Culture
QB future for all 32 NFL teams: Russell Wilson, Aaron Rodgers and other intriguing questions
Russell Wilson playing for a new contract with the Pittsburgh Steelers ranks among the top quarterback storylines heading into the 2024 NFL season’s final weeks. There are many others of interest, which makes this a good time to check in on all 32 quarterback situations.
As I usually do this time of year, I’ve grouped all 32 quarterbacks into buckets based on how their teams should feel about them, from “Committed Without Reservation” at one end to “We’re Looking For A Way Out” at the other.
The New York Giants’ current starter (Drew Lock) is not listed, but their former one (Daniel Jones) does appear. I’ve included contract duration and salary rank, along with where each ranks in EPA per pass play among the 40 quarterbacks with at least 100 pass attempts this season.
1. Committed Without Reservation
We have top-five QBs in their primes, signed to long-term contracts.
Patrick Mahomes, Kansas City Chiefs
Signed thru: 2031 | APY Rank: 12 | QB EPA Rank: 10/40
There’s been an interesting statistical tradeoff for Mahomes in recent weeks. After tossing eight touchdown passes with nine interceptions in the first seven games, the TD-INT ratio has flipped to 11-2 in five subsequent games. His sack rate has also jumped from 5.1 percent to 9.0 percent, while his rate of passes gaining more than 15 yards has dropped. Not that any of these things affect how the Chiefs feel about their quarterback, who leads the league in fourth-quarter comebacks (four) and game-winning drives (six), per Pro Football Reference.
Josh Allen, Buffalo Bills
Signed thru: 2028 | APY Rank: 14 | QB EPA Rank: 4/40
Allen has become the betting favorite for MVP honors in recent weeks and is everything the Bills hoped they were getting when they traded up to draft him in 2018. His sack rate has fallen and his explosive pass rate has risen across all three offensive coordinators during his seven seasons.
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Lamar Jackson, Baltimore Ravens
Signed thru: 2027 | APY Rank: 8 | QB EPA Rank: 1/40
The Ravens are winning the big bet they made on Jackson when they signed him to an extension before the 2023 season. Jackson’s production, in decline before he signed the deal, has reached new highs. He has 41 more total touchdowns than turnovers since signing the deal, tied with Allen for the best differential in the league. Jackson ranked 21st (+13) across the 2021-22 seasons.
Joe Burrow, Cincinnati Bengals
Signed thru: 2029 | APY Rank: 4 | QB EPA Rank: 6/40
Burrow passed for 820 yards with nine touchdowns and one interception in 41-38 and 35-34 defeats to Baltimore this season, capturing the essence of this Bengals season. Cincinnati ranks fifth in offensive EPA per play but only 30th on the defensive side. That is the largest differential between offensive and defensive rankings through Week 13. The other teams with similar disparities include the 8-5 Ravens (-24), 8-5 Commanders (-24) and 6-6 Buccaneers (-23).
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Justin Herbert, Los Angeles Chargers
Signed thru: 2029 | APY Rank: 7 | QB EPA Rank: 21/40
Herbert was fifth in Quarterback Tiers voting before the 2023 and 2024 seasons despite slipping from Tier 1 to Tier 2 entering 2024. He’s throwing fewer passes and taking more sacks for a team that is winning on defense. It’s difficult to imagine coach Jim Harbaugh straying too far from his run-heavy philosophy.
2. Committed And Hoping The Sky Is The Limit
We think our young QBs can become stars (and there’s some evidence to prove we are right).
Jordan Love, Green Bay Packers
Signed thru: 2028 | APY Rank: 3 | QB EPA Rank: 13/40
Comparing Love to predecessor Aaron Rodgers would seem unfair if Love weren’t starting his career with similar production.
Rodgers through 27 starts: 64 percent completions, 7.8 yards per attempt, 50 touchdown passes, 18 interceptions
Love through 27 starts: 63 percent completions, 7.4 yards per attempt, 51 touchdown passes, 23 interceptions
The main differences: Rodgers added more EPA on scrambles and lost more EPA on sacks, while Love has lost more on interceptions.
C.J. Stroud, Houston Texans
Signed thru: 2026 (not counting fifth-year option) | APY Rank: 26 | QB EPA Rank: 25/40
To what degree does Stroud’s decline in production from his rookie season reflect a weakened offensive line and injuries at receiver?
