Culture
What’s the Orioles’ secret to developing great hitters? Rival teams have theories
The Baltimore Orioles are a lesson in successful rebuilds, having gone from 115 losses in 2018 to one of the best teams in baseball — with one of the best farm systems — in five years. The O’s won the American League East last year, with 101 wins. Their farm system has produced the likes of young All-Stars Adley Rutschman, Gunnar Henderson and Jordan Westburg with the next wave — Jackson Holliday and Coby Mayo — recently promoted to the big leagues. Multiple current rebuilding organizations have cited Baltimore as their blueprint, particularly in producing young hitters.
The problem is identifying what exactly that blueprint is. The Orioles are mum on their secret sauce – there are plenty of theories – though some of their guiding principles aren’t necessarily groundbreaking. They’re just difficult to execute, such as the 65 new hires the Mike Elias regime made in roughly 18 months, as the organization streamlined the messaging from coaches in the minor leagues and prioritized tough work environments to breed more competition through a total culture shift.
“We have some organizational non-negotiable philosophies or values, and what we needed to do was find and hire a bunch of people that either believed in those or were willing to push those and build off those and that’s what we initially did,” said Matt Blood, who was promoted this winter from director of player development to vice president of player development and domestic scouting. “We drafted players that sort of fit in those moments as well. So we were acquiring players with these skills and we were finding coaches and building resources to reinforce these skills and then putting them to work.”
Gunnar Henderson was one of four Orioles hitters who made the All-Star team. (Nick Cammett / Getty Images)
While anecdotal evidence suggests many of the Orioles young hitters are good at the same things, Blood demurs.
“I think they’re just all good at adjustability,” he said, “and being able to compete against what the game is throwing at them.”
Still, there are some interesting theories around the league as other teams try to figure out what the Orioles do well so they can follow the same roadmap.
“They draft for VBA,” said a rival scout about the Orioles.
That’s a compelling idea, that the Orioles have found some alphabet soup that’s better than the analytics other teams use, and that they’ve used those numbers to find the best hitters in baseball.
So what is VBA?
Vertical Bat Angle is the angle of the bat respective to the ground, judged directly behind or in front of the batter. A “steeper” bat bath is generally associated with the potential to lift the ball better, though it can have some ramifications when it comes to swing-and-miss in parts of the zone. In other words, it’s great to be steep low in the zone but it’s hard to maintain that steepness and still hit a ball at the top of the zone.
This visualization of Vertical Bat Angle is from an explainer article by Eric Cressey. (Photo illustration courtesy of Eric Cressey)
So are the Orioles great at this? Do they have good swing paths? Yes and no.
At the major-league level, @SwingGraphs estimates that the Orioles are middle of the pack when it comes to VBA. But the major-league team still has some holdovers from previous regimes, as well as players who fill different roles for their current lineup. In the minor leagues, @SwingGraphs found that Baltimore’s top three prospects — Holliday, Mayo and Heston Kjerstad — were second-best in the league when compared to other top position-player prospects in terms of their “path score,” which incorporates VBA. Another team’s analyst pointed out that the Orioles’ minor leaguers have the second-highest launch angle in the sport, which would be consistent with having good VBA.
Still, it’s probably not a singular approach chasing one number in the scouting and development circles. Some evidence of this is how good the Orioles have been at slugging both pitches in the top and bottom thirds of the strike zone.
The Orioles are the only team in baseball that’s in the top five of slugging in both the top and bottom thirds of the zone, though the Minnesota Twins’ offense is close. You can also see that the Orioles don’t whiff all that much at the top of the zone — the Red Sox have a good slugging percentage at the top but whiff a lot more there. The Orioles also have the third-smallest difference between slugging at the top and slugging at the bottom. They’re good all over!
So they don’t necessarily draft for VBA or value it specifically, as multiple sources confirmed. Adjustability? That’s a different story. We just saw that their offense is multi-dimensional. Executives from other teams had more theories on how the Orioles have developed bats that can slug all over the zone.
“They draft guys with present power and improve their launch angle and swing decisions,” said a rival assistant general manager with player development responsibilities. “That present power is there in the form of top-end exit velocities, not necessarily slugging percentage. They teach better Vertical Bat Angle to reduce ground-ball rates. Swing decisions plus better VBA equals power production when those top-end exit velocities exist.”
Now we’re getting somewhere. Take raw power, add swing decisions and improve their bat paths, and you start pumping out some really good hitters? And how do they add all that? How do they improve their raw, young hitters?
“They have a lot of young coaches and throw short box with them — so those are relatively live arms, from up close, forcing the hitters to adapt and see the ball out of a release point,” said a rival director of player development. “They use weighted bats at most levels as part of the regular process to keep bat speed up. They focus on making good swing decisions and help hitters internalize that as they come up through the minors.”
This starts to line up with things that even the Orioles will admit they value.
“Our training environments are very competitive, very difficult,” said Blood. “That leads to more efficiency, in terms of learning skills.”
They want to make drill work difficult and game-like for their hitters, so the short box fits that bill. In fact, those young coaches challenged each other to develop the best stuff for their short box sessions, turning their knowledge of pitch shapes into nastiness on the mound. They want their hitters to only swing at pitches they can drive, so the nightly swing decision text messages help drive that point home. They believe in data-driven techniques that have been shown to produce on-field results, so the weighted bat training makes sense. They also use force plates — devices that measure how much force a player puts into the ground, which Driveline Baseball confirmed has a lot to do with bat speed — to check on their hitters and guide workouts throughout the season.
These examples alone give us a window into the data- and tech-driven process of developing today’s Oriole slugger. But these aren’t concepts that are foreign to other organizations. So why is it working so particularly well for the Orioles right now? The talk often comes back to the players themselves.
“I think the Orioles have done a phenomenal job of getting guys with really good makeup,” Adley Rutschman told Travis Sawchick at The Score. “And once you get enough guys who are of that same mindset, because everyone is pushing each other and everyone is on the same page, it would be really difficult if guys were not bought in. When guys are bought in, it’s a lot of fun.”
“Every single one of their All-Stars has a high baseball IQ,” agreed a rival hitting coach. “Every one has a specific way they are going to have success that night. The high IQ allows them to know what the pitcher is trying to do to them that day and adjust their swing path and approach on a pitcher-to-pitcher level. He’s throwing sinkers, I’m going to be more scoopy with my swing today! He’s got a lot of ride, I’m going to be flatter today.
“Never has it been more important to have high IQ players like that.”
(Top photo of Jackson Holliday: Cole Burston / Getty Images)
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
Culture
Summer’s Best Beach Reads
Take me to visit a dysfunctional family with oceanfront real estate
by Meg Mitchell Moore
Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.
The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)
Culture
Video: The A.I. threat to audiobooks
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