Culture
He's an Aussie schooled in cricket. And he might be the top pick in the MLB Draft
CORVALLIS, Ore. — In 1884, less than three decades after American miners introduced the sport to a new continent during the Victorian gold rush, an Australian made his professional baseball debut. Joe Quinn, born in a squatters’ camp outside of Ipswich, Queensland, years before his family immigrated to Iowa, suited up for the St. Louis Maroons of the United Association. Inauspiciously, the league folded after his first year. But it merged with the then-fledgling National League and Quinn appeared in 1,772 games for seven teams. One year, as a player-manager, he led the Cleveland Spiders to a total of 12 wins. He worked as a mortician in the offseason. He played his last game in the summer of 1901.
It would be 85 years before another Aussie set foot on a major-league diamond in the United States.
But a line that continued when Craig Shipley broke through with the Los Angeles Dodgers in 1986 now stretches 38 men long. Three Australians have made major league All-Star teams. It is not a robust history comparable to, say, the Dominican Republic or Japan. But it’s something.
So it’s a little weird that nobody in the land of the “fair go” – an Australian ethos that, in part, emphasizes opportunity for all – assured Travis Bazzana he could do what nobody else has done.
“Why are there 1,000 kids in America that can go to these schools every year for baseball and I couldn’t do that?” says Bazzana, one of college baseball’s best hitters, sitting at a mezzanine picnic table inside Oregon State’s Goss Stadium this spring. “Because I’m from Australia? It doesn’t make sense. If I work towards being ready for that as a player, then it shouldn’t matter that I’m from Australia, and ‘Australians don’t do that.’”
On Sunday, Travis Bazzana will be the first Australian-born player selected in the first round of the Major League Baseball draft. If the consensus All-American second baseman doesn’t go No. 1 overall to the Cleveland Guardians, he likely won’t slip out of the top 5. A prospect who filled developmental gaps by playing cricket takes a massive step in changing a national paradigm. It’s a lot to process, for everyone else.
During his college recruiting visit, Bazzana took photos of the records on display in Oregon State’s recruiting lounge, to note the bars to surpass. He gave a presentation on induced vertical break and slider usage after studying them during the summer of 2022. He wears a nasal strip and tapes his mouth shut to maximize sleep and recovery. He envisions not only Olympic medals, but also the necessary infrastructure to earn them.
What’s next is not a mystery but a decision. Because he’s thought of everything. “I’m going to look for edges in all aspects of life, knowing it’s not just the five tools or going out here between the lines,” Bazzana says. “There’s so much more that goes into it. And I’m looking to be the best at those things. My ‘why’ leads to me caring a lot about being great at this. And being great is more than just doing what everyone else does.”
Once upon a time, a friend of Gary Bazzana’s asked Gary to join a local baseball team. Gary did and loved it. Years later, he introduced the sport to his three sons. The youngest was especially enthralled. “It was my identity from when I was pretty young,” Travis Bazzana says. He guesses he was 7 or 8 when he started logging on to MLB.com every day after school to study highlights of the day’s home runs, trying to understand what those swings looked like and how to recreate them. At age 10, his coach sent videos to officials in Williamsport, Pa., to prove Travis was worthy of an exemption to play up for a team seeking the country’s Little League World Series berth. At 15, he linked up with the Sydney Blue Sox of the Australian Baseball League, the country’s top level of pro baseball. Bazzana hit a respectable .257 across three seasons competing against players twice his age.
He was the baseball kid, per local shorthand, in a country without many of them.
Eventually, videos and word of mouth about his makeup from people such as former major league pitcher and Australian Ryan Rowland-Smith made their way up the banks of the Willamette River. The Oregon State staff caught Bazzana during a showcase in Arizona in 2018 and offered a scholarship when Bazzana kited into town for that recruiting visit. And by the end of it all, Bazzana had set eight Oregon State career records, capped by a junior campaign in which he hit .407 and established new single-season standards for homers (28), runs (84), walks (76), total bases (195) and slugging percentage (.911).
