Culture
Gymnastics officials let down Chiles and others, but unwilling to give 3 bronzes
If it was up to the Court of Arbitration for Sport, Jordan Chiles would keep her bronze medal for her routine in the women’s gymnastics floor exercise at the Paris Olympics, and Romanian gymnasts Ana Bărbosu and Sabrina Maneca-Voinea would each get one, too.
But in a 29-page detailing of its ruling that led Olympic officials to strip Chiles of her first individual medal, CAS said the global governing body for gymnastics botched its officiating of the event and was unwilling to make up for it by awarding all three gymnasts medals, even though each of the athletes had arguments for the bronze.
The International Gymnastics Federation (FIG) also did not keep track of the timing of an inquiry from Chiles’ coach about her score during the Aug. 5 competition, a lapse CAS called a “failure.” Ultimately, the court ruled the inquiry came four seconds after the allowed one-minute window for Chiles’ score to be checked.
The details from CAS on Wednesday squarely blamed FIG for the problems that arose during one of the most dramatic moments of the Paris Games. After the competition, Romanian officials appealed to the court, which had set up a three-person panel at the Olympics specifically to arbitrate disputes.
The panel said it was limited in its review, leading to heartbreak for the athletes.
“If the Panel had been in a position to apply equitable principles, it would surely have attributed a bronze medal to all three gymnasts in view of their performance, good faith and the injustice and pain to which they have been subjected, in circumstances in which the FIG did not provide a mechanism or arrangement to implement the one minute rule,” the court said.
The explanation of the ruling also detailed other serious issues with the administration of the floor exercise, which ended with Rebeca Andrade of Brazil winning gold and Simone Biles of the United States winning silver.
Since then, the scoring for Chiles, Bărbosu and Maneca-Voinea has become one of the most disputed and closely followed sagas of the Paris Games.
“The Panel expresses the hope that the FIG will draw the consequences of this case, in relation to these three extraordinary Athletes and also for other Athletes and their supporting personnel, in the future, so that this never happens again,” CAS wrote in its ruling.
The gymnastics federation did not return requests seeking comment.
USA Gymnastics, which was denied a chance to give new evidence to CAS, promised yet another appeal to the Swiss Federal Tribunal, the body that gives CAS its legitimacy for arbitrations. Successful appeals to the Swiss tribunal are uncommon.
USA Gymnastics said Wednesday the CAS details released earlier in the day showed USA Gymnastics did not have enough time to properly make its case for Chiles, and that it believes Chiles’ coach, Cecile Landi, submitted her review 47 seconds after the score was published.
“We will pursue these and other matters upon appeal as we continue to seek justice for Jordan Chiles,” USA Gymnastics said.
In her first time speaking directly about the controversy, Chiles posted on X on Thursday saying, “I will approach this challenge as I have others — and will make every effort to ensure that justice is done.”
She is holding out hope that her bronze stays just that. Her bronze.
“I believe that at the end of this journey, the people in control will do the right thing,” Chiles said.
GO DEEPER
Chiles on being stripped of medal: ‘This decision feels unjust’
In a separate statement Wednesday, CAS pushed back on a New York Times report that the panel itself had a question of conflict because its head, Hamid G. Gharavi, had represented Romania for nearly 10 years in separate arbitration cases.
Gharavi serves as legal counsel to Romania for disputes handled by the World Bank’s International Centre for the Settlement of Investment Disputes, The Times reported.
CAS said it “condemns the outrageous statements published in certain US media alleging, without knowledge of the above and before review of the reasoned award, that the Panel, and more particularly its chairman, was biased due to other professional engagements or for reasons of nationality.”
The court said that Gharavi’s participation was not challenged during the gymnastics arbitration, so “it can reasonably be assumed that all parties were satisfied to have their case heard by this Panel.”
USA Gymnastics said it had not seen disclosures about Gharavi or any other panelist, “nor have we seen the disclosures to date.”
GO DEEPER
What we know about Jordan Chiles’ Olympic bronze medal case and what comes next
At the heart of the competitive dispute is the inquiry placed by Landi, Chiles’ coach, about how Chiles’ floor routine was scored. Chiles initially scored a 13.666 to place fifth. She was the last of nine gymnasts to compete, which gave her just one minute to place an inquiry under FIG regulations.
The judges allowed the inquiry in the moment, and raised Chiles’ score by 0.1 to 13.766. That moved her ahead of Bărbosu and Maneca-Voinea, who each scored a 13.700. (Bărbosu had an advantage over Maneca-Voinea due to a better execution score, meaning the judges believed she had a cleaner routine.)
In one of the more emotional scenes of the Games, Chiles screamed in celebration, while Bărbosu, who thought she had won bronze, dropped her Romanian flag out of shock and left the floor in tears.
But the appeal to CAS by the Romanian Gymnastics Federation found the timing of the inquiry was late.
After CAS released its initial ruling Saturday, FIG changed the final standings and the International Olympic Committee said it would reallocate Chiles’ medal to Bărbosu.
Bărbosu is set to receive her medal in a ceremony Friday, according to the Romanian federation.
GO DEEPER
IOC’s handling of the Jordan Chiles ruling is disturbing and shameful
In the ruling shared Wednesday, CAS said FIG did not have a mechanism for figuring out immediately whether an inquiry was late, even though the inquiry was submitted electronically.
Donatella Sacchi, president of FIG’s Women’s Artistic Gymnastics Technical Committee, said when the inquiry arrived, “the information offered no indication that it had been received late.”
CAS said it made sense for Sacchi to proceed under the assumption that the inquiry was on time, because there was no setup to immediately show it was late.
“If the FIG had put such a mechanism or arrangement in place, a great deal of heartache would have been avoided,” CAS said.
FIG could also not identify the name of the person who took the inquiry, because the person was appointed by local organizers, Sacchi said.
Landi appeared as a witness at the hearing and said she knew the one-minute rule and “believed she had made the inquiry as fast as she could.”
CAS continued: “She was not able to state with certainty whether she made the inquiry within or beyond the one-minute time limit, as everything had happened in a great rush.”
(Photo: Naomi Baker / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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