Culture
Why Manchester United signing a running coach makes sense – even if it wasn’t Amorim’s call
As January transfer window signings go, a 78-year-old American track and field coach is unconventional. For Manchester United and Ruben Amorim, even if it wasn’t the head coach’s call, it actually makes a lot of sense. The appointment of Harry Marra, on a consultancy basis for a few weeks, is designed to improve United individually and collectively at covering ground efficiently and repeatedly.
Marra, who graduated from Syracuse University in 1974 with a master’s degree in physical education and exercise science, is best known for coaching USA decathlete Ashton Eaton to gold at the Olympics (London 2012, Rio 2016) and World Championships (Moscow 2013, Beijing in 2015, where he also got the world record, since beaten). Eaton still holds the world decathlon best over 400 metres (45.00 seconds), and in the top 25 decathlon performances of all time, his 10.23s 100m ranks second.
Marra’s relationship with Eaton dated back to the early 2010s when they worked together at the University of Oregon, where Marra also coached Brianne Theisen to NCAA titles and collegiate records. As a heptathlete, she went on to win an Olympic bronze (Rio 2016) and world silvers (Moscow 2013, Beijing 2015).
Marra also spent over 10 years working simultaneously with the San Francisco Giants baseball team and as USA Track & Field’s decathlon coach.
In 2018, Marra coached Indonesian sprinter Lalu Muhammad Zohri to gold at the World Athletics U20 Championships. With a personal best down to 10.03, Zohri is on the cusp of becoming only the 11th Asian man to break the 10-second barrier in the 100m.
What’s this got to do with Manchester United? Quite a lot. It’s a sign of Marra’s coaching quality that, over 40 years he has had success with teams, groups and individuals of varying ages, backgrounds, starting levels and resources. If the critique is that his age makes him out of touch, consider the open-mindedness and adaptability he has needed to work with top athletes and teams for longer than Amorim has been alive.
Marra with Eaton in 2016 (Andy Lyons/Getty Images)
More importantly, running more and better is something Amorim wants United to do. “If you want to win the Premier League, you have to run like mad dogs,” he said in December, before a 3-2 defeat against Nottingham Forest, his fifth match in charge. “If not, we are not going to do it (win), that is clear. It’s impossible to win the Premier League without a team that, every moment, runs back, runs forward. Even with the best starting XI, without running, they will not win anything”.
The sports science-led revolution of the late 2000s catalysed a transformation of the Premier League into Europe’s most athletic league, and it’s still increasing in intensity. One study of Premier League games between 2006 and 2013 showed 30 and 35 per cent increases in high-intensity and sprint distances. Another paper found rises of 12 and 15 per cent in the same metrics from 2014-15 to 2018-19. Data from SkillCorner shows the rise has continued. This season, high-intensity distance match averages are 16 per cent up on the 2018-19 campaign. Sprint frequencies have risen by a fifth and sprint distance over 23 per cent.
“It was not me, it was the club,” said Amorim of the appointment of Marra. “We are always trying to bring experienced people to share knowledge with the staff, to understand the body, to understand how you can improve our players. It was not me, it was not something new. He’s not there to coach the team, he’s there to coach the staff about everything about the running, et cetera. It’s a simple thing that we are used to doing to improve as a club.”
Amorim wanting to build a team on intensity and physicality is not new. Tottenham Hotspur, Liverpool and Bournemouth all had or have identities underpinned by pressing and aggressive running. His predecessor, Erik ten Hag, wanted United to be “the best transition team in the world”. He also turned to specialist coaching, appointing Benni McCarthy as a striker coach before Marcus Rashford produced his most prolific season in 2022-23 (30 goals in all competitions).
Importantly, any specialist sprinting coach is not going to make players significantly faster. Acceleration, power and top speed can be refined but not taught. Those attributes owe so much to a player’s physiological predisposition. That is shown by the career trajectory of elite sprinters, whose talent is obvious in childhood and before deliberate training, and they reach world-class or peak status much earlier than other sports.
Instead, a specialist coach should help identify and minimise issues in mechanics that might lead to injury. Last season, United had the most time-loss injuries in the league and struggled to name a consistent back four. Harry Maguire and Mason Mount, who were injured multiple times, are examples of “problem cases” and “repeat rehabbers”, terms used by Jonas Dodoo, a performance consultant with Brighton & Hove Albion and Newcastle United who specialises in movement and sprint coaching and analysis.
Dodoo, whose background in sprint coaching came in rugby and then athletics, first worked as a performance consultant in football in 2016 with Derby County. He cites Theo Walcott and Tariq Lamptey — two players with notable pace — among the players he has helped rehabilitate. He describes the coaching model he uses as: “Brake, plant, separate. That’s what they need to be able to do.”
