Culture
Is Caitlin Clark or Angel Reese the top newcomer so far? WNBA rookie rankings
Even in a game where Angel Reese was ejected, her impact was undeniable. The Chicago Sky rookie was tossed for picking up a second technical with just over two minutes remaining in Tuesday’s loss to the New York Liberty. Her second foul was rescinded a day later by the WNBA.
Nevertheless, Reese had already logged 13 points and 10 rebounds, recording her second double-double. It is the kind of statline Chicago has already come to expect from the No. 7 pick in April’s draft. Reese has been a consistent contributor over the first month of the WNBA season, but she isn’t alone among members of her rookie class.
From their final college seasons through the WNBA Draft to the start of their pro careers, these rookies have brought new star power and a fascinating dynamic to the league. They’re working out the kinks as they adjust to a higher level, but there’s no doubt they are delivering in meaningful ways.
Feeling the love, Skytown 💙 pic.twitter.com/nK2wIbN9lR
— Chicago Sky (@chicagosky) May 26, 2024
Though it feels like the year has just started, somehow, someway, some franchises have already crossed the quarter mark of the season. With that, here’s our look at the five best rookies the first month of the season.
15.6 PPG | 6.4 APG | 5.1 RPG
Clark has been the center of attention during her first month in the WNBA, especially last week. But amid some struggles, she still has found ways to produce. She is aggressive attacking the basket, already attempting 48 free throws, which are the seventh most in the WNBA. She’s also impacted Indiana’s offense despite not hitting 3-pointers at nearly the same clip as she did at Iowa. Reese certainly has made a case for the No. 1 spot, but Clark also shoulders significantly more defensive pressure than any rookie. Her 25.8 percent usage rate is more than WNBA stars like Skylar Diggins-Smith, Breanna Stewart, Kelsey Plum and Sabrina Ionescu. She’s shown growing pains and reasons for optimism. A focus in June should be cutting down on turnovers, as Clark leads the league (56) and has 21 more than Phoenix Mercury guard Natasha Cloud, who is second.
GO DEEPER
Has Caitlin Clark lived up to the hype so far in her WNBA rookie season? Experts debate
2. Angel Reese, Chicago Sky
10.8 PPG | 9.0 RPG | 5.0 ORPG
At LSU, Reese recorded double-doubles on a near nightly basis. Thus far, she’s been pretty close to that. Entering Thursday night’s matchup against the Washington Mystics, Reese had recorded at least 8 points and 8 rebounds in six of her eight games..
Reese’s impact on Chicago has been tangible. She leads all rookies with 9 rebounds per game and leads all WNBA players with her average of 5 offensive rebounds per game. Sky coach Teresa Weatherspoon, a Naismith Hall of Fame player, has taken a liking to what Reese provides, especially on the glass.
“It’s a knack,” Weatherspoon said two weeks ago. “She’s just relentless. She does a relentless pursuit for the ball and that’s who she is, that’s what she’s about.”
Reese frequently establishes high-quality rebounding position and is aggressive in attacking the rim if she isn’t boxed out by opposing bigs. On offense, she also has already shown she’s unafraid of contact, attempting at least six free throws in six separate games.
Reese’s impact has been evident despite other limitations in her game, making her first month especially impressive.
So far, almost all of her offense has come around the rim. She’s attempted only nine jump shots this season, according to Synergy Sports, making just one. Even around the basket, she has struggled, shooting 29.9 percent. Yet, minimizing Reese’s importance is a focus for Sky opponents.
Improving her perimeter shooting and ability to finish around the hoop will be paramount to her growth. Chicago guard Marina Mabrey has also assisted Reese on only six baskets, an indication there is room for improvement in Chicago’s pick-and-roll action. But if this is Reese’s floor, the Sky have plenty of reasons to be optimistic about their future.
8.0 PPG | 5.4 RPG | 2.6 BPG
Brink, like Reese and Clark, has shown flashes of the skills that made her a star at Stanford. Although the Sparks are just 2-7, Brink scored a career-high 21 points in 23 minutes against the Dallas Wings on May 26, and she tallied at least 5 rebounds six times. Coach Curt Miller hasn’t stretched the No. 2 pick’s usage. Brink has yet to play more than 30 minutes in a game but she’s displayed her offensive repertoire. She’s been solid on catch-and-shoot opportunities and looks comfortable around the rim, shooting 63 percent from the field, according to Synergy Sports. Though Brink developed a reputation as a vaunted shot-blocker in college (and is averaging 2.6 blocks per game so far), some opposing bigs have succeeded going up against her. Brink allows bigs she’s guarding to shoot 43.9 percent.
Despite rather limited minutes, Rickea Jackson’s 3-point shooting and rebounding have stood out. (Ronald Martinez / Getty Images)
9.1 PPG | 3.0 RPG | 46.7 FG
Jackson has played the fewest minutes (208) of anyone in my current top five, but she’s taken advantage of her opportunities. She’s tied for the third most 3-pointers (seven) by rookies, but she’s shooting the second-best percentage of any rookie with at least 10 attempts (only Alissa Pili is better). She’s been a solid rebounder (3.0 per game) and proven she can score in different facets. Sometimes that has taken the form of being aggressive in transition, other times from behind the arc or slashing to the rim. She’s made at least 50 percent of her shot attempts in five of nine games, though done so only once since being inserted into the starting lineup on May 28.
6.6 PPG | 5.0 APG | 2.6 RPG
Uzun is making her WNBA debut this summer, but she is no stranger to playing with — and against — some of the world’s best competition. The 26-year-old guard spent last winter playing for EuroLeague champion Turkish club Fenerbahçe, where she played alongside notables like Napheesa Collier, Kayla McBride, Natasha Howard, Nina Milic and Emma Meesseman. Uzun made the Wings’ opening night roster after signing a training camp contract and was thrust into the franchise’s starting lineup.
Right away, she’s been trusted to draw the best out of a team with top-four aspirations. Uzun is averaging 31.3 minutes per game, the second most on the roster and the second most among rookies behind Clark. Though she’s continuing to figure out how to play alongside Arike Ogunbowale, the early returns are positive. Twelve of Uzun’s 40 assists have been to Ogunbowale, and she has also found Dallas bigs Teaira McCowan and Monique Billings on multiple occasions. In addition to her offensive playmaking, the 5-foot-10 Uzun has been an excellent defender so far, with opponents shooting only 28.6 percent on shots she’s guarding, according to Synergy Sports.
🇹🇷Dün gece yine ilk 5 başlayan ve 26:24 dakika saha kalan milli oyuncumuz Sevgi Uzun, karşılaşmayı 4 sayı (1-8 FG, 2-2 FT), 2 ribaund, 4 asist ve 1 top çalma ile tamamladı.pic.twitter.com/FH2dwrQ6II https://t.co/QnJHxul5Ml
— Women Hoops (@womenhoop) June 6, 2024
She plays with fearlessness on both ends. Exhibit A: It didn’t go down, but she nearly made the shot of the year when she threw an inbounds off Sun center Brionna Jones with less than 10 seconds remaining in a one-point game, collected her own pass, and shot it.
Others considered: Julie Vanloo ( Mystics), Pili (Lynx), Aaliyah Edwards (Mystics), Kate Martin (Las Vegas Aces)
(Top photos of Caitlin Clark, left, and Angel Reese: Jeff Haynes / NBAE via Getty Images)
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
By Alexandra Alter, Léo Hamelin and Laura Salaberry
May 20, 2026
Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
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