Culture
Week 2’s top 10 college football games: Texas visits Michigan in top-10 blockbuster
A handful of Week 1 results set the stage for what should be an epic season of college football. A few other programs leaned on FCS opponents to hit the turbo button on hype and expectations.
Week 2 offers the chance for teams to either change or fortify those narratives against stiffer competition, featuring in-state battles, rekindled rivalries, upset specials and a top-10 tilt in The Big House.
Honorable Mention: BYU at SMU (Friday), No. 23 Georgia Tech at Syracuse, Baylor at No. 11 Utah, South Carolina at Kentucky, Michigan State at Maryland, No. 19 Kansas at Illinois, Oregon State at San Diego State.
(All point spreads come from BetMGM; click here for live odds. All kickoff times are Eastern and on Saturday unless otherwise noted.)
10. USF (1-0) at No. 4 Alabama (1-0), 7 p.m., ESPN
Before someone jumps in the comments complaining about the big point spread, remember that this same matchup last season — when the Tide limped to a 17-3 win in Tampa and the sky was falling for Bama fans — was a 34.5-point spread. I’m not suggesting there will be a repeat of that in Tuscaloosa, but this game can be viewed through the lens of all that has changed for the Tide since the previous meeting, when quarterback Jalen Milroe got benched and people openly wondered whether Nick Saban was washed.
Now Milroe is a Heisman contender and Saban (very much NOT washed) is sitting next to Pat McAfee on Saturday mornings. Credit to USF as well. The program has made significant strides under second-year coach coach Alex Golesh and has a dynamic quarterback of its own in Byrum Brown. I’ll be tuning in to see how Milroe and the Kalen DeBoer-led Crimson Tide fare against the Bulls a year later.
Line: Alabama -30.5
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9. UTSA (1-0) at Texas State (1-0), 4 p.m., ESPNU
It’s the I-35 Rivalry between two of the top Group of 5 contenders. Both are coming off underwhelming Week 1 victories but were picked second in their respective preseason conference polls, with a chance to nab that G5 College Football Playoff spot if the rest of the season goes their way. Texas State, led by coach GJ Kinne and quarterback Jordan McCloud, was my preseason Playoff sleeper pick out of the Sun Belt, but the Bobcats will need a win over Jeff Traylor and the Roadrunners, who have ambitions of their own in the AAC and have won five straight in the rivalry. If those stakes aren’t enough, Kinne played quarterback for Traylor as a high-school senior — and their bond runs even deeper than that.
Line: Texas State -1.5
8. No. 17 Kansas State (1-0) at Tulane (1-0), Noon, ESPN
K-State made easy work of an FCS opponent last week while flashing its run-game potency, racking up 283 yards at 9.1 yards a pop. And after a couple of ACC favorites face-planted out of the starting blocks, the path to two Big 12 programs making the 12-team Playoff field seems much wider, which absolutely benefits the Wildcats. But going on the road to face Tulane is a tougher task after the Green Wave dominated its own FCS opponent with a strong debut by redshirt freshman quarterback Darian Mensah. Reminder: Tulane upset K-State in Manhattan two years ago, a Wildcat team that went on to win the Big 12.
Line: Kansas State -9.5
7. Appalachian State (1-0) at No. 25 Clemson (0-1), 8 p.m., ACC Network
Are the Tigers on upset alert? I’m not ready to predict this one either, but App State does have a history of taking down the big boys, most recently sixth-ranked Texas A&M on the road in 2022. The Mountaineers were preseason favorites in the Sun Belt and looked solid in their Week 1 win, with QB Joey Aguilar throwing for 326 yards and two touchdowns. Meanwhile, Clemson’s rough showing against Georgia — and the subsequent anti-Dabo discourse — makes the Tigers a must-watch against any opponent with a pulse. App State certainly qualifies.
Line: Clemson -17.5
The Pokes took care of business against an admirable South Dakota State side — as a top-20 team should — and running back Ollie Gordon II picked up where he left off in 2023 with 126 rushing yards and three touchdowns. Can Oklahoma State show the same promise against an SEC opponent? Any talk of Sam Pittman’s hot seat got back-burnered after Arkansas’ 70-0 shutout in Week 1, and Boise State transfer QB Taylen Green looked good in his Razorbacks debut. But this showdown in Stillwater — reviving a regional rivalry that’s been dormant since 1980 — should offer a clearer sense of what to expect from both teams.