Unprecedented. Unstoppable. Unbelievable. Australian. 🇦🇺
Sydney’s Travis Bazzana hit 2 homers today, setting the all-time Oregon State runs scored record.
He had 5 RBI today, 4 homers his last 2 games and 10 hits his last 3.
He could go 1st in the MLB draft. pic.twitter.com/sOm6rJIAkh
— Team Australia (@TeamAusBaseball) March 20, 2024
He’s played cricket and rugby and comes from the other side of the world. But this is a baseball story, not a bedtime story. “It’s always good when Australians can break some new ground,” says Liam Hendriks, the Boston Red Sox veteran righty and Perth native, who is one of the trio of Aussies to make an All-Star team. “Even being in the conversation (for No. 1 overall) will be great for Australian baseball.”
The trajectory makes sense – college program finds supremely gifted prospect overseas, said prospect delivers, professional franchise drafts him – but if it happened all the time for Australians, it would’ve happened already.
Bazzana is the outlier, because more has never been too much. “A lot of kids, no matter where they’re from, don’t have as clear of a picture of their goals that Bazz had,” Oregon State assistant coach Ryan Gipson says.
It was good fortune that Golden Jubilee Field, a park in the Sydney suburb of North Wahroonga, had batting cages and a pitching machine and was less than a 10-minute drive from home. A resource not widely available in Australia was available to Bazzana for hours and hours at a time … but that also required recognition of what being there for hours and hours, with his father feeding ball after ball into the machine, could do for him. “If I was struggling to hit the inside pitch, we’d do inside pitch,” Bazzana says, “and I’d get blown up in the cold night with a wood bat, over and over, until I could figure it out.” It allowed him to pile up repetitions, but not at the pace of peers in, say, the United States, where players might compete in three times as many games.
Fortunately, there was also cricket.
Another sport where a wood implement has to meet a small object moving with velocity and spin. And a heaping dose of urgency to connect: Record an out as a batsman, and you’re done for the entire match, left to stew on failure for hours. No surprise that Bazzana reluctantly recalls a game for the St. Ives Cricket Club in which he recorded a “golden duck” – cricket slang for scoring zero runs on the very first bowl. “You have to be able to lock in perfectly and have a plan for every ball,” he says now. “If you mess up, you’re done.”
The correlation is not accidental. “The hundreds of thousands of reps of more hand-eye coordination is directly applicable to being a great hitter in baseball,” says Oregon State assistant coach Joey Wong, who played overseas in Australia. “It’s really helped him become an elite manager of the strike zone. Being able to recognize pitches and where they start, where they’re going to end up. He’s become probably the best in the country at swing decisions.”
Bazzana was no remedial hitter when he set foot in a new country – he hit .429 with an OPS of 1.064 in 45 games with the Corvallis Knights of the collegiate West Coast League the summer before his freshman season – but neither was he fully formed in the box. “He hadn’t even learned to hit homers yet,” Oregon State head coach Mitch Canham says. (Bazzana hit one in 189 at-bats in that stretch.) Resources, though, would no longer be a problem at a program with 26 conference championships and three College World Series titles. And a glut of information and technology fed a baseball brain like a firehose filling a balloon that never pops.
Bazzana slugged .478 as a freshman and struck out 62 times in 302 plate appearances – neither a satisfactory figure – and then dove into 10 weeks of swing work and data analysis via motion capture and other tools at a Driveline Baseball facility in Seattle. He added 5 miles per hour to his bat speed, per Driveline, and created a flatter swing plane to better match pitches in the zone. The dingers went up (11 as a sophomore, 28 as a junior) and the whiffs went down (47 as a sophomore, 37 as a junior). “I think he actually keeps notes in his phone of how many times he chases out of the zone,” says Oregon State outfielder Micah McDowell, one of Bazzana’s roommates. “That day-to-day process with him is unbelievable, when a lot of guys get gooned out looking at that stuff.”
Canham describes Bazzana as “a walking TrackMan,” referencing the widely used program that measures ball trajectory, spin rates, release points and more. During a series at Washington State late in the 2024 season, Bazzana shook the weight off his bat in the on-deck circle and turned to the Oregon State dugout for a reminder. “Hey, what’s the horizontal break on his slider?” he yelled. There was a brief pause for incredulousness – the Beavers’ best hitter wanted that information now? – before someone barked out, “Fourteen!”
