Culture
ESPN used fake names to secure Emmys for 'College GameDay' stars
In March 2023, Shelley Smith, who worked 26 years as an on-air reporter for ESPN, received a call from Stephanie Druley, then the network’s head of studio and event production. Druley said she wanted to talk about something “serious” that needed to stay between the two of them, Smith recalled. She then told Smith that Smith needed to return two sports Emmy statuettes that she had been given more than a decade earlier.
That request was one of many ESPN made of some of its biggest stars last year after the National Academy of Television Arts & Sciences (NATAS), the organization that administers the Emmys, uncovered a scheme that the network used to acquire more than 30 of the coveted statuettes for on-air talent ineligible to receive them. Since at least 2010, ESPN inserted fake names in Emmy entries, then took the awards won by some of those imaginary individuals, had them re-engraved and gave them to on-air personalities.
Kirk Herbstreit, Lee Corso, Chris Fowler, Desmond Howard and Samantha Ponder, among others, were given the ill-gotten Emmys, according to a source briefed on the matter, who was granted anonymity because the individual is not authorized to discuss it publicly. There is no evidence that the on-air individuals were aware the Emmys given to them were improperly obtained.
“I think it was really crummy what they did to me and others,” said Smith, who worked at ESPN from 1997 until her contract expired last July.
The fraud was discovered by NATAS, which prompted an investigation by that organization and later by ESPN. Those probes resulted in sanctions beyond the return of the trophies. While it is not known who orchestrated the scheme, Craig Lazarus, vice president and executive producer of original content and features, and Lee Fitting, a senior vice president of production who oversaw “College GameDay” and other properties, were among the ESPN employees NATAS ruled ineligible from future participation in the Emmys.
In a statement, ESPN said: “Some members of our team were clearly wrong in submitting certain names that may go back to 1997 in Emmy categories where they were not eligible for recognition or statuettes. This was a misguided attempt to recognize on-air individuals who were important members of our production team. Once current leadership was made aware, we apologized to NATAS for violating guidelines and worked closely with them to completely overhaul our submission process to safeguard against anything like this happening again.
“We brought in outside counsel to conduct a full and thorough investigation and individuals found to be responsible were disciplined by ESPN.”
Adam Sharp, of NATAS, said in an email: “NATAS identified a number of fictitious credits submitted by ESPN to multiple Sports Emmys competitions. When brought to the attention of ESPN senior management, the network took steps to take responsibility for the actions of its personnel, to investigate thoroughly, and to course correct. These steps have included the return by ESPN of statuettes issued to fictitious individuals and commitments to implement further internal accountability and procedural changes at the network.”
An ESPN spokesperson said Lazarus declined to comment, and Lazarus didn’t respond to an email seeking comment. Fitting was let go by ESPN in August after 25 years at the company. He did not respond to voice and text messages.
The nexus of the scheme was “College GameDay,” the show that Fitting helped turn into a cultural phenomenon and a revenue machine. From 2008-18, it nabbed eight Emmys for outstanding weekly studio show. But on-air talent was, until 2023, prohibited by NATAS guidelines from being included in a credit list in that category. Hosts, analysts and reporters on “College GameDay” could win individual awards, such as outstanding host, studio analyst or emerging on-air talent, and they could win for an individual feature. But they were not eligible to take home a trophy for a win by the show. That rule was meant to prevent front-facing talent from winning two awards for the same work (termed “double-dipping” in the NATAS rulebook).
ESPN circumvented the rule by inserting fake names into the credit list it submitted to NATAS for “College GameDay.” The Athletic reviewed the credit lists for the years the show won: 2010, 2011, 2014, 2015, 2016, 2017 and 2018. In each one of those seven years, names similar to the names of on-air personalities – and with identical initials – were listed all under the title of “associate producers.”
Kirk Henry (Kirk Herbstreit), Lee Clark (Lee Corso), Dirk Howard (Desmond Howard), and Tim Richard (Tom Rinaldi) appeared in all seven years. Steven Ponder (Sam Ponder) and Gene Wilson (Gene Wojciechowski) appeared in five from 2014-18. Chris Fulton (Chris Fowler) appeared in 2010, 2011, 2014 and 2015. Shelley Saunders (Shelley Smith) appeared in the 2010 credit list. Smith was also given an Emmy for the show’s win in 2008, though it is unclear how that statuette was obtained; Shelley Saunders was not listed in the 2008 credit list viewed by The Athletic. However, networks are allowed to modify a credit list after a show is announced as a winner.

