Culture
Torpedo bats are making a lot of noise — but they’ve been quietly in MLB for a few years
Two days after the New York Yankees’ offensive outburst in the Bronx made torpedo bats the talk of baseball, Cincinnati Reds shortstop Elly De La Cruz decided to try one for the first time in batting practice. By the end of the Reds’ 14-3 rout of the Texas Rangers on Monday night, the 23-year-old slugger had used it to go 4-for-5 with two home runs, a double and seven RBIs.
“I just wanted to know if it felt good,” he said, “and it definitely does.”
But while the bats have only recently become a major storyline across the league, it turns out that experiments with the uniquely shaped bats that caused a national uproar over the weekend have actually been happening quietly across baseball — and for a long time.
“It became viral,” New York Mets manager Carlos Mendoza said Monday. “But it’s nothing new for us.”
Aaron Leanhardt, a 48-year-old Miami Marlins coach, has been credited by many with being the brains behind the bats, which were first highlighted when Yankees players used them in a franchise-record nine-home run performance and 20-9 win over the Milwaukee Brewers on Saturday.
“There were definitely some major-league players that swung it in the big leagues in 2023,” Leanhardt said Monday. “As well as some minor-league players who swung it in some real baseball games in 2023, and it just kind of built up throughout 2024 into what it is today.”
The bats won’t be under the radar anymore. Players across the sport have started asking the manufacturers for their own versions of the bats. Retailers started selling them to the public online. Chandler Bats is now offering a model designed for Yankees third baseman Jazz Chisholm Jr. for $239 per bat. Victus is offering three models, one a signature Anthony Volpe version, while Marucci has a Francisco Lindor “torpedo pro exclusive” bat for sale.
The bats differ from traditional models due to their torpedo shape, which comes from redistributing its weight so that the most dense part, or the “sweet spot,” is closer to the handle.
Birch seems to be the preferred wood for the bats, which were designed to help hitters make truer contact in an age where more and more pitchers are throwing 100 mph and offering nastier repertoires than ever thanks to technical and analytical advancements.
Major League Baseball has said the bats are completely within its rules.
“It’s kind of exciting,” Los Angeles Dodgers infielder Max Muncy said. “We just had a long conversation about (how) in the 170 years and whatever that baseball has been around, the number of changes to the baseball bat has been minimal.”
For decades, most players swung bats made of ash until Barry Bonds helped popularize maple bats in the late 1990s and early 2000s.
“I mean,” Muncy said, “everyone swung ash for 140 years and then you had one guy swing maple, and then they came out with birch, and really, that’s been all the changes. There’s been different shapes, but there hasn’t really been anything as drastic as maybe what this is right now.”
The hype around the bats made for an unusual scene at LoanDepot Park on Monday. The Marlins made Leanhardt available to reporters outside of their dugout. When he was with the Yankees last season, Leanhardt didn’t speak to the media.
“There’s a lot more cameras here today than I’m used to,” he said. “ … It’s definitely been surreal for the last couple of days.”
Leanhardt — through conversations with coaches, players, MLB and bat companies — developed prototypes that eventually landed in the hands of Yankees players. Chisholm, Volpe, Cody Bellinger, Paul Goldschmidt and Austin Wells are among the Yankees using them this season. However, right fielder Aaron Judge — perhaps the best power hitter in the game — said he will not.
In a video posted to Instagram, Brett Laxton, a bat maker for Marucci Sports and a former big-leaguer, said that Yankees slugger Giancarlo Stanton was using one of their torpedo bats when he hit seven home runs in the postseason last year. Rookie Jasson Domínguez also told reporters that Stanton had been using one.
Trevino was with the Yankees last season. He said he first picked one up in spring training in 2024.
“At first, I was like, ‘No way,’” he said. “Then I tried it. I liked it.”
Trevino then used them during workouts and spring training games before taking them into the regular season. He added there’s a complicated process for making the bats. It starts with designers taking the model with which a player is already familiar and adjusting it. He said he’s been able to order barrel sizes in small, medium and large.
“It’s making your barrel bigger where you want to hit the ball,” Trevino said.
“Maybe the eureka moment really was when players started to point to where they were trying to hit the ball and they noticed themselves that it was not the fattest part of the bat,” Leanhardt said. “They noticed themselves that the tip was the fattest part of the bat and everyone just looked at each other like, ‘Well, let’s flip it around. It’s going to look silly, but are we willing to go with it?’
“At the end of the day, we were able to find guys who were willing to go with it.”
Though word has traveled fast around the game about the new style of bat, not everybody has been sold on them.
“None of the players have said anything about using them,” Houston Astros manager Joe Espada said. “I have never held the bat or seen one of them. I know some of our guys in the minor leagues were using them, but I’m not going to comment on a piece of baseball equipment I’ve never seen.”
“I don’t have a big opinion,” Reds manager Terry Francona said. “I think if you go back and look at where some of these pitches were (thrown against the Yankees), it might not be the bat.”
“I guess it’s this craze,” Dodgers manager Dave Roberts said. “I just haven’t dug into it. It’s certainly early, and there’s people talking about it, but I don’t think any of our guys swing that bat, so I’m not sure what it is.”
Several players said they put in orders for their own torpedo bats after seeing the Yankees’ power surge over the weekend.
“I have learned absolutely nothing other than that they look like bowling pins,” Dodgers utility man Enrique Hernández said. “I ordered some. All of the cool kids are doing it.”
A real question remains: Do they actually make a difference?
“I think that’s still up for debate,” said Minnesota Twins catcher Ryan Jeffers, who has been using a torpedo bat. “I don’t think it’s going to be something that’s an end all, be all for everybody, that everybody’s going to start swinging these bats and become better hitters. I think this might work for some people and might not for others. For me, I’m giving it a little bit of a trial period, see how I like it. The thoughts behind them seem good, but I think there’s still a lot of trial and error with it. It’s so new.”
“I had teammates last year (with the Yankees) that asked me if I wanted to try it, but it never caught my attention,” Mets right fielder Juan Soto said, according to the New York Post. “But, yeah, I would try it.”
And are they here to stay?
“I don’t know,” Detroit Tigers first baseman Spencer Torkelson said. “I feel good with my bat right now. I’m not going to change anything. But maybe one day.”
“It might be one of those phases … that comes and goes,” Jeffers said. “I think time will tell.”
— The Athletic‘s C. Trent Rosecrans, Fabian Ardaya, Dan Hayes, Will Sammon, Chris Kirschner, Cody Stavenhagen, Matt Gelb, Britt Ghiroli and Chandler Rome contributed to this story.
(Top photo of Elly De La Cruz: Jeff Dean / Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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