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LeBron James vs. Stephen Curry is still the NBA's best theater

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LeBron James vs. Stephen Curry is still the NBA's best theater

SAN FRANCISCO — The frustration seethed in Stephen Curry. Until it boiled to the surface. Until he let out a roar. Until he ripped his jersey from the collar to the 30.

He’d scored 46 points on 35 shots, getting the benefit of just three free throws in his 43 minutes. He hit the game-tying layup at the end of regulation. Inside the final minute of the first overtime, he forced a turnover and then hit a massive corner 3, setting up the game-tying 3 from Klay Thompson that kept the Warriors alive. Then in the second overtime, Curry’s final points of the night came on a 26-footer from the top with 4.7 seconds remaining, putting the Warriors up a point.

He left his follow-through in the air as he backpedaled. Too spent for a more elaborate celebration. The NBA’s leader in clutch points delivered 19 more in this double-overtime affair, including 10 in the second overtime. On most nights, it would’ve been enough.

But on the other team was Curry’s partner in magnificence. His most validating and valiant foe. LeBron James. They’ve exchanged heartbreaks and hugs over the years. James, whose Lakers eliminated Curry’s Warriors from the playoffs last year, had more heartbreak to hand Curry.

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The 39-year-old James beat a rookie nearly half his age off the dribble, blew past another young, spry athlete and powered up for a strong attack on the rim. He drew the foul and, punctuating his spectacular night, swished a pair of free throws to give the Lakers the win, 145-144. James’ 36 points, 20 rebounds and 12 assists in nearly 48 minutes indicted his birth certificate for fraud.

They aren’t winning like they’re used to, both needing all they have just to stay in the race, both hoping to find crucial help to get them back to the realm of the contenders. But Saturday showed Curry and LeBron are still captivating. It will be a decade this coming February since LeBron’s buzzer-beating 3 against the Warriors at Oracle in Oakland debuted “The Silencer” celebration and sparked this duo into must-watch theater. All these years later, when they share a court, it’s still the NBA’s best theater.

“It’s something that you will truly take all in when you’re done playing,” LeBron James said during his on-court interview, “and be able to watch with your grandkids and say that I played against one of the best players ever to play this game. Steph, after the game, came to me and said, ‘How does it keep getting better? How do we keep getting better?’ I think it’s just a true testament to us putting the work in in the game, being true to the game, and the game just continues to give back to us.” 

James, and D’Angelo Russell, made sure another close game slipped through the hands of the Warriors. But this time, it wasn’t so much about what the Warriors didn’t do. This loss wasn’t because of a head-scratching turnover, as was the gut-wrenching loss to Sacramento two nights earlier. Or a questionable coaching decision. Or because they fell apart against an onslaught. Or even because of missed shots.

Still, one of their best efforts counts as but a near-win. A tease. The Warriors are now 15-13 in clutch games with Curry (0-4 without him). They’re five games below .500 and still on the outside of the postseason field. They can play as well as anyone but not win as frequently as the better teams.

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“Our whole season,” Curry said, “we’ve had some tough breaks, some self-inflicted wounds. Some games that obviously you should have won and there’s disappointment walking off the floor. … We fought the whole way. Stayed in it even when things weren’t going our way, gave ourselves an opportunity. It goes down to the last possession three or four times in regulation, both overtimes. It just shows that we really want it. We’re playing with a little bit of desperation trying to change the tide of our season and just don’t have nothing to show for it right now.”


LeBron James and Stephen Curry combined for 82 points on 60 shots and plenty of highlights in Saturday’s double-overtime thriller in San Francisco. (Ezra Shaw / Getty Images)

But their peak is still high enough to get intoxicated. Saturday was a gallery of their best.

Curry, obviously. Draymond Green was every bit the difference maker he’s always been, on both ends, and the combustible will that often burns him on this night kept the Warriors firing. Thompson was vintage in the second half after a brutal first half. His defense on LeBron, his shot-making, his competitive spirit. Jonathan Kuminga was ready and impactful. His 22 points and nine rebounds in 43 minutes showed he can play at this level. He should even have a larger role in the offense.

Head coach Steve Kerr is certain a run is coming. His Warriors are ready for a breakthrough. They’ve got one more game on this homestand, against Philadelphia, before a road trip that starts with three losing teams.

It’s only possible if the Warriors’ resolve is stronger than their jersey fabric.

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“Our guys were amazing, they were amazing,” Kerr said. “The way they battled, competed, and stayed in the game. Made so many plays. Just felt like we deserved to win that game the way the guys fought. So many plays that could have gone either way. That just felt like a game that we deserved to win. As long as we keep playing the way we played tonight, then I think we’re going to turn this around and have a great season. I really believe that.”

The Lakers are in the same situation, though a little closer to where they want to be than the Warriors thanks to a more stable foundation with James and an elite version of Anthony Davis. Their best, too, looks worthy. The Warriors seem to bring that out of them.

But playing their best in moments, in games, isn’t their problem. It’s sustainability. It’s the consistency and versatility of their greatness that’s lacking. They can’t seem to do it every night. They can’t seem to summon it in multiple ways.

The Lakers and the Warriors.

Saturday conspired to conjure the greatness from both teams. A prime-time game. One of great importance to both middling squads. The Hall of Fame presence all over the floor. The appreciation for the stage, the moment, and to still be on it.

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They delivered a thriller. They lived up to their names. Multiple times, Curry took matters into his own hands and delivered like a superstar. But this night, LeBron James had the ball last.

So Curry left the court overcome with frustration. With his jersey in his own hands.

“Actually makes it worse,” Curry said. “Makes, misses or whatever, there’s an energy about what we’re trying to do. So the good news is if we can keep doing that, you would like to think that you could build momentum, and that’s that’s what our hope is. But it’s just a tough … back-to-back games at home that you play well enough to win and just don’t get it done.”

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(Top photo of LeBron James and Stephen Curry after Saturday’s game: Ezra Shaw / Getty Images)

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Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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Video: The 10 Best Books of 2025

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Video: The 10 Best Books of 2025
After a year of deliberation, the editors at The New York Times Book Review have picked their 10 best books of 2025. Three editors share their favorites.

By MJ Franklin, Joumana Khatib, Elisabeth Egan, Claire Hogan, Laura Salaberry, Gabriel Blanco and Karen Hanley

December 2, 2025

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