Culture
Kylian Mbappe’s curious Clasico debut: Eight offsides, some big misses and clipped confidence
The date was November 24, 2018.
As referee Juan Martinez Munuera blew the whistle for full time, a disappointed Real Madrid team headed for the tunnel following a 3-0 La Liga defeat at Eibar, a game where Karim Benzema was flagged offside seven times, equalling a league record set by Elche’s Jonathas de Jesus in May 2015.
Nearly six years later, Kylian Mbappe, Benzema’s long-term replacement, went one better to make the unwanted record his own against another team in red and blue. Only this was in El Clasico in front of nearly 80,000 at the Bernabeu and millions worldwide as Real Madrid slumped to a 4-0 defeat.
Mbappe’s first Clasico was the subject of hype given he had six goals in four matches against Barcelona, including a hat-trick at Camp Nou. He also usually delivers in big games, with three goals in five matches against his current employers in the Champions League, four goals in two World Cup finals for France and 38 in 52 combined Ligue 1 games against Marseille, Lyon, Monaco and Lille.
On Saturday, Barca’s high line was expected to present him with opportunities if he and partner Vinicius Junior timed their runs, given their superior pace compared with Barcelona’s defenders.
A simple strategy on paper, but Mbappe struggled due to a combination of the occasion, an under-developed chemistry with his team-mates, and downright profligacy.
From kick-off on Saturday, Madrid’s approach was clear.
Their defenders would kick the ball up the pitch leaving Mbappe, Vinicius Jr and Jude Bellingham to win their duels.
If they lost the ball in the first phase, the physicality of Federico Valverde, Aurelien Tchouameni and Eduardo Camavinga gave them the upper hand against Barcelona’s front six. All three Madrid midfielders can also play through the press with quick passes, and this combination of qualities troubled Barca through the first half.
The final pieces of the jigsaw were well-timed runs and assured finishing, but two offsides within the opening 90 seconds of the game suggested that was easier said than done.
The second of those saw Camavinga slip Mbappe in behind in the wide gap between Jules Kounde, wary of Vinicius Jr, and Inigo Martinez after Pau Cubarsi stepped up to close Camavinga down. Mbappe raced through, but his finish was poor as he dragged it wide.
In the next 12 minutes, Mbappe twice contributed without the ball, pressing higher than he has ever done this season to force Martinez to go long and help his team regain possession. He also brought down a long pass from Eder Militao before spraying it out wide to Vinicius Jr to kickstart an attack.
Mbappe’s keenness to contribute was evident and his off-the-ball work laid the foundations for his side’s approach to the game.
Then came the third offside, which indicated that he had not learned from the previous instances.
Vinicius Jr once again pinned Kounde on the right and, while Cubarsi did not push up, Mbappe found space between the two Barcelona centre-backs. Mbappe looked over his shoulder, but still began his run a tad too early from Camavinga’s pass.
He was flagged offside after squaring the ball for Bellingham, who forced a fantastic save from Inaki Pena…
More off-the-ball pressure on Martinez forced another Barcelona turnover before the most glaring of Mbappe’s eight offsides arrived in the 19th minute. In this instance, too, he looked over his shoulder but made a premature run to meet Bellingham’s hooked pass forward from the right wing.
Six minutes later, Barca trapped him offside yet again. On this occasion, Mbappe got himself back onside but kept watching the ball, meaning he did not notice Cubarsi taking an extra step forward. When Ferland Mendy played him in from the left, he was a few inches ahead of the back line.
Mbappe was getting closer to figuring it out, though, and seemed to have done just that on the half-hour mark.
A searching ball from Antonio Rudiger found Lucas Vazquez on the right flank. Mbappe was notably offside when Vazquez received the ball but tracked back as Alejandro Balde closed down the Madrid captain. A couple of touches later, Vazquez released Mbappe in between and behind the centre-backs, and he raced forward before finishing with a deft chip…
… only for Madrid’s joy to be cut short after a VAR check.
This was the closest of the lot as the semi-automated replay below suggests. Interestingly, Vinicius Jr seemed to have his doubts when the goal went in as suggested by his initial hesitance (watch above) to join the celebrations.

The marginal nature of the call suggests that Vazquez, who had time and space thanks to Bellingham’s positioning, could have played the pass earlier.
Three minutes later, another long ball from the home defence caused Barcelona problems. Mbappe won the one-v-one against Cubarsi and raced forward, only for Martinez to track back and flick the ball behind for a corner.
That was the striker’s final telling contribution of the half as the teams went into the break level.
Madrid had created openings but, as the expected-goals (xG) chart below shows, offsides had rendered them largely meaningless with their xG not too far away from Barcelona’s, despite the visitors creating little of note.
