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The 'post-Olympic blues': Why do so many competitors suffer an emotional comedown?

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The 'post-Olympic blues': Why do so many competitors suffer an emotional comedown?

The Olympics should be the pinnacle of an athlete’s career. Yet scratch beneath the surface and the physical toll is often accompanied by an emotional comedown known as the ‘post-Olympic blues’.

That is an experience which unites swimmer Michael Phelps — the most decorated Olympian with 28 medals, gymnast Simone Biles with seven medals, Allison Schmitt and Adam Peaty, who won 10 and five pool medals respectively. Between them, they boast 34 Olympic golds.

Great Britain’s 800m runner Keely Hodgkinson and U.S. sprinter Noah Lyles are examples of athletes at their peak who have spoken of post-Olympic comedowns.

Dr Karen Howells, an academic and sports psychologist, explains that athletes first coined the term ‘post-Olympic blues’. “The blues undermined the seriousness,” she says. “The problem with using the word ‘depression’ is it is a mental illness, diagnosed by clinical psychologists and psychiatrists. As a researcher and applied sports psychologist, I’m not qualified to diagnose.”


Noah Lyles (Patrick Smith/Getty Images)

Jessica Bartley, senior director of psychological services for the U.S. Olympic and Paralympic Committee (USOPC), explains the ‘blues’ as a range of emotions.

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“We try to make it broad because it’s not always ‘blues’. I don’t want to alienate athletes who aren’t feeling sad. If they’re feeling anxious, the blues often capture a lot of them, but it’s not everyone’s experience.

“Other athletes say, ‘I had the perfect experience, I did everything that I wanted to.’ It’s complicated, but we try to be as open as possible, as often as possible.”

It is impossible to accurately state how many athletes experience this. Although there is academic research, there is no standardised questionnaire. Not all athletes are prepared to speak about their emotions or engage in interventions.

Howells will not put a number on it because she hasn’t carried out a prevalence survey, but says she has “not yet met an Olympian who hasn’t experienced” the post-Olympic blues.

A 2023 study of 49 Danish Olympians and Paralympians found 27 per cent had below-average well-being or moderate-to-severe depression. For athletes who achieved their goals, as many had above-average well-being as below average (40 per cent).

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There are typical symptoms. “The most helpful way is to recognise deviations from their baseline,” says Dr Cody Commander, the Team USA mental health officer for the delayed 2020 Tokyo Olympics. “Were they gregarious and outgoing and now they’re not?

“Appetite and sleep are the first few things that can change. You’re eating and sleeping more or less. You’re also looking to see if there’s any social withdrawal. That is more common for elite athletes now — not responding to text messages, emails and calls. They can’t deal with the mental energy needed to talk to everyone about it.”


Adam Peaty at the Tokyo Olympics (Maddie Meyer/Getty Images)

Danielle Adams Norenberg, head of psychology at the UK Sports Institute and Team GB psychologist references “maladaptive responses” post-Games. These include a dependence on alcohol and overtraining among other self-destructive behaviours, as athletes try to fill the void.

Commander describes “a crash of emotions afterwards”. He describes an inevitability “because it’s more of a build-up over time. They’re training for years versus just a season and it’s a bigger stage. Financially, this may be a great source of potential income. There is a lot of expectation and pressure.

“It’s more about making a map of how to get to a destination. Once you get there, it’s like, ‘Now what?’ They’re in a period with no plans and no spectators and they don’t know what to do. Elite athletes are used to having each minute planned every day for years.

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“When there’s no plan, it’s the feeling of ‘I’m lost’. It’s very different from training. That difference is what they have a hard time adjusting to — the freedom can feel more awkward.

Howells explains that most people can relate to the blues. “It’s normal that when we build up to something, and then it’s over, we are going to feel lost and upset,” she says. “There may be anger, frustration, irritation”.


Recent Olympic cycles have seen changed approaches to managing athletes’ emotional well-being, with performance now considering mental health and the post-Olympic experience, and countries taking measures to prepare athletes for life post-Games.

“We have a team of 15 that focus on mental health and mental performance,” Bartley says. We’re meeting regularly with Canada, Great Britain, Australia, Denmark and the Netherlands.”

The International Olympic Committee (IOC) has started to build infrastructure which countries use and there are shared initiatives. “There are over 150 mental health providers at the Games from different countries.” All the nations met pre-Games to pool resources and share strategies. Since Tokyo, Team USA has implemented a new process, screening first-time athletes via questionnaires.

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“When an athlete makes the team, we immediately talk about resources, whether that’s mental health or medicine, career services, retirement services, how to transition out of sport. We’ve tried to normalise and make the transition piece a part of the conversation early. Throughout their career, we’re talking about it during what we call an ‘elite athlete health profile’.

“We talk to them annually, doing physical and mental health screenings. Right before the Games, we’re screening every athlete. We’ve met with every Olympic and Paralympic athlete, every alternate, training partners — everybody who’s in the mix for Team USA.

“Then we’ll follow up post-Games. We’ve developed ‘navigating the Olympic blues’ and navigating the emotions. We have process groups and skills groups, then we have a really cool experience.” All U.S. Olympians and Paralympians visit the White House and meet the President, and there are counsellors available throughout the week post-Games.


US Olympians meet President Joe Biden in 2022 (Patrick Smith/Getty Images for USOPC)

For Team GB, the focus is on performance decompression. A six-stage model designed by the British Institute of Sport before the Tokyo Games applied knowledge and research from the military, the Red Cross and their own practical experience to help prepare athletes for life after the Games.

It consists of four phases: First, a ‘hot debrief’, almost immediately post-competition. Second is ‘time zero’, athletes are encouraged to take a break and engage with the present. The third phase is ‘process the emotion’, a psychological debrief to discuss the emotional experience of the Games. Finally, there is a performance debrief.