Bazzana shook his head and made his way to the box.
It’s not data. Not anymore. As Canham puts it, it’s his former star’s language. “I go up there with a clear, confident mind,” Bazzana says, “and a plan to battle that pitcher, whoever it is, every single time.” The capacity to process information with remarkable fluency has created what those around him consider to be Bazzana’s separating factor as a hitter: an ability to make swing adjustments in the sliver of time between pitches.
“Some guys it’s weekend-to-weekend or game-to-game,” Canham says. “I always thought the good ones are at-bat-to-at-bat, getting back in it. But he’s very much so pitch-to-pitch. He’s always going to hit.”
Meanwhile, the consumption became all-consuming. Anyone in Bazzana’s orbit felt the pull of his research, insights and innovations. “The running joke is, if you’re his roommate, your OPS is going to go up 200 points,” Gipson says. It was after that summer at Driveline that Bazzana made the PowerPoint presentation on induced vertical break to the rest of the Oregon State squad. During workouts, Bazzana would catch sight of pitchers working in the bullpen and drift off to discuss what he sees. In-depth discussions about pitch shape or usage or defensive alignments behind the mound were basically a weekly occurrence, at least, per Oregon State starter Aiden May. “There are a lot of talented guys, there’s a lot of focused guys, there’s a lot of people who are very naturally skilled,” May says. “But not a lot of guys who are that can affect the rest of the people around them quite like Travis can.”
There was also Bazzana’s pursuit of a cold tub to install in the garage of his off-campus residence – rendered moot when Oregon State added one to its facility. Or the steaks and fish he’ll prepare for himself and his roommates, in alignment with best nutritional practices. Or the presentation he delivered to the team last fall entitled “Champion Habits,” focused on sleep and recovery and general discipline. Hence the nasal strip and taped-shut mouth and white noise machine in bed at night … and why McDowell, his roommate, picked up the practices. “It’s super contagious,” McDowell says. “I’ve never played with anyone in any sport that just is so driven and is constantly thinking about how to better himself.”
When Bazzana arrived at Oregon State, fully invested in creating the best opportunity to reach the majors, he thought kinesiology would be a worthy major. Learn about the body and how and why it moves like it does, and all that. Then he discovered he’d be sidetracked by requirements such as a chemistry course he had no use for, so he made another adjustment. He chose psychology. Learning about the brain and relationships and people, he figured, would bring out more in himself and everyone around him.
There have been no false steps to this coming Sunday, which is remarkable given how long the path has been. But then there’s only ever been one thought behind every one of those steps.
“Someone’s gotta be the best,” Bazzana says. “Why are they the best? And how can I do that?”
Travis Bazzana’s capacity to process information has created what many consider to be his separating factor as a hitter: an ability to make swing adjustments between pitches. (Jeff Moreland / Icon Sportswire via Getty Images)
In five World Baseball Classics, Australia has won five games. Its last run was a minor breakthrough: three victories and a quarterfinal appearance in 2023. It took home an Olympic silver medal two decades ago – the only time Australia left the Summer Games with a winning record – and then failed to qualify for the next two before the sport was entirely removed from the event slate.
A country that takes up 5.2 percent of the earth’s landmass is, in this specific context, not overly noticeable.
The best baseball prospect Australia has produced thinks about everything, but maybe the future of the game in his home country most deeply. Bazzana envisions medaling in international competitions to confirm Australia’s place as a power in the sport. On a smaller scale, it’s spearheading efforts to improve the training environments and coaching to bring them up to standard, so those who want the resources will have them. He doesn’t know exactly how it will work, being in the United States and affecting change 16 hours away. He just says he’ll find a way to figure it out.
But the want-to is not as powerful without credibility behind it. That’s the meaning of Sunday, whenever his name is called.
