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If that was it for Simone Biles' Olympic career, let's all appreciate what we just saw

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If that was it for Simone Biles' Olympic career, let's all appreciate what we just saw

PARIS — Manila Esposito, the bronze medalist on the balance beam, stared like a deer in the headlights in a packed post-meet press conference. As she started to speak, her voice barely audible, Simone Biles reached over and adjusted Esposito’s microphone, nodding at the Italian gymnast that she was good to go. Later, after the moderator posed a question to Alice D’Amato, Esposito’s teammate, it took D’Amato a moment to respond. The moderator started to prompt her, when Biles gently reminded the moderator that the translation into the earpieces takes a little time to process.

Every now and again there comes a reminder: Simone Biles is 27 years old. This is not her first rodeo. She knows a thing or two about microphones and translations, succeeding and even a little bit about failing. Biles started competing internationally more than a decade ago, as a braces-wearing 16-year-old. She wasn’t old enough to drive. She wasn’t old enough to drink when she went to Rio in 2016.

Now she’s married but, like a new bride who is asked when she wants to start a family upon exiting the ceremony, Biles has been asked, even before she finished competition in Paris, how she feels about Los Angeles. She initially answered with a nonanswer. It would be lovely to compete on her home turf, she admitted, but she also acknowledged that age is not merely a number. “I’m old,” she said with a laugh.

Later she expressed her exasperation on X. “You guys really gotta stop asking athletes what’s next after they win a medal at the Olympics,” she tweeted, adding, “Let us soak up the moment we’ve worked our whole lives for.”

It is the crux of it, really, but in Biles’ case, it’s messaging that needs to be flipped. It is everyone else that needs to do the appreciating, instead of greedily wondering if we might get to enjoy more. This is what happens, of course. We get spoiled, and then desperate, desperate to not let go of a thing we probably took for granted. Biles is a constant, a near-sure thing in sports. Neither age nor injury, abuse or mental health demons, have defeated her. She comes back every time, and so we are left to fret: What if this is it?

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It very well could be. Her coach, Cecile Landi, is leaving to become the head coach at the University of Georgia. Her husband and Biles’ co-coach, Laurent, will follow in a year’s time after their daughter graduates from college. It seems like the ideal transition. She has nothing left to prove, but then again, that’s the tease. This stopped being about proving anything three years ago.

Then, done in by the twisties in Tokyo, Biles did the painful digging to excavate the root of her mental-health struggles. She admitted to abuse at the hands of Larry Nassar and courageously questioned USA Gymnastics’ role in it before the Senate Judiciary Committee. She questioned her own “why,” a scary proposition for all of us, confronting really what we want and what we’re all about. She then had the courage to admit she’d lost her direction, that she’d exchanged her love for gymnastics for answering a bell. More courageously, Biles went and fixed it, taking a year off from a sport in which time is already unforgiving.

“To do the work, the personal work to be here and to perform, it’s amazing,” Laurent Landi said. “It just shows how tough the mind is, and that if you heal it properly, you can be very, very successful.”

She is hardly fading. Biles spent the entire week here dealing with a nagging calf injury, originally injured before trials and tweaked here, during qualifications. Doctors wrapped her leg for the entirety of the competition, and while Biles downplayed the seriousness of it — “Y’all are nosy,” she jokingly chastised reporters when asked — Landi admitted it’s been a matter of managing the pain, not eliminating it. Medication, treatment, ice, the usual lineup, all to ensure that it “held up,” much different than healed. “It was bothering her, of course,” he said. “Was it impacting her performances? I don’t think so.”

Landi smirked then, as if to say, “You tell me.” Four medals, three of them gold, more than all but 22 countries competing in Paris to date.

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The final day, of course, was meant to be a coronation, a victory lap and an au revoir. Instead it revealed Biles’ humanity. She was tired. She’s competed in four of the five days possible here. And she was mentally drained. The pursuit of righting the Tokyo ship weighed heavily on her. The event finals felt weird, too. Instead of playing music while the gymnasts performed, Bercy Arena turned into a church, complete with would-be church ladies tsk-tsking people who dared to react when the gymnasts nailed a skill on beam.

“We asked several times if we could have some music or background noise,” Biles said. “So I’m not really sure what happened there.”

These are not excuses; they are realities. The beam turned into the Hunger Games, medals awarded to those who didn’t fall off. Three women, including Sunisa Lee, fell before Biles and two others had serious balance checks. Yet when Biles missed a landing on her back layout step out and fell, the arena gasped. Later, after the competition ended and Biles officially failed to medal, a mom in line at the Bercy Arena concessions stand bemoaned to her young daughter, “I feel so bad for Simone.” Her daughter, eyes wide, replied, “She fell,” as if she’d just watched DaVinci paint outside of the lines or Beethoven miss a chord.


Whatever Simone Biles decides to do next, her legacy will be one of gymnastics excellence and, more importantly, leadership and courage off the mat. (Naomi Baker / Getty Images)

In her defense, the girl couldn’t have been any older than 8, and in her lifetime, Biles has been Olympic perfection. Until this beam final, Biles had competed in nine different Olympic events in her career, including team, all-around and event finals. She’d medaled in each and every one, earning gold in seven.

Then her very humanity had the audacity to strike again. Two hours after her beam foible, Biles returned for the floor exercise, an event she’s never lost in either the Olympics or worlds. She landed awkwardly during warmups, appearing to tweak that same calf injury. Tended to briefly, Biles nonetheless went out and landed her first tumbling pass, restoring order to the universe. But on the second and the fourth, Biles twice stepped out of bounds, costing her precious tenths of a point, just enough to slot her second to Brazil’s Rebeca Andrade.

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It should be noted — she messed up two moves named after her, that no one else even tries. This is Biles’ definition of failure.

Her definition of success? If you ask Biles, it’s not in the medals, her power. It’s in the very thing that showed itself on the last day of competition: her realness. She is proud of what she’s accomplished, but she’s more proud of who she’s become and the people she believes — accurately — she’s helped.

“Putting your mental health first, and taking time for yourself, whether you’re in sports or not, it’s about longevity,” she said. “Longevity in sports, specifically, but also just for a better, healthier lifestyle.”

Not far from where Biles competed, a woman walked down a Parisian sidewalk, following behind her friendly Australian shetland sheepdog. Indulging dog lovers in need of a fix, she stopped to chat. She is French, but in Paris to enjoy the Olympics and upon learning her new dog friends were from the U.S. said immediately how much she enjoyed the “American gymnast.” She had watched Biles’ documentary on Netflix and commended her for opening the dialogue on mental health.

“I am not an athlete,” she said, adding that she was nonetheless grateful that Biles made it OK to “talk about” your personal struggles. “I appreciate that.”

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If this is the end, we should all appreciate Simone Biles.

(Top photo of Simone Biles with her gold medal from the vault competition: Tom Weller / VOIGT / GettyImages)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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