Culture
The Texans have Super Bowl aspirations. C.J. Stroud is the reason: ‘He’s got some dog in him’
At first, his screams were met with silence. Stunned silence, really.
This rookie was standing there, two weeks into his NFL career, moments after a humiliating loss at home, and he was calling out … the entire team?
“Where my leaders at?!?” C.J. Stroud shouted, grabbing the attention of everyone inside the home locker room at NRG Stadium. “I need some leaders! Right now! Where they at? Speak up!”
The Texans were 0-2. They’d just been routed at home by the Colts. They hadn’t won more than four games in three years. “We got waxed that day,” remembers tight end Brevin Jordan, “and we all had the same question, like, ‘Are we gonna have one those seasons again?’”
Stroud was livid, not merely at the loss but at the fact that he was the only one willing to step up and say something about it.
This was last September, six weeks before Stroud would throw for more passing yards in a game than any rookie ever, four months before he’d become the youngest quarterback in NFL history to win a playoff game. This was before belief in Houston really started to build, before the rest of the league started to realize this team wasn’t just coming — it was coming fast.
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Few inside the building saw a turnaround happening this quickly or this dramatically. But the margins are painfully small in the NFL, and sometimes seasons come down to little moments, like when a rookie punctures the silence of a somber locker room and changes how his teammates see him — and themselves.
“Some people needed to be called out. The captains needed to be called out,” says defensive end Will Anderson Jr., like Stroud a rookie captain at the time.
Jimmie Ward, a veteran safety who’d come over from San Francisco that spring, sat at his stall that afternoon and watched from across the room. He was injured and didn’t play in the loss; in his mind, it didn’t feel right to rip into his new teammates, not with him in street clothes and them in shoulder pads.
When Stroud was finished, Ward walked up to him.
“You’re a rookie,” he told him, “and that took some balls.”
The Texans were learning the kid who oozed California cool also had what Ward calls “this asshole side to him.” They won their next two games by 44 points.
It’s early August. On a high school field outside of Cleveland, a half hour after a training camp practice has wrapped and two days before the Texans face the Steelers in a preseason game, Nico Collins is wearing out the JUGS machine. Most of his teammates have boarded the bus and headed back to the hotel. A few linger on the sideline. Collins works alone.
The fourth-year wideout is eight feet from the machine, jogging in place, waiting for a football to be fired. Snap. He snares it with one hand. These are coming out hot. Snap. He grabs another, then taps his feet down, like he’s inches from the sideline. He adds to the total in his head. He’s nearing 20 without a drop. Snap.
What looks ridiculously difficult — what is ridiculously difficult — Collins wants to turn into second nature.
“Man,” he says a few moments later, shaking his head, “C.J. was on us today.”
It was a sloppy practice. The offense looked awful. Stroud missed throws and threw picks. Receivers broke off some routes early, others too late. The defense dominated, then gloated. At one point, after he was intercepted along the sideline, Stroud slammed his towel to the ground in disgust. Then he called his unit together.
“Slow it down!” Collins remembers Stroud screaming in the huddle. “How many times have we run this play? How many times?
“Now lock in.”
That’s the side to the young quarterback teammates hadn’t seen until his eruption after the early-season loss to the Colts last year. Stroud’s soft-spoken, laid-back persona belies an edge he’s always played with — and now leads with. He doesn’t unleash it often, preferring to pick his spots. But when he does, teammates feel the fire. Quarterbacks don’t get far in this league being polite.
“Oh, he’ll snap at us,” Collins says. “Way more than you think.”
“At practice you see glimpses of it,” new Texans receiver Stefon Diggs says of C.J. Stroud. “But come game time, he’s the real deal.” (Justin Casterline / Getty Images)
Stroud made it a point last summer to work quietly and earn the locker room’s respect. He was a rookie. He knew his place. Then the Texans stumbled to 0-2, and what irritated Stroud most during that loss to the Colts was how quiet the huddles were. When the team gathered before kickoff, he was the only one who said anything. When they did so again after halftime, same thing. So after coach DeMeco Ryans finished in the locker room, Stroud unloaded on them.