Travis Bazzana, the baseball kid from Australia, will be one of the first of more than 600 prospects selected by major league franchises. It could be anyone else in the world, and it’s one of their own. And what comes next could be anything.
“At the stem of it,” Bazzana says, “it’s belief.”
— The Athletic’s Andrew Baggarly contributed to this report.
(Illustration: Dan Goldfarb / The Athletic; photo: Jeff Moreland / Icon Sportswire via Getty Images)
Culture
Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas
SELLING OPPORTUNITY: The Story of Mary Kay, by Mary Lisa Gavenas
Mary Kay, the cosmetics company whose multilevel marketing included sales parties and whose biggest earners were awarded pink Cadillacs, was really in the business of selling second chances. Or, at least, that’s what Mary Lisa Gavenas argues in “Selling Opportunity,” a dual biography of the brand and the woman behind it.
Mary Kathlyn Wagner, who would become Mary Kay Ash, “the most famous saleswoman in the world” and “maybe the most famous ever,” in Gavenas’s extravagant words, was born in 1918 to a poor family and raised mostly in Houston. Although a good student, she eloped at 16 with a slightly older boy. The young couple had two babies in quick succession.
Mary Kay’s creation was a combination of timing and good luck. Door-to-door sales was a thriving industry — but, traditionally, a man’s world: Lugging heavy samples was not considered feminine, and entering the homes of strangers, unsafe. But things began to change during the Great Depression, Gavenas suggests, thanks to a convergence of factors — financial pressures and the rise of the aspirational prosperity gospel espoused by Dale Carnegie’s self-help manuals.
At the same time, female-run beauty lines like Annie Turnbo Malone’s Poro and Madam C.J. Walker’s were finding great success in Black communities. And, coincidentally or otherwise, the California Perfume Company changed its name to Avon Products in 1939.
Ash began by selling books door to door, moving on to Stanley Home Products in the 1940s. She was talented, but direct sales was a rough gig. Every party to show off wares was supposed to beget two more bookings; these led to sales that resulted in new recruits. But there was no real security or stability: no salary, no medical benefits, no vacations. “Stop selling and you would end up right back where you started. Or worse,” the author writes.
Gavenas, a onetime beauty editor who wrote “Color Stories,” takes her time unspooling Mary Kay’s tale, with a great deal of evident research. We learn about direct sales, women’s rights and Texas history.
But, be warned: Readers must really enjoy both this woman and this world to take pleasure in “Selling Opportunity.” Mary Kay the person keeps marrying, getting divorced or widowed and working her way through various sales jobs (it’s hard to keep track of the myriad companies and last names). Gavenas seems to leave no detail out. Thus, the 1963 founding of the eponymous beauty company doesn’t come until almost 200 pages in.
Beauty by Mary Kay included a Cleansing Cream, a Magic Masque and a Nite Cream (which containined ammoniated mercury, later banned by the F.D.A.). The full line of products — which was how Mary Kay strongly encouraged customers to buy them — ran to a steep $175 in today’s money. (To fail to acquire the whole set, Ash said, was “like giving you my recipe for chocolate cake but leaving out an important ingredient.”)
Potential clients attended gatherings at acquaintances’ homes — no undignified doorbell-ringing here — where they received a mini facial, then an application of cosmetics like foundation, lip color and cream rouge — and a wig. The company made $198,514 in sales its first year.
Although Ash may have seemed a pioneer, in many ways Mary Kay was a traditionalist company, whose philosophy was “God first, family second, career third.” Saleswomen, official literature dictated, were working to provide themselves with treats rather than necessities so as not to threaten their breadwinner husbands.
And yet, they were also encouraged to sell sell sell. Golden Goblet pendants were awarded for major orders. After the company started using custom pink Peterbilt trucks for shipping, it began commissioning those Cadillacs for top consultants. (Mary Kay preferred gifts to cash bonuses, lest women save the money to spend on practical things rather than the licensed frivolities.) The Cadillacs, always driven on company leases, would become industry legend and part of American pop culture lore. “Never to be run-down, repainted or resold, the cars would double as shining pink advertisements for her selling opportunity,” Gavenas writes.