That will be a key question heading into next season for the 2023 Offensive Rookie of the Year.
3. Committed And Content
We have veteran quarterbacks signed for the long term and are happy with the situation.
Jared Goff, Detroit Lions
Signed thru: 2028 | APY Rank: 6 | QB EPA Rank: 3/40
Goff is proving to be a great good-team quarterback.
Now in his fourth season with Detroit, Goff is replicating his 2018 Super Bowl season with the Rams through 12 games, except he’s throwing the ball less frequently and throwing it shorter, which means a higher completion rate and fewer explosive gains.
Everything else is about the same: the won-lost record (11-1 both years), the passer rating (109.9 then, 109.0 now) and the elevated yards per attempt (9.1 then, 8.8 now).
Jalen Hurts, Philadelphia Eagles
Signed thru: 2028 | APY Rank: 9 | QB EPA Rank: 12/40
The Eagles are 31-4 through the first 12 games of the past three seasons with Hurts in the lineup. The big difference this season is how much more Philadelphia is leaning on its defense and ground game, led by Saquon Barkley.
Hurts, in his first season with offensive coordinator Kellen Moore, has attempted 304 passes during the 10-2 start this season, down from 403 during the team’s 10-2 start last season. That’s a drop from 33.5 attempts per game to 25.3 per game.
Kyler Murray, Arizona Cardinals
Signed thru: 2028 | APY Rank: 10 | QB EPA Rank: 14/40
Murray seems to have matured and is no longer defined by the “homework clause” Arizona put into (and later removed from) the contract extension he signed in July 2022.
After missing parts of the past two seasons with a torn ACL, he has started the first 12 games of a season for the first time since 2020, his second year in the league.
One big difference from then to now: He averaged a career-high 7.6 rushes and scrambles per game then, compared to a career-low 3.9 this season. While he leads the league in ESPN’s Total QBR metric, teams are blitzing Murray much more effectively than in recent seasons.
Dak Prescott, Dallas Cowboys
Signed thru: 2028 | APY Rank: 1 | QB EPA Rank: 28/40
The Cowboys have had a winning record six times in seven seasons when Prescott started at least half the games and never had a losing season (they were 8-8 in 2019). But the team fell off in 2024, Prescott suffered a season-ending hamstring injury and his new contract is set to count $89 million against the cap in 2025 — his age-32 season — making the future look murkier.
Baker Mayfield, Tampa Bay Buccaneers
Signed thru: 2026 | APY Rank: 18 | QB EPA Rank: 11/40
Mayfield has found a home in Tampa and is providing a solid return on the Buccaneers’ three-year, $100 million investment in him. Since joining Tampa Bay last season, he ranks 10th in EPA per pass play and is tied with the Ravens’ Jackson for the league lead in touchdown passes (53).
The Buccaneers have a mediocre record this season (6-6) because the defense ranks 29th in EPA per play. Mayfield has posted career-high totals through 12 games for passing yards (3,034), passing touchdowns (25), passer rating (101.3) and EPA per pass play (0.11). He’s done it for an offense that ranks fifth in points per game (27.2) and sixth in EPA per play.
4. Committed And Content, With No Guarantees
We like our QBs and have them signed beyond this season to deals containing little or no more guaranteed money. This gives us more flexibility to consider our options.
Matthew Stafford, Los Angeles Rams
Signed thru: 2026 | APY Rank: 15 | QB EPA Rank: 17/40
When Stafford sought a new contract last offseason, the Rams gave him $40 million fully guaranteed, with only $4 million in guarantees after this season. That gives the team greater flexibility to move on from Stafford if some combination of age/injury/performance leads the Rams to consider other options. Stafford remains the best option now. His three game-winning drives are his most since having four in 2021.
Geno Smith, Seattle Seahawks
Signed thru: 2025 | APY Rank: 19 | QB EPA Rank: 23/40
The way this Seahawks season has played out under new offensive coordinator Ryan Grubb, with the team skewing heavily toward the pass and Kenneth Walker III ranking 30th among running backs in rush yards, the focus could fall more on the overall approach than it falls on the person taking snaps from center.