He knew he couldn’t be the only voice.
“Look, C.J.’s a great dude, all the guys like him, but there’s just enough prick to him, you know what I mean? He’s got some dog in him,” says Texans defensive coordinator Matt Burke. “We’ve all been on teams where the quarterback is separate from the rest of the group — he sorta does his own thing, and when he gets on guys, no one really listens, right? But when you’ve got a guy who’s got some s— about him, the team responds.”
Wideout Stefon Diggs, the team’s marquee offseason acquisition, felt it during Sunday’s season opener in Indianapolis. “At practice you see glimpses of it,” Diggs said after catching two touchdowns. “He’ll sprinkle a little emotion on you, he’ll get on you a little bit. But come game time, he’s the real deal.”
That intensity, Diggs said, is essential. Everyone on the offense knows what the expectation is, full stop. Stroud demands it.
“He makes it easy to be a receiver,” Diggs added.
Diggs’ arrival this spring via trade with the Bills, plus the additions of running back Joe Mixon and defensive end Danielle Hunter, made it clear: the Texans are going for it. Last season’s 10-7 regular season and surprise run to the divisional round of the playoffs was enough to scrap the slog of a long rebuild.
The window had opened. They weren’t going to wait. With Stroud still on his rookie contract, Houston wants to take its shot in the crowded AFC.
The QB opened training camp in late July welcoming the hype, mindful that the spotlight shines most on the teams that matter. “Pressure is a privilege,” Stroud likes to say, and it’s something he learned from his time at Ohio State. The Buckeyes would get every team’s best shot every single week. He knows Houston isn’t sneaking up on anyone in 2024.
And with that comes the burden of expectation, something that’s buried teams before them, teams that thought they were ready to contend only to find out the hard way they weren’t even close. “We have that big red target on our back,” Stroud says. “That’s something we didn’t have last year.”
Last season, Houston didn’t have a single regular-season game scheduled for a national television window; this year the Texans are slated for five, including a marquee Christmas Day matchup with the Ravens, the team that bounced them from the playoffs in January. Season tickets sold out by July, a first for the franchise in five years. Entering Week 1, only five teams had better Super Bowl odds. Stroud currently has the fourth-shortest odds for MVP.
So much has changed for this city, this franchise and this quarterback in 12 short months.
“It’s not going to be easy. It’s going to be harder,” Stroud says. “That’s how you should want it.”
It started Sunday in Indianapolis. The Colts were desperate to steal this one — they haven’t won a Week 1 game since 2013 and haven’t won an AFC South title since 2014. At the moment, Houston remains Indy’s biggest roadblock.
In the first quarter, the Colts’ Anthony Richardson made the throw of the game, maybe the year.
With two minutes left in the fourth, Stroud made the throw that won it.
A false start turned a third-and-6 into a third-and-11. Leading by two, the Texans needed a conversion to prevent Richardson from getting another chance. After the snap, Collins peeled toward the sideline, blanketed by Colts’ corner Jaylon Jones.
If there was a window, Stroud might’ve been the only person inside Lucas Oil Stadium to see it. The coverage was superb.
Stroud fired. Jones got a finger on it. Collins kept his concentration — the byproduct of all those reps on the JUGS machine — and somehow snagged it. Then he got a foot down. Then a knee. The ridiculously difficult had become second nature.
One Mixon run later, it was over. After the 29-27 win, Stroud was asked about the completion to Collins. How in the world did he fit it in there?
He smiled. Then he repeated an old quote Peyton Manning used to say all the time.
“There’s no defense for the perfect throw.”
Nico Collins’ third-down sideline catch all but sealed the Texans’ victory over the Colts. (Christine Tannous / USA Today Network via Imagn Images)
Nine months ago, after their divisional playoff game in Baltimore, Stroud stood before a lectern on the bottom floor of M&T Bank Stadium, wearing a sweatsuit, beanie and Asics running shoes. It was his first lesson about how punishing postseason football can be. A tie game at the half had ballooned into a 34-10 Ravens’ triumph.