The woman herself was iconic, too. While Ash was a product of the Depression, she was also undeniably over-the-top. She wore white suits with leopard trim, lived in a custom Frank L. Meier house and brought her poodle to the office.
Mary Kay went public in 1968, making her the first woman to chair a company on the New York Stock Exchange. By the 1990s, the Mary Kay headquarters near Dallas was almost 600,000 square feet. They commissioned a hagiographic company biopic; there was a Mary Kay consultant Barbie; they were making $1 billion in wholesale. When she died, in 2001, Ash was worth $98 million.
And yet, Gavenas cites that at the company’s height, in 1992, sales reps made on average just $2,400 per year.
Instead of so much time in the pink fantasia of Mary Kay, it would have been nice for a few detours showing how infrequently the opportunities the company sold were truly realized.
SELLING OPPORTUNITY: The Story of Mary Kay | By Mary Lisa Gavenas | Viking | 435 pp. | $35
Culture
Historical Fiction Books That Illustrate the Bonds Between Mother and Child
We often think of the past as if it were another world — and in some ways, it is. The politics, religion and social customs of other eras can be vastly different from our own. But one thing historians and historical fiction writers alike often notice is the constancy of human emotion. The righteous anger of a customer complaining about a Mesopotamian copper merchant in 1750 B.C. feels familiar. Tributes to beloved household pets from ancient Romans and Egyptians make us smile. And we are captivated by stories of love, betrayal and sacrifice from Homer to Shakespeare and beyond.
In literature, letters, tablets and even on coins, we find overwhelming evidence that people in the past felt the same emotions we do. Love, hate, fear, grief, joy: These feelings were as much a part of their lives as they are of our own. And they resonate especially acutely in the bond between mother and child. Here are eight historical novels that explore the meaning of motherhood across the centuries.
Culture
How ‘The Sheep Detectives’ Brought its Ovine Sleuths to Life
Sometime in the 2000s, the producer Lindsay Doran asked her doctor for a book recommendation. “I’m reading that book everybody’s reading,” the doctor replied. “You know, the one about the shepherd who’s murdered and the sheep solve the crime.”
Doran had not heard of the book, “Three Bags Full,” a best-selling novel by a German graduate student (“No one’s reading it,” she recalls responding, inaccurately), but she was struck by what sounded like an irresistible elevator pitch. “Everything came together for me in that one sentence,” she said. “The fact that it was sheep rather than some other animal felt so resonant.”
Doran spent years trying to extricate the book from a complicated rights situation, and years more turning it into a movie. The result, opening Friday, is “The Sheep Detectives,” which features Nicholas Braun and Emma Thompson as humans, and Julia Louis-Dreyfus, Patrick Stewart and others giving voice to C.G.I. sheep stirred from their customary ruminations by the death of their shepherd, George (Hugh Jackman).
The film, rated PG, is an Agatha Christie-lite mystery with eccentric suspects, a comically bumbling cop (Braun) and a passel of ovine investigators. It’s also a coming-of-age story about growing up and losing your innocence that might have a “Bambi”-like resonance for children. The movie’s sheep have a way of erasing unpleasant things from their minds — they believe, for instance, that instead of dying, they just turn into clouds — but learn that death is an inextricable part of life.
“In some ways, the most important character is Mopple, the sheep played by Chris O’Dowd,” the screenwriter, Craig Mazin, said in a video interview. “He has a defect — he does not know how to forget — and he’s been carrying his memories all alone.”
“Three Bags Full” is an adult novel that includes grown-up themes like drugs and suicide. In adapting it for a younger audience, Mazin toned down its darker elements, changed its ending, and — for help in writing about death — consulted a book by Fred Rogers, TV’s Mister Rogers, about how to talk to children about difficult subjects.
The journey from book to film has been long and circuitous. “Three Bags Full” was written by Leonie Swann, then a 20-something German doctoral student studying English literature. Distracting herself from her unwritten dissertation, on the topic of “the animal point of view in fiction,” she began a short story “playing around with the idea of sheep detectives,” she said. “And I realized it was more like a novel, and it wasn’t the worst novel I’d ever seen.”