Whatever the case, Smith remains under contract for 2025 under terms favorable to the team, as his $24.8 million in compensation is not guaranteed. That gives the Seahawks flexibility if they decide to consider other options.
Smith had 30 touchdown passes with 11 interceptions in his first season as the Seahawks’ starter (2022). He has 13 and 12, respectively, for an offense that has struggled to find consistency so far this season.
5. Committed With Concerns
We signed our QB to an expensive long-term extension but can’t feel great about it, for different reasons.
Tua Tagovailoa, Miami Dolphins
Signed thru: 2028 | APY Rank: 5 | QB EPA Rank: 2/40
The Dolphins struggled to function when Tagovailoa was not available to them, pushing back against perceptions that the quarterback was mostly a product of coach Mike McDaniel’s scheme and the team’s elite weaponry.
The team has averaged 0.09 EPA per play on offense with Tagovailoa, compared with -0.32 per play without him. That is the difference between being a top-five offense this season and being more than twice as bad as the last-ranked one (Cleveland at -0.15).
Tagovailoa and the Dolphins paid a heavy price for learning more about the quarterback’s value. The concussion he suffered against Buffalo in Week 2 spurred another round of questions about his long-term health and viability as a quarterback.
Trevor Lawrence, Jacksonville Jaguars
Signed thru: 2030 | APY Rank: 2 | QB EPA Rank: 27/40
There’s little evidence Lawrence can overcome tough situations, or that the Jaguars can help him enough to ensure success, but the team still entered into a $275 million extension with him before the season, when there was no looming deadline to do so.
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Here’s where Lawrence ranks in EPA per pass play: 25th since 2021, 20th since 2022, 25th since 2023 and 24th this season. He’ll likely remain among the top five in average annual salary for years to come. Can he close the gap?
6. Committed Until No Longer Committed
Our veteran starters could be on the way out, for different reasons.
Derek Carr, New Orleans Saints
Signed thru: 2026 | APY Rank: 16 | QB EPA Rank: 9/40
The Saints’ next coach will likely help decide what course the team follows at quarterback after this season. Releasing Carr could be difficult given the team’s salary-cap situation, but all options would seem to be on the table as the club sets a new course. Designating him a post-June 1 release would make the most sense if the Saints decide to cut ties.
Kirk Cousins, Atlanta Falcons
Signed thru: 2027 | APY Rank: 13 | QB EPA Rank: 16/40
Cousins could be running out of chances to reverse a recent slide in production. How long before first-round rookie Michael Penix Jr. becomes the best option? It seems fitting that this career crossroads has Cousins returning to Minnesota against his former team in Week 14. Here’s hoping Vikings coach Kevin O’Connell is miked up during pregame, at least.
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How long before Penix takes over from Cousins as the Falcons’ starter? (Kevin Sabitus / Associated Press)
Aaron Rodgers, New York Jets
Signed thru: 2025 | APY Rank: 17 | QB EPA Rank: 29/40
Rodgers’ contract has a $35 million option for 2025. It’s difficult to see the Jets exercising it when a franchise refresh seems appropriate and Rodgers, who just turned 41, has lost athleticism.
As disappointing as this Jets season has been from a quarterback standpoint, this might be worse: The team’s 88.2 passer rating is its second-best through 12 games since 2008.
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7. Committed, But At What Value?
Our QB has earned an extension, but recent events have raised questions about the price.
Brock Purdy, San Francisco 49ers
Signed thru: 2025 | APY Rank: 84 | QB EPA Rank: 7/40
Purdy, with less than $3 million in career earnings, has a $1.1 million salary in 2024. He’s been the NFL’s biggest bargain over the past two-plus seasons and should be in line for a big raise, but how big?
Six weeks ago, the conversation revolved around whether Purdy might cash in for $60 million per year. But as the season slips away and some of Purdy’s physical limitations surface, could the 49ers decide to wait? Could they pursue more of a compromise deal, in the spirit of what Green Bay did with Love in 2023? There’s time to figure out something.
8. Lots to Play For Down The Stretch With Contract Talks Ahead
The veteran we signed on the cheap will command an extension if this keeps up.
Russell Wilson, Pittsburgh Steelers
Signed thru: 2024 | APY Rank: 63 | QB EPA Rank: 8/40
The one-year, $1.2 million deal Wilson signed with the Steelers (while still collecting $37.8 million from Denver on his previous deal) ranks as the biggest bargain in the league this season.