One minute, the game’s tight. The next, you’re getting steamrolled out of the stadium.
“It’s tough getting embarrassed like that,” Stroud said.
His face told the story. He was drained.
“I’ve been going hard since I was like 12 years old,” he said. “AAU tournaments. Baseball. Football. 7-on-7. High school. It’s been a blessing. It’s been a ball. I’m 22 years old, and this is my first time ever having freedom away from school, away from college.”
The climb was so quick, so consuming, that he’d never taken a minute to breathe. That cramped apartment 40 miles east of Los Angeles that Stroud lived in with his mom and siblings, where he cried after getting his first Division 1 offer, still feels like yesterday. Then came Ohio State. The draft. The S2 drama. Training camp. The season. And now, at just 22 years old, he was already one of the young faces of the league, the quarterback some were starting to think might be good enough to do what Josh Allen and Lamar Jackson so far haven’t. That is, beat Patrick Mahomes in the playoffs.
But first, before the rest of his career could start, Stroud needed to get away. So he did. He played in the Pro Bowl. He swung by media row at the Super Bowl and broke down his own film. He hopped on podcasts. He taught football to high schoolers in China as part of an Asian tour with Cowboys edge rusher Micah Parsons, threw out the first pitch before a baseball game in Japan, then trained with — well, sort of trained with — sumo wrestlers.
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By the spring, Stroud couldn’t help himself: he was lighting up the text thread again, the same one he used to send teammates film clips last season. Pretty soon, the Texans’ skill position players, including Diggs, were meeting up for throwing sessions. In Los Angeles. In Miami. Finally, in Houston.
“Come on, you know who planned those,” says receiver Tank Dell. “Of course 7 did.”
Burke, the Texans’ DC, felt Stroud’s urgency and inquisitiveness after all of one practice last year. After Stroud threw his first pick, he hunted down Burke after the workout and asked him to explain how he’d disguised the coverage. The QB didn’t wanna get beat on that play again. Burke was floored. “I was like, ‘Are you kidding?’” he says. “You love that. That piece of it, that desire to learn that stuff, that’s so important.”
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Hunter, the veteran defensive end who arrived via free agency this spring, has spent nine seasons chasing quarterbacks in this league. What struck him during training camp was Stroud’s unflappability in the pocket. He’d tick through his reads without hurrying, without letting panic — a weakness game-wreckers like Hunter prey on — set in.
“He just doesn’t fold under pressure, when guys are coming,” Hunter says. “If it’s not there, he doesn’t try to do Superman stuff. You know how big that is for a guy his age?”
Thing is: Stroud can do Superman stuff. He won Offensive Rookie of the Year doing Superman stuff. Richardson’s stunning 60-yard bomb on Sunday overshadowed a 55-yard second-quarter beauty from Stroud to Collins that, per Next Gen Stats, was the most improbable completion of Stroud’s young career. Two Colts defenders were within a yard of Collins when the ball arrived.
CJ STROUD DEEP TO NICO COLLINS FOR 55 YARDS.
📺: #HOUvsIND on CBS/Paramount+
📱: https://t.co/waVpO909ge pic.twitter.com/pIG9hzf0CD— NFL (@NFL) September 8, 2024
Stroud found the window. Somehow. When it comes to deep balls, few QBs in the league are better.
“It just seems so natural, so easy for him,” Collins says of his quarterback.
“It may seem easy, but it’s not,” Stroud says.
And it won’t be anytime soon. Stroud knows the innocence of his rookie season is gone. Now he needs to win. The Texans’ first primetime game of 2024 arrives Sunday night against the Bears, and with it, another test to see if they’re ready to meet the moment. The quarterback, too.
Stroud seems to relish it, always returning to that word of his: pressure. He refuses to see it as a negative. His story tells us he never has.
“We love that pressure, and we want that pressure,” he says. “There’s no real reward if there’s no pressure.”
