Culture
Seven goals, several outbursts and one odd artwork: Mourinho's Fenerbahce debut
It’s the day before his first competitive game as Fenerbahce manager and Jose Mourinho has been accosted.
He is heading away from his pre-match press conference for the Champions League second-round qualifier against Lugano of Switzerland when he’s stopped by a man named Kai, a technician with the local media. Kai presents him with a large piece of art, depicting Mourinho with his two children. From the look of his hair in the picture, it’s based on an image that is probably at least 15 years old.
Mourinho looks slightly baffled at first, joking that he thought Kai, with his big mass of curly hair “was (Marc) Cucurella”. But he does actually seem relatively touched (well: half touched, half amused) and gets someone else to take a picture of him and Kai holding the art.
“He’s the Special One!” says Kai afterwards, and he genuinely did say that. “Usually you can’t get near someone like him, so I just wanted to show him he’s appreciated and give him some of my art.”
The Athletic regrets to inform you that Mourinho didn’t actually take the piece with him. There’s a brief conversation about framing it, but Kai goes back to his work with the art under his arm. I hope he gets it to him somehow.
Jose Mourinho and Kai, with his piece of artwork (Nick Miller/The Athletic)
If nothing else, this illustrates that Mourinho still engenders a peculiar brand of fascination. You can say you don’t if you like, but you did click on this article. You must be keen to find out something about him, even if you think you’re rubbernecking at the wreckage of a once great career. He is still compelling, sometimes in a grim way, sometimes through flashes of the old Jose, the occasional flicker of a fading sun.
The classic perception of Turkish football is that it is a pseudo retirement home, a place for players who aren’t quite up to the top leagues anymore. It is a little unfair, but there is some truth to it.
As such, it is easy to think that Mourinho accepting the Fenerbahce role — five months after Roma sacked him — is an admission that he just can’t hack the big jobs anymore. At 61, with a hall-of-fame CV in his past, he has retreated to a relative footballing backwater for the same reason that all those players have.
The other way of looking at it is that it’s incredible he hasn’t managed in Turkey before. This is a footballing country that thrives on chaos and conflict, which fosters paranoia and a sense of injustice that isn’t always pretty to watch but is viscerally thrilling.
Is this part of his decline, or is it where he’s always meant to be?
GO DEEPER
A presidential election, lack of offers but plenty of passion – why Mourinho ended up at Fenerbahce
This is technically the earliest point in a season, by the calendar at least, that Mourinho has taken charge of a competitive game, though he has managed at a similar stage before: his Tottenham Hotspur side played Bulgaria’s Lokomotiv Plovdiv in the Europa League second qualifying round in 2020-21.
Still, rather than feeling self-conscious about a man of his reputation participating at such an early stage, he spun it as a positive. “I don’t like friendlies,” he said the day before the game. “We train to play matches. And tomorrow we have a match.”
Lugano’s 6,300-capacity stadium was deemed unacceptable by UEFA for such an occasion, so the game is held 135 miles away in Thun, just south of Bern. Thun is a delightful, quiet lakeside town. It is the sort of place where a bus driver can stop for a chat with a friend without anyone getting annoyed. Try that sort of thing in London, Rome, Milan or Madrid and see how far it gets you.
The Storkhorn Arena, the venue for this game and home of FC Thun, who play in the Swiss second tier, is a curious place. New, out of town, theoretically picturesque given that it is surrounded by cloud-tipped mountains, but you have to walk around the shopping centre that is part of the same complex to actually see those mountains.
Despite this technically being the home game of the two-legged tie for Lugano, their supporters are massively outnumbered. Two and a half hours before kick-off, a few hundred Fenerbahce fans are already waiting for their team to arrive (although they’re ultimately disappointed: Jose et al are smuggled in via an underground entrance). At one point, a small group wearing the shirts of Galatasaray, Fenerbahce’s fierce rivals, turn up and are initially booed, but then briefly applauded.
Fenerbahce fans gather at Thun’s Storkhorn Arena (Nick Miller/The Athletic)
This early arrival isn’t necessarily an expression of pro-Mourinho enthusiasm: this is just what Fenerbahce fans specifically, and Turkish football fans generally, are like. Still, there is a sense of incredulity that Mourinho is at their club: he is their first manager with a Champions League/European Cup title on his CV since Guus Hiddink in 1990. “It’s an amazing thing for Fenerbahce,” says Okan, one of the fans waiting outside, before offering a warning. “But if he doesn’t win the title, he’ll just end up like all the others.”
Indeed. Mourinho has a tough act to follow. Last season, Fenerbahce won 99 points, the highest total in their history, and it would have been the highest in Turkish Super Lig history had Galatasaray not finished on 102, pipping them to the title. Coach Ismail Kartal might have reasonably expected to get a second crack, but no dice: a week after the season ended, Kartal was shoved out of the back door as Mourinho was welcomed through the front.
Mourinho is here partly as a political pawn, a Hail Mary attempt by club president Ali Koc to finally win a league title. Fenerbahce haven’t been Turkish champions since 2014, the longest dry spell in their history. Koc, from one of the wealthiest families in Turkey, was seen as the man to bring glory back to the Asian side of Istanbul, but his failure to deliver a title could well have seen him voted out at their presidential elections this summer.