Wilson’s passing production in six starts projects to 4,706 yards with 28 touchdowns and nine interceptions over a 17-game schedule. The final five games deliver some difficult defenses, but with the Steelers all but assured a playoff berth, Wilson has a great opportunity to make Pittsburgh his longer-term home.
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9. Evaluating: Long Runways
Our first-round rookies are just getting started.
Jayden Daniels, Washington Commanders
Signed thru: 2027 (not counting fifth-year option) | APY Rank: 24 | QB EPA Rank: 5/40
This season has showcased Daniels’ dual-threat prowess along with some preexisting durability concerns, but Washington must be very happy with its selection of Daniels overall. His EPA per pass play ranks fifth through 13 starts among all rookies since 2000, per TruMedia. Matt Ryan, Robert Griffin III, Ben Roethlisberger and Prescott rank higher. Wilson, Herbert and Stroud rank sixth through eighth, respectively. That is good company for Daniels.
Caleb Williams, Chicago Bears
Signed thru: 2027 (not counting fifth-year option) | APY Rank: 22 | QB EPA Rank: 30/40
Williams has gone from ranking among the bottom 10 in EPA per pass play under former coordinator Shane Waldron to ranking among the top 10 after three games with Thomas Brown in the role. Whether that is sustainable, the uptick has been encouraging for the No. 1 pick in the 2024 draft. Who will be coaching Williams for the long term?
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Bo Nix, Denver Broncos
Signed thru: 2027 (not counting fifth-year option) | APY Rank: 39 | QB EPA Rank: 26/40
Nix has feasted on the AFC West and NFC South, combining for 15 touchdown passes with one interception in eight games, including six Denver victories. He ranks among the top 10 in a range of passing categories, including EPA per pass play, since Week 8.
Drake Maye, New England Patriots
Signed thru: 2027 (not counting fifth-year option) | APY Rank: 25 | QB EPA Rank: 22/40
Maye has less around him than the other first-round rookie quarterbacks, one reason the Patriots were reluctant to start him right away. He has arguably outperformed expectations given that context, shifting the focus away from him and onto what New England must do to help him in the coming offseason.
10. Evaluating: Clock Is Ticking
We haven’t given up on the 2023 first-round picks we benched, but there’s some urgency.
Bryce Young, Carolina Panthers
Benched after only two games this season, Young has played well enough in five games since his return to renew hope for his future. The Panthers are 2-3 and averaging 21.4 offensive points per game since Young’s return. They had a 2-16 record while averaging 11.2 points per game on offense in his previous 18 starts.
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Signed thru: 2026 (not counting fifth-year option) | APY Rank: 23 | QB EPA Rank: 34/40
Anthony Richardson, Indianapolis Colts
Signed thru: 2026 (not counting fifth-year option) | APY Rank: 29 | QB EPA Rank: 31/40
The Colts were much worse on offense during the two games Joe Flacco started than they were previously or since Richardson returned to the lineup for the past three games. Richardson remains a low-percentage passer capable of the spectacular but is still seeking consistency. How patient will the Colts be in developing him?
11. Evaluating: Need An Alternative
Our young QB could play his way into a future with us, but it’s looking like we’ll be in the market for an upgrade.
Will Levis, Tennessee Titans
Signed thru: 2026 | APY Rank: 53 | QB EPA Rank: 35/40
The Titans’ current coaching staff inherited Levis and could keep him but presumably would not want to bet its future on him, given the returns so far. Can Levis finish strong?
Aidan O’Connell, Las Vegas Raiders
Signed thru: 2026 | APY Rank: 71 | QB EPA Rank: 15/40
The Raiders had O’Connell on their roster entering this season and preferred signing Gardner Minshew for $12.5 million per year. Can O’Connell play his way into their future plans over the remaining five games? His 340-yard game at Kansas City was a start.
12. Thank You For Your Service (And The Future Comp Pick)
We’re grateful for our QB but committed to a different one.
Sam Darnold, Minnesota Vikings
Signed thru: 2024 | APY Rank: 21 | QB EPA Rank: 19/40
The assumption here is that Darnold has played well enough to earn an opportunity greater than what the Vikings can promise him in 2025, when first-round pick J.J. McCarthy returns from knee surgery to presumably claim the starting job.