While reviewing the 2010 and 2011 credit lists, The Athletic found three additional names that could not be verified that also closely resemble the names of “College GameDay” talent: Erik Andrews (Erin Andrews) in 2011; Wendy Nickson (Wendi Nix) and Jenn Brownsmith (Jenn Brown) in 2010. Nix confirmed that she was given an Emmy around 2010 and said she had no idea it was improperly obtained; it just arrived in the mail one day. She was not contacted about returning it before or after she left ESPN in August 2023. Brown, who left ESPN in 2013, confirmed she also was given one and didn’t know it was ill-gotten. She said: “This is all news to me and kind of unfortunate because you’ve got people who believe they rightfully had one. There are rules for a reason … it’s unfortunate (those were) abused and for so many years, too.” Brown said she has not been contacted by ESPN about returning it. Andrews, who left ESPN in 2012, declined to comment through a spokesperson.
When asked why people at the network would scheme to secure trophies for on-air talent, one person involved in the ESPN Emmy submission process in recent years said: “You have to remember that those personalities are so important, and they have egos.” Smith, for one, pushed back at that and remarked how some executives lined their office shelves with statuettes. One executive interviewed during ESPN’s probe said that some company leaders were obsessed with the Emmys, using the numbers of wins each year to prove their dominance over competitors: “It’s very important to the people who go (to the ceremony) and the old-school television guys.” Additionally, many at ESPN thought the rule preventing on-air personalities from getting statuettes for a win by the show was stupid. They may have just decided to do something about it, the rules be damned.
NATAS strengthened its credit verification process in 2022, and sometime in that year ESPN was asked to verify certain names. The network eventually admitted they were bogus. In its 2022 transparency report, NATAS referenced the scheme: During credit vetting, Sports Administration identified one network’s use of fabricated identities in association with one or more submissions. The matter was referred to counsel and remains pending.
Fake names appeared in ESPN’s Emmy submission for “College GameDay” as recently as 2020 – a year the show did not win – but were not in the 2022 entry. (The Athletic does not have access to the show’s 2021 credit list.)
“College GameDay” on-air-personalities may not have been the only ones to have been given statuettes they were ineligible to receive. In November 2023, Linda Cohn, a “SportsCenter” anchor since 1992, posted a photo on Instagram of four Emmy awards and wrote: “My Fab 4. The latest delivered today. Still grateful.” In the foreground of the photo is an Emmy for outstanding daily studio show from 2023. Because of the rule change, Cohn was eligible to receive that award. She is listed under “host” in the credit list and that word is engraved on the statuette’s base. As for the three Emmys in the background of the photo, one reads:
STUDIO SHOWS
ESPN SPORTSCENTER
LINDA COHN
The two others read:
OUTSTANDING STUDIO SHOW – DAILY
“SPORTSCENTER”
ESPN
LINDA COHN
Under NATAS rules, Cohn was ineligible to receive a statuette as an on-air personality for any “SportsCenter” wins in the category of daily studio show before 2023, and NATAS confirmed Cohn has won only one Emmy. Cohn referred all questions to an ESPN spokesperson.
According to a recent version of the Emmys rulebook, credit fabrication can result in a disqualification and the required return of trophies. According to NATAS, 37 ill-gotten trophies have been returned thus far. Smith gave back the 2008 award but not the one from 2010, which she had gifted to a relative. Wojciechowski, who exited ESPN last summer, declined an interview request. Rinaldi, who left ESPN for Fox in 2020, was contacted on Wednesday but said he did not have time to talk. He then didn’t respond to multiple text messages.
Fitting, Lazarus and Drew Gallagher, a coordinating producer on “College GameDay,” were ruled ineligible from future Emmy participation. Druley was not ruled ineligible for future Emmys; she won a 2023 Emmy as an executive producer for “Monday Night Football.” But she was replaced on an Emmy steering committee by another ESPN executive.
Gallagher and Druley declined to comment through an ESPN spokesperson.
The names of Lazarus, Fitting and Gallagher were absent from the credit lists published in the program for the 44th Annual Sports Emmys ceremony, held on May 22, 2023 in New York. A year earlier, Lazarus’ name had appeared in various show credits, as an executive producer eight times and as a supervising producer once. Fitting was listed as an executive producer nominee six times. Drew Gallagher was listed as a coordinating producer twice. One year later, they were not listed at all.
“College GameDay’s” credit list for the 2023 awards also did not include credits for executive producers, senior coordinating producers or coordinating producers. “Among the sanctions resulting from the investigation was a one-year disqualification from statuette eligibility for the senior leadership of ‘College GameDay,’” NATAS said in an email.
Shortly after Smith’s call with Druley last March, a courier arrived at her California home, wrapped the 2008 statuette in a white plastic bag and took it away. But Smith still has the Emmy she won in 2018 for a story for the program “E:60.”
“I was happy to win the (2018) one,” Smith said. “But the other times (the trophy) would just show up and I wouldn’t even know I was supposed to get one.”
(Illustration: John Bradford / The Athletic, photos: Cooper Neill, Ronald Martinez, Michael Buckner / Getty Images; headshot photos: Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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