Culture
Why Guardiola, Maresca and Salah love chess: Space, patterns and 'controlling the centre'
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What do Pep Guardiola and Enzo Maresca have in common?
Coaches wedded to a certain style of football? Midfielders who became managers? Worked together at Manchester City? Bald? All of these things are true, but that’s not the answer we have on the card.
The answer we’re looking for? Chess.
Both men, who meet at Stamford Bridge this afternoon, are keen proponents of the idea that football can learn plenty from chess, and they as coaches can take valuable lessons from it too.
After leaving Barcelona in 2012, Guardiola took a sabbatical and travelled to New York, where he met with Garry Kasparov, the Russian grandmaster. He has also studied the methods of the world’s top-ranked chess player, Magnus Carlsen.
“You have no idea how similar the two things are,” Guardiola said in Pep Confidential, Marti Perarnau’s book about his first season at Bayern Munich. “There was one thing Carlsen said that I loved. He said that it doesn’t matter if he has to make some sacrifices at the start of the game because he knows he is strongest in the latter stages. It got me thinking and I must learn how I can apply it to football.”
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Maresca dedicated large tracts of his 7,000-word coaching thesis, written for his diploma at the Italian coaching school Coverciano, to chess. “A coach can only benefit from acquiring the mind of a good chess player,” Maresca wrote. “I concluded that playing chess can train the mind of a coach. The fundamental element of chess is the logic that leads a player to understand and thus predict the opponents’ moves.”
Maresca also highlighted the two games’ tactical similarities. “The chess board is like a football pitch that can be divided into three channels — a central one and two external ones. In football as in chess, an inside game can be more interesting as it’s the quickest and most direct towards goal or the king.”
The similarities in how space is used also came up in an interview with Carlsen and Guardiola. “In chess and football, the important thing is to control the middle,” Carlsen said as Guardiola looked on, rapt. “If you control the middle, you control the pitch or the board. Another thing is that in chess, you attack on one side, so you overload, and then you switch so you have an advantage on the other side. In terms of space, it’s remarkably similar.”
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Most people reading this piece will know why ‘controlling the middle’ is important in football, but an explanation in chess might be worth making. “Each of the pieces moves differently, but nearly all of them are better in the centre,” Gawain Jones, a grandmaster who recently won his third British Championship, tells The Athletic.
“It’s one of the first maxims you are taught: get your pieces out and control the centre squares, and starve your opponent of space and they’re hemmed in at the sides. The knights are referred to as ‘octopuses’ because they can move to eight squares, whereas if they’re at the side they can only go to three or four.”
In his book Football and Chess: Tactics, Strategy, Beauty, Adam Wells draws further parallels. “At the most fundamental level,” Wells writes, “football and chess involve using space effectively and getting the timing right to break down an opponent’s defence while preventing them from breaking down yours.
“And that’s it. There are very few limiting rules. There are no complicated scoring systems or procedures of play that have to be followed. It is clear cut: you must capture pieces or score goals while staying within the confines of the board or pitch.’
The list of football coaches and managers who apply chess to their profession is lengthy. During the European Championship this summer, Switzerland coach Murat Yakin was asked about a match being a ‘poker game’, to which he responded that he doesn’t like poker because too much depends on what hand you are given, and that he prefers chess.
“There are certainly parallels when it comes to tactics,” he told magazine Schweizer Illustrierte before the tournament. “I explain simple (chess) moves to my daughters: which steps they can make with which piece, how they have to think ahead and how to safeguard their tactics. If I set a strategy for the team, I have to be able to explain easily what I mean exactly.”
Rafa Benitez is a keen — and very competitive — player, which fits with the perception of a manager who doesn’t so much see 11 human beings running around on a football pitch, more 11 pieces that he emotionlessly shifts.
Maybe the most enthusiastic chess player in football management is former Barcelona and Villarreal coach Quique Setien, who used to compete in tournaments. At one point, he was so highly rated that, according to an interview with the Spanish newspaper Marca, he could have represented “51 of the countries at the Chess Olympiad”.
“As many as you wish to find,” he told Marca when asked about the similarities between football and chess. “You can be an offensive player, but you always need to control what’s going on in your camp, without leaving pieces unattended, in a synchronised way. The same happens in football when you have a coordinated team, in which all the players are connecting.”
Borussia Dortmund coach Mathias Kolodziej is watched by staff and players (Alexandre Simoes/Borussia Dortmund/Getty Images)
Perhaps slightly more surprising is the number of footballers who swear by chess.
Mohamed Salah told Sky Sports in 2023 that he was “addicted” and is rated at around 1,400, which, according to Chess.com, puts him somewhere between ‘decent’ and ‘proficient’. Salah mostly plays online, with a username that is his actual name with a bunch of numbers after it: he said he enjoys messing with people who ask him if he actually is Mohamed Salah.