13. Likely Headed to Free Agency as a Bridge Starter/Backup
There will be a market for these veterans, but not necessarily as the undisputed starter.
Jameis Winston, Cleveland Browns
Signed thru: 2024 | APY Rank: 42 | QB EPA Rank: 20/40
The Browns are averaging 21.8 offensive points per game when Winston starts after averaging 13.4 when Deshaun Watson was in the lineup earlier in the season. Their rate of explosive pass plays has more than doubled from 8.4 percent with Watson to 17.8 percent with Winston.
It’s possible the Browns or another team will project Winston as a starter next season. The two pick sixes Winston threw against Denver on Monday night tempered some of the recent enthusiasm.
Daniel Jones, Minnesota Vikings
Signed thru: 2024 | APY Rank: 90 | QB EPA Rank: 32/40
Jones could fill the Darnold role for the Vikings next season if Darnold finds a better opportunity elsewhere. He could also test the market, although additional time with O’Connell in Minnesota could be good for his career longer term.
14. We’re Looking For A Way Out
Help! Our quarterback could not start for any team, but we owe him more than $90 million over the next two seasons.
Deshaun Watson, Cleveland Browns
Signed thru: 2026 | APY Rank: 11 | QB EPA Rank: 40/40
The worst contract in NFL history isn’t getting better soon enough for the Browns. Watson, out for the season with a torn Achilles tendon, is scheduled to count $72.9 million against the cap in each of the next two seasons. Those figures could be manipulated in various ways, but Watson is getting his money regardless, unless he violates the contract in some way.
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(Top photo of Russell Wilson, left, and Aaron Rodgers: Joe Sargent / Getty Images)
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Culture
Historical Fiction Books That Illustrate the Bonds Between Mother and Child
We often think of the past as if it were another world — and in some ways, it is. The politics, religion and social customs of other eras can be vastly different from our own. But one thing historians and historical fiction writers alike often notice is the constancy of human emotion. The righteous anger of a customer complaining about a Mesopotamian copper merchant in 1750 B.C. feels familiar. Tributes to beloved household pets from ancient Romans and Egyptians make us smile. And we are captivated by stories of love, betrayal and sacrifice from Homer to Shakespeare and beyond.
In literature, letters, tablets and even on coins, we find overwhelming evidence that people in the past felt the same emotions we do. Love, hate, fear, grief, joy: These feelings were as much a part of their lives as they are of our own. And they resonate especially acutely in the bond between mother and child. Here are eight historical novels that explore the meaning of motherhood across the centuries.
Culture
How ‘The Sheep Detectives’ Brought its Ovine Sleuths to Life
Sometime in the 2000s, the producer Lindsay Doran asked her doctor for a book recommendation. “I’m reading that book everybody’s reading,” the doctor replied. “You know, the one about the shepherd who’s murdered and the sheep solve the crime.”
Doran had not heard of the book, “Three Bags Full,” a best-selling novel by a German graduate student (“No one’s reading it,” she recalls responding, inaccurately), but she was struck by what sounded like an irresistible elevator pitch. “Everything came together for me in that one sentence,” she said. “The fact that it was sheep rather than some other animal felt so resonant.”
Doran spent years trying to extricate the book from a complicated rights situation, and years more turning it into a movie. The result, opening Friday, is “The Sheep Detectives,” which features Nicholas Braun and Emma Thompson as humans, and Julia Louis-Dreyfus, Patrick Stewart and others giving voice to C.G.I. sheep stirred from their customary ruminations by the death of their shepherd, George (Hugh Jackman).
The film, rated PG, is an Agatha Christie-lite mystery with eccentric suspects, a comically bumbling cop (Braun) and a passel of ovine investigators. It’s also a coming-of-age story about growing up and losing your innocence that might have a “Bambi”-like resonance for children. The movie’s sheep have a way of erasing unpleasant things from their minds — they believe, for instance, that instead of dying, they just turn into clouds — but learn that death is an inextricable part of life.
“In some ways, the most important character is Mopple, the sheep played by Chris O’Dowd,” the screenwriter, Craig Mazin, said in a video interview. “He has a defect — he does not know how to forget — and he’s been carrying his memories all alone.”