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“In those pre-stages, we’ll talk to them about the importance of performance decompression,” says Adams Norenberg. “We will drip-feed the conversation all the way through. We might say, ‘When might you want to plan your post-Games period?’

“They’ve got really good performance decompression plans, they know when they’re going to take a break and, ideally, they know when they’re going to have that process the emotion conversation. It’s all booked in before the Games start.

“In some areas of the military, upon returning home, there’s a stop-off before, where individuals are supported to make sense of their experience. We knew that talking it through, understanding and acknowledging emotions that might have come up for them is important before jumping straight in to find life again.

“The research from the Red Cross, about support for hostages returning home, gave us insight into how a stage three brief, where emotions are understood, could look”.

But there is a balance required between focusing on the post-Games experience and potentially problematic emotions, and prioritising competition.

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“You want to think about it before the Games, but not right before,” says Commander. “Maybe six months out. So afterwards, if it goes well, here’s my plan. If it doesn’t go well, here’s my plan B. I’m thinking about it ahead of time but now I have a plan so I’m not thinking about it anymore. I’m just focused on my training and everything else.”

For Bartley and the USOPC, as with Team GB, athletes are given ownership. “We start when they’re ready. Even when we’re doing an athlete orientation or introducing our services, we’ll tell them there’s going to be a lot of emotions that come up. We’re not going to start talking at them about what to expect. We let them know we’re here and say, ‘When you’re ready, let us know’.”


Academics first identified the ‘blues’ decades ago. In a 1998 study of 18 Australian Olympic gold medallists, competing across several sports at Games between 1984 and 1992, only four athletes described their experiences as completely positive. Six, however, cited burnout and a lack of support. Athletes were “lacking guidelines for being a gold medallist”.

A study of 61 Israeli athletes and coaches at the 2012 London Games found one in five spoke with others afterwards — most ignored their feelings or isolated themselves. A 2021 paper, which interviewed 18 Australian Olympians after the Rio 2016 games said: “national system stressors, including organisational restructures, coaching changes and funding cuts, were impediments to athlete well-being”.

In 2018, Howells and Mathijs Lucassen interviewed four British Olympians. They concluded that “negative emotions are a normal response to returning home but athletes don’t expect it to affect them, they are incapable of focusing beyond the Games before they happen and get rollicked by a return to normality. They struggle being away from other athletes with relatable experiences.”

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Holly Bradshaw, a pole vault bronze medallist, was a participant. In 2022, Bradshaw became “researcher as participant” alongside Howells and Lucassen. She facilitated four focus groups with 14 British Olympians across various sports, featuring medallists and non-medallists. Researchers were surprised by how much athletes preferred focus groups.

“We thought that having Holly run them would enable the Olympians to be more open. We hadn’t realised how open they were going to be.

“What came out very clearly was a real antagonism and mistrust towards sports psychologists,” she says. Athletes felt they might relay information to the coach which made them look ‘weak’ or cost them their place on the team. “Sports psychologists didn’t really get it.” Athletes “wanted to be supported through the post-Olympic blues by somebody who’d been through it,” Howells says.


Holly Bradshaw competing at the Tokyo Olympics in 2021 (Michael Steele/Getty Images)

The way forward is nuanced, Howells believes: “It is more complicated than we thought. We would be foolish not to listen to the athletes”. She says peer support should complement, not replace, sports psychology.

“Just because you’ve been through it, it doesn’t mean that you are in the best position to help somebody. To get a team of sports psychologists to support Olympians afterwards is easy. It’s much harder to work a mentorship scheme.”

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Academia may try to shift the dial from encouraging change to initiating it more formally. In 2020, experts proposed that national governing bodies view the Games as a five-year cycle, with a clearly defined support system for 12 months post-Games. Formalised mental health care teams and a specific mental health officer, improving athlete education and simplifying screening processes were further recommendations.

“There are two areas at which we can address the blues,” says Howells. “The first is pre-Games, with psychoeducation. That’s the first thing that athletes were clear about and that aligned with our own expectations: the more that you know, the better equipped you are to cope.”

Stigma is gradually reducing as high-profile athletes open up publicly. The pressure, expectation, the heralding of exceptional athletes as heroes and superhuman and the ensuing celebrity status are all factors. It does not encourage athletes to be human.

A 2023 paper on Olympic judokas (judo) explained the identity crises athletes face as a result of hyper-fixation on performance, leaving their non-sporting personalities underdeveloped. In a 2018 paper, Howells wrote that athletes with a greater “myopic” performance focus are more at risk of the ‘blues’.

“At elite sport level, it is common for competitors to have this very high athletic identity. That is all they are,” says Howells. “They’ve sacrificed every other aspect of their identity for the purpose of being an Olympian. Many have an Olympic rings tattoo; they are branding themselves, their bodies, as an Olympian”.

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(Buda Mendes/Getty Images)

Bartley, who has worked with the USOPC since 2012, is confident that discussing mental health can provide “an edge” in performance.

“The biggest difference I’ve seen (over that time) is that so many notable athletes have spoken out about their mental health that it’s starting to destigmatise it a lot,” she says. “It’s helping future athletes or even athletes now to understand that it’s OK to talk about mental health and to use these resources.”

A 2015 report by Tanni Grey-Thompson, who won 16 Paralympic medals with Team GB, found that “mental health and well-being is a major concern in British performance sport and should be treated accordingly”.

Howells points to it as a turning point in reducing stigma. “There is certainly a very dark side to elite sport,” she says, but remains positive about affecting change.

“Change doesn’t happen quickly, the stigma is still there. It takes a long time to bring about attitudinal change, but we’re getting there.”

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(Header photos: Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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