Culture
Pochettino's tactics: How he can energise the USMNT ahead of the 2026 World Cup
Following an underwhelming Copa America as the host nation this summer and with a men’s World Cup to be played mostly on home soil two years away, the USMNT needed to go big in replacing Gregg Berhalter as head coach.
Consider their statement made.
There is a strong argument to say Mauricio Pochettino will become the most distinguished coach in the history of the United States men’s soccer team when he puts pen to paper. Across 649 games in the biggest competitions in the European club game since 2009 — including 45 in the UEFA Champions League, one of which was in its final — the 52-year-old Argentinian has built a wealth of experience, his bio weighty enough to become the face of the USA’s all-important 2026 World Cup campaign.
But reputation aside, what can USMNT fans expect from a Pochettino team? And is his appointment a good tactical fit for the current generation of American players?
Ever since Gregg Berhalter first took over almost six years ago, the shadow of the men’s World Cup being co-hosted by the United States, Canada and Mexico in 2026 loomed large. An objective at the heart of his tenure was to integrate young talent into the senior national team, with prospects such as Christian Pulisic (above, right), Tyler Adams and Sergino Dest establishing themselves in the side under his leadership.
There was a feeling that group was approaching its collective peak ahead of this summer’s Copa America, also played on U.S. soil, but while the debate rages on around the relative quality of the ‘golden generation’ of American players at Berhalter’s disposal, there is no doubt they underperformed. Defeat to Panama in their second of three group-stage matches may have hinged on an early red card for Tim Weah, but there was a worrying lack of creativity and forward drive from midfield, in a team seemingly still too reliant on Pulisic for moments of attacking inspiration.
The good news is that Pochettino is renowned for his work with younger players, and he should relish the opportunity to develop the squad he’ll inherit, with plenty of enthusiasm and exciting, versatile options in different areas of the pitch. Players including Folarin Balogun, 23, Gio Reyna and Yunus Musah, both 21, will appeal to Pochettino — players with star power, but also with something to prove.
Pochettino’s preference for working with young players is a deep-rooted belief that stems from his own formative years when Marcelo Bielsa — later his manager at Spain’s Espanyol and with the Argentine national team — handed him an early chance at Newell’s Old Boys club in their homeland, along with several other promising players who went on to make a major impact in the first team.
He also believes that it’s difficult to change the mentality or habits of more seasoned veterans who are sometimes unable to adjust to his methods. Pochettino seems wary of allowing a couple of big names to dominate a dressing room — remember, this is a man who lined up alongside both Argentina icon Diego Maradona and Brazilian superstar Ronaldinho in his playing days.
Pulisic carries status and reputation, but doesn’t dominate to a detrimental extent. Pochettino disliked working with a star-studded Paris Saint-Germain side from January 2021 to summer 2022, with big-name forward trio of Lionel Messi, Neymar and Kylian Mbappe undermining his focus on the team’s cohesion without the ball.
In that respect, the profile of this USMNT squad, in terms of their ages and characters, seems likely to suit him, with plenty of time to form relationships with the players ahead of that World Cup in just under two years.
Pochettino took Tottenham to their first-ever Champions League final in 2019 (Chris Brunskill/Fantasista/Getty Images)
Tactically speaking, Pochettino is renowned for a high-pressing ideology, something that he prefers a young squad for, insisting that it’s not about physical capacity but how much players are prepared to run.
To explore his style further, we can look at The Athletic’s playstyle wheel, using his solitary season in charge of Chelsea to outline how his team looked to play compared with Europe’s top seven domestic leagues. Those defensive metrics stand out, with their rating of 89 out of 99 for Intensity speaking to the front-footed nature of their press.

A rating of 96 for Central Progression points to a desire to build attacks carefully and patiently through the middle — something that will suit the technical players at the heart of the USMNT midfield. While many failed to hit their rhythm in the three games at the Copa America, Pochettino will have plenty to work with in that part of the pitch.
Adams, 25, brings unrivalled defensive tenacity at the base of the three-man midfield setup, and is a talented ball progressor who can pick out incisive passes to the more advanced No 8s, while 22-year-old Johnny Cardoso is a strong tackler who is a similarly natural tempo-setter from deep. The technical ability and versatility of Weston McKennie, 25, proved invaluable to Berhalter across the final years of his tenure, while Reyna provided real forward drive and fearlessness from a more advanced position as the USA won the CONCACAF Nations League in March this year.
Throw in the ball-carrying ability of Musah, the devilish late runs of Luca de la Torre, 26, even the creativity and weight of pass of Malik Tillman, 22, and there are plenty of options for Pochettino to chop and change.
Pochettino will have plenty of talent to utilise in America (Robin Alam/ISI Photos/Getty Images)
Less encouraging from the playstyle wheel above will be a rating of 32 for Chance Prevention. Chelsea’s tally of 77 league goals scored last season was their third-highest in the past 15 years, but it came at a considerable cost, as they shipped more league goals (63) than in any other season since the Premier League was founded in the early 1990s.
As unglamorous as it may sound, international football is grounded in having strong defensive foundations first and Pochettino did not showcase that in his most recent spell in the dugout.
Such shortcomings would naturally put more focus on the individual quality of the back line and goalkeeper; areas where the States’ current roster has its problems. Goalkeeper Matt Turner barely played for his Premier League club Nottingham Forest last season and his kicking and distribution were at times questionable during the Copa America. Of the other options at the position, Ethan Horvath, of Cardiff City in English football’s second-tier Championship, is a step down in quality again and conceded a poor goal when he came on after Turner was injured in that match against Panama.
Matt Turner had a disappointing time at this summer’s Copa America (Robin Alam/ISI Photos/Getty Images)
Then there is a shortage of obvious candidates to replace centre-back Tim Ream, who turns 37 in October, plus doubts over the strength in depth that exists behind him and the other current starter at that position, Chris Richards.
Pochettino’s possession game will have to exert more control if they are to sufficiently mask that weakness on the biggest stage.
Ultimately, international soccer is a tricky arena to navigate. With plenty of time between sets of games, and a disproportionate share of straight-knockout, ‘do-or-die’ matches, ambitious projects can be reduced to individual results, years of work washed away in a few minutes of action.
It makes such managerial dismissals as Berhalter’s — and, indeed, appointments like Pochettino’s — difficult to evaluate; the “perfect” candidate nearly impossible to find. But for a squad as young as the one the U.S. currently has, with the eyes of the world set to be fixed firmly on them in two years’ time, a high-profile name like him certainly brings the experience and know-how required, even if this is his first venture into the international game as a coach.
Golden generations don’t last forever.
At the very minimum, Pochettino will bring a welcome dose of belief and expertise to this one.
Additional reporting: Michael Cox and Mark Carey
(Top photos: Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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