Line: Oklahoma State -7.5
5. Colorado (1-0) at Nebraska (1-0), 7:30 p.m., NBC
Another renewed rivalry, this one from the old Big 12 (and Big Eight) days, now featuring a Big 12 team once again. Travis Hunter caught three touchdowns, Shedeur Sanders threw for 445 yards and Coach Prime made his usual postgame headlines after Colorado pulled out a win over North Dakota State last week. But the most anticipated aspect of this game might be Nebraska true freshman quarterback Dylan Raiola. The five-star recruit fueled the hype by going 19-for-27 for 238 yards and two touchdowns in the Cornhuskers’ 40-7 win over UTEP. Now he faces a Buffs’ defense that gave up 449 yards to NDSU, and is at the helm of a Nebraska team that will be looking to avenge last year’s 36-14 loss in Boulder.
Line: Nebraska -7.5
4. Boise State (1-0) at No. 7 Oregon (1-0), 10 p.m., Peacock
The jury is still out on the Ducks, who dropped from No. 3 to No. 7 in the AP Poll after an uninspiring 24-14 win over FCS Idaho last weekend, a game in which Oregon was favored by 49.5 points. The Ducks completely dominated the box score, including 380 passing yards from quarterback Dillon Gabriel on 41 of 49 completions. But a missed field goal, fumble and a couple of failed fourth-down attempts kept the game close and dolloped some skepticism onto Oregon. Boise State won a 56-45 shootout with Georgia Southern that featured 1,112 yards of combined offense, including 267 rushing yards and six touchdowns for Broncos stud running back Ashton Jeanty (who yours truly just happened to select in The Athletic’s Heisman draft). If the Ducks get their act together, I’d bet the over (61.5 points) in this one.
Line: Oregon -19.5
3. No. 14 Tennessee (1-0) vs. No. 24 NC State (1-0), 7:30 p.m., ABC
For those tuning into the Duke’s Mayo Classic, add Vols quarterback Nico Iamaleava to the list of much-hyped players who backed it up in Week 1. The redshirt freshman went 22-of-28 passing for 314 yards and three touchdowns in a blowout win over Chattanooga, gassing up the Knoxville faithful. Tennessee finished with 718 yards of total offense. Coastal Carolina transfer QB Grayson McCall looked pretty good in his NC State debut as well, but the Wolfpack struggled with Western Carolina and were trailing entering the fourth quarter before scoring 21 unanswered. NC State won’t have that same luxury against what has the early makings of another high-octane Tennessee offense.
Line: Tennessee -7.5
2. Iowa State (1-0) at No. 21 Iowa (1-0), 3:30 p.m., CBS
The Cy-Hawk series hasn’t been high-scoring lately, and that will probably be the case again, despite the Hawkeyes putting up 40 in the first game under new offensive coordinator Tim Lester. The over/under is 35.5, and the last Cy-Hawk matchup to surpass 45 combined points was Iowa’s 44-41 overtime win in 2017. But it should be another high-stakes slugfest between intrastate rivals with dark-horse Playoff hopes. The Cyclones had a workmanlike win over North Dakota but will need to be better running the ball against an Iowa defense that allowed only 189 total yards to Illinois State. Hawkeyes coach Kirk Ferentz is back on the sideline after a one-game suspension. Iowa has won seven of the past eight over Iowa State.
Line: Iowa -3
1. No. 3 Texas (1-0) at No. 10 Michigan (1-0), Noon, Fox
“Big Noon Kickoff” heads to Ann Arbor for a blue-blooded heavyweight clash. Michigan let Fresno State crawl within six points in the fourth quarter before slamming the door shut, but it will need to get much more from a new-look offense that failed to top 300 yards and scored only two of the team’s three touchdowns. Starting quarterback Davis Warren struggled, and running back Donovan Edwards never got revved up. The Wolverines will have to figure things out against a Texas squad that blanked Colorado State 52-0, including 260 yards and three touchdowns from Fansville’s own Deputy Quinn Ewers. The Longhorns went on the road for a massive Week 2 win over Alabama last year on their way to the Playoff. Michigan gets a chance to prove just how stout its national title defense can be.
Line: Texas -7.5
(Photo of Donovan Edwards: Gregory Shamus / Getty Images)
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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