The second half offered Madrid a chance to build on their dominance and, four minutes in, Mbappe made a well-timed run from behind Cubarsi to latch onto a Vazquez pass on the counter. His first touch was slightly heavy, allowing Cubarsi to put the ball behind for a corner. But this was encouraging for the Frenchman and his side.
That optimism, however, evaporated quickly.
In the 54th minute, the first signs of issues with Mbappe’s pressing could be seen. A half-hearted attempt to stop Marc Casado allowed the Barca midfielder to saunter into space and thread the needle to find Robert Lewandowski in Barcelona’s first successful attempt to play through Madrid.
Lewandowski, onside due to Mendy’s poor positioning, was clinical with his finish. The visitors led 1-0.
Two minutes later, more tepid pressing high up the pitch and a neat Barcelona passing move — made possible by the composure of half-time substitute Frenkie de Jong — saw Lewandowski score again from a Balde cross.
Now 2-0 down, Madrid’s backs were against the wall, but they created nothing of note until the 61st minute when Mbappe conjured his first legitimate shot of the game. Receiving a pass from Camavinga on the left, he cut inside on to his favoured right foot before firing a low shot straight at Pena.
A second shot followed three minutes later, coming after another well-timed run by Mbappe between Cubarsi and Martinez. He latched onto Vinicius Jr’s outside-of-the-boot pass from the left wing to bear down on goal, but Pena came well off his line to narrow the angle.
Rather than taking it around or lifting it over him, Mbappe shot first time, and straight at Pena.
Mbappe’s involvement was growing, but his struggles with the offside trap returned in the 66th minute.
Following a miscontrol by Raphinha in Madrid’s defensive third, Vazquez found Valverde, who was immediately closed down by Dani Olmo. Mbappe remained offside during both these actions.
Valverde initially looks up to find Mbappe (as well as Vinicius Jr and Bellingham) still in an offside position, allowing Olmo to apply more pressure. With no other options, he played the only available pass: to the Frenchman. Mbappe went on to finish the move with a shot into Pena’s far corner but was glaringly offside once again.
Mbappe’s third and final shot of the match came in the 71st minute.
After Olmo lost possession in his own half, Luka Modric lifted the ball over the back line to find Mbappe, who timed his run on Martinez’s blindside to perfection to create another one-vs-one opportunity. This time around, Pena stayed closer to the edge of the six-yard box, daring Mbappe to beat him at either post.
Mbappe chose the far post, but his execution was poor as Pena saved once again without breaking a sweat.
Mbappe’s final involvement in the game came in the opening seconds of stoppage time in a near-perfect example of how Madrid envisioned their original game plan would play out.
Bellingham drew Cubarsi forward for a long ball, which travelled over both and into the path of Vinicius Jr. He comfortably turned Kounde on the halfway line before finding Mbappe on the left flank. Mbappe raced through and forced a near-post save from Pena but, thanks to a clever dart backwards by Martinez, Cubarsi could recover to re-lay the offside trap again.
The result? The assistant referee’s flag went up yet again, marking 12 infractions for the hosts and eight for Mbappe alone…
In between Mbappe’s final shot and final offside, Barcelona had scored twice. The first was a thunderous near-post effort from Lamine Yamal, partially reminiscent of Mbappe’s first goal from his Camp Nou hat-trick in 2021. The second was a deft chip by Raphinha, who easily broke Madrid’s final line of defence from a long ball after they committed men forward.
Those goals epitomised what Madrid needed from Mbappe on the night, but he could never put both together.
At times, the occasion and perhaps an eagerness to make an impact seemed to overcome him; at others, he simply did not display the confidence that many associate with his game, particularly in front of goal. Being on the wrong side of those margins does not go unpunished in fixtures as big as this.
There is also the question of synergy with his new team-mates, which will improve with time. The Barcelona match stands out due to the volume of offsides, but it is worth noting that Mbappe had been caught offside at least once in seven of his nine La Liga games before Saturday.
Mbappe’s frustration shows (Pierre-Philippe Marcou/AFP via Getty Images)
Madrid as a team have been caught offside only 24 times this season, and Mbappe has contributed 17 of those. Vinicius Jr was offside twice against Barcelona but only once previously all season. The Brazilian has been smart with his runs in the knowledge of when his team-mates will release the ball and the awareness that he can beat most defenders with his pace.
For this partnership to work on the biggest stages — particularly given the duo’s limitations in leading the press — Mbappe will need to develop a similar in-game intelligence on top of improved chemistry with his team-mates. He will also need to reduce his profligacy when the chances arrive, with his six league goals this season coming from an xG of 7.7.
Playing for Madrid was Mbappe’s ultimate dream. With that realised, the hardest part of the job begins now.
(Top photo: David Ramos/Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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