Christian Pulisic almost seems to play as much chess as he does football: for him it’s partly an emotional connection, having been taught the game by his grandfather (he has a tattoo of a queen on his arm, with Mate, his grandfather’s name, beneath it), and partly a distraction because he started playing again regularly during the Covid-19 pandemic.
“It’s an incredible game that can help you with a lot of things, like problem-solving or seeing different patterns,” Pulisic told the Daily Mail in 2021. “I’m not saying it directly correlates to me being a better footballer but it’s certainly better than staring at a screen, gaming. It can really help you to stay sharp in your head — you have to think very quickly.”
New Barcelona midfielder Dani Olmo believes chess can inform his use of space. “On the pitch, I try to think about every movement,” he told Sky Sports, “not just to move left because the ball is going left. I am always trying to find the best solutions when I have the ball and when I do not have the ball. Either for me or the team-mate, to create space for other guys or even for myself.”
This tallies with something Jones tells The Athletic. “Chess tactics tend to focus on pattern recognition,” he says, “recognising that there is something not quite right with the opposition’s tactics.”
For Anthony Gordon and Trent Alexander-Arnold, chess is more akin to brain training. “Chess is a life skill because it applies to everything,” Gordon told the BBC this year. “It’s a very peaceful game. It gets my brain working, which I love.”
Alexander-Arnold played Carlsen in a game arranged by sponsors in 2018: predictably he was routed in 17 moves, but you don’t have to be able to compete with the best player in the world to benefit. “It helps with concentration,” Alexander-Arnold said. “Because it takes a lot of concentration throughout both games to really focus on what your opponent is doing and how they’re trying to attack and hurt you. I think you can take notes from both of them and use them in each other’s games.”
The Liverpool defender isn’t the only player who has faced Carlsen, himself an almost obsessive football fan who, for a while, topped the world rankings in Fantasy Premier League. Pulisic, Martin Odegaard and former Real Madrid midfielder Esteban Granero are among those who have faced Carlsen.
Magnus Carlsen, chess champion, FPL master (Koen Suyk/ANP/AFP/Getty Images)
Others just use it to pass the time: Harry Kane took up chess after watching Netflix drama The Queen’s Gambit and has continued at Bayern Munich, playing against team-mates Joshua Kimmich and Kingsley Coman. “I use chess to switch off,” Kane told GQ. “It’s such a mental game. You have to focus on every moment, every move.”
During Euro 2024, the Netherlands squad travelled around Germany by train and on these long journeys, Bart Verbruggen and defender Stefan de Vrij would set up a board and play a game or two.
Chess also has a firm place in the language of football, but perhaps erroneously. When a match is likened to ‘a game of chess’, it’s normally a cypher for ‘this game is slow and boring’.
A more generous interpretation would describe a very controlled, cagey match, which fits the perception of chess. Jones argues that chess is a much more reactive game than that, which strengthens the link between it and football. “It’s much more chaotic than we would like to think,” he says. “It’s good to have a long-term plan, but you can’t just stick to it: it’s all about adapting your plan to what your opponent is doing. From that perspective, it’s much more like a team sport. You have to be reactive.”
Players or coaches are often said to be thinking three or four moves ahead, but that’s a misnomer. “I don’t think it’s that practical,” says Jones. “It’s more about thinking one move ahead. It’s just about making the right move. There’s always the idea of balancing your plan and your opponent’s. There will be some calculation involved, but chess is understood as a much more dry, mathematical game than it actually is.”
There are reasons to be sceptical about the influence of chess on football. The obvious difference is footballers are sentient while chess pieces are not: a chess player can have a plan and enact it while only worrying about their opponent, whereas a football coach has to rely on 11 independent human beings doing as they’re told.
But even if the realistic influence is relatively thin, there are ‘marginal gains’ that explain why coaches are so keen on chess. Someone like Guardiola will do or study almost anything if they think it will give them even the smallest advantage. “He does it with anyone who can contribute any small idea to continue progressing,” Marti Perarnau, Guardiola’s biographer, told the Spanish journalist Kike Marin about the manager’s meetings with Carlsen.
Like anyone who is good at anything, Guardiola and other football managers take inspiration and influence from many different sources, but that so many elite figures look to chess tells you the strength of its influence.
“If we’re the ones initiating the action, as opposed to simply reacting, then we’ll control the flow of the game,” Guardiola says in Perarnau’s book Pep Guardiola: The Evolution when describing similarities between chess and football. “The opponents then have to react to what we do, which automatically means a limited choice of options. It makes them more predictable.
“It’s a cycle: you take control, show that you have the upper hand and then you slam home your advantage… this is what it means to eclipse the opposition.”
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How Pep Guardiola takes inspiration from other sports
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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