(Illustration: Dan Goldfarb / The Athletic; photo: Tim Warner / Getty Images)
Culture
Why Is Everyone Obsessed With Bogs?
In prehistoric northern Europe, peatlands — areas of waterlogged soil rich with decaying plant matter — were considered spiritual sites. Since then, swords, jewelry and even human bodies have been found fossilized in their sludgy depths. More recently, however, many of these bogs have been depleted by overharvesting, neglect and development. But as awareness of their important role in removing carbon dioxide from the atmosphere grows, more wetlands are being restored, while also serving as unlikely creative inspiration. Here’s how bogs are showing up in the culture.
Fashion
At fall 2026 Paris Fashion Week, several houses — including Louis Vuitton (above left) and Hermès — staged shows amid mossy sets featuring spongy green structures and mounds of vegetation. And the Danish fashion brand Solitude Studios is distressing its eerie, grungy looks (above right) by submerging them in a local peat bog.
Contemporary Art
For her exhibition at California’s San José Museum of Art, on view through October, the Chalon Nation artist Christine Howard Sandoval is presenting sculptures, drawings and plant-dyed works (above) exploring how the state’s wetlands were once sites of Indigenous resistance and community. This month, at Storm King Art Center in New York’s Hudson Valley, the conceptual artist Anicka Yi will unveil an outdoor installation featuring six-foot-tall transparent columns holding algae-rich ecosystems cultivated from nearby pond water and soil.
Architecture and Design
The Bog Bothy (above), a mobile design project by the Dublin-based architecture practice 12th Field in collaboration with the Irish Architecture Foundation, was inspired by the makeshift huts once used by peat cutters who harvested the material for fuel. After debuting in the Irish Midlands last year, it’ll tour the region again this summer. In Edinburgh, the designer Oisín Gallagher is making doorstops from subfossilized bog-oak scraps carbon-dated to 3300 B.C.
Fine Dining
At La Grenouillère on France’s north coast, the chef Alexandre Gauthier reflects the restaurant’s reedy, frog-filled river valley landscape with dishes like a “marsh bubble” of herbs encased in hardened sugar. This spring, Aponiente — the chef Ángel León’s restaurant inside a 19th-century tidal mill on Spain’s Bay of Cádiz — added an outdoor dining area on a pier above the neighboring marshland, serving local sea grasses and salt marsh flowers alongside seafood (above) from the estuary.
Literature
The Irish British writer Maggie O’Farrell’s forthcoming novel, “Land,” about an Irish cartographer and his son surveying the island in 1865 after the Great Famine, depicts haunting encounters with the verdant landscape, including its plentiful oozing bogs.
Culture
Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas
SELLING OPPORTUNITY: The Story of Mary Kay, by Mary Lisa Gavenas
Mary Kay, the cosmetics company whose multilevel marketing included sales parties and whose biggest earners were awarded pink Cadillacs, was really in the business of selling second chances. Or, at least, that’s what Mary Lisa Gavenas argues in “Selling Opportunity,” a dual biography of the brand and the woman behind it.
Mary Kathlyn Wagner, who would become Mary Kay Ash, “the most famous saleswoman in the world” and “maybe the most famous ever,” in Gavenas’s extravagant words, was born in 1918 to a poor family and raised mostly in Houston. Although a good student, she eloped at 16 with a slightly older boy. The young couple had two babies in quick succession.
Mary Kay’s creation was a combination of timing and good luck. Door-to-door sales was a thriving industry — but, traditionally, a man’s world: Lugging heavy samples was not considered feminine, and entering the homes of strangers, unsafe. But things began to change during the Great Depression, Gavenas suggests, thanks to a convergence of factors — financial pressures and the rise of the aspirational prosperity gospel espoused by Dale Carnegie’s self-help manuals.
At the same time, female-run beauty lines like Annie Turnbo Malone’s Poro and Madam C.J. Walker’s were finding great success in Black communities. And, coincidentally or otherwise, the California Perfume Company changed its name to Avon Products in 1939.