Why sheep? “I wasn’t someone who was thinking about sheep all the time,” Swann, who lives in the English countryside and has a dog named Ezra Hound, said in a video interview. Yet they have always hovered on the periphery of her life.
There was a friendly sheep that she used to see on her way to school. There was an irate ram that once chased her through the streets of a Bavarian village. And there were thousands and thousands of sheep in the fields of Ireland, where she lived for a time. “There were so many of them, and you could tell there was a lot of personality behind them,” she said.
A book in which sheep are stirred to action had to be a mystery, she said, to motivate the main characters. “In a lot of other stories, you would have trouble making a sheep realize there’s a story there,” she said. “They would just keep grazing. But murder is an existential problem that speaks to sheep as well as humans.”
Swann (the name is a pseudonym; she has never publicly disclosed her real name) found a literary agent, Astrid Poppenhusen, who brought her manuscript to market. Published in 2005, the book was translated into 30 languages and ended up spending three and a half years on German best-seller lists. (The German title is “Glennkill,” after the village in which it takes place.) Other novels followed, including a sheep-centric sequel, “Big Bad Wool,” but Swann never finished her dissertation.
Doran, the producer, read the book — now published in the United States by Soho Press, along with four other Swann novels — soon after hearing about it. She was determined to make it into a movie. Whenever she told anyone about the idea, she said, she had them at “sheep.”
The director, Kyle Balda (whose credits include “Minions”), was so excited when he first read the script, in 2022, that “I immediately drove out to a sheep farm” near his house in Oregon, he said in a video interview. “Very instantly I could see the behavior of the sheep, their different personalities. I learned very quickly that there are more varieties of sheep than dogs.”
How to make the sheep look realistic, and how to strike the proper balance between their inherent sheep-iness and their human-esque emotions were important questions the filmmakers grappled with.
It was essential that “the sheep in this world are sheep” rather than humans in sheep’s clothing, Balda said. “It’s not the kind of story where they are partnered with humans and talking to each other.”
That means that like real sheep, the movie sheep have short attention spans. They’re afraid to cross the road. “They don’t drive cars; they don’t wear pants; they’re not joke characters saying things like, ‘This grass would taste better with a little ranch dressing,’” Doran said.
And whenever they speak, their words register to humans as bleating, the way the adult speech in “Peanuts” cartoons sounds like trombone-y gibberish to Charlie Brown and his friends.
Lily, the leader of the flock, is played by Julia Louis-Dreyfus. It is not her first time voicing an animal in a movie: She has played, among other creatures, an ant in “A Bug’s Life” and a horse in “Animal Farm.” “When I read the script, I thought, ‘Wow, this is so weird,’” she said in a video interview. “It’s not derivative of anything else.”
Lily is unquestionably not a person; among other things, like a real sheep, she has a relatively immobile face set off by lively ears. “But her journey is a human journey where she realizes certain things about life she didn’t understand,” Louis-Dreyfus said. “There’s also the question of being a leader, and how to do that when you’re questioning your own point of view.”
Nicholas Braun took easily to the role of Officer Tim, the inept constable charged with solving the shepherd’s murder.
“The part was a little Greg-adjacent in the beginning, and I don’t really want to play too many Gregs,” Braun said via video, referring to Cousin Greg, his hapless punching bag of a character in the TV drama “Succession.”
“I’m post-Greg,” he said.
It takes Officer Tim some time to notice that the neighborhood sheep might be actively helping him tackle the case. But Braun said that unlike Greg, who is stuck in perpetual ineptitude, Tim gets to grow into a braver and more assertive person, a take-charge romantic hero — much the way the sheep are forced into action from their default position of “just forgetting about it and moving on and going back to eating grass,” he said.
Braun mused for a bit about other potential animal detectives — horses, say, or cows — but concluded that the sheep in the film were just right for the job. He predicted that the movie would change people’s perception of sheep, much the way “Toy Story” made them “look at their toys, or their kids’ toys, differently.”
“I don’t think people are going to be eating as much lamb after this,” he said.,
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