“Three Bags Full” is an adult novel that includes grown-up themes like drugs and suicide. In adapting it for a younger audience, Mazin toned down its darker elements, changed its ending, and — for help in writing about death — consulted a book by Fred Rogers, TV’s Mister Rogers, about how to talk to children about difficult subjects.
The journey from book to film has been long and circuitous. “Three Bags Full” was written by Leonie Swann, then a 20-something German doctoral student studying English literature. Distracting herself from her unwritten dissertation, on the topic of “the animal point of view in fiction,” she began a short story “playing around with the idea of sheep detectives,” she said. “And I realized it was more like a novel, and it wasn’t the worst novel I’d ever seen.”
Why sheep? “I wasn’t someone who was thinking about sheep all the time,” Swann, who lives in the English countryside and has a dog named Ezra Hound, said in a video interview. Yet they have always hovered on the periphery of her life.
There was a friendly sheep that she used to see on her way to school. There was an irate ram that once chased her through the streets of a Bavarian village. And there were thousands and thousands of sheep in the fields of Ireland, where she lived for a time. “There were so many of them, and you could tell there was a lot of personality behind them,” she said.
A book in which sheep are stirred to action had to be a mystery, she said, to motivate the main characters. “In a lot of other stories, you would have trouble making a sheep realize there’s a story there,” she said. “They would just keep grazing. But murder is an existential problem that speaks to sheep as well as humans.”
Swann (the name is a pseudonym; she has never publicly disclosed her real name) found a literary agent, Astrid Poppenhusen, who brought her manuscript to market. Published in 2005, the book was translated into 30 languages and ended up spending three and a half years on German best-seller lists. (The German title is “Glennkill,” after the village in which it takes place.) Other novels followed, including a sheep-centric sequel, “Big Bad Wool,” but Swann never finished her dissertation.
Doran, the producer, read the book — now published in the United States by Soho Press, along with four other Swann novels — soon after hearing about it. She was determined to make it into a movie. Whenever she told anyone about the idea, she said, she had them at “sheep.”
The director, Kyle Balda (whose credits include “Minions”), was so excited when he first read the script, in 2022, that “I immediately drove out to a sheep farm” near his house in Oregon, he said in a video interview. “Very instantly I could see the behavior of the sheep, their different personalities. I learned very quickly that there are more varieties of sheep than dogs.”
How to make the sheep look realistic, and how to strike the proper balance between their inherent sheep-iness and their human-esque emotions were important questions the filmmakers grappled with.
It was essential that “the sheep in this world are sheep” rather than humans in sheep’s clothing, Balda said. “It’s not the kind of story where they are partnered with humans and talking to each other.”
That means that like real sheep, the movie sheep have short attention spans. They’re afraid to cross the road. “They don’t drive cars; they don’t wear pants; they’re not joke characters saying things like, ‘This grass would taste better with a little ranch dressing,’” Doran said.
And whenever they speak, their words register to humans as bleating, the way the adult speech in “Peanuts” cartoons sounds like trombone-y gibberish to Charlie Brown and his friends.
Lily, the leader of the flock, is played by Julia Louis-Dreyfus. It is not her first time voicing an animal in a movie: She has played, among other creatures, an ant in “A Bug’s Life” and a horse in “Animal Farm.” “When I read the script, I thought, ‘Wow, this is so weird,’” she said in a video interview. “It’s not derivative of anything else.”
Lily is unquestionably not a person; among other things, like a real sheep, she has a relatively immobile face set off by lively ears. “But her journey is a human journey where she realizes certain things about life she didn’t understand,” Louis-Dreyfus said. “There’s also the question of being a leader, and how to do that when you’re questioning your own point of view.”
Nicholas Braun took easily to the role of Officer Tim, the inept constable charged with solving the shepherd’s murder.
“The part was a little Greg-adjacent in the beginning, and I don’t really want to play too many Gregs,” Braun said via video, referring to Cousin Greg, his hapless punching bag of a character in the TV drama “Succession.”
“I’m post-Greg,” he said.
It takes Officer Tim some time to notice that the neighborhood sheep might be actively helping him tackle the case. But Braun said that unlike Greg, who is stuck in perpetual ineptitude, Tim gets to grow into a braver and more assertive person, a take-charge romantic hero — much the way the sheep are forced into action from their default position of “just forgetting about it and moving on and going back to eating grass,” he said.
