is precisely its ability to protect the basic right of ordinary people not to be locked up arbitrarily. It does this by requiring that the government either provide reasons for holding them in custody or else let them go.
Judge Biery’s footnote directing readers to Blackstone’s commentaries and Magna Carta may be intended to give a remedial lesson to members of the administration. His larger point, though, is that to flout the guarantee of habeas corpus — as he insists the current deportation policy has done — is to threaten the integrity of the American constitutional order itself.
The case has its genesis in the ill-conceived and incompetently-implemented government pursuit of daily deportation quotas, apparently even if it requires traumatizing children. This Court and others regularly send undocumented people to prison and orders them deported but do so by proper legal procedures.
He calls attention to the grandiosity and sloppiness of the administration’s position while suggesting that its overreach reflects a more sinister intention.
Apparent also is the government’s ignorance of an American historical document called the Declaration of Independence. Thirty-three-year-old Thomas Jefferson enumerated grievances against a would-be authoritarian king over our nascent nation. Among others were:
1. “He has sent hither Swarms of Officers to harass our People.”
2. “He has excited domestic Insurrection among us.”
3. “For quartering large Bodies of Armed Troops among us.”
4. “He has kept among us, in Times of Peace, Standing Armies without the consent of our Legislatures.”
As the 250th birthday of American independence approaches, the president is being cast as King George III. The federal government’s indifference to habeas claims places it on the wrong side of the historical divide between individual liberty and unchecked state power, and thus at odds with the founding documents of the Republic.
“We the people” are hearing echos of that history.
And then there is that pesky inconvenience called the Fourth Amendment:
The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and persons or things to be seized.
U.S. CONST. amend. IV.
Civics lesson to the government: Administrative warrants issued by the executive branch to itself do not pass probable cause muster.
In constitutional terms, the judge finds that the administration has defied the Fourth Amendment and disregarded the separation of powers.
That is called the fox guarding the henhouse. The Constitution requires an independent judicial officer.
A barnyard metaphor puts the matter in plainer language: Because executive authority has the potential to be predatory, it needs to be checked by the judiciary branch. Judge Biery might also be sending a sly message to his colleagues on the U.S. Supreme Court, who have looked favorably on many of Mr. Trump’s expansive claims of executive branch power.
Accordingly, the Court finds that the Constitution of these United States trumps this administration’s detention of petitioner Adrian Conejo Arias and his minor son, L.C.R. The Great Writ and release from detention are GRANTED pursuant to the attached Judgment.
The language in which the judge renders his decision also sends a message, in this case to the president himself. Capitalization is a hallmark of Mr. Trump’s style, as it is of American legalese. The paragraph granting the petition bristles with uppercase nouns, which makes it all the more striking that the president’s name, otherwise absent from the ruling, is rendered in lowercase, as a card-table verb.
This may be a subtextual swipe at the president’s ego, but it’s consistent with the decision’s fundamental argument, which is that the president — any president — is ultimately smaller than the law.
Observing human behavior confirms that for some among us, the perfidious lust for unbridled power and the imposition of cruelty in its quest know no bounds and are bereft of human decency. And the rule of law be damned.
For Judge Biery, the case involves procedure, and morality too. When he allows himself to express his disapproval — to write judgmentally, rather than judicially — he is in effect arguing that these principles can’t be separated. Due process and human decency are two sides of the same coin.
Ultimately, Petitioners may, because of the arcane United States immigration system, return to their home country, involuntarily or by self-deportation. But that result should occur through a more orderly and humane policy than currently in place.
Philadelphia, September 17, 1787: “Well, Dr. Franklin, what do we have?” “A republic, if you can keep it.”
With a judicial finger in the constitutional dike,
It is so ORDERED.
Benjamin Franklin famously (and perhaps apocryphally) pointed out the fragility of orderly self-government, while the Dutch boy immortalized in the 19th-century novel “Hans Brinker, or the Silver Skates” did what he could to protect his neighbors from the fury of the unchecked sea.
That Judge Biery puts himself in their company suggests that he sees this decision less as a final judgment than as a warning.
SIGNED this 31st day of January, 2026.
FRED BIERY
UNITED STATES DISTRICT JUDGE
Credit: Bystander
After his cautionary conclusion, the judge still has something extra to say, something that shifts the focus away from the rational, secular domain of jurisprudence.
Below his signature, he attaches the widely seen photograph of Liam. Underneath that — after an eloquently anonymous photo credit — are references to two verses from the New Testament. The judge doesn’t quote them, but they speak for him all the same.
Matthew 19:14
The Matthew verse — “But Jesus said, Suffer little children, and forbid them not, to come unto me: For of such is the kingdom of heaven” — is a well-known statement of compassion and care.
John 11:35
So, in its way, is John 11:35, the shortest verse in the English Bible. It is often quoted when things are so terrible that all other words fail:
“Jesus wept.”
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