Marra coaching Eaton and Theisen in Eugene, Oregon in 2013 (Doug Pensinger/Getty Images)
“They need to be able to brake aggressively and efficiently so that they can plant effectively and separate from their opponents, and run fast,” says Dodoo. “You need to be conditioned to create the types of forces needed, but also need efficiency, and to do that repeatedly — 40, 60 times in the game you might have to accelerate, and the forces are even more stressful in a body in a deceleration.”
Completely altering a player’s mechanics would take the kind of time, training and resources that football rarely offers, but there are still gains to be had when coaching sprinting. “You want to make sure that they can get into the positions and postures needed to decelerate, accelerate and to change direction well,” says Dodoo. “That’s the premise you start (coaching) around. In terms of sprint ability, you can make very quick and effective changes to the first three steps that make sure that they know how to create the forces in the right direction.
“If you can accelerate very well on your first three steps and if you know how to stop aggressively in your first three steps of deceleration, then that can have a fundamental effect on your physical qualities and performance.”
The nature of football and its game phases (with so much settled possession, set pieces and 22 players on a 105m x 68m pitch) means players very rarely hit their actual top speeds in matches. It is the reason, at PSV’s academy, their benchmark for first-team level performance in a 30m sprint test also includes a threshold for how fast players need to cover the first 10m.
Faster and more efficient accelerations and decelerations buy players time and space (or reduce it for opponents). “If your gear one is really aggressive, then actually the rest of it can be done scanning and preparing for the next action,” says Dodoo.
United’s academy — in Rashford, Alejandro Garnacho, Amad and Anthony Elanga (sold to Nottingham Forest in July 2023) — has developed some of the best straight-line runners and accelerators in the division. “Elanga is the model,” says Dodoo, who co-owns Speedworks Training, a sprint coaching business that developed a database of athletes “across football, NFL, elite and international rugby. We’ve got 5,000 runs for 3,000 players. What we consider as being very efficient and effective is what he (Elanga) produces in his running”.
Elanga again. 😮💨 pic.twitter.com/aqk1TYLvBI
— Nottingham Forest (@NFFC) December 26, 2024
In the first two months of this season, Rashford, Garnacho and Elanga all made the list for the top 10 highest speeds in a Premier League game — because players rarely hit top speed, calling them the ‘fastest’ would be a misnomer. That Amad did not might be because of his gait. He stands out for taking a lot of short steps with low heel lift (and has a choppy arm style reminiscent of fellow Ivorian and 100m sprinter Marie-Josee Ta Lou) whereas Garnacho takes big strides.
That difference in mechanics may explain their difference as dribblers too. As senior United players, Amad has completed 46.7 per cent of his Premier League dribbles, compared to just 32.5 per cent for Garnacho. “He’s (Amad) closer to the ground and having a high stride rate means he can make adjustments very quickly,” says Dodoo.
Amad (22 years old) and Garnacho (20) are two members of a relatively young United squad. Midfielders Toby Collyer (20), Manuel Ugarte (23), and Kobbie Mainoo (19), plus centre-back Leny Yoro (19) and striker Rasmus Hojlund (21) were either playing academy football in England or have made moves to United from other European leagues in the past two seasons.
Those inside the club feel that the hardest part of stepping up to the senior, Premier League level is the physical demands (more than the technical/tactical ones) and subsequent injury risks.
Dodoo says teams need “a smart rotation system with those young players. Especially, the more of a forward and the more of a speed merchant that player is, even more reason to have some way of keeping them loaded but not overloaded”.
Sprinting coaches are not new within football. Former Team GB sprinter Darren Campbell worked at MK Dons and with Andriy Shevchenko when he was at Chelsea. Similarly, Leon Reid, another former international sprinter, has worked on the running technique of Brighton players. Three NFL sides — the Jacksonville Jaguars, Tennessee Titans and Houston Texans — have all employed ‘directors of speed development’, though there is a more natural fit for a mechanics/sprinting coach there, given the NFL’s combine and 40-yard dash.
Garnacho has demonstrated his sprint ability this season (Paul Ellis/AFP/Getty Images)
The Premier League is into its era of specialist coaches: hybrid coach-analysts, set-piece coaches and position-specific coaches. The return on investment of a coach who can keep players fitter (and possibly make them move better) has the potential to be huge.
Internally, Amorim has been critical of fitness levels, and United’s high-intensity numbers have dropped off compared to last season.
Running more (and harder) is not automatically a good thing, and requires the context of tactics, game state, opposition style and quality, but as Dodoo points out, “the manager’s model is real high intensity, and the players need to be conditioned for that. If you get conditioned to that way of training with one manager, the next manager bringing a more intensive model (means) the conditioning of the team needs to go up”.
It is not quite the same approach that Ten Hag took when he had his players running many kilometres after an away defeat to Brentford in August 2023 (to show them how much they were ‘outran’ by). Availability, though, is the best ability, and United must improve there if they are to implement the style Amorim wants, let alone turn their season around.
GO DEEPER
How fast are footballers?
(Top photo: Manchester United training this month; by Zohaib Alam/MUFC/Manchester United via Getty Images)
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
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