Braun mused for a bit about other potential animal detectives — horses, say, or cows — but concluded that the sheep in the film were just right for the job. He predicted that the movie would change people’s perception of sheep, much the way “Toy Story” made them “look at their toys, or their kids’ toys, differently.”
“I don’t think people are going to be eating as much lamb after this,” he said.,
Culture
In Her New Memoir, Siri Hustvedt Captures Life With, And Without, Paul Auster
Siri Hustvedt was halfway through a new novel, about a writer tasked with completing his father’s unfinished manuscript, when her husband, the novelist Paul Auster, died from lung cancer.
Continuing that story in his absence felt impossible. They were together for 43 years, the length of her career. She’d never published a book without his reading a draft of it first.
Two weeks later, in the Brooklyn townhouse they shared, she sat down and wrote the first two sentences of a new book: “I am alive. My husband, Paul Auster, is dead.”
“It was the only thing I could write about,” she said.
She wrote about her feelings of dislocation: how she vividly smelled cigar smoke, even though Auster had quit smoking nine years before; how she woke up disoriented on his side of the bed and got into the bath with her socks still on; how she felt a kind of “cognitive splintering” that bordered on derangement. She had lost not only her husband, but also the person she had been with him. She felt faded and washed-out, like an overexposed photograph.
Those reflections grew into “Ghost Stories,” Hustvedt’s memoir about her life with and without Auster. Partly a book about grief and its psychological and physiological side effects, it’s also a revealing and intimate glimpse into a literary marriage — the buoyant moments of their early courtship, their deep involvement in each other’s work, their inside jokes (“I’ll have the lamb for two for one”).
She also writes publicly for the first time about the tragedies the family endured several years ago, when Auster’s son, Daniel, who struggled with addiction, took heroin while his infant daughter Ruby was in his care, and woke up to find she wasn’t breathing. He was later charged with criminally negligent homicide, after an examination found that her death was caused by acute intoxication from opioids. Soon after he was released on bail, Daniel, 44, died of a drug overdose.
A few months later, Auster started to come down with fevers, and doctors later discovered he had cancer. He reacted to the news as perhaps only a novelist would — lamenting that dying from cancer would be such an obvious, unsatisfying ending to a life marked by so much tragedy.
“He said so many times, it would make for a bad story,” Hustvedt said. “It was so predetermined, almost, and he hated predictable stories.”
Tall and lanky with short blond hair, Hustvedt, who is 71, met me on an April afternoon at the elegant, art and book-filled townhouse in Park Slope where the couple lived for 30 years. She took me to the sunlit second floor library, where Auster spent his final days, surrounded by his family and books. “He loved this room,” Hustvedt said.
“I’ll show you his now quiet typewriter,” she said, leading me down to Auster’s office on the ground floor, which felt as tranquil and carefully preserved as a shrine. A desk held a small travel typewriter, an Olivetti, and next to it, his larger Olympia. “Click clack, it really made noise,” Hustvedt said.
Auster rose to fame in the 1980s thanks to postmodern novels like “City of Glass” and “Moon Palace,” which explore the mysteries and unreliability of memory and perception. Hustvedt gained renown for heady and cerebral literary novels that include “The Blazing World,” “What I Loved” and “The Summer Without Men.”
They were each other’s first readers, sharpest editors and biggest fans. They even shared characters — Auster borrowed Iris Vegan, the heroine of Hustvedt’s 1992 novel “The Blindfold,” and extended her story in his novel “Leviathan,” published the same year. (Critics and readers assumed she had used his character, not the other way around.)
“We were very different writers and always were, and that was part of the pleasure in the other’s work,” Hustvedt said.
Friends of the couple who have read “Ghost Stories” said they were moved by Hustvedt’s loving but not hagiographic portrait of her husband.
Salman Rushdie, who visited Auster just a few days before he died, said Hustvedt’s vivid portrayal of Auster — who was witty, warm and expansive, always ready with a joke — captured a side of him that was rarely reflected in his public image as a celebrated literary figure.
“He’s very present on the page,” Rushdie said. “They were so tightly knit, and Paul was Siri’s greatest champion. They were deeply engaged in each other’s work.”
