Culture
Rosenthal: Mookie Betts' latest goal? Become 'a legend in the game'
GLENDALE, Ariz. — Mookie Betts keeps upping the ante. He talked last season about wanting to become a Hall of Famer. His latest goal: To become, in his words, “a legend in the game.”
Betts, 31, made that declaration in an interview I conducted with him Tuesday for Fox Sports. I asked him, after winning two World Series and an MVP award, what keeps him going at this stage of his career. What motivates him. What fuels him.
“My family, obviously,” said Betts, who is married with two children. “But then just a drive within myself just to be great. I want to be great. When I’m done, I want you to remember not necessarily just the baseball player, but Mookie. I want to be a legend in the game.
“How I create that, I have no idea. I’m just kind of going about it and bringing smiles to people’s faces when I can, trying to sign some autographs when I can, be the best player I can be when I’m playing, be the best teammate I can be.
“Whatever comes my way, I’m just going to try and be the best at it no matter what. If it’s sitting on the bench, I want to be the best cheerleader. Whatever it is. I think if I can do that, I feel like that will create some type of legacy that I can leave. You won’t remember all the on-field stuff, but I want people to remember who Mookie was off the field for sure.”
Major leaguers rarely speak this way. Until recently, the sport’s culture discouraged individualism of any kind. Freedom of expression is becoming more accepted, as evidenced by the league’s “Let the Kids Play” promotional campaign in 2019. But even now, few players openly discuss individual goals, preferring to focus only on the team.
Betts, to be sure, is intent on his Los Angeles Dodgers winning the World Series, something they did in the shortened 2020 season, but haven’t accomplished in a full season since 1988. Coming off the team’s $1 billion offseason, which included the additions of Shohei Ohtani and Yoshinobu Yamamoto, he spoke of a “sense of urgency” this spring.
“We’ve been to the playoffs so many times and haven’t come through,” Betts said, referring to the team’s 11 straight playoff appearances. “We’ve gotten one, but one for nine or ten is not very good in our sport, really in general.”
Betts fields ground balls at Camelback Ranch earlier this month. (Rick Scuteri / USA Today)
To become a “legend in the game,” at least from the perspective of Dodgers fans, Betts knows he must perform better in October. He was brilliant in the 2020 postseason, but went a combined 2-for-25 as the Dodgers were knocked out in the past two Division Series, first by the San Diego Padres, then by the Arizona Diamondbacks, both times after winning 100 or more regular-season games.
Yet, when Betts mentioned his goal of becoming a legend, he was not necessarily talking about on-field performance. I asked him when he realized it was possible for him to achieve such status, and that it was something he even wanted. His answer was telling.
“My friends really stay on me,” Betts said. “They tell me to embrace who you are. Embrace when you walk into somewhere and someone wants to come take a picture or someone gets nervous. I used to kind of shy away from it. Now when I see somebody that’s kind of shy, I go and talk to them. I go and humanize myself.
“I’m a normal person just like everyone else, but there are some things that I do a little differently, and there are some lives that I affect a little differently, and I think I should embrace that. I’m trying. I’m doing my best. It’s weird for me, and it’s weird even saying something like that. But it really stems from my friends. They’ve been with me since I was in the fifth grade, so they’ve seen where I was then. We had no idea any of this was going to happen.”
“This” includes his remarkable 2018 season with the Boston Red Sox, when he won the American League batting title with a .346 batting average, helped the Red Sox win the World Series and was voted AL MVP. It also includes seven All-Star appearances and six Gold Gloves, not to mention a $365 million contract, the third largest guarantee in major-league history.
Betts’ popularity, however, stems not only from his immense all-around skills, but also from fans relating to a player who is listed at only 5-foot-9, 180 pounds. Betts is far from a behemoth. He also displays, at times, an endearing, almost childlike joy for the game.
The Dodgers plan to use Betts mostly at second base this season — he joked to reporters recently that he left his right-field glove and cleats in Los Angeles. Last season, he moved deftly between right, second and shortstop, demonstrating rare versatility, particularly for a superstar.
“It just felt like I was able to be a kid again,” said Betts, a native of Nashville, Tenn. “Growing up, I never played one position. I was almost like the utility guy. I had four uniforms, and whoever called and needed a right fielder or a shortstop or a second baseman or a third baseman or a first baseman, that’s kind of where we went. It’s almost weird playing just one position, especially in the outfield.”
Wait, Betts played for four different youth teams at once?
“Wherever they needed,” he continued, smiling. “Sometimes I would go just pitch, and sometimes I would go play left. It didn’t matter. My dad, I appreciate that from him because I think that really taught me how to be a baseball player instead of just playing one position the whole time.”
For Betts, it was the start of something big, a major-league career that is about to enter its 11th season. The Hall of Fame seems well within his reach, and still he wants more. To win another World Series. To be admired on and off the field. To become — yes, he said it — a legend in the game.
(Top photo of Mookie Betts: Masterpress / Getty Images)
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
Culture
Summer’s Best Beach Reads
Take me to visit a dysfunctional family with oceanfront real estate
by Meg Mitchell Moore
Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.
The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)
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