Particularly when it was made known that his opponent, former club president Aziz Yildirim, had lined Mourinho up as coach if he won the election. But then, hey presto: Koc, with the help of Hull City owner Acun Ilicali, who is also on the Fenerbahce board, pulled a rabbit from a hat and it emerged that, plot twist, it was he who was talking to Mourinho. A week after Mourinho was unveiled in front of 30,000 fans at Fenerbahce’s Sukru Saracoglu Stadium, Koc was re-elected with 61 per cent of the vote.
When he emerged from the tunnel before the game, Mourinho headed straight to embrace his opposite number, Mattia Croci-Torti.
The Lugano manager is one of Swiss football’s up-and-coming coaches and a lifelong Inter Milan fan, so facing the man who won the treble with them in 2010 carried extra significance. “It will be a source of personal pride to face a coach like him,” Croci-Torti, 42, said before the game, “because it may never happen again.”
Mourinho had some advice for his opposite number Mattia Croci-Torti, the Lugano head coach (Piero Cruciatti/Anadolu via Getty Images)
Those pre-match cordialities were a distant memory when, just before half-time, Fenerbahce were awarded a penalty, which Croci-Torti protested with a little too much vigour for Mourinho’s liking. He stalks up the touchline to remonstrate with his opponent, in the manner of a wise old head telling the hot-headed young thing how one should behave.
“He was like myself when I was younger,” Mourinho says after the game, with a slightly wistful grin. “Speaks too much. Complains too much. It’s the emotion of youth. He was lucky because when I did it, always a red card.”
Before that penalty, Mourinho’s debut hadn’t been going well. Fenerbahce are behind after just four minutes, with some sharp work by Ayman El Wafi putting Lugano in front. On the touchline, Mourinho’s frustration grows — 12 minutes in, his hands are on his hips in the manner of a disappointed mother after Jayden Oosterwolde is dispossessed carelessly; his arms are outstretched after the ball is given away in midfield; he shoots an exasperated glance back to his bench when a corner doesn’t beat the first man.
But it’s all fairly low-energy irritation, more the grumblings of an old man tired of life than the sort of raging against the world we remember from Mourinho of days gone by. Until, that is, Dusan Tadic is fouled inside the box on the stroke of half-time for that penalty. Edin Dzeko converts, but it almost feels like it was Mourinho remonstrating with young Croci-Torti that has lit the spark, rather than simply the goal.
Everything is amped up after the break. Mourinho is much more animated and, after some brilliant footwork by Tadic and a perfectly timed run and finish by Dzeko, they’re ahead. For the rest of the game, they’re much more fluent — more than you might expect from a Jose Mourinho side. There’s a brief scare when Lugano equalise, but the 38-year-old Dzeko completes his hat-trick and substitute Ferdi Kadioglu whips one into the bottom corner. They ultimately win 4-3.
“It was a game with seven goals,” Mourinho said after the game. “People like goals,” he added, and there’s a delicious pause where you think he’s going to say, ‘I don’t care for them quite so much myself…’, but he doesn’t. This is, after all, a man who once described an Arsenal vs Tottenham game that finished 5-4 as a “hockey score”.
Mourinho congratulates Ferdi Kadioglu for scoring Fenerbahce’s fourth goal (Piero Cruciatti/Anadolu via Getty Images)
Mourinho doesn’t quite celebrate these goals with the knee slides or coat-flapping dashes of old, but there was a primal roar, particularly from the last two. There are more glimpses of classic Mourinho in his post-match comments, including a lengthy gripe about the artificial pitch — “Honestly, I don’t understand why UEFA allow Champions League games on a plastic pitch” — about Lugano not returning the ball to Fenerbahce following an injury and, of course, about the referee. Mourinho changes, but at his core, he’s still the same old Jose.
When you think about Mourinho managing in a country that is ranked ninth in UEFA’s league coefficients, it is difficult not to remember the time that he sniffily put down Manuel Pellegrini, saying that if Real Madrid were to fire him he would never have to stoop so low as to manage Malaga, as Pellegrini had.
From that perspective, you could be forgiven for revelling in his perceived fall. You could also be forgiven for wondering why he still bothers. He could happily sit back and enjoy retirement, enjoy his money, enjoy life.
Mourinho in a typically forthright mood at the post-match press conference (Dursun Aydemir/Anadolu via Getty Images)
Fenerbahce offers the things that Mourinho appears to need. It’s a colossal club in a city and a country that thrives on all the things he thrives on. It’s a club that uses conflict as fuel, as does he. Watching him during this game — stalking up and down the touchline, yelling at his players, picking a fight with a manager 20 years his junior who is taking charge of his first Champions League game — you realise why he hasn’t given it up. What would he be without it?
Mourinho and Fenerbahce and Turkish football might be the perfect combination. Or they could be a cocktail that blows up with more force than any of them can cope with. It really could go either way.
Mourinho tends to thrive when his club needs him more than he needs them, or at least when he can realistically perceive that to be true. And Fenerbahce need him.
This game won’t be the start of Mourinho’s most glorious era — his great achievements are almost certainly in the past — but it might be the start of Mourinho’s most ‘Mourinho’ era. You get the feeling this is perfect for him.
It’s going to be worth watching, whatever happens.
(Top photo: Piero Cruciatti/Anadolu via Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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