Ash began by selling books door to door, moving on to Stanley Home Products in the 1940s. She was talented, but direct sales was a rough gig. Every party to show off wares was supposed to beget two more bookings; these led to sales that resulted in new recruits. But there was no real security or stability: no salary, no medical benefits, no vacations. “Stop selling and you would end up right back where you started. Or worse,” the author writes.
Gavenas, a onetime beauty editor who wrote “Color Stories,” takes her time unspooling Mary Kay’s tale, with a great deal of evident research. We learn about direct sales, women’s rights and Texas history.
But, be warned: Readers must really enjoy both this woman and this world to take pleasure in “Selling Opportunity.” Mary Kay the person keeps marrying, getting divorced or widowed and working her way through various sales jobs (it’s hard to keep track of the myriad companies and last names). Gavenas seems to leave no detail out. Thus, the 1963 founding of the eponymous beauty company doesn’t come until almost 200 pages in.
Beauty by Mary Kay included a Cleansing Cream, a Magic Masque and a Nite Cream (which containined ammoniated mercury, later banned by the F.D.A.). The full line of products — which was how Mary Kay strongly encouraged customers to buy them — ran to a steep $175 in today’s money. (To fail to acquire the whole set, Ash said, was “like giving you my recipe for chocolate cake but leaving out an important ingredient.”)
Potential clients attended gatherings at acquaintances’ homes — no undignified doorbell-ringing here — where they received a mini facial, then an application of cosmetics like foundation, lip color and cream rouge — and a wig. The company made $198,514 in sales its first year.
Although Ash may have seemed a pioneer, in many ways Mary Kay was a traditionalist company, whose philosophy was “God first, family second, career third.” Saleswomen, official literature dictated, were working to provide themselves with treats rather than necessities so as not to threaten their breadwinner husbands.
And yet, they were also encouraged to sell sell sell. Golden Goblet pendants were awarded for major orders. After the company started using custom pink Peterbilt trucks for shipping, it began commissioning those Cadillacs for top consultants. (Mary Kay preferred gifts to cash bonuses, lest women save the money to spend on practical things rather than the licensed frivolities.) The Cadillacs, always driven on company leases, would become industry legend and part of American pop culture lore. “Never to be run-down, repainted or resold, the cars would double as shining pink advertisements for her selling opportunity,” Gavenas writes.
The woman herself was iconic, too. While Ash was a product of the Depression, she was also undeniably over-the-top. She wore white suits with leopard trim, lived in a custom Frank L. Meier house and brought her poodle to the office.
Mary Kay went public in 1968, making her the first woman to chair a company on the New York Stock Exchange. By the 1990s, the Mary Kay headquarters near Dallas was almost 600,000 square feet. They commissioned a hagiographic company biopic; there was a Mary Kay consultant Barbie; they were making $1 billion in wholesale. When she died, in 2001, Ash was worth $98 million.
And yet, Gavenas cites that at the company’s height, in 1992, sales reps made on average just $2,400 per year.
Instead of so much time in the pink fantasia of Mary Kay, it would have been nice for a few detours showing how infrequently the opportunities the company sold were truly realized.
SELLING OPPORTUNITY: The Story of Mary Kay | By Mary Lisa Gavenas | Viking | 435 pp. | $35
Culture
Historical Fiction Books That Illustrate the Bonds Between Mother and Child
We often think of the past as if it were another world — and in some ways, it is. The politics, religion and social customs of other eras can be vastly different from our own. But one thing historians and historical fiction writers alike often notice is the constancy of human emotion. The righteous anger of a customer complaining about a Mesopotamian copper merchant in 1750 B.C. feels familiar. Tributes to beloved household pets from ancient Romans and Egyptians make us smile. And we are captivated by stories of love, betrayal and sacrifice from Homer to Shakespeare and beyond.
In literature, letters, tablets and even on coins, we find overwhelming evidence that people in the past felt the same emotions we do. Love, hate, fear, grief, joy: These feelings were as much a part of their lives as they are of our own. And they resonate especially acutely in the bond between mother and child. Here are eight historical novels that explore the meaning of motherhood across the centuries.
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