Hustvedt was 26, a budding writer who had just published a poem in the Paris Review, when she met Auster, 34, after a reading at the 92nd Street Y. He was wearing a black leather jacket, smoking, and she was instantly smitten.
They went downtown to a party, then to a bar in Tribeca, and talked all night. He was married to the writer Lydia Davis, but they had separated. He showed her a photo of his and Davis’s 3-year-old son, Daniel. They kissed as she was about to get into a taxi, and he went home with her to her apartment on 109th Street.
Shortly after they began seeing each other, Auster broke it off and told her that he had to return to his wife and son. She won him back with ardent, unabashed love letters that she quotes in “Ghost Stories”: “I love you. I’m not leaving yet, not until I am banished.”
In 1982, a few days after Auster’s divorce, they got married. They were so broke that guests had to pay for their own dinners.
Their writing careers evolved in parallel, but Auster’s fame eclipsed Hustvedt’s. She often found herself belittled by interviewers who asked her what it was like to be married to a literary genius, and whether her husband wrote her books.
“People used to ask me what my favorite book of Paul’s was; no one would ever ask him that,” Hustvedt recalled.
When Hustvedt complained about the disparity, Auster joked that the next time a journalist asked what it was like to be married to him, she should brag about his skills as a lover.
The slights persisted even after Hustvedt had established herself as a formidable literary talent. “One imagines that will go away, but it didn’t,” she said. She’s sometimes felt reduced to “Paul Auster’s wife” even after his death: At a recent reading, a fan of his work asked if she took comfort in reading his books in his absence, as if the real loss was the death of the literary eminence, not the man she loved.
She felt the weight of his reputation acutely when Auster died, and news of his death spread online just moments after he stopped breathing, before the family had time to tell people close to him.
The shadow Auster’s fame cast over the family became especially pronounced when scandal and tragedy struck.
In “Ghost Stories,” Hustvedt details a side of Auster’s personal life that he closely guarded: his relationship with Daniel, whose drug use and shiftiness was a constant source of worry. As a teenager, he stole more than $13,000 from her bank account, her German royalties. In 2000, Auster and Hustvedt learned that Daniel had forged his transcripts from SUNY Purchase after he had promised to re-enroll; he hadn’t, and kept the tuition money.
After each breach of trust, she and Auster forgave him.
“I have to leave the door open, just a crack,” Paul said about Daniel, Hustvedt recalls in “Ghost Stories.”
She writes about rushing to the hospital in Park Slope, where Daniel’s daughter was pronounced dead: “It’s the image of her small, perfect dead body in the hospital on Nov. 1, 2021, that forces itself on me.”
The shock of Ruby’s death, followed by Daniel’s arrest and overdose, was made even more unbearable by the media frenzy. Auster and Hustvedt were hounded by reporters, and made no comment.
“We were not in a position to speak about it when it happened, it was all so shocking and overwhelming and trying to deal with your feelings was more than enough,” Hustvedt told me.
But she felt she had to write about Daniel and Ruby in “Ghost Stories” because their lives and deaths were a crucial part of the family’s story, yet had been reduced to lurid tabloid fodder, she said.
“It would not have been possible to write this book and pretend that these horrible things didn’t happen,” she said. “I also didn’t want the horrible things to overwhelm the book, and that’s a tricky thing, because it’s so horrible, you feel it has to be there, but it isn’t the whole story.”
Before he died, Auster told Hustvedt he wanted that story to be told.
“I didn’t feel that I was betraying him,” she said.
Auster and Hustvedt’s daughter, Sophie Auster, a musician who lives in Brooklyn, said reading her mother’s memoir was painful, but she also felt her father’s voice and presence in its pages.
“Opening the book was extremely difficult for me, but you just sink in,” she said. “She doesn’t let you sit in the sorrow for too long. There’s a lot of life and a lot of joy.”
Hustvedt found it strange to write “Ghost Stories” without sharing drafts with Auster, her habit throughout her career. But often, his voice popped into her head.
“I kind of heard him in my ear, saying things like, ‘That’s a wavy sentence, straighten that thing out,’” she said.
After finishing the memoir, Hustvedt went back to the novel she’d been working on when Auster died. She realized she had to rewrite the first half entirely.
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